Mary Carver Movies

A major crisis arises for Pratt (Mekhi Phifer) and Harkins (Leslie Bibb) as they care for an injured teenager who is harboring a secret from her father. Kovac (Goran Visnjic) has an eye-opening encounter with an elderly female patient. Chen (Ming-Na) reacts strangely when an abandoned baby turns up in the ER. And Abby (Maura Tierney) is shocked to discover that her bipolar mother, Maggie (Sally Field), wants to stop treatment for Abby's similarly bipolar brother, Eric (Tom Everett Scott). ~ Hal Erickson, Rovi

Referring to the fear of spiders, Arachnophobia features a particularly deadly species of spider that manages to make its way from the Venezuelan rain forest to a small California town, thanks to the many oversights of entomologist Julian Sands. Yuppie doctor Jeff Daniels, fed up with the dangers inherent in big-city living, has resettled in this town on the assumption that nothing untoward could ever happen here to himself and his family. Before long, however, Daniels is trying to make sense of a series of sudden deaths-and to figure out why each of the corpses has been drained of blood. The audience, of course, knows that the culprits are those pesky South American spiders, which grow larger with each kill. To make matters worse, Jeff Daniels suffers from a profound case of arachnophobia. John Goodman supports the cast as a slovenly exterminator, and Frank Marshall, longtime producer of Steven Spielberg's films, makes his directorial debut in Arachnophobia. ~ Hal Erickson, Rovi

In this routine spoof of government and media foibles, Sunny (Goldie Hawn) is an ordinary cocktail waitress, someone who graduated in the top 75% of her class. When she dramatically prevents the assassination of a visiting dignitary, an Emir (Richard Romanus) from an Arab country. the event puts her dead center at a whirlwind of media attention, and she gets her a job in the protocol department of the government -- nothing that cocktail waitressing can really prepare one to do. Sunny's nemesis is the evil Mrs. St. John (Gail Strickland) who does not appreciate her inane blunders, and with a few cohorts, she schemes to ship Sunny off to join the Emir's harem, in exchange for a military base in his country. The daffy ex-cocktail waitress is not also blind and deaf, and before long, she suspects that something underhanded is in fact, underfoot. Now she has to find out what it is and how to stop it. ~ Eleanor Mannikka, Rovi

Quincy, M.E.'s fourth season begins several hundred miles away from Los Angeles, home turf for feisty medical examiner Quincy (Jack Klugman). After he and his girlfriend Barbara (Sharon Acker) are nearly run off the road in a very minor car accident, Quincy discovers that the driver, a woman, is dead. Since the accident was hardly fatal, Quincy does a quick examination and learns to his horror that the woman's body is infected with a fatal toxin which has already killed two others--and may very well cause the death of Quincy's assistant Sam Fujiyama (Robert Ito). The series' real-life technical advisor Marc Scott Taylor) makes the first of several acting appearances in this episode as the temporary subsitute for the stricken Sam in this episode. ~ Hal Erickson, Rovi

Without ever revealing the diagnosis, this film chronicles the inner life and outer circumstances of Deborah Blake (Kathleen Quinlan), a young mental patient. As the film opens, she is being accompanied by her subdued parents to yet another mental hospital. This one looks clean and cheerful, at least. Her treatment is handled by Dr. Fried (Bibi Andersson), a very skillful therapist who gets past her deranged defenses and reveals that Deborah harbors some very violent fantasies about some of her relatives. The movie is based on the best-selling autobiographical novel by Joanne Greenberg. ~ Clarke Fountain, Rovi

Reginald Rose adapted the script for this Twilight Zone episode from his own 60-minute Studio One teleplay, which originally aired June 13, 1955. The earlier version starred Art Carney as Horace Ford, a middle-aged toy manufacturer with the temperament of a child. Forever yearning for the days of his idyllic childhood, Horace is at last able to relive his youth, only to find that things weren't quite as rosy as he remembered. Pat Hingle played the old Art Carney role in the Twilight Zone version of "The Incredible World of Horace Ford," which was first telecast April 18, 1963. ~ Hal Erickson, Rovi

A child star becomes a brat to hide her loneliness in this drama. The popular little actress is quite insolent and refuses to allow anyone to push her around. She becomes quite stubborn when a studio publicist asks her to do an interview with his ex-wife, a prominent columnist. He finally bribes her into it, and when the contrary miss meets the journalist she takes an immediate shine to her. The lonesome girl becomes so enamored with the woman that she runs away from home to be near her. Trouble ensues when the publicist is arrested for kidnapping. Fortunately the girl turns up, affects a new attitude and happiness ensues all around. ~ Sandra Brennan, Rovi

Based on an article in the New Yorker, Nicholas Ray's Bigger Than Life stars James Mason (who also produced the film) as elementary school teacher Ed Avery, a thoughtful, gentle man, with a loving wife, Lou (Barbara Rush), and a young son, Richie (Christopher Olsen), who loves him. Avery is successful and well liked in his community, but he is over-extended in his pursuit of the American dream -- he secretly works a second job to earn extra money, and doesn't dare break stride, despite the increasingly painful physical spasms that he suffers. He collapses one day, and the doctors inform him that he suffers from an arterial disease that will probably give him less than a year to live. But they also offer him one hope, with treatment using cortisone, which was then a new, not-fully-tested drug. Avery makes a seemingly full recovery and returns to work, but it soon becomes clear that he's not the same -- he has a new, cavalier attitude toward money, and then Lou becomes alarmed over his expressions of rage over seemingly insignificant annoyances. He starts expressing himself in grand, exalted terms, first to Lou and then to his colleagues at school, including his closest friend, Wally Gibbs (Walter Matthau). And matters only get worse when Wally determines that it is the cortisone -- which Ed has been taking in far greater doses than prescribed -- that is making him act this way. And his obsession w ith forcing Richie to live up to his full potential soon turns into a much darker fixation. Director Ray later offered regret over having used cortisone by name, as it was still not standard treatment and its benefits and drawbacks weren't known. But this did lend the movie a verisimilitude that was essential for what appeal it did hold for audiences. (Seven years later, screenwriter William Read Woodfield would incorporate Bigger Than Life's cortisone plot device into his script for the Voyage To The Bottom of the Sea episode \"Mutiny\". Bigger Than Life's more immediate problem at the time lay in its broader plot -- with a story that brought drug addiction and fact-based psychological unhingement into a suburban American setting, it was a daring subject for its time, for which audiences were unprepared in 1956. It was also one of a group of offbeat pictures that Mason produced as well as starred in. ~ Bruce Eder, Rovi

The scene is Schofield Army Barracks in Honolulu, in the languid days before the attack on Pearl Harbor, where James Jones' acclaimed war novel From Here to Eternity brought the aspirations and frustrations of several people sharply into focus. Sergeant Milt Warden (Burt Lancaster) enters into an affair with Karen (Deborah Kerr), the wife of his commanding officer. Private Robert E. Lee "Prew" Prewitt (Montgomery Clift) is a loner who lives by his own code of ethics and communicates better with his bugle than he does with words. Prew's best friend is wisecracking Maggio (Frank Sinatra, in an Oscar-winning performance that revived his flagging career), who has been targeted for persecution by sadistic stockade sergeant Fatso Judson (Ernest Borgnine). Rounding out the principals is Alma Lorene (Donna Reed), a "hostess" at the euphemistically named whorehouse The New Congress Club. All these melodramatic joys and sufferings are swept away by the Japanese attack on the morning of December 7. No words could do justice to the film's most famous scene: the nocturnal romantic rendezvous on the beach, with Burt Lancaster's and Deborah Kerr's bodies intertwining as the waves crash over them. If you're able to take your eyes off the principals for a moment or two, keep an eye out for George Reeves; his supporting role was shaved down when, during previews, audiences yelled "There's Superman!" and began to laugh. From Here to Eternity won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and supporting awards to Sinatra and Reed. ~ Hal Erickson, Rovi