Marcel Varnel Movies

Director Marcel Varnel was born in Paris where he first entered show business as a theatrical actor. In the 1920s, he became a stage director; he moved to the U.S. in 1925 where he directed operettas, musicals, and dramas for the Schuberts on Broadway. In the early '30s, Varnel began directing low-budget thrillers for Fox; three years later, he moved to London to direct some of the most hilarious comedies of British cinema during the '30s and '40s. His son, Max Varnel, is also a director. ~ Sandra Brennan, All Movie Guide
1946  
 
This holiday comedy is set during the Christmas of 1946 and centers upon a fellow who has returned to his native Canada to spend the Yule. When he receives a telegram from "the Fergusons," many memories of the Christmas they spent together come flooding back. The story jumps backward four years when the man was serving in the Canadian army and was stationed in England. This family took him in for the holiday. While there, the soldier finds himself pursued by the Fergusons' daughter and by their maid. The story then jumps to the present where the former maid--now in the military too--is seen preparing the soldier's Christmas dinner in their home. ~ Sandra Brennan, All Movie Guide

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Starring:
Tom WallsJeanne de Casalis, (more)
1946  
 
Tavern owner Formby works to turn a waitress from her current employer, a rival tavern owner, when Formby falls in love with her. ~ All Movie Guide

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1945  
 
In this thriller, an aspiring actor from London lets a room in a hotel filled with theatrical personalities. No sooner does he arrive, than the man in the adjoining room, an Australian acrobat, is found murdered. Being the newest tenant, the Londoner is immediately blamed. But then the killer attempts to murder him while he wanders through a Hall of Mirrors. The Londoner lives and catches the real killer thereby clearing his name. He then gets an acting job. ~ Sandra Brennan, All Movie Guide

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1944  
 
In this British comedy, set in Tangleton, a small English village, a handyman finds himself in trouble when he inadvertently assists two London reporters in their investigation of corruption in the town's postwar plans. To protect themselves, the town fathers have the handyman destroy several incriminating housing forms. Unfortunately an errant gust of wind sends the flying. Enlisting the aid of an eccentric inventor, the handyman succeeds in getting the corrupt officials out of office. ~ Sandra Brennan, All Movie Guide

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1943  
 
Toothy, ukelele-plucking British music hall favorite George Formby is at it again in Bell-Bottom George. From the title, you'd think that Formby has joined the Royal Navy. Well, sort of: when he's declared 4F (or the British equivalent of 4F), Formby poses as a Jack Tar to impress his girl friend Ann Firth. After a series of fitfully funny complications, Formby captures a nest of Nazi spies. Bell-Bottom George was a hit with both British military and civilian audiences; American videotape aficionados may have to run the picture twice to fully grasp all the colloquial humor and wartime slang. ~ Hal Erickson, All Movie Guide

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1943  
 
Mechanic Formby bests a neighboring rival at a Home Guard exercise and when others obtain an army weapon, Formby converts a truck into a tank to get the weapon back. ~ All Movie Guide

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1942  
 
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A British soldier stationed in Africa comes to believe that he is in possession of Arthur's Excalibur in this drama. The expert swordsman comes to believe this after he is named a hero during a duel. He attributes his skill and courage to the famous weapon. Later he is deeply embarrassed to learns that it is not Arthur's sword. This does not keep him from saving his friends from enemy hands. ~ Sandra Brennan, All Movie Guide

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1942  
 
A bashful artist finds all kinds of trouble in this comedy. A handyman by profession, the shy fellow loves to paint, but can only paint the heads of his models as he is too embarrassed to render the rest of their nude forms. The portraits are very good, and later, in a commercial art class, other students add bodies to his heads. This gets the handyman in all sorts of hot water with the models when the painting is used as an advertisement for soap. ~ Sandra Brennan, All Movie Guide

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1941  
 
In the late 1930s-early 1940s, diminutive British music-hall and radio comedian Arthur Askey enjoyed a popularity commensurate to that of Hollywood's Abbott & Costello; accordingly, Askey's earliest starring films were all box-office bonanzas. In I Thank You, Askey and his perennial straight man Richard Murdoch are cast as Arthur and Stinker, members of a nearly bankrupt theatrical troupe. To raise some much-needed money, our heroes hire on as servants for Lady Randall (Lily Morris), who'd been an entertainer herself before marrying into the Upper Crust. When Lady Randall learns of Arthur and Stinker's plight, she bankrolls a major stage production for the boys' fellow performers, leading to the inevitable big-production-number finale. Way, way down the cast list of I Thank You is distinguished Shakespearean actor Felix Aylmer, who was seen to rather better advantage as Polonius in Lawrence Olivier's Hamlet. ~ Hal Erickson, All Movie Guide

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Starring:
Arthur AskeyRichard Murdoch, (more)
1941  
 
In this comedy of mistaken identity, an amiable fellow decides to help out his singing South American look-a-like who must fulfill a few obligations for his opera company. Mayhem ensues when the bogus singer finds himself pursued by paid assassins. Fortunately, the whole mess is straightened out in the end and happiness ensues. ~ Sandra Brennan, All Movie Guide

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1941  
 
In this musical, the on-air rivalry between a married pair of American radio stars, each hosting a different show heats to boiling when they each have British evacuees on their shows. The wife gets a fellow who claims to live in a castle. A brouhaha ensues as he is believed to be the long-lost heir of a prominent lord. The trouble begins when her husband learns the truth about the supposed "nobleman." The wife doesn't believe her husband and so both set off for Merry Olde England to learn the truth. Many comical adventures ensue. ~ Sandra Brennan, All Movie Guide

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1941  
 
Scottish stage, radio and film favorite Will Fyffe heads the cast of Neutral Port. The star is cast as crusty Captain Ferguson, who is forced to dry-dock his torpedoed ship at the mythical port of Esperanto. Anxious not to injure its neutrality, the country refuses to allow Ferguson to seize a Nazi supply ship as compensation for the loss of his own vessel. But the good captain takes matters into his own hands by stealing not one but two German ships. When these are shot from under him, the captain returns to Esperanto to face the consequences, but chances are he'll be back in business again before the sun sets. ~ Hal Erickson, All Movie Guide

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Starring:
Will FyffeLeslie Banks, (more)
1941  
 
When the bagpipes play, death will follow in this spooky comedy set in a dank and creepy Scottish castle during WW II. It begins when a school teacher at a London boy's academy must evacuate his charges to the castle. There they hear the legend of the deadly pipes. Sure enough their mournful call is heard and one of the boys dies. They cry again and another dies. It is in when the pipes are blown a third time that the headmaster solves the mystery: it is not a phantom killing the lads, but a German sympathizer. ~ Sandra Brennan, All Movie Guide

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1941  
 
In this comedy, a groom's constant jealousy creates domestic turmoil for his devoted bride. More trouble comes when he buys a lot of untried material for the lingerie factory where he works as a foreman. The material proves flimsy and he is fired. Things get worse when his overbearing and disapproving mother moves in. Fortunately, the poor bumbler's wife has a keen business sense and is able to turn her husband's failure into a wonderful success. ~ Sandra Brennan, All Movie Guide

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Starring:
George FormbyEdward Chapman, (more)
1940  
 
Let George Do It is one of the best and most successful of the George Formby vehicles. The toothy, guitar-strumming Formby plays a dimwitted entertainer who is mistaken for a notorious Nazi spy. The misunderstanding is played to the hilt, culminating with our hero battling the forces of the Axis on the fields of Norway. The film's highlight is a bakery routine which dates back to Charlie Chaplin's 1914 epic Dough and Dynamite. Let George Do It was distinguished by the leading-lady presence of Phyllis Calvert, just on the verge of bigger things. ~ Hal Erickson, All Movie Guide

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Starring:
George FormbyPhyllis Calvert, (more)
1940  
 
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The Band Waggon was the BBC radio series that catapulted diminutive comic Arthur Askey to stardom as "Big-Hearted Arthur". This filmization adds a modern touch by taking place during a television broadcast (the BBC was beaming out a regular schedule of TV programs until the War broke out). Askey and his stooge Richard Murdoch take over an ancient castle to convert it to a video center. Jack Hylton's band is to be the main attraction-and in 1940, Hylton was a far bigger name than Askey, so guess who got top billing on most marquees. The castle is alleged to be haunted, but the nocturnal disturbances are actually the handiwork of Nazi spies. From here on, it's every man for himself. ~ Hal Erickson, All Movie Guide

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1940  
 
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The popular British troupe The Crazy Gang do their zany thing in this fast-paced comedy adventure. The story begins as the Gang balloon themselves over enemy lines. There they become friends with a crazy old prisoner who has the plans for a tunnel-boring tank tattooed upon his back. To get him out, they dress him up as Hitler. ~ Sandra Brennan, All Movie Guide

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1939  
 
In this British comedy, the chief of a fire company has his hands full as he tries to organize his bumbling crew of firemen. Their last call resulted in the total destruction of the town hall. The chief is desperate to restore their reputation. When he learns of a conspiracy to steal the crown jewels, he and his men attempt to catch the thieves. The firemen sneak up to the tower of London and mayhem ensues until they use a chemical foam fire extinguisher to bring the crooks to justice. ~ Sandra Brennan, All Movie Guide

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1939  
 
Matchless British comedy star Will Hay, he of the supercilious sniff and ill-fitting pince-nez, stars in Ask a Policeman, a follow-up to Hay's successful 1938 comedy-thriller Oh, Mr. Porter. Once again, the incompetent Hay is transferred to a place where he'll do the least amount of harm. This time he's an inept police sergeant, shipped away to a sleepy rural village where no crime has occurred for years. Bored out of his gourd, Hay, together with his perennial stooges Graham Moffatt (fat and cheeky) and Moore Marriott (toothless and senile), plots to "create" a crime wave by leaving a keg of brandy unprotected. They plan to arrest the first person who appropriates the keg and charge him with smuggling. Not surprisingly, the gleesome threesome runs afoul of genuine smugglers. As with most of the best Will Hay comedies of the 1930s, Ask a Policeman is top-heavy with behind-the-scenes talent: among the screenwriters were director Val Guest and frequent Hitchcock collaborator Sidney Gilliat. Best bit: Moore Marriot's rambling recitation of an ancient ghost legend. ~ Hal Erickson, All Movie Guide

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Starring:
Will HayGraham Moffatt, (more)
1939  
 
The Crazy Gang, a pre-Monty Python group of British "nut" comedians, were popular on stage and screen from 1935 through 1962. In The Frozen Limits, the comic sextet--Bud Flanagan, Chesney Allen, Jimmy Nervo, Teddy Knox, Charlie Naughton and Jimmy Gold--head to Alaska to take advantage of the 1898 Gold Rush. Unfortunately it's now 1939, and no one is in a rush anymore--but better late than never. The Crazy Gang's antics are here amplified by the presence of old codger Moore Marriott, on leave from his regular stint in Britain's Will Hay films. Frozen Limits was directed by Marcel Varnel, a competent journeyman best known to American film buffs for his co-direction (with William Cameron Menzies) of Chandu the Magician (32). ~ Hal Erickson, All Movie Guide

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1938  
 
The Loves of Mme. DuBarry was the American title of the 1935 British operetta I Give My Heart, based on the stage musical The DuBarry. German actress Gitta Alpar stars as Jeanne, the young 18th century Parisian milliner who sleeps her way to the uppermost rungs of French aristocracy, emerging at last as the glamorous Madame DuBarry, mistress of Louis XV (Owen Nares). Refusing to gloss over DuBarry's sexual peccadilloes (as previous films with Norma Talmadge and Dolores del Rio had done), the film presents the "heroine" as a whore, pure and simple-or, on second thought, not so pure and simple! Particularly troublesome for American censors was a scene in which DuBarry is depicted as a resident of a bawdy house. Otherwise, The Loves of Madame DuBarry is standard historical-drama fare, allowing dozens of top European actors to play "dress-up" for 90 minutes. ~ Hal Erickson, All Movie Guide

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Starring:
Gitta AlparPatrick Waddington, (more)
1938  
 
This British comedy pokes fun at Chicago gangsters as it chronicles the rivalry between to gangs battling it out aboard an ocean liner over the kidnapping of a millionaire's son. The gangs are thwarted by a porter, an ex-teacher. ~ Sandra Brennan, All Movie Guide

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Starring:
Will HayEdgar Kennedy, (more)
1938  
 
An "answer" to Paul Robeson's Sanders of the River, Old Bones of the River stars comedian Will Hay as Professor Tibbetts, a member of TWIRP ("Teaching and Welfare Institute for the Reform of Pagans"). Not especially suited to his job of bringing English education to native tribes in Africa -- as he arrives, he is still trying to learn the native language through phonograph record lessons -- Tibbetts quickly falls victim to a trick by a duplicitous native prince, involving sneaking a gin still into the country. Tibbetts makes his way to Kombooli High, where his students wear Eton collars with little else. (Tibbetts makes do with a mortarboard and safari shorts.) Things are proceeding reasonably well when the Commissioner takes ill with malaria, and Tibbetts is forced to take over his responsibilities. He travels upriver to begin his tax collecting chores (goats or rubber being perfectly acceptable in lieu of actual money), meeting two old cronies of his in the process and rescuing a baby from an untimely death by sacrifice. Unfortunately, Tibbetts and his pals make rather a mess of things and manage to roil up tensions that result in a native uprising, but things eventually come out alright in the end. ~ Craig Butler, All Movie Guide

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1938  
 
The continued adventure of the magic button that was crafted from the metal of Aladdin's magic lamp. Alf finds that this newfound device makes him master of his own fate. ~ All Movie Guide

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