Anthony Veiller Movies

Filmed on location in Mexico by John Huston, Night of the Iguana stars Richard Burton as Rev. Shannon, an alcoholic defrocked minister, who scratches out a living as a south-of-the-border tour guide. His latest customers are several American schoolteachers, and he guides their bus to a rundown hotel owned by flamboyant widow Maxine Faulk (Ava Gardner). Attempting to dally with Charlotte Goodall (Sue Lyon), one of the schoolteachers, Shannon is caught in the act by the group's "den mother" Judith Fellowes (Grayson Hall), who threatens to have him fired. While he and Maxine connive to keep Judith from calling his superiors, artist Hanna Jelkes (Deborah Kerr) arrives at the hotel with her ailing, elderly poet grandfather (Cyril Delevanti, in a part reportedly offered to poet Carl Sandburg). The midsection of the film charts the vacillating sexual tensions among the besotted Shannon, the earthy Maxine, and the repressed Hanna. The perversions and demons plaguing the principal characters, merely hinted at in the original stage production of by Tennessee Williams, are expanded by Huston, who co-adapted the screenplay with Anthony Veiller. The film won an Academy Award for Best Costume Design for Dorothy Jeakins. ~ Hal Erickson, Rovi

Romance, treachery, intrigue and spiritual awakenings abound in the Biblical film adaptation of Solomon and Sheba. Trouble begins between two brothers when poet Solomon (Yul Brynner) is chosen to be next in line to the throne by King David of Israel. His warrior brother Adonijah (George Sanders) is livid when Solomon becomes king. While Israel prospers under Solomon, Sheba (Gina Lollobrigida) conspires with the Egyptians to topple Israel. She is ambitious and seductive and finally gets Solomon to fall in love with her. When a pagan dance ritual turns into an orgy, the people turn against Solomon when the Temple of Jehovah is struck by lightning. After the righteous Solomon has fallen from the grace of God, Sheba renounces her pagan Gods and converts to Judaism. A cast of thousands depict the raging battle between the Israelites and the Egyptians. Directed by King Vidor at the cost of five million dollars, production was delayed when the original choice for the role of Solomon (Tyrone Power) died during the making of the film. Many scenes had to be redone with his replacement, Yul Brynner. ~ Dan Pavlides, Rovi

The painfully true story of welterweight boxing champion Barney Ross is detailed in Monkey on My Back. Cameron Mitchell stars as Ross, whose meteoric ring career is interrupted when he joins the Marines at the outset of WWII. A highly decorated hero, Ross contracts malaria oversees and is given morphine to assuage the pain. By the time he returns to the states, Ross is a confirmed drug addict. Before he can rise to the top again, he must hit rock bottom and his descent into the hell of narcotics dependency is graphically illustrated (so much so that the film was almost denied a Production Code seal). Though a cured Barney Ross served as technical advisor for Monkey on My Back, he ended up suing the producers for defamation of character -- and lost. ~ Hal Erickson, Rovi

Based on a true event from 16th century Spain, this costume drama follows the tragic life of Ana de Mendoza, Princess of Eboli, (Olivia de Havilland) who is secretly loved by her good friend the King. Unfortunately for the monarch, she marries one of his ministers and bears his son. Her husband eventually dies and later the King asks her help train a replacement for her late husband. When romantic sparks begin flying between the woman and her protege, the king becomes terribly jealous and this sets in motion a terrible tragedy. ~ Sandra Brennan, Rovi

Moulin Rouge is the story of 19th century French artist Henri de Toulouse-Lautrec, portrayed by José Ferrer. The film records his frustration over his physical handicap (the growth in his legs was stunted by a childhood accident), his efforts to "lose" himself in Paris' bawdy Montmartre district, and his career as a painter, which brought him money only when he turned out advertising posters--but what posters! Toulouse-Lautrec's drinking and debauchery lead to his early death, which in the hands of director John Huston is staged (brilliantly) in the manner of a musical comedy finale. This is the film in which Zsa Zsa Gabor actually acts, in the role of demimonde entertainer Jane Avril. As a bonus, the film's musical score (by Georges Auric) managed to hit the Top Ten charts in the U.S. When this immensely successful film was released to television in the late '50s, Moulin Rouge proved to be one of the strongest-ever incentives to purchase a color TV set. ~ Hal Erickson, Rovi

Fort Worth stars Randolph Scott as gunfighter-turned-newspaperman Ned Britt. Setting up shop in the eponymous Texas town, Britt tries to expose the crooked machinations of cattle baron Gabe Clevinger (Ray Teal). This brings him into conflict with his old friend Blair Lunsfold (David Brian), who has cast his lot with Clevinger. Further complicating matters is Lunsford's fiancee Flora Talbot (Phyllis Thaxter), who falls in love with Britt. As tensions threaten to erupt into all-out bloodshed--especially when Clevinger deploys brute force to prevent the arrival of the railroad--Ned Britt is forced to rethink his newfound philosophy that the pen is mightier than the sword. ~ Hal Erickson, Rovi

This second-echelon Humphrey Bogart vehicle casts Bogie as a bomber pilot who becomes a free-lance flyboy after the war. Eleanor Parker, Bogart's wartime love, is now the secretary of aircraft manufacturer Raymond Massey. Partly out of an effort to link up with Parker again, Bogart signs on as a test pilot for Massey's firm. Richard Whorf, Massey's safety supervisor, dislikes Bogart's grandstanding. When Whorf is killed, Bogart feels responsible. He volunteers to test Whorf's experimental escape device by flying at high-speed. The test is a success (though it's nip and tuck for a while), and Bogart survives for a final clinch with Parker. Completed in early 1949, Chain Lightning was held back from release until 1950; it was Humphrey Bogart's final Warner Bros. film. ~ Hal Erickson, Rovi

When he's discharged from a military hospital, ex-GI Bob Corey (Gordon MacRae) goes on a search for his army buddy Steve Connolly (Edmond O'Brien). A reformed crook, Connolly is on the lam from a trumped-up murder rap, and Corey hopes to clear his pal. Tagging along is Army nurse Julie Benson (Virginia Mayo), who has fallen for Corey. The rest of the film emulates the 1946 noir exercise The Killers, with Julie and Corey interviewing various people with whom Connolly has come in contact. One of those people, of course, is the actual killer, who now adds the GI and the nurse to the "hit list." Warner Bros. used Backfire to test the dramatic potential of singing star Gordon MacRae, who passes that test with flying colors. ~ Hal Erickson, Rovi

Frank Capra's only MGM film, State of the Union was adapted by Anthony Veiller and Myles Connolly from the Pulitzer Prize-winning play by Howard Lindsay and Russell Crouse. Spencer Tracy plays an aircraft tycoon who is coerced into seeking the Republican Presidential nomination by predatory newspaper mogul Angela Lansbury. Campaign manager Van Johnson suggests that, for appearance's sake, Tracy be reunited with his estranged wife Katharine Hepburn (replacing Claudette Colbert, who'd ankled the project after a pre-production donnybrook with director Capra). Realizing that Tracy and Lansbury are having an affair, Hepburn nonetheless agrees to grow through the devoted-wife charade because she believes that Tracy just might make a good President. Her faith is shattered when Tracy, corrupted by the Washington power brokers, publicly compromises his values in order to get votes. Only in the film's last moments does Tracy prove himself worthy of Hepburn's love and his own self-respect by admitting his dishonesty during a nationwide radio-TV broadcast. Much of the biting wit in the original Broadway production of State of the Union is sacrificed in favor of the director's patented "Capracorn," but the film is no less entertaining because of this. As usual, the supporting cast is impeccable, from featured players Adolphe Menjou (whose off-camera political arguments with Hepburn threatened to shut down production at times) and Margaret Hamilton, to bit actors like Carl "Alfalfa" Switzer and Tor (Plan 9 From Outer Space) Johnson. Because the television rights to State of the Union belonged to Capra's Liberty Films, the picture was released to TV by MCA rather than MGM's syndication division. ~ Hal Erickson, Rovi

The Killers uses Ernest Hemingway's short story as a springboard for a complex film noir. Two mysterious men (William Conrad and Charles McGraw) muscle their way into a small town and kill an aging boxer (Burt Lancaster, making his screen debut), who offers no resistance and seems to be welcoming his death. An insurance investigator (Edmond O'Brien) is hired to locate the beneficiary to Lancaster's policy, and in the course of his investigation reopens a long-dormant robbery case. In a series of flashbacks, O'Brien makes the connection between Lancaster and the robbery and tracks down the "brains" behind the operation. He also comes in contact with Lancaster's former girlfriend (Ava Gardner), whose duplicity played a big part in Lancaster's demise -- and his indifferent reaction to it. Siodmak's hard-edged, moody direction of the Oscar-nominated screenplay by Anthony Veiller, makes The Killers one of the definitive films noirs, including what is considered to be one of the greatest opening sequences in movie history. ~ Hal Erickson, Rovi

Jean-Pierre Aumont (billed simply as Pierre Aumont) makes his American film debut in Assignment in Brittany. Set during WW2, the film casts Aumont as Free French captain Metard, who bears a remarkable resemblance to Bertrand Conlay, a prisoner of the Allies whom is suspected of being a fifth columnist. Posing as Conlay, Metard gains the confidence of the Nazi occupiers of Brittany. He plays his part to the hilt, even unto romancing Conlay's patriotic girlfriend Anne Pinot (Susan Peters). This being a standard-issue "underground" melodrama, the film ends with a life-and-death contretemps with the Nazis, excitingly staged by director Jack Conway. Assignment in Brittany is based on the best-selling novel by Helen Macinnes. ~ Hal Erickson, Rovi

No one will ever know what possessed MGM's reigning screen queen Norma Shearer to select the tired old stage farce Her Cardboard Lover as her final film. Set in Florida, the creaky plotline finds Consuelo Croyden (Shearer) attempting to make her disinterested sweetheart Tony Barling (George Sanders) jealous. To this end, Consuelo orders her personal secretary, Terry Trindale (Robert Taylor) to pretend to be her lover. This suits Terry fine, since he's always been crazy about Consuelo. And on and on it goes, with the three stars trying to make this wearisome old yarn worth watching. Of the three film versions of Her Cardboard Lover, this one isn't anywhere near as entertaining as the 1932 Buster Keaton vehicle The Passionate Plumber (which was no great shakes itself!) ~ Hal Erickson, Rovi

Dorothy Lamour once again wraps a variety of alluring costumes around her hourglass frame in the Paramount bread-and-butter feature Moon Over Burma. Lamour is cast as Aria Dean, an American showgirl stranded in Rangoon. It doesn't take long before Aria becomes the romantic bone of contention between teak-lumber camp owners Chuck Lane (Robert Preston) and Bill Gordon (Preston Foster). The animosity between the two men is put on the back burner when the film's villains attempt to block shipment of Lane and Gordon's logs, a dilemma exacerbated by a deadly forest fire. Albert Basserman's performance as the blind logging-camp supervisor is an interesting precursor to his similar performance in the superior Paramount "B" Fly By Night. ~ Hal Erickson, Rovi