Turi Vasile Movies

In this well-paced crime thriller, Larry Stanciani (Franco Nero) is a hard-boiled private investigator in San Francisco, an ex-cop kicked off the police force and thrown in prison for a time because of a frame-up by a Mafioso named Kandinsky. One day, he is called to the office of Goldsmith (William Berger), a narcotics agent out to nail Kandinsky on drug charges. Goldsmith asks Stanciani to go to Genoa, Stanciani's home town, track down Kandinsky, and haul him back to the U.S. for due process. Stanciani's motivation is multiple: Goldsmith offers him his old job back if he succeeds. Soon the private eye is on his way and encountering obstacles that include Brenda (Sybil Danning) a gorgeous disc jockey, and a motley group of underworld denizens. ~ Eleanor Mannikka, All Movie Guide

This effective occult horror film was the final feature directed by the legendary Mario Bava. Daria Nicolodi gives her most convincing performance as Dora, who moves back into her old house with a new husband, Bruno (John Steiner), after spending time in a mental hospital. Strange things start happening, mostly involving her young son Marco (David Colin, Jr.), who seems to be possessed by the ghost of Dora's first husband Carlo, a heroin addict who committed suicide. Dora suffers from vivid hallucinations, and it soon becomes obvious that she is going completely mad, and that Bruno knows more about Carlo's death than he lets on. Bava stages the hallucination scenes with his trademark visual flair, and his son Lamberto Bava's script, co-written with Francesco Barbieri, Paola Brigenti and Dardano Sacchetti, handles Dora's shifting sense of reality with great skill and a subtlety rare for Italian horror films of the period. ~ Robert Firsching, All Movie Guide

In turn-of-the-century Sicily, aristocratic scions Adriana (Sophia Loren) and Cesar (Richard Burton) have loved one another for years, but Adriana accedes to the wishes of Cesar's father and marries his foolish younger brother Antonio (Ian Bannen). When Antonio dies, much to the relief of everyone, it looks as though the coast is now clear for Cesar to marry Adriana after a suitable mourning period. Alas, she has a fatal illness and it is not to be. This romantic melodrama is chiefly distinguished by the fact that it is the last film directed by the legendary Vittorio de Sica, who died shortly afterward. ~ Clarke Fountain, All Movie Guide

Fellini's Roma is a virtually plotless autobiographical tribute to Rome, Italy, featuring narration by Fellini himself and a mixture of real-life footage and fictional set pieces. It flows from episode to episode, beginning with the director's early years arriving in Rome in 1931 during the time of Mussolini. Played by Stefano Mayore as a child, he visits the city with classmates and becomes infatuated. Played by Peter Gonzales at age 18, the young Fellini moves in to a tenement building and explores the wild characters living in neighborhood. The events that follow switch between the past and contemporary times, including a story line that involves a 1970s film crew making a movie about Rome. He also incorporates segments of Roman history and problems in the government, including an improvised speech from Gore Vidal. Throughout this journey there are visits to an outdoor restaurant, a movie theater, a music hall, and a brothel. In one famously surreal segment, groups of clergymen gather together for a Catholic fashion show spectacle. After a visit to a street festival and some on-camera interviews, the film concludes with shots of motorcycles driving by the Colosseum. ~ Andrea LeVasseur, All Movie Guide

This three-part social satire lampoons the church, television, big business and universities plagued by campus unrest. Riccardo (Vittorio Gassman) is a rebel who causes confusion on campus and at a television station. Part two finds industrial magnate Cavazza (Michel Simon) hounding his subordinate Franco (Nino Manfredi) when the two travel to New York. Franco abandons his boss on Fifth Avenue, where he is arrested for using a phone booth as a toilet. Cavazza gets revenge when both are back in Italy. In part three, Don Giuseppe (Alberto Sordi) is a priest who defends himself against allegations of an illicit affair with a local cashier. After an audience with the bishop, the once-quiet priest demands a car, a wife, and another flock to lead. ~ Dan Pavlides, All Movie Guide

A British engineer tries to convince the Mafia to allow an oil refinery on some prime waterfront real estate in Sicily. Proby (Peter McEnery) talks to the mob bosses about the project, but disagreements in the Mafia soon surface. One faction wants the refinery, the other a beachfront resort. Comedy ensues when Proby falls for the beautiful daughter of a mafioso, leading to a family argument. Rosa (Virna Lisi) is engaged to a mobster and causes a stir when she professes her love for the persistent Proby. The mob fights over which direction to choose for the property, as Proby and Rosa fall in love in this romantic comedy adventure. ~ Dan Pavlides, All Movie Guide

In this adventure, stunt men use the tricks of their trade to bring a rare Indian statue back to its rightful owners. ~ Sandra Brennan, All Movie Guide

In this comedy, two Yankee con artists pose as tourists visiting scenic Naples. There they intend to rob an old church. Before pulling the caper, the two enlist the aid of a local criminal. The theft succeeds, but afterwards the crooks begin double-crossing each other. Murder and mayhem ensues as one American murders the other and then heads for the airport dressed as a nun. "Her" loot is, in turn, captured by the Italian crook and his friend. The local thief then heads for Switzerland accompanied by a bogus "cardinal" who protects him. Unfortunately for the crook, the cardinal turns out to be the real thing and takes the treasure back to its original home. ~ Sandra Brennan, All Movie Guide

Gina (Irene Genna), a provincial Italian lass, is whisked away to the Big City upon entering a beauty contest. When she loses, the financially strapped Gina takes a job as a photographer's model. It would seem from the evidence presented in the film that the "modelling agency" is actually a front for a prostitution ring. The heavily American prints of Verginita don't make this clear, but they can't censor the gleam in the agency-owner's Otello Toso eye. At any rate, it turns out that Gina needs rescuing from her new profession, and confectionery salesman Franco (Leonardo Cortese) is just the fellow for this assignment. ~ Hal Erickson, All Movie Guide

An all-star cast graces this Italian "omnibus" feature. The film consists of eight short stories, each based on nostalgic literary efforts. Linking the various stories is bookseller Aldo Fabrizi, who passes the time by reading the works dramatized herein. In "The Excelsior Ball," dancer Alba Arnova arouses the libido of several observers. In "Less Than a Day," a three-hour train delay wreaks havoc on the romance between Arnova and Andrea Checchi. In "Sardinian Drummer Boy," the title character (Enzo Cerusico) becomes an unexpected hero on the battlefield. In "Matter of Interest," two farmers (Arnoldo Foa and Folco Lulli) quarrel over a compost pile. In "The Idyll," two very young people (Maurizio Di Nardo and Geraldina Pariniello) fall in love. "Potpourri of Songs" delivers on its title through the musical versatility of Barbara Florian and Elio Pandolfi. "The Trial of Frine" finds accused murderess Gina Lollobrigida being defended by colorful lawyer Vittorio De Sica. And in "The Trap," an accusatory husband (Amedeo Nazzari) drives his far-from-innocent wife (Elis Cegani) into an act of extreme desperation. Also known as In Olden Days, Altri Tempi was distributed worldwide by RKO Radio. ~ Hal Erickson, All Movie Guide