Janis Carter Movies

The creative team of producer Harry Joe Brown and star Randolph Scott turned out some of the best westerns of the 1950s, and Santa Fe is no exception. Set in the years following the Civil War, the film casts Scott as Britt Canfield, one of four ex-Confederate brothers who head West to carve out a new life. While his three siblings (Jerome Courtland, Peter Thompson and John Archer) cast their lot on the wrong side of the law, Britt accepts a job with the Santa Fe Railroad. Inevitably, Britt is obliged to bring his wayward brothers to justice, though he knows full well that the person responsible for their downfall is "untouchable" gambling boss Cole Sanders (Roy Roberts). In a well-staged climax, Britt squares accounts with the evil Sanders and his hulking henchman Crake (Jock O'Mahoney). Curiously, many TV prints of Santa Fe were processed with the soundtrack slightly out of sync with the action. ~ Hal Erickson, Rovi

One of only five films directed by Academy Award-nominated editor Stuart Gilmore, this 1951 Western stars Robert Young as Dan Craig, a gambler who may be the only man who can stop a war between a tribe of Native Americans and a group of white settlers. Shortly after the U.S. Civil War, Frank Crawford (Reed Hadley), a crooked politician, concocts a scheme to pillage the vast quantities of gold present on Apache tribal land. If Crawford can incite a war, he can clear the Apaches from the area and the gold will be his. Luckily Craig steps in, and with the help of Charlie Wolf (Jack Buetel), a half-Apache, helps prevent the tribe members from playing into Crawford's plan. But when Wolf's sister is murdered, he can no longer resist the urge to rise up, leaving Craig as the only one to avert a disastrous battle. ~ Matthew Tobey, Rovi

Lucille Ball is Miss Grant, an efficient but naïve secretary hired by William Holden. Ostensibly a legit real estate salesman, Holden is actually the brains of a bookie ring. It takes forever for Ball to tumble to what's going on, but when she does she settles matters in the same fashion as her later I Love Lucy character would--by adopting a disguise and a line of snappy patter. The chastened Holden marries Ball and agrees to devote his life to running an honest real-estate firm on behalf of the deserving homeless. Among the contributors to the success of Miss Grant Takes Richmond are producer S. Sylvan Simon, director Lloyd Bacon and scenarist Frank Tashlin, all of whom would later team up again for the zany Lucille Ball vehicle The Fuller Brush Girl. ~ Hal Erickson, Rovi

There's propaganda aplenty in RKO's I Married a Communist, the first of producer Howard R. Hughes's many anti-Red broadsides. Robert Ryan plays shipping executive Brad Collins, whose youthful flirtations with certain left-wing causes have made him ripe for plucking by Commie cell leader Vanning (Thomas Gomez). Threatening to reveal Collins' "pinko" past, Vanning orders the executive to deliberately sabotage the shipping industry in the Frisco Bay area. Other characters essential to the plotline are Collins' wife Nan (Laraine Day), who knows nothing of her husband's politics, and his idealistic brother-in-law Don (John Agar) who spouts Marxist dogma at the drop of a hat. Apparently at a loss as to how to depict communist villainy, the screenwriters hark back on the gangster films of the 1930s, notably in the scene where a hapless stoolie (the inevitable Paul Guilfoyle) is taken for a ride. When the title I Married a Communist proved an audience turn-off during previews, the film was rechristened The Woman on Pier 13. ~ Hal Erickson, Rovi

The Italian-American Her Wonderful Lie is based on the novel Latin Quarter by Murger. This literary work is better known as the source for the Puccini opera La Boheme, and indeed, Her Wonderful Life is a modernized adaptation of the Puccini classic, with a few songs from other operas thrown in for good measure. Marta Eggerth and Jan Kiepura sing and act the leading roles of the tragic seamstress and her headstrong starving-artist lover. Featured in the cast are such familiar American faces as Janis Paige, Douglass Dumbrille, Sterling Holloway and Isobel Elsom, not to mention dancer-choreographer Marc Platt. On the strength of its multinational cast, Her Wonderful Lie was distributed stateside by Columbia Pictures. ~ Hal Erickson, Rovi

A man down on his luck runs afoul of a beautiful but dangerous woman in this superior low-budget film noir. Mike Lambert (Glenn Ford), while trained as a mining engineer, has fallen on hard times and is driving a truck when his rig breaks down in a small town. He soon meets the seductive Paula Craig (Janis Carter) at a cafe and is quickly drawn into her web of larceny. Paula encourages her lover, Stephen Price (Barry Sullivan), to rob the bank that he manages, then kills Stephen and takes the ill-gotten money. Paula confesses the killing to Mike and begs him to run away with her, claiming she murdered Price in a fit of passion while she was drunk. Mike considers her offer until he learns that his close friend Jeff Cunningham (Edgar Buchanan) has been accused of killing Stephen -- and that Paula intends to pin the robbery that Stephen committed on Mike. Femme Fatale Janis Carter originally studied to be a classical musician before her career as an actress took off, while Edgar Buchanan's big break would come 16 years down the road, when he was cast as "Uncle Joe" on the television series Petticoat Junction. ~ Mark Deming, Rovi

Inspired by the radio program of the same name, Night Editor features Charles D. Brown as the editor of the New York Star. In flashback, the editor tells the tale of police lieutenant William Gargan, who forsakes his happy home life for the love of no-good society dame Janis Carter. Both Gargan and Carter begin cheating on their respective spouses, and while on a romantic rendezvous the couple witnesses a murder. They can't report the crime without revealing their own infidelities, a dilemma which leads to blackmail, double-crossing and a second murder attempt. A twist ending caps this snappy little 65-minute morality play. The script of Night Editor was based on the story "Inside Story" by Scott Littleton, previously dramatized on the Night Editor radio series. ~ Hal Erickson, Rovi

Columbia Pictures' entree into the swashbuckling genre was the opulent 18th century costumer The Fighting Guardsman. Willard Parker stars as Baron Francois de Sainte Hermaine, who is in reality the Robin Hoodlike righter-of-wrongs Roland. Robbing the wealth-laden coaches of King Louis XVI (Lloyd Corrigan), Roland redistributes the wealth to the poor and oppressed. Complicating his mission is the fact that Roland has fallen in love with French aristocrat Amelie de Montreval (Anita Louise), whose family is perceived to be enemies of "the people". Everything is resolved during the French Revolution, which in this instance seems to exist solely to straighten out the hero's love life. Were it not for the presence of such Columbia contractees as Edgar Buchanan and George Macready, The Fighting Guardsman might well have been taken for an MGM or Warners epic. Stock footage from Fighting Guardsman would pop up for years to come in the cheapie adventure films of producer Sam Katzman. ~ Hal Erickson, Rovi

A nebulously sinister title disguises the fact that this is actually a "Boston Blackie" mystery, the seventh in Columbia's series. Reformed criminal Boston Blackie (Chester Morris) is accused of stealing the Niles diamond from a charity function. The police cut a deal with Blackie: If he'll locate the gem, they'll drop the charges. This time the cops go so far as issuing Blackie a police badge, which he uses with amusing abandon. One Mysterious Night, together with The Chance of a Lifetime (43) and The Phantom Thief (46), was given a non-identifiable title so that Columbia could coerce non-"Boston Blackie" fans into the theatre. ~ Hal Erickson, Rovi

The title Together Again referred to the fact that frequent costarsIrene Dunne and Charles Boyer were once more united on film. Dunne plays the lady mayor of a small Vermont town. Boyer portrays a big-city sculptor, hired to erect a statue in the memory of Irene's husband, the former mayor. Dunne and Boyer fall in love, but there's plenty of interference from snoops, gossips and well-meaning relatives. Further muddying the waters is Dunne's daughter Mona Freeman, who mistakenly believes that Boyer has eyes for her. Foxy father-in-law Charles Coburn is the cupidic catalyst in getting Dunne and Boyer to the altar by film's end. ~ Hal Erickson, Rovi

Jim Bannon, fresh from his radio success on I Love a Mystery, stars in this taut suspenser. The jurors of a celebrated murder case are being bumped off one by one. Now only six jurors are left, and one of them has disappeared, whereabouts unknown. Bannon must find the missing juror before the killer does. The cast includes Janis Carter (menaced) and George MacReady (menacing). The Missing Juror was an excellent post-grad course for future "cult" director Bud Boetticher. ~ Hal Erickson, Rovi

Singer Bob Haymes (not Dick Haymes, as has sometimes been reported) heads the cast of Columbia's Swing Out the Blues. The film is partly a parody of The Goodwill Court, a popular radio problem hosted by advice-dispenser "Mr. Anthony". The host of a "What's your problem?" radio hour tries to smooth the romantic path of singer Rich Cleveland (Haymes) and his socialite wife Penelope (Lynn Merrick). The fly in the ointment is Dena Marshall (Janis Carter), who has set her sights on the handsome Rich. Much of the film's humor is dispensed by the Vagabonds, a zany singing group that comes across as a combination of the Yacht Club Boys and the Ritz Brothers. If the fellow playing "Larry Stringfellow" sounds familiar, he should: Arthur Q. Bryan was also the voice of Elmer Fudd in the Warner Bros. cartoons. ~ Hal Erickson, Rovi