Rupert Wainwright Movies

Stigmata is a supernatural suspense story about good, evil, and faith. Frankie Paige (Patricia Arquette) is a hair stylist in her mid-20s who has no strong religious convictions until odd things start happening to her after she's given a rosary by her mother: she begins speaking with another person's voice; unknown and unseen forces start to attack her; and she develops stigmata, bleeding wounds that spontaneously appear on her wrists, feet, and side, as Christ was wounded at Calvary. Some people believe that a holy miracle has been visited on Frankie, though no one can say why. A Cardinal from the Vatican (Jonathan Pryce) sends a priest, Father Andrew Kiernan (Gabriel Byrne), to investigate Frankie and her condition; after getting a first-hand look, Father Andrew finds himself less concerned with whether Frankie's wounds are a legitimate miracle and more concerned with saving her life. Billy Corgan, leader of the rock group The Smashing Pumpkins, composed the score for Stigmata in collaboration with keyboardist Mike Garson. ~ Mark Deming, All Movie Guide

This low-rent Disney comedy mines the Home Alone territory for labored laughs. Brian Bonsall stars as the eleven-year-old Preston Waters, who is low-kid on the family totem pole -- his father Fred (James Rebhorn) lectures him on saving his money, while his older brothers, Ralph (Michael Faustino) and Damian (Chris Demetral), are pushy bullies. The final insult arrives when Preston is invited to a friend's birthday party -- held at an amusement park -- and Preston doesn't have enough money to go on any of the good rides. Preston wishes to the gods in heaven that he had his own money. At that point, on-the-lam criminal Quigley (Miguel Ferrer) takes his cue and runs over Preston's bike with his car. Eager to leave the scene before the cops arrive, Quigley hurriedly gives Preston a half-written check and vamooses. Preston looks down at the check and notices that the amount has not been filled in, so he obligingly completes the transaction by adding six zeroes and a one -- for a million dollars in cold cash. This amount, by a strange coincidence, happens to be the exact amount that Quigley has deposited in a money-laundering bank run by his partner-in-crime Biderman (Michael Lerner). Preston goes to the bank, cashes the check, and purchases a neighborhood mansion with all the toys he has ever dreamed of owning. But Quigley and his gang want the money back, and they are on their way to Preston's new home for a housewarming he will never forget. ~ Paul Brenner, All Movie Guide

Dillinger is a messily directed, haphazardly edited TV movie, which takes a revisionist squint at the criminal career of the 1930s' Public Enemy Number One. Mark Harmon captures some of the charisma but little of the ruthlessness of John Dillinger, while Sherilyn Fenn gives an anachronistic interpretation of the gun moll who eventually betrays Johnny D. to the Feds. Vince Edwards is supposed to be FBI founder J. Edgar Hoover, but comports himself more like a grouchy crossing guard. The film is rife with poorly staged gun battles (including the Biograph Theatre finale), shot in a shivery "MTV" fashion which suggests that the camera operator has St. Vitas' Dance. Most of Dillinger was lensed in Milwaukee, Wisconsin; the 1930s-style exteriors were well chosen, though the interior scenes at FBI headquarters look like they were filmed inside the Milwaukee Public Library--which indeed they were. ~ Hal Erickson, All Movie Guide

Discovery Program consists of four short subjects, presented in ersatz feature form to assure a wider distribution. Each short was underwritten by the Discovery Program, a nonprofit concern created by Columbia Pictures' chief executive officer David Puttnam. The directors represented include Steve Anderson, Bryan Gordon, Damian Harris and Rupert Wainwright. Included is the 1987 Best Live-Action Short Subject Oscar-winner, Ray's Male Heterosexual Dance Hall, a takeoff of the "good old boy" executive network. Others in the collection include Hearts of Stone, Greasy Lake and the irresistible shaggy-dog story The Open Window. Eric Stolz and James Spader are among the well-known actors participating in these brief gems. ~ Hal Erickson, All Movie Guide

A pair of British lads, one gay and one socialist, chafe at the restrictions of boarding school life in this period piece, which was adapted from Julian Mitchell's novel and play of the same name and loosely based on the Burgess-Maclean spy scandal of the 1950s. In the 1930s, upper-class scions Tommy Judd (Colin Firth) and Guy Bennett (Rupert Everett) are both nearing the end of their careers at an unnamed public school that bears a striking resemblance to Eton. Tommy, a Marxist intellectual, refuses to participate actively in the school's rigid social hierarchy. But Guy, when not mooning after pretty boys, angles for a position next term as one of the "gods," or master prefects, of his house. When a faculty member stumbles onto the homosexual fumblings of a pair of students, one boy commits suicide and a scandal erupts. The administration and senior students do their best to ensure nothing of this sort ever sullies their reputation again. Considering that homosexual experimentation is rampant and that Guy has slept with most of the prefects in his house, the strict new rules leave a bad taste in his mouth. They also put a damper on his Wildean lifestyle, especially after he falls hopelessly in love with James Harcourt (Cary Elwes), a dreamy boy from one of the other houses. Things come to a head when autocratic prefect Fowler (Tristan Oliver) intercepts a letter from Guy to James and sentences Guy to a savage beating. By film's end, Guy's complicity in the power games of the British class system has been challenged, and his friend Tommy's communist dogma has made a lasting impression; a framing device portrays Guy as an elderly former spy living in exile in Soviet Moscow. Another Country was shot at Cambridge, Oxford, and Althorp Hall (Princess Diana's childhood home) after the producers were denied permission to shoot at Eton. Everett and Firth both appeared in the original London theater production alongside Kenneth Branagh and Daniel Day-Lewis; on-stage, it was actually Firth who played Guy. For a more factual account of the Burgess-Maclean affair, see the TV movie An Englishman Abroad. ~ Brian J. Dillard, All Movie Guide