Richard Wallace Movies

Set in the early 1900s, Adventure in Baltimore is a romantic comedy about the woman's suffrage movement. Shirley Temple plays a student at an exclusive girl's school who "sees the light" and begins campaigning for women's rights. This doesn't sit well with her minister father (Robert Young) nor with Temple's boyfriend (John Agar, then married to Temple). Eventually, Temple's dad is won over to his daughter's point of view, and delivers an impassioned sermon on tolerance and individual rights for the edification of the hidebound townspeople. Like most of Shirley Temple's "grown up" films, Adventure in Baltimore was a disappointment at the box office. ~ Hal Erickson, All Movie Guide

Sexual harassment can work both ways as can be seen in this romantic comedy when ad man endeavors to maneuver out of a relationship with his girlfriend. This is difficult as she controls a major account for his company and refuses to renew it unless he continues to go out with her. The frustrated fellow then begins having neurotic fits until, at last, he is taken off her account. For his new assignment, he must promote a psychiatrist's latest book. They meet and he is captivated by the lovely doctor. The nervous fellow then becomes her patient, and before long they both fall in love. Unfortunately, the other woman has not given up. His troubles are far from over when he later discovers that the shrink doesn't really love him--she is only using him for a case study. ~ Sandra Brennan, All Movie Guide

This John Wayne adventure is set in South America's rugged Andes Mountains. The Duke has been assigned by a powerful US mining magnate to build a railroad to his newest mines. The two men lock horns over the route the railroad will take. The cost-conscious, people-insensitive industrialist wants to take the shortest route, right through the mountain. But building the tunnel will be extremely dangerous. Wayne wants to do it more safely and build a bridge. Eventually, the engineer is forced to acquiesce with his boss. Later the engineer meets and falls in love with a pretty young woman who turns out to be his hated boss's daughter and this only makes matters worse. ~ Sandra Brennan, All Movie Guide

As appealing as ever in 1946, Deanna Durbin was admittedly getting a bit long in tooth for her ingenue-like role in Because of Him. Durbin is cast as Kim Walker, an aspiring actress determined to become the protegee of famed Broadway actor/producer Sheridan (Charles Laughton). The only person not charmed by Kim's herculean efforts to achieve stardom is playwright Paul Taylor (Franchot Tone), who balks when ordered to write a play for her. But even Taylor is won over by fadeout time, leaving Sheridan, who'd also had designs on Kim, in the lurch. Evidently intended as a "straight" comedy, Because of Him was turned into a musical at the last minute, with a handful of pleasant but irrelevant songs wedged into the proceedings. ~ Hal Erickson, All Movie Guide

Based on the popular Russian novel The Twelve Chairs, this stars Fred Allen as flea-circus impresario Fred Floogle. Learning that he's inherited $12 million from his uncle, Fred also discovers that the money has been stuffed in one of thirteen chairs that he's sold at auction. The rest of the film goes off on any number of hilarious tangents, each tied-in ever so tenuously to the plot. Included is an episode at the movies (Fred and his wife Binnie Barnes are continually escorted up several balcony steps and out several alleyway doors), a visit to Floogle's radio cohort Mrs. Nussbaum (Minerva Pious), a brief misadventure with Jack Benny (this time Benny has a hat-check girl in his hall closet, so that he can collect tips from visitors), an impromptu barbershop quartet session with Fred, Rudy Vallee, Don Ameche and Victor Moore, and a confrontation with the dreaded William Bendix mob (Bendix isn't really a gangster; he simply inherited the mob from his mother). Also weaving in and out of the proceedings are John Carradine as a crooked attorney, Robert Benchley as Fred's pompous in-law-to-be, Sidney Toler as a popcorn-munching detective, and Jerry Colonna as Fred's live-in psychiatrist. Two versions of this film exists, one without Fred Allen's ongoing voice over narration. ~ Hal Erickson, All Movie Guide

Here's yet another comedy about the wartime servant shortage, with traces of The Man Who Came to Dinner thrown into the mixture. When his cook is forced to stay behind in England, Rudyard Morley (Charles Coburn), a noted author who bears more than a passing resemblance to George Bernard Shaw, searches for a new cook in rural Massachussetts. With rogueish ruthlessness, Morley "steals" the chef of socialite Lucille Scott (Isobel Elsom), who exacts a nastily amusing revenge. All of this complicates the romance between Morley's daughter Pamela (Marguerite Chapman) and Scott's aviator son Mike (Bill Carter). Despite the star power and charisma of Charles Coburn, some of the film's biggest laughs are delivered by lowly supporting players Ed Gargan, Mary Wickes and Almira Sessions. ~ Hal Erickson, All Movie Guide

A major moneymaker for RKO Radio, Bombardier stars Pat O'Brien and Randolph Scott as trainers at a school for bomber pilots. O'Brien and Scott argue over teaching methods, while their students vie for the affections of Anne Shirley. O'Brien's methods prove sound during a bombing raid over Tokyo. Scott and his crew are captured and tortured by the Japanese, but the mortally wounded Scott manages to set fire to a gas truck, providing a perfect target for his fellow bombardiers. Stylistically, Bombardier is one of the most schizophrenic of war films, with moments of subtle poignancy (the death of trainee Eddie Albert) alternating with scenes of ludicrous "Yellow Peril" melodrama (the Japanese literally hiss through their teeth as they torture the helpless Americans). Though it can't help but seem dated today, Bombardier remains an entertaining propaganda effort (the film is sometimes erroneously listed as the debut of Robert Ryan, who'd actually been appearing before the cameras since 1940). ~ Hal Erickson, All Movie Guide

Brian Aherne stars as a successful murder-mystery novelist; his wife, Loretta Young, wishes Aherne would switch to writing love stories (Young doesn't have a very realistic grasp on the literary marketplace, but we'll let that pass). Young sweet-talks Aherne into vacating their apartment and moving into a Greenwich village basement, thereby hoping that he'll be inspired to pen words of romance. Unfortunately for Young (but not the audience), their new flat is a hotbed of murderous intrigue, sparked by the discovery of a corpse. The police are completely baffled, so Aherne sets about to solve the mystery himself-while Young, in spite of herself, starts behaving like The Thin Man's Nora Charles. Columbia Pictures had an absolute genius in the early 1940s for churning out fast-moving, star-studded programmers that delivered all the popular elements and left the public panting for more; A Night to Remember was no exception to this winning formula. ~ Hal Erickson, All Movie Guide

In this romantic comedy, a blue-blooded girl falls in love with a wealthy rake who wants to settle down and marry her. Unfortunately, the young woman's guardian and personal stockbroker refuses to sanction the match. This enrages the girl who decides to prove that she doesn't need a guardian by getting a job on Wall Street. Time passes and mayhem ensues until the lass realizes that she has fallen in love with her guardian. Her playboy lover, with great charm, defers to the new lover and leaves them to their happiness. ~ Sandra Brennan, All Movie Guide

Set during the war of 1812, Hal Roach's Captain Caution is an unusual swashbuckler in that the "hero" is actually the heroine. Louise Platt plays Corunna, the daughter of Captain Dorman (Robert Barrat), skipper of the American vessel The Olive Branch. When Dorman is killed in battle, Corunna courageously assumes command of the ship, with the help of muscular first mate Dan Marvin (Victor Mature). While trying to bring a valuable cargo to America, the Olive Branch is captured a number of times by the British, but on each occasion Corunna and Marvin manage to wriggle free and carry on their mission. Making life tougher for Corunna is the presence of the lacivious Slade (Bruce Cabot), who'd like to claim both the girl and the ship as his own personal property. Based on a novel by Kenneth Roberts (Northwest Passage), Captain Caution is currently available on video in a computer-colorized version; the reader is advised to hold out for the black-and-white original. ~ Hal Erickson, All Movie Guide

A comparatively little-known entry in the "screwball comedy" genre, David O. Selznick's The Young in Heart goes for quiet chuckles rather than bellylaughs. Adapted by Paul Osborn and Charles Bennett from a short story by I. R. Wylie, the film concentrates on a family of confidence tricksters. Paterfamilias Roland Young poses as a veteran of the Bengal Lancers in order to insinuate himself into high society; his birdbrained wife Billie Burke willingly goes along with any scheme her husband cooks up; and their work-resistant offspring Douglas Fairbanks Jr. and Janet Gaynor scheme to marry into weatlth. Right now, Janet's target is Scottish millionaire Richard Carlson (making his screen debut) to fill the family's coffers. The whole family teams up to fleece a wealthy old lady called Miss Fortune,played with showstopping relish by Broadway veteran Minnie Dupree. Through Miss Fortune's sweet, unassuming example, everyone in the family begins to reform. Douglas Fairbanks Jr. makes the supreme sacrifice of taking a job-which has the salutary effect of winning him the affections of poor-but-honest Paulette Goddard. Young in Heart originally ended with Miss Fortune passing away while surrounded by the repentant family; preview audiences hated this denouement, obliging Selznick to film a new ending, with Minnie Dupree joyously tooling about on a motorcyle! Our favorite scene: Roland Young and Douglas Fairbanks Jr. at a construction site, comparing the workers to insects. ~ Hal Erickson, All Movie Guide

Edward Arnold once again plays a self-made businessman who inadvertently engineers his own downfall in John Meade's Woman. Starting with a second-rate tree-cutting business, Meade rapidly becomes a powerful lumber tycoon, using underhanded methods to rise to the top and crushing anyone who gets in his way. He falls in love with Chicago socialite Caroline Haig (Gail Patrick), but she doesn't feel the same way; nevertheless, for business reasons she agrees to marry him. Feeling slighted, Meade jilts Caroline in favor of down-to-earth Teddy Connor (Francine Larrimore), whom he's picked up off the streets. Pretending to be in love with Teddy but secretly laughing at her behind her back, Meade gets his comeuppance when she leads a populist revolt against his attempts to corner the wheat market. Based on the exploits of several real-life "robber barons," John Meade's Women contains several scenes which eerily anticipate Orson Welles' Citizen Kane by nearly four years. ~ Hal Erickson, All Movie Guide

Based on the novel and play by James M. Barrie, The Little Minister turned out to be Katharine Hepburn's best vehicle since Little Women. John Beal plays the Reverend Gavin, the sobersided new cleric of a tiny Scottish village. Almost against his better judgment, Beal falls in love with Babbie (Hepburn), a feisty gypsy girl whom the villagers regard as a pariah. Thanks to this "unholy" alliance, the little minister is nearly run out of town, but when he is accidentally stabbed in a fracas, the townsfolk come to their senses. Previously filmed in 1921, The Little Minister was afforded sumptuous production values by RKO Radio (its elaborate Scottish-village set would later pop up in innumerable films, notably Laurel & Hardy's Bonnie Scotland), and benefits immeasurably from the spirited performances of all concerned. Alas, the film was too expensive to post a profit, and despite respectable business it ended up $9000 in the red. ~ Hal Erickson, All Movie Guide