John Varley Movies

George Lucas produced and Jim Henson directed this gothic fantasy which pits living and breathing actors Jennifer Connelly and David Bowie (who, along with Trevor Jones, provides the film's music) against a motley collection of Muppet monsters. The film centers upon teenage Sarah (Connelly), who lives in a fantasy world of myth and magic, evil spells, and wondrous enchantment. She is baby-sitting her little brother when she cavalierly wishes that goblins would take him away. She gets her wish, and a coterie of goblins abduct him. She then encounters Jareth (David Bowie), the ruler of a mystical world one step removed from reality. He tells Sarah that the only way to get her brother back is to find her way through a M.C. Escher-like labyrinth and find the castle at the center. As she makes her way through the maze, she faces a number of horrific challenges (like the Bog of Eternal Stench) before she finds her way to the gravity-defying castle, where her brother is being held by the evil goblins. ~ Paul Brenner, Rovi

The title character in Meet Sexton Blake was created in 1893 as a way of cashing in on the immense popularity of Sherlock Holmes. This 1944 film opens with a bizarre and intriguing murder. Late one night along the London waterfront, a man is desperately tugging at the hand of another man -- a corpse, the audience soon discovers. There clearly is something very important about the dead man's hand, as the living man goes so far as to take out a saw and start removing it. Soon after achieving his prize, he falls from a bridge to his own death. The body is hauled aboard a passing ship, and when they search the body they discover the grisly severed hand. Blake is soon on the scene, using his keen powers of detection to determine that the hand belonged to a photographer from another country. Blake retires to his digs, but it's not long before a new client appears at his door. By coincidence, this man -- an arms manufacturer -- wants Blake to investigate the death of a friend, who just happens to have been a foreign photographer. Blake and his assistant Tinker delve into the case, which leads them to a mysterious villain named Slant Eyes and an espionage plot involving a new alloy for use in airplanes that is of enormous value to both sides in the war. ~ Craig Butler, Rovi

Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers. ~ Sidney Jenkins, Rovi

A Yank at Oxford was filmed in England at MGM's "sister studio", Elstree. Robert Taylor plays Lee Sheridan, an arrogant young American scholar/athlete who intends to show the "Brits" a thing or two while attending Oxford University. His abrasive attitude grates against the Oxonian students, who retaliate by subjecting Sheridan to a rather humiliating hazing. Romance enters the picture in the form of Molly Beaumont (Maureen O'Sullivan), the sister of Sheridan's chief academic rival Paul Beaumont (Griffith Jones). When Paul faces disgrace over a breach of student ethics, Sheridan nobly shoulders the blame, simultaneously endangering his own future at Oxford and proving that he's really a "right guy" underneath. All is forgiven during the annual rowing competition against Cambridge, with Sheridan coming through in jolly good fashion. Cast as campus vamp Elsa Craddock is the stunningly beautiful Vivien Leigh, still two years away from Gone With the Wind. A Yank at Oxford was remade in 1984 as Oxford Blues, and mercilessly lampooned by Laurel & Hardy in 1940's A Chump at Oxford. ~ Hal Erickson, Rovi

Though produced by Supreme Pictures and distributed by Artclass, the poverty-row sex drama Pleasure is neither supreme, arty, nor classy. Conway Tearle stars as a wealthy, conservative author who is saddled with libertine wife Carmel Myers. Bored by her husband, Myers inaugurates an affair with Paul Page, Tearle's starving-artist brother. In true "tit for tat" fashion, Tearle subsequently falls in love with Page's model, Lina Basquette. Even at 53 minutes, Pleasure moves with the swiftness of molasses; its main purpose seemed to be to extend the careers of several former silent-film favorites. ~ Hal Erickson, Rovi