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Beryl Vertue Movies

2007  
 
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Robert Louis Stevenson's influential tale of terror gets a modern re-imagining in this limited BBC series penned by Steven Moffat (Dr. Who, Coupling) and starring James Nesbitt. The year is 2007, and Dr. Tom Jackson (Nesbitt) just can't seem to reign in his murderous alter ego Mr. Hyde. While the two dueling personalities have stricken up a tenuous agreement to share the same body, the good doctor vows to use every technology at his disposal in order to contain the killer within. By using surveillance equipment and making a veritable deal with his own Devil, Dr. Jackman is certain that he can keep Mr. Hyde in check. But somewhere out there, Dr. Jackman and Mr. Hyde's every move is being monitored by an organization whose limitless wealth is only exceeded by their vast power. It seems that Mr. Hyde is no mistake of science and, much to Mr. Jackman's surprise, a plan hatched over a century ago is finally starting to unfold just like clockwork. ~ Jason Buchanan, Rovi

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Starring:
James Nesbitt
 
2003  
 
Based on the long-running British TV series of the same name, the NBC sitcom Coupling was clearly designed to fill the gap that was about to be opened by the departure of the network's popular ensemble piece Friends. The difference here was that the sexual shenanigans on Coupling had a lot more edge, and were heaps more complicated and controversial, with a group of basically selfish, unlovable Manhattan thirtysomethings perpetually seducing and/or betraying one another. Steve (Jay Harrington) fell in love with Susan (Rena Sofer, replacing the pilot episode's Melissa George), but was still attached to Jane (Lindsay Price). Susan was the ex-girlfriend of Steve's best friend, Jeff (Christopher Moynihan), and also of Patrick (Colin Ferguson). As for Patrick, he currently carried a torch for Susan's best friend, Sally (Sonya Walger, replacing the pilot's Emily Rutherfurd), and on and on and on it went. When it debuted on September 25, 2003, Coupling became something of a cause célèbre, with a number of special-interest groups complaining about the frankness of the series' sexual scenes and situations; critics were not as bothered by the series' raciness as by the fact that it failed to live up to the standards of the British original. ~ Hal Erickson, Rovi

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Starring:
Rena SoferJay Harrington, (more)
 
1999  
 
Written by Richard Lumsden as a vehicle for himself, the British dramedy series Wonderful You zeroed in on a group of aimless friends and siblings in their early thirties. Though generally preoccupied with their own romantic and professional difficulties, the characters spent many of their waking hours brooding over the misadventures of Henry (Lumsden), a bike messenger who aspired to be a singer (the star also wrote his own songs). Since many of the stories dealt with Henry's anguish over reaching his 30th birthday, it was just as well that the series was of brief duration (seven episodes, to be exact). Wonderful You originally aired from March 9 to April 13, 1999. ~ Hal Erickson, Rovi

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Starring:
Greg WiseRichard Lumsden, (more)
 
1993  
 
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Based on a novel by Carol Clewlow, the three-part British miniseries A Woman's Guide to Adultery chronicled the sexual interrelations between three married couples. Only Rose (Theresa Russell), the nominal heroine, abstained from extramarital hanky-panky. However, the siren song of Temptation proved strong indeed, and Rose's resistance was worn down bit by bit as those around her seemed to be having such a jolly good time. Remarkably frank in its dialogue and depiction of contemporary carnality, A Woman's Guide to Adultery first aired in 1993. ~ Hal Erickson, Rovi

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Starring:
Theresa RussellSean Bean, (more)
 
1992  
 
The British sitcom Men Behaving Badly is the tale of three mismatched roommates. Needing a fellow lodger to help pay the mortgage on his flat, Gary (Martin Clunes) takes in first Dermot (Harry Enfield) and later Tony (Neil Morrissey), both of whom are loutish chauvinists and neither of whom ever seem to have enough money to pay the rent. Both of Gary's lodgers are desirous of bedding their sexy upstairs neighbor, Deborah (Leslie Ash). As for Gary, he goes to great lengths to avoid making a lasting commitment to his girlfriend, Dorothy (Caroline Quentin), though eventually he does relent and marries her. Based on Simon Nye's novel of the same name, Men Behaving Badly debuted in 1992, lasting six seasons and 42 episodes. During its first two years on the air, the show was carried by the British ITV network to lukewarm response; it fared far better when it moved to BBC1 in 1994. Two years later, an American version of Men Behaving Badly, starring Rob Schneider and Ron Eldard, settled in for a brief run on NBC. ~ Hal Erickson, Rovi

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1989  
 
Based on John Trenhaile's A Man Called Kyril, this byzantine-plotted spy melodrama stars Ian Charleson in the title role. Kyril is a supposed Soviet defector who relocates in London. In fact, his defection is a smoke-screen: Kyril has been sent by the KGB to seek out a British mole in Moscow Centre. At four hours, Codename: Kyril affords plenty of breathing space for the various plots and counterplots, but its excess of espionage verbiage may prove confusing to the average viewer. Filmed for British television in locales ranging from Norway to Holland, Codename: Kyril was first telecast in the US on the Showtime cable network on April 27, 1988; a videocassette version running 115 minutes was made available in 1991. ~ Hal Erickson, Rovi

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1982  
 
The made-for-TV Parole stars the music of Bob Dylan and Sting. Actually, it stars James Naughton, but the music is (or should have been) the selling angle. Naughton portrays street-smart Boston parole officer Andy Driscoll, who takes a personal interest in each of his charges and tries to mainstream them into decent society. The plot concentrates on one such parolee, played by Mark Sopper, who considers returning to crime after losing his girl, his job and his home. The film's studied grittiness is undercut by a contrived car chase and a phony happy ending. Watch for Ellen Barkin in the supporting role of "Donna." Filmed as a TV pilot in late 1980, Parole was not telecast until September of 1982. ~ Hal Erickson, Rovi

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1979  
 
Charleston is a brazen rip-off of Gone with the Wind which premiered over NBC on January 15, 1979--one month before CBS' planned telecast of Wind. Delta Burke, who was an unknown in 1979, very nearly remained that way in the role of post-Civil War Southern belle Stella. As Stella fiddle-dee-dees around in an effort to raise the tax money to maintain her mansion, her faithful ex-slave Minerva (Lynne Moody) runs the household with an iron hand (that must hurt). Also lurking about is Stella's cousin Valerie (Patricia Pearcy), who squanders her own savings in an effort to find her missing husband. This is the sort of film in which the aggressively urbanized actor Mandy Pantinkin plays a corn-fed character named Beaudine Croft. Martha Scott, the only "name" actor in Charleston, is wasted in a peripheral role as Stella's mom. ~ Hal Erickson, Rovi

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1976  
PG  
Add Sparkle to Queue Add Sparkle to top of Queue  
A trio of musically talented Harlem sisters rise to become major stars of the '50s. Unfortunately, their sudden popularity causes much turmoil in their lives. ~ Sandra Brennan, Rovi

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Starring:
Philip Michael ThomasIrene Cara, (more)
 
1975  
PG  
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Tommy (Roger Daltrey) is a "deaf, dumb and blind kid" who retreats into himself after the death of his father. His mother, Nora (Ann-Margret), and stepfather Frank (Oliver Reed) take him to see a specialist (Jack Nicholson) but Tommy is apparently a hopeless case. That is, until Tommy discovers that "he sure plays a mean pinball." Tommy gains fame when he defeats the Pinball Wizard (Elton John) for the world championship. As a result, Tommy becomes such a celebrity that he even founds his own religious cult. But his fans begin to commercialize his fame, while Tommy wants to stick to the straight and narrow. When Tommy wants to end the commercialization of his message, his supporters accuse him of being hypocritical and turn on him. Ann-Margret, with a slinky red dress slit way up the side, was nominated for a Best Actress Oscar, losing out to Louise Fletcher in One Flew Over the Cuckoo's Nest. ~ Paul Brenner, Rovi

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Starring:
Ann-MargretOliver Reed, (more)
 
1975  
 
This Americanized remake of John Osborne's play changes the locale from a seedy British amusement pier to an equally seedy burlesque house in Santa Cruz, California. Jack Lemmon assumes the Laurence Olivier role as Archie Rice, a third-rate entertainer who's a failure but won't admit it. Selfishly feeding his own ego, Archie destroys the lives of those around him, including his long-suffering wife (Sada Thompson), his formerly famous father (Ray Bolger) and his disenfranchised grown children. This made-for-TV film is set in the 1940s to allow for several period-flavor tunes by Marvin Hamlisch, the best of which is the jaunty "Honolulu Lulu". ~ Hal Erickson, Rovi

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Starring:
Jack LemmonRay Bolger, (more)
 
1974  
 
In Mousey a made-for-TV thriller, a disturbed and obsessed man seeks to regain his son from his overbearing, controlling wife. Kirk Douglas, nick-named "Mousey" by his high-school student, is left by his wife, Laura (Jean Seberg) who also takes her young son who "Mousey" has adopted. "Mousey" begins to stalk her, murdering strangers in the vain hope of impressing her. Kirk Douglas, well-directed by Daniel Petrie, gives a strong, chilling performance, portraying a vengeful man obsessed over his lack of power. Mousey is exceptionally well done and engrossing. It presents a portrait of obsession and gives Douglas the opportunity to explore and build on his character. While Jean Seberg, in the last role before her death, is quite good, this is Kirk Douglas' movie and he never lets it go. Mousey was also released as Cat and Mouse. ~ Linda Rasmussen, Rovi

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1973  
PG  
In this mundane, droll horror spoof, British comedian Frankie Howerd plays a washed-up actor who tries to cash in on his newly-discovered ties to the outrageously wealthy Henderson family. His efforts are stymied by the greed of stern patriarch Ray Milland, whose equally-avaricious offspring go to great lengths to bump off the hapless hero, abetted by a convenient household nest of venomous snakes. The producers conceived this film as a star vehicle for Howerd, but it didn't exactly propel him to super-stardom. Though competently filmed, this project is hampered by a lazy pace and unimaginative murder setpieces, leaving viewers with a horror-comedy featuring scarcely a scare or a snicker. ~ Cavett Binion, Rovi

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1973  
 
Lee Remick made her TV movie debut in And No One Could Save Her. She plays an American heiress whose husband (Frank Grimes) has apparently disappeared in the middle of a transcontinental flight. Remick heads to Ireland, her husband's original destination, to get to the bottom of things. And No One Could Save Her was the first TV production of the Robert Stigwood Group (Saturday Night Fever, Grease, Can't Stop the Music etc.) The film originally aired February 21, 1973. ~ Hal Erickson, Rovi

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1972  
 
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Zany British comedian Frankie Howerd, who'd previously laid waste to Ancient Rome in Up Pompeii, does same with World War II in Up the Front. Howerd plays a timorous servant who undergoes hypnosis. While thus entranced, he imagines himself a fearless warrior, and makes a beeline to the recruiting office. The laughs come fast and furious when Howerd finds himself the recipient of the enemy's war plans--tattooed on his tush. As was customary, Frankie Howerd took several opportunities in Up the Front to directly address the audience and crack wise about the situation at hand. ~ Hal Erickson, Rovi

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1968  
 
The British television series Til Death Do Us Part was the forerunner to the American TV hit All in the Family. The original series' Archie Bunker was Alf Garnett, a bigoted, profane cockney played by Warren Mitchell. The "Edith" was the dimwitted Else, portrayed by Dandy Nichols. The British series' catchphrase was not "Stifle yerself, dingbat" but instead "You silly moo!" Eschewing the heavy-handed social commentary indulged in by All in the Family producer Norman Lear, Til Death Do Us Part existed principally to invoke loud (and sometime embarrassed) gusts of laughter. Several feature films were spun off from the property: the first of these, Alf 'N' Family flashed back to Alf and Else's marriage, skipped ahead to the wedding of the Garrett's daughter Rita (Una Stubbs) to unwashed hippie Mike (Anthony Booth), and concluded with the family's move from their crowded flat to a home in the suburbs. Alf 'N' Family was scripted by Til Death Do Us Part creator Johnny Speight. ~ Hal Erickson, Rovi

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1967  
 
In this slapstick comedy two bumbling workmen attempt to take a long wooden plank through a London suburb to a building site. Mayhem ensues. ~ Sandra Brennan, Rovi

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Starring:
Tommy CooperEric Sykes, (more)