Bernard Vorhaus Movies

One of the most compelling strokes of fate in the past millenium is the fact that the 20th century's most hated dictator and most beloved film comedian were born within four days of each other in 1889. Although Adolf Hitler probably never gave Charlie Chaplin a second thought during his rise to power, Chaplin was obsessed with the notion that there was a larger and more profound meaning to the coincidence of his age proximity to Hitler--not to mention the fact that both men became famous by sporting postage-stamp moustaches. In 1939, Chaplin inaugurated production of his first 100% all-talking picture, in which he would abandon his familiar "Little Tramp" character in favor of two new screen alter-egos: A Jewish barber in the fictional European country of Tomania, and the barber's exact lookalike, the infamous dictator Adenoid Hynkel, aka "Der Phooey." Utilizing rare color behind the scenes footage discovered by Chaplin's daughter Victoria, and complemented with commentary from Charlie's coworkers, contemporary filmmakers and movie historians, this one-hour documentary detailed the making of The Great Dictator, Chaplin's devastating (and often devastatingly funny) satire of the Nazis. Among the many topics covered in the film is Hollywood's frightened reaction to Chaplin's daring move (at a time when appeasing rather than openly opposing Hitler was the order of the day), and Hitler's own reaction upon seeing the completed film himself. Assembled by the brilliant historian and silent-movie preservationist Kevin Brownlow, The Tramp and the Dictator represented a collaboration between Britain's Photoplay Productions and Germany's Spiegel TV. In America, the film was first broadcast on October 1, 2002, as the vanguard of a TCM cable network retrospective of Hitler-related films and cartoons, beginning with the new, digitally restored version of 1940's The Great Dictator. ~ Hal Erickson, All Movie Guide

Actor Paul Henreid made his directorial debut with the well-intentioned So Young, So Bad. The scene is a correctional home for delinquent girls, where sadistic warden Riggs (Cecil Clovelly) and head matron Beuhler (Grace Coppin) rule with an iron fist. Compassionate psychiatrist Dr. Jason (Paul Henreid) and assistant superintendent Ruth Levering (Catherine McLeod) disagree with the brutal disciplinary methods advocated by Riggs and Buehler. Dr. Jason is a proponent of kindness and occupational therapy, and Ruth agrees. But as long as the institutionalized girls are afraid to speak up before a board of inquiry, Jason can do nothing about their mistreatment. Fortunately, one of the girls, Loretta (Anne Francis) decides "enough is enough". Featured in the cast of So Young, So Bad is young Rosita Moreno, who went on to fame and fortune after changing her first name to Rita. ~ Hal Erickson, All Movie Guide

Though Republic's Winter Wonderland sounds like a vehicle for the studio's resident skating star Vera Hruba Ralston, she's nowhere to be seen in this 71-minute comedy. Instead, Lynne Roberts plays heroine Nancy Wheeler, the daughter of a farmer (Roman Bohnen) whose property is in close proximity to a posh skiing lodge. Nancy falls in love with the lodge's handsome ski instructor Steve Kirk (Charles Drake), leading somewhat circuitously to a series of skating exhibitions, sled races and even a ski ballet. Eric Blore goes through his paces as the droll lodge owner, while the heroine's daughter is played by future Father Knows Best co-star Elinor Donahue. Winter Wonderland was co-written by Arthur Marx, son of Groucho. ~ Hal Erickson, All Movie Guide

Republic's ongoing professional association with the celebrated "Ice-Capades" skating show yielded a number of flashy but forgettable musicals, including 1942's Ice-Capades Revue. Though a plot is hardly necessary, the story concerns New England farm gal Ann (Ellen Drew), whose already-mounting debts are escalated when she inherits a near-bankrupt ice show. Her efforts to revivify this operation are regularly thwarted by a conniving promoter named Duke Baldwin (Harold Huber), who has already tied up all the best arenas for his own skating spectacular. But Baldwin's second-in-command Jeff (Richard Denning) falls in love with Ann and vows to see to it that her show will be staged, come heck or high water. Jerry Colonna goes through his customary zaniness as an eccentric would-be backer who turns out to be a phony, while Barbara Jo Allen again trots out her dizzy "Vera Vague" characterization. Foremost among the skating acts in Ice-Capades Revue is Vera Hruba Ralston, who'd later be elevated to leading-lady status at Republic by her ardent admirer (and future husband), studio president Herbert J. Yates. ~ Hal Erickson, All Movie Guide

The Carter Case was the second and last Republic film based on the popular radio series Mister District Attorney. Like the first entry, this one is played mostly for laughs, with Radio's Mister District Attorney. James Ellison replacing Dennis O'Keefe as feckless assistant DA P. Cadwallader Jones. The publisher of a tony fashion magazine is murdered, requiring Jones to sift through a colorful array of suspects. He is helped (?) along by snoopy girl reporter Terry Parker (Virginia Gilmore), who by default is the brightest character in the picture. Once the mystery has been solved, the film devolves into a Mack Sennett-style slapstick chase, which on its own merits is quite good. Unique among mystery movies, The Carter Case offers a "surprise" killer who for once is really a surprise-in fact, the unmasking of the murderer is downright incredible! ~ Hal Erickson, All Movie Guide

John Wayne goes up against the lottery racket, 1880 Louisiana-style, in this passable time-killer from Republic Pictures. Arriving from New England to look into the Louisiana lottery on behalf of uplifter Blanche Brunot (Helen Westley), attorney John Reynolds (Wayne) falls in love with sultry Julie Mirbeau (Osa Munson), who attempts to persuade him that her father's gaming business is on the up and up. When a New Orleans restaurateur, Gaston (Shimen Ruskin), is found murdered, Reynolds begins to suspect that General Mirbeau's (Henry Stephenson) gang is behind the killing. To meet the attorney halfway, Mirbeau fires his chief henchman, Blackie (Ray Middleton), but is himself killed by one of Blackie's men, Cuffy Brown (Jack Pennick). Reynolds, who has been appointed special city attorney, pays his respect to Julie, but the angry girl accuses him of indirectly causing the death of her father and then flaunts her engagement to Blackie. Said engagement, however, suffers a fatal blow when Julie finds her fiancé in the arms of gambling hall hostess Pearl (Jacqueline Dalya). Taking the stand in court against the racket, Julie's testimony is interrupted when a rainstorm sweeps the area, breaking a levee. While pursuing a fleeing Blackie, Reynolds orders a steamship to block the hole in the levee, a plan that ultimately saves New Orleans. Having survived the potential disaster, Julie leaves the lottery racket behind and agrees to become Mrs. Reynolds. ~ Hans J. Wollstein, All Movie Guide

The Refugee was the original release title for the offbeat John Wayne vehicle Three Faces West. Wayne, Sigrid Gurie and Charles Coburn are starred as John Philips, Leni Braun and Leni's father Dr. Braun, who like so many other victims of the Depression are forced to move bag and baggage from the Dust Bowl to the West Coast. A fugitive from fascist oppression in Austria, Dr. Braun hopes to carve out a new existence for himself and his daughter Leni by tilling the soil, but she is more interested in being reunited with her Austrian boyfriend Eric von Scherer (Varno) once she arrives in Oregon. In charge of the migration westward is John Phillips who loves Leni but keeps his feelings to himself. But when Leni discovers that her sweetheart has thoroughly embraced the Nazi cause, she finds solace in the arms of the faithful Phillips. Among the screenwriters of The Refugee was Samuel Ornitz, later one of the blacklisted Hollywood Ten. ~ Hal Erickson, All Movie Guide

Way Down South ranks as among the better Bobby Breen musicals, if only because of its impressive production credits. The film is set in antebellum Louisiana, where young Tim Reid's (Breen) inheritance is highly coveted by crooked attorney Martin Dill (Edwin Maxwell). With the help of kindly Cajun innkeeper Jacques Bouton (Alan Mowbray), Tim is able to foil the villain, with time left over for a number of Southern-fried tunes. The film's attitudes towards slavery-to a man, the "darkies" are blissfully content with their lot in life-is astonishing, inasmuch as the film was cowritten by Clarence Muse (one of the more militant black performers in Hollywood) and African American poet Langston Hughes! The screenwriters were also responsible for the songs, including "Louisiana" and "Good Ground." ~ Hal Erickson, All Movie Guide

In this musical drama, a child is abandoned upon the San Francisco docks. He is found and raised by a fisherman. His life is happy until the fisherman's sister-in-law moves in after her husband dies. She brings her bratty son with her. This upsets the orphan so much that he runs away. The fisherman launches a huge city-wide search, finds the sad lad, and finally brings him back home. Songs include: "Fisherman's Chantey," "Sell Your Cares for a Song," and "Blue Italian Waters." ~ Sandra Brennan, All Movie Guide

In this drama, a young man aspires to a life of wealth and power in the newspaper business. Unfortunately, it takes time and money to be successful. The young man's girl is not patient and decides to dump him in favor of a wealthy gangster. This inspires the jilted youth to achieve his dreams. He begins newspaper delivery business that becomes so successful that he can afford a penthouse on Park Avenue. Still he has not forgotten the girl he once loved. This is fortuitous as she has become fed up with the gangster. Eventually, the young man loses his business and his fancy flat, but in exchange, he regains the affections of the woman he always loved. ~ Sandra Brennan, All Movie Guide

Although Neil Grant's stage play Dusty Ermine enjoyed a 250-performance run in London, screenwriters Du Garde Peach and Michael Hankinson could not resist the temptation to "improve" the play for its 1936 film version. Surprisingly, the film actually did turn out to be better than the play, no small thanks to its star, the ever-delightful Roland Young. The story concerns a master forger named Jim Kent (Young) and his equally larcenous nephew Gilbert (Arthur Macrae). Upon discovering that Gilbert has followed in his crooked footsteps, Jim determines that the boy shall turn honest, and to that end he takes the blame when Gilbert is arrested in the company of an international counterfeiting gang. But Gilbert has no intention of going straight and continues manufacturing "funny money." Realizing at long last that Jim is not the culprit -- after all, he's safely behind bars -- the police track down Gilbert, rescuing him from an Alpine avalanche and finally convincing him to pursue a less-risky occupation. ~ Hal Erickson, All Movie Guide

In this drama, a pet shop owner endeavors to help his new friend, a busker, extricate himself from the criminals he is mixed-up with by helping the singer get a spot on the radio. His budding career is abruptly nipped when he is falsely arrested for a murder. Fortunately, the businessman's brother investigates the murder and exposes the real culprit allowing the accused to go free and resume his singing career. ~ Sandra Brennan, All Movie Guide

This ingenious crime drama demonstrates how to commit the perfect murder. The trouble begins when a playboy convinces a woman to leave her fiance and travel to Paris with him to get married. When the jilted lover learns that the playboy is really a heartless gigolo, he rushes to Paris and kills the villain. Then using a trick watch, he convinces the cops that he arrived after the murder. ~ Sandra Brennan, All Movie Guide