Shirley Walker Movies

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to "Drop the Bomb. Exterminate them all." Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning "work-in-progress" shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era. ~ Lucia Bozzola, All Movie Guide

Based on Kate Chopin's moving novel The Awakening, and set in the early 1900s, this drama chronicles the struggle of a young wife to escape the oppressing conventions of society and live life to the fullest. ~ Sandra Brennan, All Movie Guide

Joe Dante's box-office fantasy Gremlins had barely left American cinemas before Charles Band's B-movie factory, Empire Pictures, rushed out this cheap knockoff. While Dante's film benefited from the director's wry sense of humor and the high-concept clout of executive producer Steven Spielberg, Band's tawdry little creature feature boasts lower production values than a high-school haunted-house fundraiser. The title monsters are a pack of obnoxious demons -- enacted by a handful of rubber dolls covered with KY jelly -- summoned up by the metaphysical shenanigans of college student Jonathan Graves (Peter Liapis) after he discovers his late father's occult paraphernalia at the family estate. Jonathan later invites a group of annoying friends to participate in an all-night party, during which he intends to perform an elaborate parlor trick -- actually a satanic ritual through which he hopes to acquire his father's supernatural powers. This doesn't sit well with Dad, who bursts violently from his grave (a nice touch) to have a chat with his wayward son while legions of ghoulies (well, four or five, anyway) descend upon the revelers. Considering the entire production revolves around the antics of the ghoulies themselves, the alleged puppetry involved is laughable -- the inarticulate puppets do little more than open drooling mouths full of pointy teeth before offscreen stagehands fling them at the heads of cast members. The film's main points of interest lie with the supporting cast, which includes Bobbi Bresee as a supernatural seductress (sporting an eight-foot tongue!) and Eraserhead's John Nance as a bizarre gardener. Somehow, this became one of Empire's top moneymakers, spawning no less than three sequels. ~ Cavett Binion, All Movie Guide

In this underscripted and not wholly convincing drama, Kevin Bacon plays Jack Casey, an up-and-coming broker who crashes on the stock market one day and cashes in whatever he has left to become a bicycle messenger in San Francisco. Although not exactly a logical alternative, bicycling the hilly streets of S.F. turns out to be dangerous after Casey runs into Gypsy (Rudy Ramos), the street pusher who has the messengers run drugs for him. A series of characters and events drop in and out of the conflict between Gypsy and Casey, including love interest Terri (Jami Gertz) and Casey's friend Hector (Paul Rodriguez). Music dominates throughout the film which includes scenes of breakdancing on bikes. ~ Eleanor Mannikka, All Movie Guide

In this Hitchcockian thriller, a wealthy and naive young sculptor learns that people are not always nice and helpful. His first mistake is to fall for the seductress who runs the gallery that has an exclusive on his work. He then hooks up with an insane art collector who gets jealous of the gallery owner's hold on the artist and commits murder, leaving the sculptor to take the blame. ~ Sandra Brennan, All Movie Guide

The Top Gun team of producers Don Simpson and Jerry Bruckheimer, director Tony Scott, and superstar Tom Cruise reunite for this excursion into stock-car racing that incorporates the vroom and rumble of deafening car engines with a rehash of the same elements that worked so effectively in Cruise's Top Gun, The Color of Money, and Cocktail. Cruise plays stock-car driver Cole Trickle, a young fireball on the Southern stock-car circuit who has loads of talent but no conception of how to channel that talent in to racing success. When Tim Daland (Randy Quaid) commissions veteran stock-car racer Harry Hogge (Robert Duvall) to built a car and hires Cole to drive it, Harry must instill in Cole his philosophy of winning and teach him how to channel his raw talent into success -- or, as Harry puts it, "controlling something that's out of control." Cole immediately comes into conflict with the circuit's star driver, Rowdy Burns (Michael Rooker), and their hijinks on the track causes them to smash up their cars and lands them both in the hospital. Because of his injuries, Rowdy is forced to withdraw from the circuit competition. With no rival to torment, Rowdy becomes Cole's supporter and friend, while Cole revs up his motors for Dr. Claire Lewicki (Nicole Kidman), the attractive brain specialist who supervises Cole's recovery from the crackup. Cole's health is restored, and he begins to race again, chastened and hanging onto Harry's every word. Cole appears to have centered himself for success, but in an orgasmic grand finale, Cole must compete against Russ Wheeler (Cary Elwes), a dastardly driver who not only wants to see Cole defeated but permanently disabled. ~ Paul Brenner, All Movie Guide

In this made-for-TV movie, the well-known DC comic book character the Flash must use his super-human abilities to stop the Dark Riders, an evil motorcycle gang who caused the death of his brother and now threatens to take over Central City. A TV series of the same name resulted from this pilot film. ~ Iotis Erlewine, All Movie Guide

John Schlesinger directed this upscale horror film about a landlord with the ultimate problem tenant. Patty Palmer (Melanie Griffith) and Drake Goodman (Matthew Modine) are a middle class couple who lie on their financial statement in order to buy an old Victorian house in San Francisco, planning to renovate it and rent it out. Unfortunately, they select as a tenant Carter Hayes (Michael Keaton), a psychotic real estate bargain hunter who plans to drive Patty and Drake into foreclosure proceedings and then buy the house cheap. Carter starts the ball rolling by refusing to pay his rent and driving out a couple who had rented the rear flat by hammering and sawing all night -- and then releasing a tidal wave of cockroaches. What follows is a psychological war between Carter and the Yuppie couple, with Carter succeeding not only in provoking Drake into more extreme means of eviction, but also causing a rift between Drake and Patty. ~ Paul Brenner, All Movie Guide

The can't-miss teaming of Mel Gibson and Goldie Hawn is squandered on a clumsy, illogical romantic melodrama. Running across her old boyfriend Gibson at a Wisconsin gas station, Hawn is astounded that he seems not to recognize her. How could she have known that Gibson was put into the Witness Relocation Program after testifying against a homicidal mob boss (say, don't they usually alter your appearance when they put you in that program?) Curious over Gibson's furtive behavior, Hawn unknowingly sets herself up as a target for the bad guys. The whole affairs culminates in an after-hours showdown at a zoo (a plot device vastly improved upon in the 1996 Arnold Schwarzenegger vehicle Eraser). While Bird on a Wire admittedly has its moments of enjoyment, most of the film is on a par with Gibson's embarrassing, homophobic scene with a pair of epicine hairdressers. And whoever heard of the Chinatown section of Racine, Wisconsin? ~ Hal Erickson, All Movie Guide

In Randal Kleiser's entertaining adaptation of Jack London's classic novel White Fang, Ethan Hawke plays Jack Conroy, a young man who travels to Alaska with the intent of finding his father's lost gold mine. During the course of his travels, he's accompanied by a big white wolf that he rescued from a professional dog fight promoter. Conroy and the wolf, which he names White Fang, have a number of adventures and make a few enemies on their way to finding the gold mine. ~ Stephen Thomas Erlewine, All Movie Guide

Chevy Chase stars, though not always visibly, as Nick Halloway, a low-level businessman with an acerbic approach to life and work, whose humdrum existence utterly bores him. Nick gets an unexpected jolt of excitement when, nursing a hangover, he's the only one not to evacuate an office building that becomes a disaster area after a mishap involving nuclear testing equipment. An unexpected by-product of the accident is that it turns the molecules of the building, as well as Nick and the clothes he's wearing, transparent. When a team of shady government agents, led by David Jenkins (Sam Neill), notices that a human has been turned invisible, they try to take him into custody, planning to use him as the most dangerous secret intelligence agent the world has ever known. Distrusting their motives, the frantic and confused Nick escapes, and quickly begins learning new information about his unusual condition, such pragmatic details as trying to sleep when he can see through his eyelids and any unprocessed food he eats will give him away. Soon, however, he discovers that the scientist in charge of the experiments (Jim Norton) has no idea how to return him to normal, and begins plotting how best to live a semblance of a normal life while steering clear of his pursuers. Nick involves a beautiful woman he met the night before the accident (Daryl Hannah) in his dilemma, and soon she too becomes a target. Memoirs of an Invisible Man was adapted from a book by H.F. Saint. ~ Derek Armstrong, All Movie Guide

Alien invaders descend upon a peaceful desert community and take over the minds and bodies of the residents. Now only a brave photographer can save them. ~ Sandra Brennan, All Movie Guide