Jimmy Van Heusen Movies

Offbeat fashion student Betsy Hopper (Molly Ringwald) and her straight-laced investment-banker fiancé, Jake Lovell(Dylan Walsh), just want an intimate little wedding reception, but Betsy's father, Eddie (Alan Alda), a Long Island construction contractor, feels so threatened by Jake's rich WASP parents (Nicolas Coster and Bibi Besch) that he blows the ceremony up into a bank-breaking showpiece, sending his wife, Lola (Madeline Kahn), into a financial panic. Pressure from Betsy's extended family to include their joint Jewish and Italian-Catholic heritage in the ceremony doesn't do much to assuage the title character's worries, nor does the lovelorn bitterness of her older sister, Connie (Ally Sheedy), who's single, her parents assume, because she has the audacity to pursue the unfeminine profession of police officer. With all of his funds tied up into the money pit of a house he's building, Betsy's dad has to turn to his crooked brother-in-law, Oscar (Joe Pesci), for financial assistance, and soon a soft-spoken but menacing young mobster named Stevie Dee (Anthony LaPaglia) is supervising Eddie's construction project and casting his romantic aspirations toward the clueless Connie. Underworld hijinks and unconventional matrimonial practices ensue in this broad domestic comedy written and directed by star Alan Alda. ~ Brian J. Dillard, All Movie Guide

In this Dutch film, Maarten (Jeroen Krabbe) is a thirtysomething biologist who has yet to lose his virginity. When he dreams that he will die if he is unable to sleep with a woman in the next seven days, Maarten and his alter ego set out to save his life. ~ Iotis Erlewine, All Movie Guide

Touted by 20th Century-Fox as a follow-up to their enormously successful The Sound of Music, Star! reteams that earlier film's leading lady Julie Andrews and director Robert Wise. Andrews plays legendary musical comedy star Gertrude Lawrence, while Daniel Massey appears as Lawrence's friend, co-worker and severest critic Noel Coward (Massey's real-life godfather). The film jumps back and forth in continuity at times, its transitions bridged by fabricated newsreel footage; essentially, however, William Fairchild's script traces Lawrence's progress from ambitious bit actress to the toast of London and Broadway. Her success is offset by a stormy private life, which is given some ballast when she falls in love with an American financier (Richard Crenna). The film is way too long for its own good, though the musical set pieces -- especially the Andrews-Massey duets -- are superb. Julie Andrews welcomed the chance of playing a character as far removed from her goody-two-shoes heroine in Sound of Music as possible; Gertrude Lawrence was temperamental, sarcastic, profane and at times self-destructive, and Andrews makes a meal of the role. Unfortunately, Andrews' fans, conditioned by the Fox publicity machine to expect a continuation of Sound of Music, rejected her outright in this "new" characterization. Star! was a huge box-office bomb, so much so that Fox desperately attempted a shortened re-release under a misleading new title, Those Were The Happy Times. They weren't: it remained a financial disaster, though it has developed a loyal cult following in recent years. ~ Hal Erickson, All Movie Guide

A heartless actor scrambles to the top of show business' sleazy summit in this drama. Frank Fane (Stephen Boyd) is a Hollywood leading man who is desperate to boost his career by winning an Academy Award, and he doesn't care who he has to betray to achieve his goals -- including his former best friend and PR man, Hymie Kelly (Tony Bennett), lonely acting coach Sophie Cantaro (Eleanor Parker), slimy agent Kappy Kapstetter (Milton Berle), and long-suffering girlfriend Kay Bergdahl (Elke Sommer). However, as Frank waits for his name to be called, certain that victory is in his grasp, fate has a little secret in store for him. The Oscar marked Tony Bennett's onscreen acting debut. The screenplay, based on the novel by Richard Sale, was written in part by award-winning author Harlan Ellison, who is known to often take comical potshots at the film, which he considers a low point in his career. ~ Mark Deming, All Movie Guide

A British movie originally entitled Licensed to Kill, this is a satire on the James Bond brand of spy which has a bumbling agent attempting to foil the Russian acquisition of a Swedish anti-gravity formula. ~ Tana Hobart, All Movie Guide

The Rat Pack packed it in after this sprightly musical comedy that owes more than it should to Damon Runyon's stories and Frank Loesser and Abe Burrows's classic musical Guys and Dolls. Sammy Cahn and Jimmy Van Heusen's bright and snappy score features such songs as "Style", "Bang-Bang" and the Sinatra standard "My Kind of Town". Set in 1920s Chicago, the tale begins during a birthday party for head mobster Big Jim (Edward G. Robinson) who is shot to death during the celebration. Rival gangster Guy Gisbourne (Peter Falk) immediately declares himself the chief gangster. The northside gang, headed by Robbo (Frank Sinatra) is willing to grant Guy his self-declared title as long as he leaves the northside territory alone. Guy refuses and when small time hood Little John (Dean Martin) joins Robbo's crew, turf warfare breaks out between the two gangs, resulting in the destruction of both Robbo and Guy's nightclubs. Meanwhile, Big Jim's daughter Marian (Barbara Rush) offers Robbo $50,000 to find the man who killed her father. Robbo demurs and gives the money to his henchman Will (Sammy Davis Jr.) to get rid of. Will, hoping to do a good deed, hands the money over to Allen A. Dale (Bing Crosby), who runs an orphanage. Allen, finding out that the money came from Robbo, informs the newspapers of Robbo's philanthropic enterprise and Robbo immediately becomes a local celebrity, referred to as Chicago's Robin Hood. For his part, Robbo is willing to go along with the publicity. On the romantic front, although Robbo is attracted to Marian, he gives her the brush-off when he finds she is using a charitable foundation as a front for a counterfeiting ring being run by herself and Little John. Robbo tells Marian to leave town. Instead, she hooks up with Guy, proposing that he kill both Robbo and Little John. ~ Paul Brenner, All Movie Guide

This charming tale is about a young girl's father and his slightly erratic behavior after sampling a refreshing alcoholic beverage. Although Papa Jack Griffith (Jackie Gleason) never appears to be drunk, his "delicate condition" is well known to his family. His wife is definitely unhappy over his penchant but loves him just the same. He is adored by his youngest daughter, six year old Corinne (Linda Bruhl). When he tries to buy a pony for Corinne, he not only gets the pony but the entire broken down, debt ridden circus as well. This is too much for wife Ambolyn (Glynis Johns), who packs up the kids and heads for her father's house in Texarkana. Jack follows with the entire circus in pursuit to take his loving family back home. He also hoodwinks some local investors to put money into a proposed drug store, thereby circumventing a blue law that forbids the sale of alcohol. Gleason's performance contain many fine moments that run the full spectrum of human emotions and clearly illustrates why he has deservedly been referred to as "The Great One." ~ Dan Pavlides, All Movie Guide

Jack Lemmon stars as Hogan, who lives a bachelor's dream as the manager of an apartment building that caters only to single women. Hogan likes to romance his tenants, and he sets his sights on a newcomer named Robin (Carol Lynley). Robin and her boyfriend David (Dean Jones) have moved in together, intending to see how compatible they are while maintaining a platonic relationship. This arrangement is the result of a suggestion from Irene (Edie Adams), a marriage counselor who is subletting her apartment to Robin while living with her own boyfriend, Charles (Robert Lansing). Irene thinks that Robin and David need to discover whether they are suitable as marriage partners without letting sex cloud their judgment. Hogan finds out about the arrangement and schemes to get David away so he can seduce Robin. The film is based on a hit stage play by Lawrence Roman. ~ Michael Betzold, All Movie Guide

Director Frank Capra's last feature film, Pocketful of Miracles is a Technicolor remake of his 1933 film Lady for a Day. A barely recognizable Bette Davis plays Apple Annie, the besotted, unkempt, rag-clad street vendor who controls the activities of all the beggars on Broadway. Apple Annie is the pet of Dave the Dude (Glenn Ford), a tough but basically kind-hearted gangster who believes that Annie's apples bring him luck. One morning, Annie fails to show up at her usual corner. That's because she is sitting disconsolate in her squalid shack, contemplating suicide. The reason: Annie has received a letter from her daughter Louise (Ann-Margret, in her screen debut). Annie has been supporting Louise's high-priced European education, leading the girl to believe that she, Annie, is a high-society dowager. Now Louise is returning home with her wealthy fiance Carlos Romero (Peter Mann) in tow, and it looks as though Annie's cover will be blown to bits. Partly out of sympathy, but mostly because of his superstitious belief in the power of Annie's apples, Dave the Dude arranges with his Broadway cohorts to "doll up" Annie so that she can pass as a woman of means, then stage-manages a huge, expensive reception for Louise and her beau. The complications that ensued in the original 1933 version of Lady for a Day exercise their prerogative once more, with a few added plot twists to pad out Glenn Ford's screen time. Cutting through the sentimental goo like a machete is Peter Falk, who is hilarious as Dave the Dude's sarcastic bodyguard. Evidently, Falk was one of the few actors on the set of Pocketful of Miracles with which Capra remained sympatico throughout shooting. In his autobiography (a not altogether reliable tome), Capra insisted that Pocketful of Miracles was ruined by Glenn Ford's autocratic and self-serving on-set behavior, and by Ford's demand that his current lady friend Hope Lange be (mis)cast as brash nightclub chirp Queenie Martin. As usual, Capra was not telling the whole story: at 63, he was beginning to lose his grip on his movie-making skills, allowing every scene to run well past its value and concentrating on cute isolated "bits" rather than the story at hand. Way too long at 136 minutes (Lady for a Day ran but 90), Pocketful of Miracles still has a lot going for it, especially the glowing performance of Bette Davis and the basic, foolproof Damon Runyon story on which it is based. While it disappointed at the box office, Miracles has since its release become a Christmastime TV perennial, seldom failing to draw big ratings numbers. ~ Hal Erickson, All Movie Guide

A screwball comedy that turns into political farce, this film was something of a throwback even in 1960. Real-life husband and wife Tony Curtis and Janet Leigh star as David and Ann Wilson. David is a university professor who is kissing one of his students when Ann walks in on them. She demands a divorce. David turns to his old friend, a television writer, Michael Haney (Dean Martin), who cooks up a cover story. They convince Ann that David is working undercover for the FBI, and that the kiss was part of a sting. The gullible Ann believes the story. Later, when she sees David and Michael in a restaurant with two women, she suspects that the women are spies, and passes David his empty gun. This touches off a disturbance that is filmed by TV news crews. Some real Russian spies think that David really is an FBI agent, and the spies grab the Wilsons and Haney, take them to a secret chamber beneath the Empire State Building, and give them truth serum. From there, the film continues to twist and turn in wildly wacky ways. ~ Michael Betzold, All Movie Guide

Wake Me When It's Over is a zany service comedy in which Ernie Kovacs plays the latest in his long line of military captains. Kovacs and his men are stationed at a dead-end Japanese island. World War II vet Dick Shawn, redrafted through a clerical error, arrives on the island and decides to liven things up. Using the materials at hand, he supervises the building of a hotel, using the island girls as the staff. The military brass investigate when it's obvious than the servicemen are having too much fun on the island. Kovacs would love to have Shawn stay, and says so at Shawn's court-martial, but the reluctant draftee is mustered out of the service as accidentally as he'd been brought back in. Ernie Kovacs and Dick Shawn work so well together in Wake Me When It's Over that one can only feel an intensified loss over the early deaths of these two comic masters. ~ Hal Erickson, All Movie Guide

There was neither a heroine nor a villain in Jules Verne's 1864 novel Journey to the Center of the Earth, but scenarist Charles Brackett evidently knew what he was doing by adding both to the 1959 film version. The picture proved to be a significant success in an otherwise disappointing year for 20th Century Fox. James Mason stars as amusingly absent-minded professor Oliver Lindenbrook, whose first step on a fabulous journey is prompted by a lump of lava brought to him by his student Alec McEwen (Pat Boone -- and, yes, he gets to sing). Melting down the curiously composed lump, Lindenbrook discovers a hastily scrawled message from long-lost explorer Arne Saknussem, with directions for reaching the earth's core. Accompanied by Carla (Arlene Dahl), widow of a famed geologist, and Icelandic guide Hans (Peter Ronson), Lindenbrook and Alec head down, down below. They are closely followed by the villainous Count Saknussem (Thayer David), descendant of the lost explorer who wrote the directions; the count hopes to use Lindenbrook's discoveries for his own personal and political gain (we know he's really bad when he eats Han's lovable pet goose). What follows is a festival of superb special effects, fabulous subterranean sets, and gigantized reptiles posing as dinosaurs, all brilliantly accompanied by Bernard Herrmann's ominous musical score. Journey to the Center of the Earth would later be adapted into a Saturday-morning cartoon series, again produced by 20th Century Fox. ~ Hal Erickson, All Movie Guide