T.K. Carter Movies

The (mostly) true story of a Hollywood princess turned bounty hunter is told in this witty action-drama from director Tony Scott. Domino Harvey (Keira Knightley) was the daughter of famed actor Laurence Harvey (played by Jesse Pate) who passed on when Domino was only eight years old. Domino's mother, former fashion model Paulene Stone (played by Jacqueline Bisset and renamed (%Sophie Wynn) in the film), strove to give her daughter a comfortable life, but Domino was naturally rebellious, and after a contentious stint in boarding school, a brief career as a runway model, and a fling with the fashion business, Domino was looking for something more exciting. She found it when he met Ed Mosbey (Mickey Rourke), an ex-con who had gone on to a successful career as a "bail recovery agent" -- in short, a bounty hunter. Ed also taught others how to join his profession, and Domino took his course and joined his team, along with Choco (Edgar Ramirez), a headstrong bail agent who took an immediate fancy to Domino. Domino, Ed, and Choco became a successful team -- successful enough that television producer Mark Heiss (Christopher Walken) asked them to become the subject of a television reality series. However, it was after the cameras were turned on Domino that her life got truly crazy. Bail bondsman Claremont Williams III (Delroy Lindo) had hired Domino and her friends for a risky case, and soon Domino, Ed, and Choco were chasing missing men and money while landing in hot water with both the FBI and the Mafia. Domino was loosely based on Domino Harvey's real life story; sadly her personal life was as reckless as her career, and Domino died as a result of drug abuse on June 27, 2005, after this film was completed. The film also features Lucy Liu, Mena Suvari, Macy Gray, and Dabney Coleman. ~ Mark Deming, All Movie Guide

In 1971, filmmaker Melvin Van Peebles released his third film, Sweet Sweetback's Baadasssss Song, which he wrote, directed, and scored. Despite boasting an all-black cast, an X rating, a low budget, and a decidedly non-Hollywood approach to moviemaking, the ground-breaking independent film went on to gross over ten million dollars while inspiring countless other films of the genre that would come to be called blaxploitation. Mario Van Peebles, the director's son, was 13 at the time and got his first taste of show business with a small role in the film. Over three decades later, the younger Van Peebles directed and co-wrote this film, in which he stars as his father. BAADASSSSS! chronicles the director's struggles to get the film made by highlighting the social roadblocks and production pitfalls Van Peebles faced, as well as the personal sacrifices he was forced to make. Also starring T.K. Carter, Ossie Davis, and Nia Long, BAADASSSSS! premiered at the 2004 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

Medavoy (Gordon Clapp) and Martinez (Nicholas Turturro) pursue their theory that a man whose body was found in a dumpster may have been killed by his violence-prone brothers. Diane (Kim Delaney) and Jill (Andrea Thompson) investigate when a young girl disappears, a case that leads to a bizarre videotaped confession. And John (Bill Brochtrup), already distressed that Dolores (Lola Glaudini) has turned to prostitution, is worried when she fails to return from a trip with the wealthy and well-connected Malcolm Cullinan (Todd Waring). Daniel Benzali returns in the role of high-priced attorney James Sinclair in this, the first episode of a crucial NYPD Blue story arc. ~ Hal Erickson, All Movie Guide

At the request of the girl's father, Whitley (Jasmine Guy) allows her student Dashawn Curtis (Jonell Green) to stay at her house over the weekend. Appalled at Dashawn's tomboyish behavior, Whitley admonishes her to act more like a lady--resulting in chaos when Dashawn decides to play a few practical jokes. Meanwhile, Ron (Darryl M. Bell) and Freddie (Cree Summer) put together a dance marathon as a fundraiser for Amnesty International, which nearly degenerates into a riot thanks to Ron's money-grubbing tactics. ~ Hal Erickson, All Movie Guide

Bill Duke directs this quirky film adaptation of Chester Himes' crime novel -- a heavily plotted gangster tale with a sweet love story hidden underneath. The film begins in Natchez, Mississippi in 1956. During a police shoot-out with the mob leader Slim's (Badja Djola) gang, Slim's moll Imabelle (Robin Givens) takes off with a cadre of stolen gold. As a result, Imabelle is chased by Slim's mob from Mississippi to New York. By the time she reaches Harlem, she is broke and has to figure out a way to ditch the trunk full of gold. She finds herself at the annual Undertaker's Ball, where she sees the big and dumb Jackson (Forest Whitaker), a bumbling undertaker's assistant. She spots Jackson as a mark that she can use as a cover and latches onto him immediately. She moves in with him to hide out, but Imabelle becomes taken with his innocence. For his part, Jackson falls head over heels in love with her. But the Mississippi mob catches up with her and takes her away. Jackson calls in his street-wise brother Goldy (Gregory Hines) to help him rescue Imabelle. Jackson fears that Imabelle has been kidnapped. But Goldy knows better -- he still agrees to help him but Goldy wants the gold for himself. ~ Paul Brenner, All Movie Guide

There were those in 1989 who bellyached that Disney Television's Polly was a far from faithful adaptation of Eleanor Porter's classic novel Pollyanna. What they meant was that Polly did not resemble the 1960 Hayley Mills movie version of Pollyanna, which itself played fast and loose with the source material. In Polly, The Cosby Show's Keshia Knight Pulliam portrays the "Glad Girl" who brings along a satchelful of happiness and optimism when she visits her wealthy aunt one summer. Tranposing Porter's all-white story to a middle-class black community in the Alabama of the 1950s (Celeste Holm is the only white costar) isn't nearly as self-conscious or gimmicky as it seems on paper. Nor is any damage done to the original by adding musical numbers, especially when taking into consideration that the film was directed by renowned choreographer Debbie Allen (the sister of Phylicia Rashad, who plays Polly's aunt--and who in 1989 was costarring with Keshia Knight Pulliam on a weekly basis on The Cosby Show). Polly scored a boffo ratings hit, prompting Disney TV to assemble a 1990 sequel, Polly: Comin' Home! ~ Hal Erickson, All Movie Guide

When aspiring musician Bryan Peters (David Hallyday) wins a trip to L.A. to meet his rock idol (Warwick Sims), there's one catch: bachelor Bryan must bring a girl friend. This could present a problem, since he doesn't have one. The solution: his manager Reggie (T.K. Carter) goes drag. ~ Jason Ankeny, All Movie Guide

Spunky nine-year-old Penelope "Punky" Brewster (Soleil Moon Frye) and her foster father, middle-aged bachelor photographer Henry Warnimont (George Gaynes), continue to adjust themselves to one another's presence (sometimes successfully) as the heartwarming sitcom Punky Brewster begins its second season on NBC. Likewise coming back for more is Susie Garrett as nurse Betty Johnson, Henry's upstairs neighbor. New to the series this year is T.K. Carter as schoolteacher Mike Fulton, who is extremely simpatico with Punky and her classmates Cherie (Cherie Johnson), Margaux (Ami Foster), and Allen (Casey Ellison). The season opens with an episode featuring a guest-star turn by boxer Marvelous Marvin Hagler. In subsequent stories, former Happy Days regular Cathy Silvers appears as a confused "client" when Punky and Cherie establish their own baby-sitting service; teacher Mike Fulton helps Punky through a difficult emotional crisis by revealing that he, like she, was adopted; Allen learns a vital lesson when he foolishly pokes fun at a mentally challenged classmate; and Peter Billingsley, star of the classic theatrical feature A Christmas Story, is seen, appropriately enough, in the series' Yuletide episode (but he doesn't shoot his eye out!). Perhaps the most memorable of the second-season Punky Brewsters is the two-part "The Perils of Punky," in which Soleil Moon Frye plays a dual role. With the season's final episode, "Accidents Happen," featuring Buzz Aldrin in a cameo role, Punky Brewster's NBC run came to an end. However, the series proved so successful in rerun syndication that it was revived as a syndicated series in 1987 -- nearly two years after its initial cancellation. ~ Hal Erickson, All Movie Guide

A college professor (Dan Aykroyd is forced to go undercover as a Chicago pimp disguised by a bushy wig -- the height of hairlarity in this anemic comedy. When Smooth Walker (Howard Hesseman) is hunted by his gangster rival, Mom (Kate Murtagh), he foists his bevy of hookers on the professor -- and then ends up dead. Among the four hookers who are suddenly in his undercover life are Fran Drescher in an early role as an archetypal Jewish princess, and Donna Dixon as another of the high-class call-girls (Dixon and Aykroyd were later married). ~ Eleanor Mannikka, All Movie Guide

John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves. ~ Anthony Reed, All Movie Guide

Fran Drescher, Michelle Pfeiffer, and Tony Danza are the most notable aspects of this forgettable teen drama that features a gang of youths in a car club who decide to battle it out with the establishment in Beverly Hills. It seems their favorite haunt, the last drive-in restaurant in the neighborhood, has been forced to close. Their rebellion is marked by tactics that might be embarrassing to any serious rebels: they turn a high school banner into an X-rated statement, sabotage a police car, ruin a manicured garden, and urinate in a punch bowl. These shenanigans take place on Halloween in 1965, a time when practical jokes are usually in the hands of elementary school kids -- and that level of maturity is maintained here. ~ Eleanor Mannikka, All Movie Guide

Two unwed youths head for New York tenements with their child after they are driven from their homes. ~ Kristie Hassen, All Movie Guide

Quincy (Jack Klugman) receives an urgent call from his friend Rosey Grier (playing himself), who is currently running Giant Step, a city-funded remedial program for delinquents. One of Grier's charges, troubled teenager Victor Garn (Todd Davis), has been accused of murdering an old man, and the program is in danger of being closed down. Rosey hopes that Quincy can prove the boy's innocence: trouble is, Quincy has already signed off on the case and established the boy's guilt. The challenge now is to establish that Victor is not a murderer, but instead acted in self-defense. This episode was originally scheduled to air on December 23, 1977. ~ Hal Erickson, All Movie Guide