Eloy Casados Movies

Made for television, Ishi: The Last of His Tribe is based on the book by Theodora Kroeber. Kroeber's anthropologist husband Alfred was the man who, in 1911, discovered the last surviving member of the Yahi Indian tribe living in a barn in Oroville California. Dennis Weaver plays the Kroeber counterpart, here named Professor Fuller, who befriends the Native American Ishi and learns his language (much of the film is subtitled). Ishi is played by Joseph Running Fox as a teenager and Eloy Phil Casados as an adult. This informative and deeply moving project was conceived for TV by Dalton Trumbo, who died in 1976 before finishing his script, which was completed by his son Christopher Trumbo. Ishi: Last of His Tribe is to some people's way of thinking superior to the more expensive cable-TV retelling of the same story, 1992's Last of His Tribe, which was bogged down in revisionism and political correctness. ~ Hal Erickson, All Movie Guide

After a particularly bitter argument with her divorced mother, teenager Libby Bellow (Mare Winningham) runs away from home. Eventually, she links up with a traveling carnival and takes on a variety of responsibilities, in so doing coming to the realization that her life at home might not have been so bad after all. In addition to serving as an early showcase for actress Mare Winningham, this made-for-TV film also features a number of original songs by Janis Ian. Freedom was originally telecast by ABC on May 18, 1981. ~ Hal Erickson, All Movie Guide

Raquel Welch stars in this made-for-TV film about a 19th-century Native American woman who avenges her husband's death at the hands of the white man. ~ Jason Ankeny, All Movie Guide

This gripping, emotional story of a roving photographer's transformation from a neutral artist with a camera to an involved human rights activist with a camera begins in Chad, travels to Nicaragua in the early 1980s, and ends when the Nicaraguan dictator Somoza takes off for the palm trees and beaches of Florida. Nick Nolte brilliantly interprets his role as the photographer Russell Price, and Joanna Cassidy is Claire, the radio journalist he meets while in Chad, along with her lover, Time Magazine reporter Alex (Gene Hackman), who ends up opting for a plush job as a TV anchorman and a quiet life on Long Island. When Alex leaves, Claire heads off to the next hot spot, Nicaragua, and Russell decides to tag along -- not because he is that interested in Nicaragua, but because he is interested in Claire. Once in the war-torn, Central American country, it does not take Russell long to see the vast difference between the corrupt, U.S.-backed dictatorship and the struggling guerrilla forces who have been fighting for a decade already. As his eyes are opened, he and Claire decide to go along with the rebels and film their fighting behind the lines. During one battle, the much-venerated rebel leader is shot dead, and Russell reluctantly agrees to fake a photo of the man as though he were still living, so as not to demoralize the army that looks up to him for leadership. The photo appears in the news around the world and causes such a furor that Alex shows up to demand an interview with the leader for national American television. It is on the way to this supposed interview that Alex leaves the car for a moment and is senselessly shot and killed by a government soldier, the whole episode filmed for the world by Russell's camera. This outrage (which actually occurred when journalist Bill Stewart was inhumanly shot by a Somoza soldier in full view of the video camera) soon makes global news and helps to hasten the overthrow of the corrupt dictatorship. Meanwhile, Russell has new issues to consider once his camera has become an "active" and not a "passive" observer of political unrest. René Enriquéz who plays the dictator Somoza in this film is a native Nicaraguan, related to a newspaper reporter killed by Somoza's government. ~ Eleanor Mannikka, All Movie Guide

Small-town banker Robin Williams has never been able to live down the fact that he dropped an important pass during a crucial high-school football game. Likewise tainted for life is the team's star quarterback Kurt Russell, now a garage owner. Fed up with living his life under a cloud, Williams hits upon a brilliant idea: he will stage a rematch-13 years after the fact--with the members of the rival team. Trouble beckons when Williams' father-in-law announces that he's rooting for the opposition. Williams is determined to win, and in pursuit of that goal he pushes his former teammates to hitherto untapped brilliance. Directed by Roger Spottiswood, The Best of Times was written by Ron Shelton, future writer/director of such delightful sports films as Bull Durham, White Men Can't Jump and Tin Cup; it was Shelton, in fact, who directed most of Best of Times' climactic football game. ~ Hal Erickson, All Movie Guide

This attempt at parodying a world of hookers, child pornographers, and drug cartels never quite gets off the ground. Though these topics are not inherently amusing, director Penelope Spheeris takes the plot of Hardcore as a springboard and develops a few parallel stories that are meant to be funny. Pauline Stanton (Trish Van DeVere) is desperately hoping to rescue her daughter Lori (Robin Wright) who is working for the evil Walsh (Frank Gorshin) as a call-girl. As some policemen work on trying to get the goods on Walsh and send him up for white slave trading, another policewoman is involved in trying to bring down a child pornographer in her neighborhood. Yet another cop, detective Romero (H.B. Haggerty) is after a New York mob boss. ~ Eleanor Mannikka, All Movie Guide

The valor and anguish of the Alamo is resurrected in this '80s effort that features a considerably accomplished cast. Brian Keith plays Davy Crockett and James Arness is Jim Bowie who, although at odds at times with his leader Colonel William Travis (Alec Baldwin), is able to focus upon the battle against the Mexican soldiers. Highlights of this film are the battle action scenes. ~ All Movie Guide

Richard "Cheech" Marin, of Cheech & Chong fame, directed and starred in Born in East L.A.. Inspired by Marin's music-video parody of Bruce Springsteen's "Born in the USA", the film casts Cheech as an East Los Angeles repairman. While paying a visit to a sweatshop toy factory, Cheech is caught in the middle when the feds raid the place and cart off all the illegal alien workers. Since he's forgotten to bring his own i.d., Cheech is also shipped off to Mexico-where, having next to no knowledge of the Spanish tongue, he's virtually helpless. Desperate, he takes a job with crooked Tijuana saloon owner Daniel Stern-the first of many "make-do" jobs that he assumes to earn enough money to return home. Along the way, he falls in love with El Salvadorian girl Kamala Lopez, whose English is as fractured as Cheech's Spanish. ~ Hal Erickson, All Movie Guide

Blaze is a comic-strip re-telling of the curious late-1950s relationship between famed striptease artist Blaze Starr (Lolita Davidovitch) and Lousiana governor Earl Long (played in gorgeously flamboyant fashion by Paul Newman). Their romance is counterbalanced with the story of Long's efforts to win voting rights for Louisiana's black citizens. The governor's political enemies ruin his chances at re-election, then try to put him out of the way permanently with a trumped-up insanity charge. But with faithful Blaze at his side (and in close proximity to other portions of his anatomy), Long confounds his foes by winning a congressional seat. On the eve of this triumph, Earl Long dies, bringing this boisterous story to a sobering conclusion. Since the film is based on Blaze Starr's own reminiscences, one might prepare oneself with several grains of salt. The real Blaze Starr shows up early in the film as a stripper named Lily. ~ Hal Erickson, All Movie Guide

Mickey Rourke and Don Johnson star in this buddy-buddy futuristic action movie. Rourke is Harley Davidson, a biker with the Halloween-costume garb of a leather jacket, short haircut, earring, and a scar. Johnson joins Rourke in the trick-or-treating as Marlboro, an ex-rodeo rider wearing a cowboy hat, vest, and dilapidated boots. They hang out at a neighborhood bar. When they find that a collection of greedy bankers want to increase the bar's payments so it will be forced to close, the two decide to help the bar out of its financial straits by robbing the bank of $2.5 million in order to pay the inflated tab and keep the bar in business. Unfortunately for the boys, the bank deals in an illicit drug called "the dream," and when they rob the armored car, they steal the drugs and not the cash. Of course, the boys become the targets for the bank's sadistic squad of hit men, led by a pleasant chap by the name of Alexander (Daniel Baldwin). ~ Paul Brenner, All Movie Guide

Ron Shelton (Bull Durham) wrote and directed the basketball-oriented seriocomedy White Men Can't Jump. Woody Harrelson plays Billy Hoyle, a white con artist who hustles basketball games with black players, lulling his victims into the misguided notion that white men can't match up with black hoopsters. One of his victims, African-American Sidney Deane (Wesley Snipes), becomes Hoyle's "agent," arranging his various inner city scams. Deane doesn't feel as though he's selling out his own people; he goes along with Hoyle to provide a better life for his wife, Rhonda (Tyra Ferrell), and son. The film breezes through several zany sequences, including one liberal-baiting satirical moment set at a black/white "solidarity" basketball game arranged by an ambitious politician. Crooked gamblers intrude upon the last scenes of the film, but Hoyle is rescued by his girlfriend, Gloria (Rosie Perez), a Jeopardy freak who realizes a lifelong dream by winning big on the Alex Trebek-hosted game show. ~ Hal Erickson, All Movie Guide

What does a biographer do when the truth about his subject is far less pleasant than the legend? That is the moral dilemma at the heart of Cobb, which explores the lives of both baseball's premier hitter, Ty Cobb (Tommy Lee Jones), and the sportswriter assigned to set his story down, Al Stump (Robert Wuhl). Stump arrives at the Tahoe home of the dying Cobb to write the official life story of the first man inducted into the Baseball Hall Of Fame. He finds a drunken, misanthropic, bitter racist who abuses his biographer as well as everyone else. Stump must either candycoat his subject's life or present an accurate picture of a disgusting man who happened to become an American sports hero. The movie's biting focus on Cobb, ferociously performed by Jones, is not matched by its weaker representation of Stump, an imbalance which ultimately weakens the film's overall effect. ~ Don Kaye, All Movie Guide