Jim Carter Movies

Heroic earthling Flash Gordon saves the world from the nefarious Ming the Merciless in this lavish, intentionally campy adaptation of the famous sci-fi comic strip. The story is as basic as space operas get: Ming (Max von Sydow) has developed a plan to destroy the Earth, and Flash (Sam J. Jones) and his attractive companion, Dale Arden (Melody Anderson), are called upon to stop him. Along the way, Flash must battle Ming's goons and the temptations of a luscious space princess. Previously the basis for a more straight-faced 1930s adventure serial, Flash's story is mined here for exaggerated, cartoon humor by screenwriter Lorenzo Semple Jr., a central figure in the similarly campy '60s Batman television series. The simplistic plot mainly serves as an excuse for spectacular sets and cartoonish action sequences, all set to an appropriately over-the-top rock score by Queen. Certainly not a film to turn to for serious excitement, fine performances, or character development, Flash Gordon has nevertheless developed an appreciative cult of fans who admire the film's humorous approach and the detailed, colorful production design. ~ Judd Blaise, All Movie Guide

The second of Zucker-Abraham-Zucker's theatrical-feature spoofs (Airplane was the first, discounting the patchwork Kentucky Fried Movie), Top Secret! lampoons practically every film genre. Specifically, however, this is a hybrid of an "Elvis" movie and a World War II "underground resistance" thriller. In his film debut, Val Kilmer plays Nick Rivers, a Presley-like American rock idol sent behind the Iron Curtain on a goodwill tour. Before long, he is involved in a complex espionage scheme thanks to beautiful Lucy Gutteridge, the daughter of a scientist (Michael Gough) held captive by the Communists. Also essential to the action is flamboyant resistance leader Christopher Villiers, who behaves like Victor Mature in Betrayed (1954) and talks like James Mason. Adhering to Z-A-Z's cheerful disregard for people, places and events, the East Germans are depicted as Nazis, while the Underground is comprised of Frenchmen. The plot is mainly an excuse for the Z-A-Z team's fondness for joke-a-minute lampoonery, skewering cinematic targets ranging from The Blue Lagoon (1980) to The Wizard of Oz (1939). As in Z-A-Z's other efforts, Top Secret! scores its biggest yocks when invoking cliches that we never realized were cliches-and falls on its face whenever attempting a too-obvious gag (the biggest clinker: that pigeon statue in the park). Everyone has his or her favorite bits in this film: our faves include the resistance fighter named Deja Vu ("Haven't we met somewhere before?"), Kilmer's horrible nightmare while being tortured (he arrives too late to take final exams), the army-booted cow, the sensitive Pinto, and the East German National Anthem, sung to the tune of the Shorewood (Wisconsin) High School marching song. But let's say no more: comedy of this nature is designed to be seen, not written or read about. ~ Hal Erickson, All Movie Guide

With the notable exception of Pennies From Heaven, The Singing Detective was the best-known TV miniseries project of the iconoclastic, darkly humored Dennis Potter. A reworking of Potter's first novel Hide and Seek, the six-part series starred Michael Gambon as crime novelist Philip E. Marlow. Suffering from a hellish skin-and-nerve disease called psoriatic arthroparthy (a painful infliction which ultimately killed the real-life Potter), Marlow was confined to a hospital bed, where under the influence of numerous prescription drugs he began to imagine himself as the hard-boiled hero of his latest detective novel. While trying to solve a difficult case, Marlow continually drifted backward in time to his childhood in the Forest of Dean, occasionally bursting into song to express his emotions. As fantasy and reality merged into one, Marlow was forced into a tortuous session of self-analysis and personal discovery. Virtually everyone in the cast was seen in double and triple roles, including nominal leading ladies Alison Steadman and Joanne Whalley (aka Joanne Whalley-Kilmer). The series earned two BAFTA awards (the British equivalent of the Emmys), one for Best Actor to Michael Gambon. After its initial BBC1 run from November 16, to December 21, 1986, The Singing Detective was shown in the United States via public and cable television, where it picked up another award, the prestigious Peabody, in 1989. ~ Hal Erickson, All Movie Guide

A group of radical Vietnam vets become broadcasting pirates and take on a Presidential candidate in this crazy comedy. The vets and their leader, "Captain," are television raiders flying all over the country in a B-29 they turned into flying broadcasting station S&M TV, jamming the airwaves wherever they go. Their self-assigned mission for the past 20 years is to keep the public informed about government activity to stop them from launching another foolish war like Vietnam. To do this they monitor the broadcasts of other television stations and when they don't like what they hear, they bust in and expose the lies. The bulk of the story centers around their final mission: an all-out attempt to keep Mrs. Willa Westinghouse, an ultra-conservative Presidential candidate and strong proponent of the Cold War and military strength, from winning the election. ~ Sandra Brennan, All Movie Guide

Director Ken Russell returns to the D.H. Lawrence territory that had earlier served him well in Women in Love. Sammi Davis plays Lawrence's Welsh heroine Ursula Brangwen, daughter of a wealthy mine owner, who is first seen as a child given to literally chasing rainbows. Disappointed that she can never have the real thing, the older Davis seeks out figurative rainbows in the form of sexual fulfillment. Neither heterosexual nor homosexual affairs fully satisfy Davis, because no one lover can match the "ideal" the girl has created in her imagination. Davis' disappointment in the world is paralleled with the sorry lot of the wives of the local coal miners, who have adapted to their lives--something Davis can never do, will never do. Stately despite its raw subject matter, The Rainbow was filmed just before Russell's outrageous sword-and-sorcery fantasy Lair of the White Worm; since both films utilize many of the same cast members, the two pictures might make an astonishing double feature. ~ Hal Erickson, All Movie Guide

An unusually principled young Viking becomes increasing uncomfortable with all the killing and plundering that goes with the job, and sets out on a magical journey in order to bring about world peace. Former Monty Python member Terry Jones attempts to have his story of Erik's seemingly hopeless quest operate as both witty, lunatic satire and sincere children's fantasy. However, despite a good cast and some interesting design elements, the film fails to completely succeed at either of its goals. ~ Judd Blaise, All Movie Guide

Husband and wife producers Richard Goodwin and Christine Edzard return to the same milieu as in their epic version of Little Dorrit in The Fool. This slight story stars Derek Jacobi as Mr. Frederick, a theatrical clerk in the London of 1857, who concocts a monetary scam to bilk the rich. In order to carry off this deception, Mr. Frederick passes himself off as the well-heeled Sir John. But problems arise after he is recognized by some theater people, and he begins to take his false identity a bit too seriously. ~ Paul Brenner, All Movie Guide

This informative look at T.E. Lawrence at the 1919 Paris Peace Conference, as he serves as the liaison to the Hashemite delegation in an effort to have the Allies agree to Arab independence. ~ All Movie Guide

Brevity may be the soul of wit, but that doesn't make the 79-minute Blame It on the Bellboy any funnier. Orton (Dudley Moore) is an ambitious real estate agent. Horton (Richard Griffiths) is a middle-aged married man looking for extracurricular activity via a dating service. And Lawton (Bryan Brown) is a professional hit man. Orton, Horton and Lawton all check into adjoining rooms at a posh Venetian hotel. Bellboy Bronson Pinchot, whose grasp of the English language is virtually nonexistent, delivers the wrong messages to the three men. That's why Orton is trying to sell a valuable piece of property to a roomful of mafiosi, Horton is "paired up" with an unwitting female real estate broker, and Lawton is preparing to rub out a hapless dating-service subscriber......Written by director Mark Herman, this old-style doorslamming farce might have passed muster as a dinner-theater attraction, but on film it comes across as strained and tiresome. ~ Hal Erickson, All Movie Guide

Based on Alan Bennett's acclaimed play The Madness of George III, The Madness of King George takes a dark-humored look at the mental decline of King George III of England. The film's story begins nearly three decades into George's reign, in 1788, as the unstable king (Nigel Hawthorne, reprising his stage role) begins to show signs of increasing dementia, from violent fits of foul language to bouts of forgetfulness. This weakness seems like the perfect chance to overthrow the unpopular George, whom many blamed for the loss of the American colonies, in favor of the Prince of Wales (Rupert Everett), but the king's prime minister William Pitt (Julian Wadham) and his wife Queen Charlotte (Helen Mirren) are determined to protect the throne. Doctors are brought in, but the archaic treatments of the time prove of little value. In desperation, they turn to Dr. Willis (Ian Holm), a harsh, unconventional specialist whose unusual methods recall modern psychiatry. Willis struggles to break through to the mad king, treating him with an anger and haughtiness George has never before experienced. Stressing the absurdity of the entire situation, Bennett's witty screenplay emphasizes dry humor over tragedy, even utilizing references to King Lear for comic effect. Hawthorne's fiery yet vulnerable performance received much critical praise, including Best Actor at the British Academy Awards and a nomination for the same at the Oscars. ~ Judd Blaise, All Movie Guide

This British parody is the last film of famed television writer Dennis Potter. The story centers upon a terribly tacky British horror film "Smoke Rings," which featured the screaming talents of the ambitious, sexy model and starlet Mandy Mason, who mysteriously died soon after the film was produced. U.S. producer James Boyce and his wife Amber, a Cockney fluffhead, are staying in a rented home in England. Amber's mother is Mandy Mason. Harris is the lawyer who found the rental for the Boyce's. His favorite film is "Smoke Rings," and he still has a crush on the late Miss Mason. When he attends a dinner with the Boyce's he is delighted to find that his favorite film is the midnight feature on the television. A few days later, Amber begins to exhibit disturbing behavior--behavior which parallels that of her mother, and of her mother's character in "Smoke Rings." ~ Sandra Brennan, All Movie Guide