Luci Ward Movies

This Sam Katzman-produced sci-fier was originally released on a double bill with Katzman's Giant Claw. The plot is motivated by a newly discovered element called E-112, which festers at the Earth's core. Rising to the surface in the form of liquefied stone, E-112 becomes extremely dangerous when it is mixed with nitrogen. Before long, the entire world is threatened with the explosive power of the volatile element. To save Mankind from being blown to smithereens, seismologist David Conway (William Leslie) tries to neutralize E-112 with a combination of volcanic gases and silver iodide. Despite all the scientific doublespeak, The Night the World Exploded is doggedly nonintellecutal in its execution and appeal. ~ Hal Erickson, All Movie Guide

Republic's program westerns of the 1940s fell into two categories: the Saturday-matinee fare of Roy Rogers, Allan "Rocky" Lane et. al., and the more adult-oriented William Elliot vehicles. In The Last Bandit, Elliot and Forest Tucker play a couple of James-like bandit brothers, Frank and James Plummer. Deciding to go straight, Frank adopts a new name and takes a job as an express guard. James assumes that Frank is merely playing possum, intending to return to banditry when the time is ripe. But Frank is serious about reforming, setting the stage for an extreme and violent form of sibling rivalry at the climax. Andy Devine eschews his usual comedy relief as the railroad detective who decides to risk hiring Frank, while Adrian Booth offers another of her intelligent leading-lady characterizations. The Last Bandit was lensed in Republic's Trucolor process, which made up in vibrancy what it lacked in stability. ~ Hal Erickson, All Movie Guide

The success of 1947's Badman's Territory prompted RKO Radio to assemble another "outlaw rally," Return of the Badmen. Randolph Scott plays US marshal Vance, assigned to rid the Oklahoma Territory of outlaws. This proves to be quite a challenge, inasmuch as virtually every frontier bad guy has converged upon the territory. Led by the surly Sundance Kid (Robert Ryan), the rogue's gallery includes the Younger Brothers (Steve Brodie, Richard Powers, Robert Bray), the Daltons (Lex Barker, Walter Reed, Michael Harvey) and Billy the Kid (Dean White). For all the formidable villainy, the film's most fascinating conflict develops between the two heroines: feisty Cheyenne (Anne Jeffreys) and prim 'n' proper Madge Allen (Jacqueline White). Return of the Badmen posted a huge profit, spawning yet another "all-star" western from RKO, 1951's Best of the Badmen. ~ Hal Erickson, All Movie Guide

Gene Autry is back near the saddle, trying to help out a crippled jockey. Gene is certain that the jockey can ride in the Big Race if the lad can regain his self-confidence. Meanwhile, Gene and comical sidekick Sterling Holloway have another problem on their hands: A rogue stallion has "kidnapped" Gene's prize mare. Piloting a plane, Autry seeks out and locates the stallion. The jockey and mare enter the race, and win. Director John English keeps Trail to San Antone constantly on the move, resulting in one of the better postwar Gene Autry vehicles for Republic Studios. ~ Hal Erickson, All Movie Guide

Morgan Conway made his final screen appearance as Chester Gould's granite-jawed detective Dick Tracy in this RKO Radio programmer. This time around, Tracy's nemesis is baldheaded jewel thief Cueball, played with blunt menace by Dick Wessel. Double-crossed by his gang, Cueball methodically bumps them off. This would normally delight the cops, who'd been wanting to get rid of the gang anyway, but unfortunately Cueball has vowed to eliminate Tracy as well. The villain's ultimate demise is as good as anything cooked up by Chester Gould for the comic strips. Directed and written in the same larger-than-life style of the Gould original, Dick Tracy vs. Cueball features such colorful characters as Tracy's main squeeze Tess Trueheart (Anne Jeffreys), pill-popping ham actor Vitamin Flintheart (Ian Keith), waterfront hag Filthy Flora (Esther Howard) and jewelry shop proprietor Jules Priceless (Douglas Walton). For reasons that defy explanation, this delightfully daffy concoction was spotlighted in the notorious volume The Fifty Worst Films of All Time. ~ Hal Erickson, All Movie Guide

An installment from Universal's "Inner Sanctum" series (whose trademark featured an introduction narrated by a spooky disembodied head), this low-budget thriller stars Lon Chaney, Jr. as luckless stage hypnotist "Gregor the Great" who, after seemingly causing the death of one of his audience volunteers, is forced to go into hiding. He is eventually offered a job by Rudi Poldan (Martin Kosleck), assistant curator of a wax museum. This apparent stroke of good fortune is actually part of a nefarious scheme concocted by Gregor's sleazy manager (Milburn Stone), with whose assistance Rudi hopes to drive the unbalanced performer off the deep end and steal away his girlfriend (Evelyn Ankers). Chaney's performance is less than compelling and fails to give this low-rent programmer the melodramatic boost it desperately needs. Despite the title, no ghosts actually appear -- frozen or thawed. ~ Cavett Binion, All Movie Guide

Charles Starrett stars in the lightning-paced Columbia western Riding West. Somebody is planning to sabotage the new Pony Express mail service, and hard-ridin' Steve Jordan (Charles Starrett) aims to find out who. Though he claims to be "a peaceable man," Jordan isn't above using his fists or fanning his six-gun to rout the villains. Comedy relief is provided by Arthur Hunnicutt as snake-oil peddler Arkansas Higgins, while the "femme interest" is Shirley Patterson, whose Columbia Pictures resume extended from the first Batman serial to a few 3 Stooges and Harry Langdon 2-reelers. Of interest to country-western fans is the presence of Ernest Tubbs and his Singing Cowboys. ~ Hal Erickson, All Movie Guide

Briefly switching gears in 1942 and 1943, western star Charles Starrett made a handful of "northerns" in which he played a Canadian mountie. In Law of the Northwest, Steve King (Starrett) supervises a road-construction project designed to transport war materials to the Aleutians. Problems arise when a crooked contractor decides that his interests are more important than the war effort. As an extra dramatic fillip, many of the most exciting scenes are staged at night. Featured in the cast of Law of the Northwest are Shirley Patterson, Stanley Brown and Douglas Leavitt, all of whom were performing double duty on Columbia's B-picture and 2-reel-comedy output. ~ Hal Erickson, All Movie Guide

In this western, a lonesome cowpoke trots into a town and helps clear his pardner's name. The trouble began when the friend was framed by the leader of the Cattlemen's association who made it seem like he was a rustler. Because the friend was an ex-con, the evidence against him seems airtight. The wandering hero must work extra hard to prove his friend's innocence. With the help of the Cattlemen's president's daughter, who loves the ex-con, the hero proves that her father is the real rustler. ~ Sandra Brennan, All Movie Guide

In this western, a ranch foreman and the bosses son go to a saloon to slake their thirst and find themselves in the midst of a battle started by the feisty saloon owner's wicked ex-husband who loots the safe in the ensuing scuffle. The woman is then ruined and when she is offered passage on a wagon train, she accepts the offer. The rancher's wounded son also becomes a passenger who is protected by the brave hero. The ex-husband also joins the travelers as no one knows that he started the trouble. He brings with him a wagon load of illegal arms to sell to renegade Indians. He soon insights trouble by killing a wagon master and a friendly Indian. He then finds himself killed by the protective ranch foreman during a shoot out. The hero must the make peace with the angry Indian chief whose son was killed. Unfortunately, the chief takes him captive. Fortunately he is rescued by the rancher's son. They then go back to save the by now beleagured wagon train. In the end, it is the Seventh Cavalry that saves the day. ~ Sandra Brennan, All Movie Guide

That "Peaceable Man," William "Wild Bill" Elliott, once again plays Wild Bill Hickock in this fine B-Western from Columbia Pictures. This time, sidekick Cannonball (Dub Taylor) discovers that two old enemies, swindlers Cord Crowley (Bradley Page) and Jeff Adams (Frank LaRue), are fooling the good folks of Lodestone into believing that they are solid citizens. When the banker, Jason Perry (John Dilson), refuses to heed Wild Bill's warning, the peaceable man is forced to show his hand. Adams is the first to blink and when confronted with his criminal record, the veteran crook commits suicide. Crowley proves a tougher nut to crack, but, as always, Wild Bill gets his man in the end. Taking a breather from the action, Dub Taylor performs his own "The West Gets Under My Skin," while suffering the consequences of a flee-ridden cowhide west. ~ Hans J. Wollstein, All Movie Guide

In this excellent western, Roy, Trigger and Gabby ride out to stop angry Confederate terrorists from harassing Missouri residents because they voted to side with the Union in the days leading up to the Civil War. Roy plays a Union captain who is faced with a difficult situation when he is ordered to execute his best friend, one of the terrorists. ~ Sandra Brennan, All Movie Guide