Peter Ustinov Movies
Hirsute, puckish "renaissance man" Peter Ustinov was born in England to parents of Russian lineage. Trained at the London Theatre Studio, Ustinov was on stage from the age of 17, performing sketches written by himself in the 1939 revue Late Joys. In 1940, the year that his first play, Fishing for Shadows, was staged, the 19-year-old Ustinov appeared in his first film. Just before entering the British army, Ustinov penned his first screenplay, The True Glory (1945). School for Secrets (1946) was the first of several films starring, written, and directed by Ustinov; others include Vice Versa (1946), Private Angelo (1949), Romanoff and Juliet (1961) (adapted from his own stage play), and Lady L (1965). Perhaps Ustinov's most ambitious film directorial project was Billy Budd (1962), a laudable if not completely successful attempt to transfer the allegorical style of Herman Melville to the screen. As an actor in films directed by others, Ustinov has sparkled in parts requiring what can best be described as "justifiable ham" -- he was Oscar-nominated for his riveting performance as the addled Nero in 1951's Quo Vadis and has won the Best Supporting Actor prize for Spartacus (1961) and Topkapi (1964). Never one to turn down a good television assignment, Ustinov has appeared on American TV in such guises as King George and Dr. Samuel Johnson, winning the first of his three Emmy awards for the latter characterization; he is also a frequent talk show guest, regaling audiences with his droll wit and his mastery over several dialects. While he has never starred on-camera in a weekly TV series, his voice could be heard essaying virtually all the roles on the 1981 syndicated cartoon series Dr. Snuggles. The closest he has come to repeating himself was with his frequent theatrical film and TV-movie appearances as Agatha Christie's Belgian detective, Hercule Poirot, in the late '70s and early '80s. The author of several plays (the most popular of which included Love of Four Colonels and Photo Finish) and books (including two autobiographies), Peter Ustinov was still going strong into the 1990s, making a long-overdue return to Hollywood in the 1992 film Lorenzo's Oil. ~ Hal Erickson, All Movie Guide- 1961
Peter Ustinov went the auteur route as writer, director, producer, and star of this Cold War farce, based on his play and very similar to the equally well-regarded The Mouse That Roared (1959). Ustinov is "the general," leader of the tiny European nation Concordia, which is so small that it does not appear on any maps, and each government employee holds two positions (the general's chauffeur is also ambassador to the U.S.). Despite its diminutive size, Concordia is a full-fledged member of the United Nations. A vote on an important measure is split evenly, with Concordia getting the deciding vote, so the general abstains and goes home, giving fits to the U.S. and U.S.S.R., Cold War rivals which are on opposing sides of the issue. A campaign of persuasion is launched to sway Concordia to one side or another, but the canny general wants to keep his country neutral, so he schemes to introduce the Russian ambassador's son Igor Romanoff (John Gavin) to Juliet Moulsworth (Sandra Dee), the daughter of the U.S. representative. Shakespearean-style romance between the two attractive young people inevitably ensues, much to the chagrin of their home countries and the general's delight. ~ Karl Williams, All Movie Guide
- Starring:
- Peter Ustinov, Sandra Dee, (more)
Director Fred Zinnemann was riding a crest in the '50s with movies like High Noon, From Here to Eternity, Oklahoma, and his success continues in this western-style drama set in Australia in the 1920s. Ida Carmody (Deborah Kerr) is married to Paddy (Robert Mitchum), a sheep drover whose nomadic existence makes him blissfully content. Neither Ida nor their son Sean share his love for roaming, in fact, Ida convinces her husband to take on a job as a sheep-shearer so they can finally have enough to get a mortgage on a farm. At first Paddy agrees but obviously does not know his own mind because in no time at all, he rebels -- though that is not the end of it. Peter Ustinov is also featured as Vanneker, a bachelor who comes to stay with the family, and Glynis Johns plays a hotelkeeper out to change Vanneker's non-marital status. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Deborah Kerr, Robert Mitchum, (more)
In the British farce School for Scoundrels, Ian Carmichael plays a naïve young loser, Henry Palfrey, who is anxious to get ahead in the world. He enrolls in a "school" that specializes in teaching one-upmanship -- the slogan is "How to win without actually cheating." Through fair means and foul, Henry learns how to come out top dog in any situation, with such experts as (the real-life) Stephen Potter (Alastair Sim) as his guide. A perceptive series of comic blackouts exposing the essential hypocrisy in all walks of life, School for Scoundrels was based on the book by Potter. ~ Hal Erickson, All Movie Guide
- Starring:
- Ian Carmichael, Terry-Thomas, (more)
Spartacus (Kirk Douglas) is a rebellious slave purchased by Lentulus Batiatus (Peter Ustinov), owner of a school for gladiators. For the entertainment of corrupt Roman senator Marcus Licinius Crassus (Laurence Olivier), Batiatus' gladiators are to stage a fight to the death. On the night before the event, the enslaved trainees are "rewarded" with female companionship. Spartacus' companion for the evening is Varinia (Jean Simmons), a slave from Brittania. When Spartacus later learns that Varinia has been sold to Crassus, he leads 78 fellow gladiators in revolt. Word of the rebellion spreads like wildfire, and soon Spartacus' army numbers in the hundreds. Escaping to join his cause is Varinia, who has fallen in love with Spartacus, and another of Crassus' house slaves, the sensitive Antoninus (Tony Curtis). The revolt becomes the principal cog in the wheel of a political struggle between Crassus and a more temperate senator named Gracchus (Charles Laughton). Anthony Mann was the original director of Spartacus, eventually replaced by Stanley Kubrick, who'd previously guided Douglas through Paths of Glory. The film received 4 Academy Awards, including Best Supporting Actor for Ustinov. A crucial scene between Olivier and Curtis, removed from the 1967 reissue because of its subtle homosexual implications, was restored in 1991, with a newly recorded soundtrack featuring Curtis as his younger self and Anthony Hopkins standing in for the deceased Olivier. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Laurence Olivier, (more)
- 1959
An animated classic romance, this is the story of a handsome young chimneysweep and a beautiful princess. The voices are provided by Claire Bloom and Peter Ustinov. ~ Tana Hobart, All Movie Guide
- 1957
Filmed in 1955, Les Espions (The Spies) was based on Midnight Patient, a novel by Egon Hostowsky. The scene is a rundown sanitarium, which is subtly but thoroughly taken over by a ruthless gang of international spies. One of the new "patients" is purportedly the inventor of a new nuclear explosive device, which of course attracts the attention of Russian and American counterspies. When it turns out that the inventor is a phony, it throws the entires espionage community into a frenzy. Before long, it is impossible to tell the good guys from the bad. As confusing as it sounds, Les Espions has the advantage of a superb international cast, including Curt Jurgens, Sam Jaffe, and Peter Ustinov. ~ Hal Erickson, All Movie Guide
- Starring:
- Curd Jürgens, Véra Clouzot, (more)
- 1957
A top international cast distinguishes the leisurely-paced drama I Girovaghi (The Wanderers). Peter Ustinov stars as itinerant puppeteer Don Alfonso, who tours the provinces in the company of his wife (Carmen Del Piggio) and son (Gaetano Autiero). During a stopover in one tiny village, Don Alfonso lures a seductive dancing girl (Abbe Lane) away from another show. His subsequent romance with the girl comes acropper when she skips with his receipts. Chastened -- and somewhat bethumped by the girl's new male companions -- the wandering Don Alfonso returns to his incredibly patient and forgiving wife. But has he really learned his lesson? ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Ustinov, Abbe Lane, (more)
- 1957
Peter Ustinov stars as a nasty, grasping Brooklyn slum lord who earns the hatred of everyone. An old lady, cast out on the street by Ustinov, places a curse on his head. The result: Ustinov turns into a dog! Forced to witness the world from a mutt's eye view, the surly landlord truly understands for the first time what it means to be on the outside looking in. He also experience two new sensations: Love and devotion. Ustinov is snapped out of his spell (standing naked in a garbage can!) and vows to change his ways. Despite its overall New York ambience, The Man Who Wagged His Tail is a European production, filmed for the most part in Spain. Its original title was Un angel paso por Brooklyn. ~ Hal Erickson, All Movie Guide
- Starring:
- Pablito Calvo, Aroldo Tieri, (more)
Samuel and Bella Spewack's English adaptation of French playwright Albert Husson's morbidly humorous stage piece My Three Angels was brought to the screen as the heavily laundered but still wickedly funny We're No Angels. The scene is French Guiana, a few days before Christmas. Humphrey Bogart, Peter Ustinov and Aldo Ray play three Devil's Island "lifers" who escape from the infamous prison and hide out amongst the free colonists. In need of clothing and money, the trio makes plans to rob milliner Leo G. Carroll and his family. "We'll cut their throats for a Christmas present", Bogie, a convicted forger, remarks laconically. "That might spoil one's belief in Santa Claus" replies philosophical wife-murderer Ustinov. The three escapees are deflected from their larcenous intent when they grow fond of Carroll, his wife Joan Bennett and their daughter Gloria Talbott. Discovering that Carroll is on the verge of bankruptcy, the convicts offer their services as household help (the sight of Bogie in an apron is worth the admission price in itself). Complications ensue when Carroll's nasty, wealthy cousin Basil Rathbone comes calling to audit the store's books. Not wishing to see the family evicted, the convicts calmly discuss the possibilities of murdering the troublesome Rathbone. They are saved the trouble when Adolphe, the pet poisonous snake owned by Ray, slithers out of its box and accomplishes what the convicts had only contemplated. Adolphe also helps smooth the path of happiness for Carroll's daughter Gloria, who thinks she's in love with Rathbone's duplicitous nephew John Baer. From all reports, the set of We're No Angels was a happy one, a fact reflected in the warm, engaging performances of its stars. The film represented the final screen collaboration between star Humphrey Bogart and director Michael Curtiz. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Aldo Ray, (more)
Max Ophuls' final film (and his only movie in color) is a cinematic tour-de-force masquerading as a biography, in this case a dazzling fictionalized life of the notorious 19th century dancer, actress, and courtesan. A still beautiful, but weary and disillusioned (and, as we later discover, ailing) Lola Montes (Martine Carol) is first seen as the featured attraction at a seedy American circus, appearing at the center of a series of various tableaux depicting the scandalous events for which she is known. With a strangely sincere yet sinister and manipulative ringmaster (Peter Ustinov) providing color commentary, some of it very ironic on two or more levels, the movie flows between these staged recreations in the circus and the events as recalled by the subject. In a series of dissolves, the film takes us through her girlhood with her mother, interrupted when her mother's lover (Ivan Desni) becomes attached to the daughter; her unhappy marriage and its aftermath; romances with composer Franz Liszt (Will Quadflieg), abduction by a Russian general (in the arms of Cossacks, no less); her affairs across the landscape of Europe with men great and notable; her thwarted aspirations as a dancer; and her romance with King Ludwig I (Anton Walbrook) of Bavaria, which led to her being made Countess of Landsfeld, and, later, to his abdication. The gracefulness of Ophuls' cyclical narrative, and the transitions between the recalled elegance of the locales, and the people with whom her romances and affairs took place, and the seediness of the circus -- where she is also compelled, in the course of performing, to perform as an aerialist -- were lost on viewers in 1955. And for many years the movie only existed in a version re-cut without the director's approval, in which the story was presented in linear fashion. It was only in the 1960's, long after Ophuls' death, that efforts were made to restore the original structure, and in 2008 the movie's original Technicolor luster was restored to its full depth and richness. ~ Bruce Eder, All Movie Guide
- Starring:
- Martine Carol, Peter Ustinov, (more)
- 1954
As an actor, British film star Stewart Granger was very handsome, but this is all that is required of him in Beau Brummell. Granger plays the famed 18th-century dandy and social arbiter who rises from poverty to become the adviser and severest critic of the Prince of Wales (marvelously portrayed as a self-involved neurotic by Peter Ustinov). Secure in his station in life, Brummell goes one step too far when he jokes about the Prince's obesity. The future King George IV will forget the whole thing if Brummell will apologize, but the haughty trendsetter refuses to do so. Brummell is banished from court, losing everything -- including his chance at finding happiness with the aristocratic Elizabeth Taylor -- in the process. Filmed on location in England, Beau Brummell was based on the same war-horse play by Clyde Fitch that had served as the inspiration for the 1924 Brummell starring John Barrymore. ~ Hal Erickson, All Movie Guide
- Starring:
- Stewart Granger, Elizabeth Taylor, (more)
- 1954
Based on the novel by Mika Waltari and helmed by Casablanca director Michael Curtiz, The Egyptian, a lavish period soaper, is set several centuries before the birth of Jesus Christ. Young Egyptian healer Sinuhe Edmund Purdom (ere accompanied by his servant, Kaptah, played by Peter Ustinov) draws the affection of barmaid Merit (Jean Simmons) who seeks his hand in marriage. Sinuhe provides medical assistance to the epileptic Pharoah, Akhnaton (Michael Wilding), who, meanwhile, becomes convinced that only one god exists, and thus infuriates all of his polytheistic priests, who secretly plot to assassinate him. Sinuhe has an affair with a Babylonian whore, Nefer (Bella Darvi), but grows listless with her and eventually ends the relationship, harkening back to Merit. However, she is soon extinguished, with an arrow through the heart, for also being monotheistic. Angered by this, and believing Akhnaton's ideas directly responsible for Merit's death,
Sinuhe and his muscular friend, the affable Horemheb (screen heartthrob Victor Mature) poison the Pharoah. Akhnaton then dies while Horemheb prepares to ascend to the throne.
Ingmar Bergman had a point when he admonished the idea of falling for one's lead actress, and it is a lesson one wishes producer Daryl Zanuck had learned; he purportedly had an extramarital affair with Darvi, taking her as a "plaything," but grew sick of her after casting her in seven films. Her career then torpedoed. (Little wonder - her horrendous performance in this film must be seen to be believed; Variety called it "less than believable or skilled.") This $4.2 million film (a massive amount for 1954) suffered from additional production problems as well, with Marlon Brando originally slated to star, but replaced, at the very last minute, by Purdom, a contract player for 20th Century-Fox.
~ Hal Erickson, All Movie Guide
- Starring:
- Edmund Purdom, Jean Simmons, (more)
- 1952
The works of Guy de Maupassant have likely been adapted by more French filmmakers than those of any other author (with the possible exception of Georges Simenon). Max Ophuls harnesses three Maupassant short stories to suit his artistic purposes in Le Plaisir (House of Pleasure). In "The Mask," an aging lothario (Jean Galland) learns more about himself than he cares to when he dons a mask to cover his wrinkles. In "The House of Madame Tellier," the proprietress of a brothel (Madeline Renaud) closes up shop one day for an unusual (for her) personal mission. And in "The Model," both the title character (Simone Simon) and her artist-lover (Daniel Gelin) pay the price for her romantic impulsiveness. Each of the playlets in Le Plaisir explore conflicting sides of human nature -- a theme common to both the works of Maupassant and the films of Ophuls. ~ Hal Erickson, All Movie Guide
- Starring:
- Claude Dauphin, Jean Galland, (more)
- 1951
The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Donat, Margaret Johnston, (more)
- 1951
Though Yvonne de Carlo is top billed in Hotel Sahara, the film is stolen hands-down by second-billed Peter Ustinov. The scene is a desert hotel, smack dab in the middle of neutral territory during WW II. Hotel owner Emad (Ustinov) cheerfully changes the decor--and his loyalties--depending upon which army is enjoying his hospitality. Likewise, Emad's sexy fiancee Yasmin (Yvonne DeCarlo) is equally effusive to both the Allies and the Axis. Complications ensue when the British, German and French armies converge upon the hotel all at once. The film's punchline is a beauty. Hotel Sahara is an early directorial effort by Ken Annakin, who later helmed such serious war flicks as The Longest Day and Battle of the Bulge. ~ Hal Erickson, All Movie Guide
- Starring:
- Yvonne De Carlo, Peter Ustinov, (more)
Originally advertised as "Colossal Quo Vadis," this opulent MGM production is far and away the most elaborate of the many versions of Henryk Sienkiewicz' novel. The plot, as always, concerns the romance between a beautiful early Christian woman (Deborah Kerr) and the initially agnostic Roman soldier Marcus Vinicius (Robert Taylor). This love story is laid against the larger intrigues of the debauched emperor Nero (Peter Ustinov), who hopes to gain immortality by destroying Rome with a fire and remaking it in his own image. Part of Nero's master plan is the elimination of the Christian "threat," leading to the climactic lion picnics in the arena. In spite of the many more celebrated highlights (the burning of Rome, the rescue of Lygia [Deborah Kerr] from a rampaging bear, the upside-down crucifixion of Simon Peter), the scene that remains most vivid in the memory is the posthumous "final insult" delivered to Nero by his contemptuous former aide Petronius (Leo Genn). Sophia Loren can be briefly spotted as an extra during one of the crowd scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Deborah Kerr, (more)
- 1950
This espionage drama was based on the true story of Odette Sansom Churchill, who became an unlikely hero during WWII. Born in France, Odette (Anna Neagle) was married to an Englishman who died in battle. When the British Army made an appeal for photos of the French coastline, Odette mailed a set of old holiday snapshots to the War Office. As a result, Odette was approached to serve as a British agent in France during the Nazi occupation. Under the guidance of Capt. Peter Churchill (Trevor Howard) and French resistance soldier Arnaud (Peter Ustinov), Odette's ability to blend in as a typical French citizen was put to excellent use by Allied intelligence. Odette was eventually found out and subjected to brutal torture by Gestapo Col. Henri (Marius Goring), but she never gave up any information on her work. She was then sentenced to death in a concentration camp, and when American forces arrived to liberate the compound, Odette was held hostage by the camp's Commandant (Alfred Schieske), believing that she was too valuable to let go. Anna Neagle consulted with the real life Odette Sansom Peter Churchill (who married after the war) to prepare for her performance. ~ Mark Deming, All Movie Guide
- Starring:
- Anna Neagle, Trevor Howard, (more)
- 1949
Peter Ustinov co-produced, wrote and co-directed the quietly effective Private Angelo. Set during
WW II, the film stars Ustinov as a tremulous Italian army private who does his best to avoid getting shot at. Trouble is, the more he tries to run away from danger, the more dangerous his life becomes. Private Angelo's cowardice provides an endless source of embarrassment for his nobleman father (Conway Tearle); it also offers his fiancee Lucrezia (Maria Denis) an excuse to be unfaithful. Like most of Ustinov's written works, Private Angelo aims at quiet chuckles rather than belly laughs; also, there are no real heroes and villains, just ordinary folks in extraordinary circumstances. ~ Hal Erickson, All Movie Guide
WW II, the film stars Ustinov as a tremulous Italian army private who does his best to avoid getting shot at. Trouble is, the more he tries to run away from danger, the more dangerous his life becomes. Private Angelo's cowardice provides an endless source of embarrassment for his nobleman father (Conway Tearle); it also offers his fiancee Lucrezia (Maria Denis) an excuse to be unfaithful. Like most of Ustinov's written works, Private Angelo aims at quiet chuckles rather than belly laughs; also, there are no real heroes and villains, just ordinary folks in extraordinary circumstances. ~ Hal Erickson, All Movie Guide
- Starring:
- Godfrey Tearle, Peter Ustinov, (more)
- 1947
Written and directed by Peter Ustinov, Vice Versa is a one-joke fantasy comedy which manages to hold up almost to the very end. Anthony Newley plays the funloving son of stuffy stockbroker Roger Livesy. Father and son come into possession of a magic stone, and place a wish upon it. The result: Newley inherits Livesy's brain and personality, and vice versa. The best moments involve the suddenly matured Newley's besting of feet-of-clay schoolmaster James Robertson Justice. Not successful enough to spawn a cycle in 1947, Vice Versa is nonetheless an intriguing precursor of the brief spate of identity-switch comedies of the late 1980s--one of which was also titled Vice Versa. ~ Hal Erickson, All Movie Guide
- 1946
Produced, directed and scripted by Peter Ustinov (who did not star), Secret Flight was released in Great Britain in 1946, but not distributed in the U.S. until 1951 -- at which time it was panned as being out-of-date! The fact-based screenplay details the efforts of five dedicated British scientists to develop Radar and other preventative measures on the eve of WW II. The five "boffins" are played by Ralph Richardson, Raymond Huntley, John Laurie, Ernest Jay and David Tomlinson. Some excitement is engendered when a test pilot (Richard Attenborough) cooperates with the scientists' remote-control airflight experiments. Given the film's sober treatment of certain British wartime military maneuvers, it is surprising that Peter Ustinov frequently chooses to depict the scientists as Dr. Watson-style comic figures. ~ Hal Erickson, All Movie Guide
- Starring:
- Ralph Richardson, Raymond Huntley, (more)
- 1946
Of the many films (English and American) bearing the title Carnival, only one was based on the Compton MacKenzie novel of the same name. This 1946 melodrama stars Sally Gray as a 19th century ballet dancer who makes an unfortunate career move by marrying a taciturn Cornish farmer (Bernard Miles). Sally soon longs for the bright lights of the big city, and for the arms of her artist lover (Michael Wilding). Her husband is all too aware of this; and when the lover comes calling to renew the affair, the husband shoots Gray to death. The first film version of Compton MacKenzie's Carnival was filmed in 1931 as Dance Pretty Lady. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis Arundell, Marie Ault, (more)
- 1944
The Immortal Battalion has a bit of a convoluted history. It started life as a training film, The New Lot, which ran 44 minutes. When Winston Churchill approached David Niven about creating a film that would do for the British Army what In Which We Serve had done for the Royal Navy, he contacted Carol Reed and suggested expanding The New Lot. The result, written by Eric Ambler and Peter Ustinov, was the acclaimed The Way Ahead. For its U.S. release, Way Ahead was edited to a shorter length and retitled The Immortal Battalion. In either of its feature length forms, the film is concerned with the training of a bunch of raw recruits into a capable and efficient fighting regiment. Niven stars as Jim Perry, a lieutenant and former ordinary guy who finds that he must learn to take a tough line in order to make his wildly diverse crew come together and understand the importance both of the war and of their place in it. Although it takes time and constant effort on the part of Perry and his sergeant, the eight men eventually overcome their different backgrounds and feelings, and transform themselves into a unit which performs its tasks with admirable skill and dexterity, preparing them for their battle against the Desert Fox in Africa. Told in a semi-documentary style, Battalion also features the screen debut of Trevor Howard. ~ Craig Butler, All Movie Guide
- Starring:
- David Niven, Raymond Huntley, (more)
- 1942
Let the People Sing is an offshoot of J. B. Priestly's earlier show business-based fable The Good Companions. In Companions, a trio of mismatched dogooders save a musical troupe from ruin. In Let the People Sing, Alastair Sim is a besotted nobleman who comes to the aid of indigent comedian Fred Emney. Through Sim's intervention, the planned closing of a local music hall is prevented. Even if Sim hadn't let the people sing, as the title implores, they probably would have done so anyway. ~ Hal Erickson, All Movie Guide
- Starring:
- Alastair Sim, Fred Emney, (more)
- 1942
Future action-film expert Basil Dearden cut his directorial teeth on The Goose Steps Out, a wartime espionage comedy. The star (and co-director) is Will Hay, a major British comedian of the era whose stock in trade was playing pompous, inefficient schoolmasters. This time Hay and his confederates cross the path of a gang of Nazi spies, operating covertly in London. Using his wits (such as they are), Hay collars the Nazis and preserves the Empire. The popularity of Will Hay did not extend to American audiences, who couldn't see anything funny in such a pathetic character, but The Goose Steps Out was a big moneyspinner in Britain. The film also served as the screen debut of 20-year-old Peter Ustinov. ~ Hal Erickson, All Movie Guide
This subtle, unadorned British war drama was the second collaboration between "The Archers," Michael Powell and Emeric Pressburger. Six British bomber crewmen are obliged to bail out over Holland. To escape detection from the Nazis, the crewmen accept the hospitality of several Hollanders, all dedicated to the freedom-fighting activities of the Underground. The film is constructed along the lines of the earlier Powell-Pressburger film The Invaders, except that the escapees are British rather than German and their Dutch contacts are willing rather than reluctant co-conspirators. The six male stars are Godfrey Tearle, Eric Portman, Hugh Williams, Bernard Miles, Hugh Burden, and Emrys Jones; among those who aid them in their flight to freedom are Googie Withers, Joyce Redman, and Peter Ustinov. The austere photography by Ronald Neame is complemented by the to-the-point editing of future director David Lean. Adding to the verisimilitude of One of Our Aircraft Is Missing is the utter absence of a musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Godfrey Tearle, Eric Portman, (more)
