Anthony Caruso Movies

Horror films were not Republic Pictures' forte, as one can see while watching the stylish but pedestrian Catman of Paris. Carl Esmond stars as Charles Reigner, an amnesia victim who may or may not be fiendish "Catman" who has been cutting a homicial swath throughout Gay Paree. Essentially a Jeckyll-Hyde story, the film borrows a page from Oscar Wilde's anco 7 Argentina's first 1946 release, Christina stars screen favorite Zully Moreno as the title character. It's the old saw about the country lass who finds herself cast adrift in the Big City. She finds brief happiness in the arms of wealthy Esteban Serador, but he turns out to be a cad and a bounder. To no one's surprise, Moreno is rescued by hometown sweetheart Alberto Closas, who has remained faithful through it all. Very standard stuff, Christina coasts by on the appeal of Zully Moreno, who seems much too intelligent to be mouthing the inane dialogue she is given. ~ Hal Erickson, All Movie Guide

Inspired by the radio program of the same name, Night Editor features Charles D. Brown as the editor of the New York Star. In flashback, the editor tells the tale of police lieutenant William Gargan, who forsakes his happy home life for the love of no-good society dame Janis Carter. Both Gargan and Carter begin cheating on their respective spouses, and while on a romantic rendezvous the couple witnesses a murder. They can't report the crime without revealing their own infidelities, a dilemma which leads to blackmail, double-crossing and a second murder attempt. A twist ending caps this snappy little 65-minute morality play. The script of Night Editor was based on the story "Inside Story" by Scott Littleton, previously dramatized on the Night Editor radio series. ~ Hal Erickson, All Movie Guide

This neat, fast-paced perfectly cast film noir reflects the hard-boiled, grim wit of the author of its screenplay, Raymond Chandler. Johnny Morrison (Alan Ladd) returns from the war to find his wife Helen (Doris Dowling) having a party and in the arms of another man. Johnny and Helen have a terrible fight, and later Helen is found dead. Johnny must prove his innocence and he enlists the aid of Joyce Haywood (Veronica Lake), the ex-wife of Helen's lover. Pursued by the cops, and never sure if he is being set-up for the murder, Johnny finally solves the murder and clears his name. Alan Ladd is at his hard-boiled, no-nonsense best as Johnny and Veronica Lake is, as always, the perfect noir femme-fatale, mysterious and alluring. Nicely directed by George Marshall, the film moves with great pace to an exciting, satisfying conclusion. The screenplay, the only one written by Chandler directly for the screen, was nominated for an Academy Award. ~ Linda Rasmussen, All Movie Guide

A few corny moments aside, Objective Burma must rate as one of the best combat films of WW2. Errol Flynn stars as Captain Nelson, who leads a hardy band of paratroopers behind enemy lines in Burma, for the purpose of destroying a Japanese radar station. Their mission accomplished, Nelson and his men prepare to make their escape by plane, but this proves to be impossible. It is therefore necessary for the surviving paratroops to make a grueling 150-mile journey by foot through the Japanese-held jungle, in hopes of eventually reaching their own lines. With the exception of Henry Hull, who delivers a mannered, strained performance as an Ernie Pyle-like war correspondent, the performances are uniformly excellent, with Flynn, George Tobias and William Prince standing out. Director Raoul Walsh and cinematographer James Wong Howe stage the combat scenes (filmed on the "Lucky" Baldwin Santa Anita ranch) with brutal efficiency, showing little but conveying a lot in the way of gore and carnage. The strangest sequence (at least to modern viewers) has the paratroopers expressing horror and disgust at a vicious sneak attack by the Japanese-which occurs only a few reels after the Americans have staged an equally merciless attack on a Japanese unit! In England, Objective Burma was taken to task by newspaper journalist who felt that the Americans were unfairly taking full credit for the success of the Burmese campaign. The ensuing hue and cry compelled Warner Bros. to issue an apology, and to withhold the British release of the film until 1952, at which time it was accompanied by a lengthy prologue title extolling England's contribution to the Burma invasion. Originally released at 142 minutes, Objective Burma is usually shown on TV in its 128-minute reissue form. ~ Hal Erickson, All Movie Guide

In this musical comedy, a young singer becomes so desperate to appear on Broadway that she goes to a prominent producer and tells him that she is the daughter who resulted from his day-long marriage to a young woman he knew years ago. The producer is delighted and soon puts his daughter up on stage. The trouble begins when the girl's "mother" suddenly pays a call. For her own reasons, the woman decides to play along with the girl's ruse. Fortunately, by the story's end, the truth is revealed, all differences are reconciled and happiness ensues. Songs include: "Once Upon a Dream" (Jack Brooks, Hans J. Salter), "Market Place," "Shadows," and "Largo al Factotum" (from Rossini's Barber of Seville). ~ Sandra Brennan, All Movie Guide

John Garfield stars as Al Schmid, a true-life marine who served in World War II. Schmid becomes a hero at Guadalcanal, defending a machine gun post and killing 200 Japanese before he is permanently blinded by a grenade. Despite being awarded the Navy Cross, Schmid returns home embittered by his disability. After a long and grueling convalescence, he is shaken back to life by his girl friend Ruth (Eleanor Parker) and his best pal (Dane Clark), neither of whom allow Al to wallow in self-pity. The pride in Pride of the Marines comes from Al Schmid's ultimate realization that his sacrifice was worthwhile, and that his sightlessness need not prevent him from leading a full and rewarding life. ~ Hal Erickson, All Movie Guide

The genesis of The Story of Dr. Wassell is said to have been a story told by President Franklin Delano Roosevelt to director Cecil B. DeMille. Gary Cooper stars as Corydon M. Wassell, a real-life country doctor from Arkansas who worked as a medical missionary in China in the years prior to WWII. When America enters the war, Dr. Wassell joins the Navy and is shipped to Java. As the Japanese overtake the island, Wassell is placed in charge of the wounded evacuated marines. Ordered to leave the area immediately, the doctor disobeys his commands, staying behind to care for ten seriously wounded men from the USS Marblehead, even as Japanese bombs rain down upon his staff. With the help of other stranded allied troops, Wassell and his wounded make it to Australia, where despite his insubordination he is lauded as a hero. Not as much of a spectacular as earlier DeMille films, The Story of Dr. Wassell concentrates on personalities, with mixed results. ~ Hal Erickson, All Movie Guide

Lee Falk and Ray Moore's famous syndicated comic strip hero came to the screen in this 15 chapter serial produced by Rudolph C. Flotow for Columbia Pictures. Displaying unusually good judgment, the studio cast the still strapping former silent screen cowboy Tom Tyler as Geoffrey Prescott who, like generations of Prescotts before him, battles piracy and crime in Darkest Africa. Dressed in his trademark tights and black mask, The Phantom sallies forth to locate the lost city of Zolos, aided by his lovely fiancée, Diana Palmer (Jeanne Bates) and Ace, the Wonder Dog. The opposition is headed by the nefarious Dr. Bremmer (Kenneth MacDonald), but the good doctor is, in the long run, no match for the masked avenger who, in the final chapter, restores "Peace in the Jungle." One of Columbia's few worthwhile serials, The Phantom was yet another success for the popular and personable Tyler, who had earlier scored in the title role of Republic Pictures' The Adventures of Captain Marvel. Columbia filmed a belated and rather unnecessary sequel, The Adventures of Captain Africa (1949), starring John Hart, a bland actor who later played The Lone Ranger for one season on television when Clayton Moore went on strike. ~ Hans J. Wollstein, All Movie Guide

Comedian Morey Amsterdam and cartoonist Milt Gross were responsible for the script of the low-budget comedy The Ghost and the Guest. James Dunn and Florence Rice play newlyweds Webster and Jackie Frye, who spend their honeymoon in a sinister old country house. Before long, the Fryes are besieged by a gang of crooks, searching for a fortune in diamonds. With the nervous help of black chauffeur Harmony Jones (Sam McDaniel), the honeymooners attempt to outfox the villains. ~ Hal Erickson, All Movie Guide

An expansion of, and improvement upon, Lillian Hellman's stage play of the same name, Watch on the Rhine stars Paul Lukas, recreating his Broadway role of tireless anti-fascist crusader Kurt Muller. As the clouds of war gather in Europe in the late 1930s, Muller arrives in Washington DC, accompanied by his American wife Sara (top-billed Bette Davis) and their children Joshua (Donald Buka), Bodo (Eric Roberts) and Babette (Janis Wilson). The Mullers stay at the home of Sarah's wealthy mother Fanny Fannelly (Lucille Watson), who lives in her own world of society get-togethers and can't be bothered with politics. Also staying with Fanny is Rumanian aristocrat Teck de Branovis (George Coulouris) and his American wife Marthe (Geraldine Fitzgerald). To protect his family, Muller keeps his "underground" activities a secret from Fanny and her guests, but de Branovis is suspicious of the mild-mannered visitor. It turns out that de Branovis is actually a Nazi sympathizer, willing to betray Muller for a price. Using blackmail as one of his weapons, de Branovis threatens to destroy all that Muller has been fighting for. To prevent this, Muller kills de Branovis in cold blood. Now technically a murderer, Muller bids his family a reluctant goodbye, heading back to Europe to continue his vital work. If ever there was a justifiable homicide in a motion picture, it was the killing of the odious de Branovis in Watch on the Rhine. Still, the Hollywood production code dictated that a murderer must always pay for his crimes, thus a coda is added, alluding to Muller's death-providing a golden opportunity for a nifty smiling-through-the-tears curtain speech by Bette Davis. Scripted by Lillian Hellman's lover Dashiel Hammett, Watch on the Rhine earned several Academy Award nominations, as well as a "best actor" Oscar for Paul Lukas. ~ Hal Erickson, All Movie Guide

Another graduate of MGM's short-subject department, director David Miller proved he had what it took to helm a feature film for the studio in Sunday Punch. The harmless but diverting story concerns the rivalry, in and out of the ring, between prizefighters Ken Burke (William Lundigan) and Olaf Jensen (Dan Dailey Jr.). Both boxers are sweet on showgirl Judy Galestrum (Jean Rogers), and in fact it was for the love of Judy that shy, oafish Olaf quite his janitorial job to become a pugilist. When Olaf realizes that it's Ken whom Judy truly loves, he does the "right thing" by sending Ken off to dreamland during an important match, thereby encouraging the latter to give up boxing and return to his medical studies. The best aspect of Sunday Punch is the performance of Dan Dailey Jr., whose portrayal of a simpleminded Swede is convincing without ever lapsing into stereotype or condescention. ~ Hal Erickson, All Movie Guide

A real four-hanky picture, Always in My Heart was loosely adapted from the stage play by Dorothy Bennett and Irving White. Walter Huston is a tower of strength as MacKenzie Scott, a brilliant musician falsely convicted of murder and sentenced to Life. While Scott languishes in prison, his long-suffering ex-wife Marjorie (Kay Francis) raises their two children to adulthood. Out of respect for Scott, whom she still loves, Marjorie never reveals to the kids that their father is in jail, insisting instead that Scott has long since died. Enter Philip Ames (Sidney Blackmer), who falls in love with Marjorie and lavish expensive gifts on the children. It must needs be that Scott is proven innocent and pardoned, whereupon he journeys home to visit his grown daughter Victoria (Gloria Warren), now a promising singer. At first hesitant to reveal his identity, Scott is finally urged to do so by Marjorie, who has never really given up hope that her family will one day be reunited. In the midst of all these soap-operaish intrigues, some welcome comedy relief is provided by Borrah Minevitch and his Harmonica Rascals. ~ Hal Erickson, All Movie Guide