Shirley Walker Movies

This eerie cable-TV movie begins as married couple Jim and Patty (played by one-time L.A. Law costars Harry Hamlin and Susan Dey), accompanied by their children, drive through the Nevada desert in their SUV. Through an unfortunate set of circumstances, the family finds itself marooned in a deserted (and uncharted) town called Weaver. Or is it truly deserted? The spectral images encountered by Jim and Patty may be the spirits of Indians interred in a local burial mound, or they might be the hideously misshapen victims of a botched nuclear test. Whatever the case, it is what the audience doesn't see that induces the goose pimples. Filmed in Australia, Disappearance originally appeared over the TBS cable service on April 21, 2002. ~ Hal Erickson, All Movie Guide

Veteran screenwriters John Brancato and Michael Ferris created this X-Files-esque supernatural thriller series about a group of psychics who help the haunted and the doomed. Each of the group has their own metaphysical strengths: Warren (Kevin J. O'Connor) is a high-strung psychic, Mark (Gabriel Macht) is a med student with an innate empathy for suffering, Satori (Melissa) uses trendy occult imagery to connect to the supernatural, and Albert (John Aylward) is both grumpy and blind with a heightened sixth sense. The pilot opens with university student Marian (Julianne Nicholson) freaking out over visions of her dorm room's dead former resident. She is invited to sit with the "others" along with Elmer Greentree (Bill Cobbs), a sage-like medium who has the ability to see the afterlife. Soon Marian joins the group and starts ghost-busting. ~ Jonathan Crow, All Movie Guide

In this pilot film for the Batman Beyond television series (which aired as a two-part episode), Bruce Wayne (Kevin Conroy) has become too old for super heroics and has hung up his bat suit for good. However, a young man named Terry McGinnis (Will Friedle) wants to avenge the death of his father, which he believes was caused by the new head of Wayne Industries. After he does a bit of digging, McGinnis discovers Bruce Wayne's long-held secret and takes Bruce's suit out of mothballs to become the new Batman, with a new complement of high-tech gadgets at his disposal. Boasting a futuristic look inspired by Japanese anime, Batman Beyond also features appearances from Stockard Channing as the new Commissioner Gordon and Teri Garr as Mary McGinnis, Terry's mom. ~ Mark Deming, All Movie Guide

In the decaying, crime-ridden Gotham City of the future, embittered millionaire Bruce Wayne is persuaded to pass along the mantle (and mask and cowl) of legendary "Caped Crusader" Batman to teenager Terry McGinniss in Season One of the animated series Batman Beyond. The two-part pilot establishes the fact that Terry has been given this honor because he has stumbled onto Wayne's long-buried secret identity, and because the teen wants to avenge the death of his own father by a sinister cartel bent on world domination. The elderly Wayne instructs Terry in the intricacies of his high-tech, gadget-laden Batsuit and shows him how to navigate the new flying Batmobile. Meanwhile, Wayne's business partner Derek Powers, the secret brains behind the conspiracy, works overtime to scuttle Terry McGinniss/Batman's crusade to restore law and order to Gotham City. Also in the opening episode, we are introduced to the Jokerz, a gang of "Clockwork Orange"-like street punks who have enshrined the memory of the "old" Batman's prankish nemesis, the Joker. Other villains whom the new Batman tangles with this season are shapeshifting female saboteur Inque; the Royal Flush Gang, so named because they were card-like costumes and go by the names of King, Queen, Jack, Ten and Ace; Shriek, who can demolish skyscrapers with his high-pitched sound waves; the mesmerindign Spellbinder, Curare, a ninja assassin; Derek Powers' son Paxton, every bit as ruthless and demonic as his dad; and even a revitalized Mr. Freeze--or rather, Mr. Freeze's cryogenically frozen head. Plus: Just as Terry McGinnis had accidentally glommed onto the fact that Bruce Wayne and the earlier Batman were one and the same, so to does his discover in a rather spectacular fashion the fact that the current police commissioner of Gotham City, silver-haired Barbara Gordon, once went by the name of Batgirl. ~ Hal Erickson, All Movie Guide

This stylish animated adventure is based on the '90s animated television series, which in turn is based on the original comics and Tim Burton's live action "Batman" films. Unlike the campy 1960s version of Batman, this version is half-mad from the superhero's obsession with justice. It is only his unusual sense of ethics that keeps him from becoming a full-blown psychotic. The story describes the origins of Batman as it follows the Dark Knight's attempts to capture the elusive, deadly Phantasm who kills a crime lord and makes it look as if Batman did it, causing a media smear campaign against the Caped Crusader. At the same time, millionaire Bruce Wayne holds a party at his mansion. There he meets Councilman Arthur Reeves, the man behind the accusations. Reeves derides playboy Wayne for allowing his college sweetheart Andrea Beaumont to leave him. Suddenly Wayne flashes back to his pre-Batman days. He remembers how he met her while visiting his parents' graves to renew his vow that he would spend his life fighting crime to avenge their wrongful deaths. He has already devised an early version of his alter-ego Batman, but that is nearly forgotten when he falls in love with Andrea. The story then jumps from past to present and back as the mysterious Phantasm strikes again. Batman continues his investigation and discovers a disturbing link between Andrea, who suddenly shows up after many years absence, and the villain. Meanwhile, the Phantasm, feeling that Batman is too close to learning his/her identity hires the Joker to kill him. But the Joker has his own agenda and much action ensues before the mystery of the Phantasm identity is solved, Batman clears his name, and justice is served. This film was originally made to go straight to video, Warner's studio liked it enough to release it theatrically. Some of the violence may be inappropriate for very young children. ~ Sandra Brennan, All Movie Guide

In this made-for-TV movie, the well-known DC comic book character the Flash must use his super-human abilities to stop the Dark Riders, an evil motorcycle gang who caused the death of his brother and now threatens to take over Central City. A TV series of the same name resulted from this pilot film. ~ Iotis Erlewine, All Movie Guide

This beautifully mounted adaptation of Walter Farley's story for children tells the tale of Alec (Kelly Reno), a young boy touring the world with his adventurous salesman father (Hoyt Axton). While travelling back to the United States by ship, Alec discovers a wild, beautiful Arabian stallion being brought along in the cargo hold. When disaster strikes at sea, the ship sinks, and Alec and the stallion are the only survivors. Alone together on a nearby island, the boy and the horse develop a relationship; wary of each other at first, they learn to trust each other, and they become close friends. When a rescue party finally finds Alec, he refuses to leave the island without the stallion, and the horse goes with Alec to the small town that is his home. Alec's mother (Teri Garr) is at a loss about what to do with this remarkable but difficult animal. Henry Dailey (Mickey Rooney), an elderly horse trainer who lives in the neighborhood, senses a special connection between the boy and his horse; he's soon convinced that with the right training, and the boy as his jockey, the horse could be a champion on the race course. First-time director Carroll Ballard captures the mysterious relationship between humans and animals, treating the stallion with the same intelligence and respect as the rest of his cast; he also draws fine, understated performances from Kelly Reno and Mickey Rooney, and Caleb Deschanel's photography makes this a feast for the eyes. The Black Stallion is that rare contemporary family film that will fascinate adults as much as their kids, if not more so. ~ Mark Deming, All Movie Guide

Death once again shows he's determined to get what he wants in this teen-centric thriller. Wendy (Mary Elizabeth Winstead) is a high school student hanging out with her friends at an amusement park one night when they decide to ride on the roller coaster. Wendy, however, has a premonition that something horrible will happen, and finds a way to save herself shortly before the ride goes off the rails, killing most of its passengers, including her boyfriend, Jason (Jesse Moss), and best friend, Carrie (Gina Holden). However, while Wendy may have survived the night at the park, she soon discovers that a malevolent spirit is following her and her classmates as they begin dying in strange and horrible ways. Wendy learns that a series of snapshots taken that evening give clues to the mayhem that followed her pals, and she teams up with Kevin (Ryan Merriman), Carrie's sweetheart, to try to warn the potential victims about the fates soon to befall them. Final Destination 3 was directed and co-scripted by James Wong, who also helmed the first two films in the franchise. ~ Mark Deming, All Movie Guide

In this teenage horror film, a young man avoids the hand of death, only to find that he can't get away from it so easily. On the way to Paris with his high-school French club, Alex Browning (Devon Sawa) has a vivid premonition of the plane crashing and killing all its passengers. After Alex and some other passengers demand to be let off the flight, his premonition turns out to be true, and the jet explodes during takeoff. While the FBI is convinced that Alex was involved in some kind of foul play, the passengers who got off the flight are all dying in horrible ways, as if whoever determined that the passengers would perish is punishing those who cheated death. Final Destination marked the feature directorial debut of James Wong, a producer and director for the TV series The X Files. ~ Mark Deming, All Movie Guide

Alien invaders descend upon a peaceful desert community and take over the minds and bodies of the residents. Now only a brave photographer can save them. ~ Sandra Brennan, All Movie Guide

TV star John Stamos makes a game transition to the big screen in Born to Ride. Stamos plays a motorcycle whiz, who in 1939 is assigned to motorize a US cavalry troop. His irreverence and slovenliness makes Stamos a pariah to his superior officer John Stockwell -- and just to complicate matters, both men are rivals for the affections of Teri Polo. All is forgiven during a desperate (and highly unlikely) mission to Spain, wherein Stamos uses his cycle skills to rescue a defecting Nazi scientist. As history, Born to Ride is a bust; as a vehicle for John Stamos, it has its points. ~ Hal Erickson, All Movie Guide

A derivative rehashing of its predecessor (which itself owes a heavy debt to Trilogy of Terror), this sequel details the plight of young Andy (Alex Vincent), who in the previous film narrowly escaped losing his soul to make room for devil-doll Chucky (voice of Brad Dourif). Possessed by the spirit of serial killer Charles Lee Ray, Chucky had coveted Andy's body as a replacement for his own plastic shell... which ended up beaten and burned beyond recognition. At this film's outset, Andy's mom has suffered a nervous breakdown as a result of the prior human-vs.-doll battle, and Andy has been taken to a foster home. In the meantime, the makers of Good Guys dolls decide to reconstruct the scrappy little toy, hoping to prove the doll's harmlessness and sway public opinion. Alas, this is a major horror-movie no-no, and Chucky staggers obnoxiously back to life, with a renewed interest in body-swapping with Andy. Not awful as horror sequels go, this follows the standard horror-franchise formula (such as upping the gore quotient with each sequel) but manages to throw in a few appreciable scares, particularly at the climax (which echoes that of Stanley Kubrick's The Shining). ~ Cavett Binion, All Movie Guide

Multimedia horror maven Clive Barker followed the success of his feature directorial debut Hellraiser with this equally surreal effort, based on his novella Cabal. The story involves the plight of Aaron Boone Craig Sheffer, a young man tormented by visions of monstrous, graveyard-dwelling creatures. Seeking the aid of his clinically cold therapist Dr. Decker (played by Canadian horror auteur David Cronenberg) in deciphering his nightmares, Boone becomes convinced that his frequent blackouts are linked to a recent spate of mutilation murders in the area. His frantic search for the truth leads him to the subterranean city of Midian, the dwelling place of a mythical race of undead nocturnal monsters known as the "Nightbreed." But it is only after he is cornered and shot dead by police that Boone's real journey begins -- he finds himself resurrected as one of the Breed and initiated into Midian's inner circle, where his latent supernatural powers are unleashed, leading to his realization of Dr. Decker's sinister role in the murders for which he was framed. Though Barker's unique and graphic vision is somewhat blunted by choppy editing (thanks to relentless tampering from the studio), this is nevertheless a fine sophomore project from a talented storyteller; the central conceit of presenting the monsters as the "good guys" -- at least compared to the gun-and-bible-toting lunatics who hunt them -- is handled with verve and originality. ~ Cavett Binion, All Movie Guide