Pietro Valsecchi Movies

While the major American TV networks were jockeying to be the first to present a filmed biography of the late Pope John Paul II, cable's humble Hallmark Channel managed to beat everyone to the punch with the four-hour Karol: A Man Who Became Pope. Actually, this made-for-TV film was a Polish-Italian co-production, debuting on Italian television as Karol, un Uomo Diventato Papa on April 8, 2005, and subsequently released theatrically in Poland. Curiously, it had been filmed in English, so no dubbing was necessary -- thus enabling Hallmark to rush the production onto American screens as early as August 15, 2005. Piotr Adamczyk stars as Karol Wojtyla, whose tireless fight for humanity and basic fundamental rights begins with the German invasion of his native Poland in 1939. Appalled at the brutal treatment afforded his Jewish friends, Karol turns to religion as a means of making a difference in the world, and with the help of several other like-minded individuals mounts a nonviolent, but extremely effective, anti-Nazi resistance. Ordained as a priest at war's end, Karol finds himself fighting another form of godless totalitarianism, this one from the Communists who have overtaken his country. Ultimately, Father Karol Wojtyla's noble mission culminates in his being elected as Pope John Paul II in 1978 -- and it was surely no coincidence that Poland's liberation was now but a matter of time. Although A Man Who Became Pope looks lavish and expensive, it was very economically produced, and had made back its cost many times over before its acquisition by Hallmark. The film is also a "winner" in terms of its straight-on portrayal of the pontiff, and the commendably sincere, unadorned performances of virtually every actor in the cast. ~ Hal Erickson, All Movie Guide

A courageous man stands up to the Mafia and ends up paying a terrible price. This Italian drama is based on a true story and begins in 1990 when Milanese salesman Piero Nava witnesses the mob killing of a prominent magistrate. A man of integrity, Nava reports the crime and later testifies against the killers in court. In order to protect himself and his family, Nava enters the convoluted, bureaucratic government witness protection program. The traumatic experiences he suffers leaves the disillusioned Nava wondering whether he would have been better off remaining silent. ~ Sandra Brennan, All Movie Guide

Andrei Konchalovsky's examination of totalitarianism, and the self-deluded mind-set that allows it to happen, is based on Konchalovsky's meeting with a bureaucratic flunky of Stalin's -- his personal projectionist -- during his early days as a filmmaker. Set during the height of Stalin's rule (1939 through 1953), the story concerns Ivan Sanchin (Tom Hulce), a motion picture projectionist who worships the Soviet leader like a god. He lives in a tiny apartment, sharing his space with a Jewish family. One day, the KGB bursts into the apartment of his Jewish neighbors and carts them away. Later that night, there is a loud banging on his door and standing before him are two KGB agents, who drag him off into the night. While at first Ivan can't understand what he did wrong, it seems the news is good -- Stalin wants Ivan to take over as his official motion picture projectionist. But since his job is high security, he can't tell his wife Anastasia (Lolita Davidovich) what he does for a living. When Anastasia takes an interest in the orphaned child of his former Jewish neighbors, Ivan begins to worry that Anastasia's visits to the state orphanage might have political repercussions against him. When he gets his wife a job serving Stalin's cabinet, he thinks he's solved his political worries. Unfortunately, Anastasia catches the amorous eye of KGB chief Beria (Bob Hoskins), and Ivan's unquestioning faith in the Soviet leaders is sorely tested. ~ Paul Brenner, All Movie Guide