Lawrence Turman Movies

Tony Kaye made his feature directorial debut with this dramatic exploration into the roots of race hatred in America. In a shocking opening scene, teen Danny Vinyard (Edward Furlong) races to tell his older brother, neo-Nazi Derek (Edward Norton), about the young blacks breaking into his car in front of the house, whereupon Derek gets his gun and with no forethought shoots the youths in their tracks. Tried and convicted, Derek is sent away for three years in prison, where he acquires a different outlook as he contrasts white-power prisoners with black Lamont (Guy Torry), his prison laundry co-worker and eventual pal. Meanwhile, Danny, with a shaved head and a rebellious attitude, seems destined to follow in his big brother's footsteps. After Danny writes a favorable review of Hitler's Mein Kampf, black high-school principal Sweeney (Avery Brooks) puts Danny in his private "American History X" course and assigns him to do a paper about his older brother, who was a former student of Sweeney's. This serves to introduce flashbacks, with the film backtracking to illustrate Danny's account of Derek's life prior to the night of the shooting. Monochrome sequences of Derek leading a Venice, California gang are intercut with color footage of the mature Derek ending his past neo-Nazi associations and attempting to detour Danny away from the group led by white supremacist, Cameron (Stacy Keach), who once influenced Derek. Director Tony Kaye, with a background in TV commercials and music videos, filmed in L.A. beach communities. Rated R "for graphic brutal violence including rape, pervasive language, strong sexuality and nudity." ~ Bhob Stewart, All Movie Guide

Former Beatles drummer Ringo Starr plays a prehistoric, social outcast who, along with other misfits, forms his own tribe and finds various comic adventures. This spoof is mostly without dialogue besides the expected neanthropic grunt. ~ Kristie Hassen, All Movie Guide

Written by playwright Bill Bozzone, Full Moon in Blue Water stars Gene Hackman as Floyd, the owner of a small bar in a coastal Texas town. Floyd's emotional baggage is awesome: he has never recovered from the death of his wife, he is saddled with his senile father "The General" (Burgess Meredith), and creditors hound him at his fireside. Good-hearted bus driver Louise (Teri Garr) tries her best to offer moral and financial support, as does Floyd's right-hand man, former mental patient Jimmy (Elias Koteas). Strange and unexpected events follow, the upshot of which may leave Floyd even worse off than before. ~ Hal Erickson, All Movie Guide

Gleaming the Cube does for skateboarding what Over the Top did for arm wrestling -- i.e. not a hell of a lot. Christian Slater is the skateboarding star, playing Brian Kelly, a sneering and laconic teen outcast. He feels left out and envious of his adopted Vietnamese brother Vinh's (Art Chudabala) success as an honor roll student and as the center of attention in his family. When Vinh commits suicide, Brian is suspicious and rolls away on his skateboard to find out what really happened -- and ultimately to avenge his murder. Brian's investigation is aided and abetted by a sardonic detective named Al Lucero (Steven Bauer), a collection of skateboard aficionados, and an incredibly attractive Vietnamese girl, Tina (Min Luong). ~ Paul Brenner, All Movie Guide

This is a standard yet uneven drama featuring Judy Garland as Jenny Bowman, a powerful singer who obviously has a passion for the stage and performing. At the same time, she once had a passion for a certain British doctor, David Donne (Dirk Bogarde), that resulted in the birth of a baby boy. Unwilling to be a mom at this point in her career, Jenny gives the boy over to David, and he raises him as though he were an adopted son. David marries, and he and Jenny go their separate ways until many years have passed and, finding herself in London again, Jenny decides to visit her son. David is now a widower, and romantic sparks fly once he and Jenny get together -- raising the question of whether her passion for the stage is still stronger than her passion for David. ~ Eleanor Mannikka, All Movie Guide

Jack Lemmon stars in Mass Appeal as a popular Los Angeles parish priest, who has retained the good will of his parishioners by cracking jokes and never taking a stand on crucial matters. Enter young seminarian Zeljko Ivanek, whose rebellious reputation threatens to earn him an expulsion. Lemmon is expected to bring Ivanek around to the Church's "party line," but the younger man resists the older man's advice--quite loudly at times. The audience is fully aware that, by film's end, Ivanek will have converted Lemmon instead of the other way around, but the sheer joy of watching two superb actors at work transcends the story's predictability. Mass Appeal was based on a play by Bill C. Davis, and produced by none other than the widow of McDonalds mogul Ray Kroc. ~ Hal Erickson, All Movie Guide

News at Eleven is a stacked-card study of journalistic ethics -- or rather, the lack of same. Martin Sheen stars as the well-respected senior anchorperson at a fictional San Diego TV station. Honcho news-director Peter Riegert insists that the news is becoming a tune-out, and demands more sensationalism in the coverage. When a junior high school teacher is accused of statutory rape, Riegert orders Sheen to exploit the story to the hilt. This results in a near-tragedy involving the high school girl who's accused the teacher. The conscience-stricken Sheen exacts a clever "hoist on his own petard" revenge for the unrepentant Riegert. Made for television, News at Eleven was actually telecast at 9 PM (EST) on April 2, 1986. ~ Hal Erickson, All Movie Guide

Easygoing but psychotic Dennis (Anthony Perkins) is released from jail, where he has served a sentence for his complicity in a suspicious death. Wandering through a small, working-class New England town, Dennis befriends apparently normal high school A-student Sue Ann (Tuesday Weld). He fills her head with lies about his imaginary career as a secret agent. She is thrilled, and makes up her mind to join him in his further adventures. This jet-black "who's manipulating who?" seriocomedy was adapted by Lorenzo Semple Jr. from Stephen Geller's novel She Let Him Continue. ~ Hal Erickson, All Movie Guide

In this skewed, unreal view of a woman's choice in men, almost nothing is believable. Amy (Lucie Arnaz) is a savvy, well-educated lawyer in Santa Fe who divorces her husband, an exec in the banking business, to become involved with Will (Craig Wasson) a street musician with the same iron-clad brain as her ex when it comes to women. The musician is regularly picked up by the police for his loitering, though he seems never to fully realize why they are doing this to him. Amy drops him at last, and when she finds out she is pregnant, she goes to the hospital to have an abortion -- and is introduced to a Boris Karloff-type doctor. Before anything further happens, Will comes along and forcibly carries her off to a remote, run-down building in a ghost town where he ties her to a bed intending to keep her there until she has the baby. Hard to believe, but things only get worse from here. ~ Eleanor Mannikka, All Movie Guide

Struck by lightning, an endearing little robot known only as "Number 5" escapes from an experimental electronics firm. Technician Newton Crosby (Steve Guttenberg) and his indecipherable East Indian assistant, Ben Jabituya (Fisher Stevens), set out to locate Number 5 before the military can go through with its plans to destroy the robot. Number 5 takes refuge with loopy Stephanie Speck (Ally Sheedy), who is convinced that the mechanical man is an extraterrestrial. Hoping to teach the "alien" all about Earth, she fills Number 5's memory banks with reams of pop culture -- and then the real fun begins. ~ Hal Erickson, All Movie Guide

Gore Vidal adapted his biting and bitter political satire from his hit Broadway play. Franklin J. Schaffner directed and Haskell Wexler provided the sharp-edged cinematography. The story concerns the political back-biting and smear politics involved in a presidential election year scramble by potential presidential party nominees. Lee Tracy (in an Oscar-nominated performance and his final screen role) is Art Hockstader, a dying president who refuses to throw his support behind any of his party's presidential hopefuls. Hoping to get the nod as the party's presidential candidate is liberal do-gooder William Russell (Henry Fonda). His wife Alice (Margaret Leighton) wants to get a divorce from Russell but is delaying the divorce proceedings until after the party convention. Opposing Russell for the nomination is Joe Cantwell (Cliff Robertson), a slick and unscrupulous political monster who will use any bit of dirt to get ahead in the party. When he discovers that Russell once suffered from mental problems, he threatens to use it against him. Russell then finds out that Cantwell once had a homosexual relationship. Russell, who abhors smear politics, now has to decide whether to use the information against Cantwell or bury the secret and risk losing the nomination. ~ Paul Brenner, All Movie Guide

Michael Sarrazin plays Curley, a young man gone AWOL from the Army who soon makes the acquaintance of Mordechai (George C. Scott), a veteran confidence man. Mordecai takes a liking to Curley, and offers to show him the tricks of the trade as they drift through the American South, pulling one scam after another. But when Curley meets Bonnie Lee Packard (Sue Lyon), romance rears its head and Curley decides to go straight. Mordecai is not so easily convinced to leave his trade behind, however, and when a car theft goes spectacularly wrong and Mordecai ends up in jail, Curley has to pull a fast one to got his pal out of stir. The Flim Flam Man also features a host of notable character actors, including Slim Pickens, Alice Ghostley, and Strother Martin. ~ Mark Deming, All Movie Guide

The Gift of Life is a non-sensational study of surrogate pregnancy. Susan Dey stars as Joleen Sutton, a woman with a husband and two kids who agrees to be artificially inseminated on behalf of another woman. Since the surrogate mother concept is somewhat cloudy on a legal basis, Joleen faces conflict from her own family and friends, as well as the state attorney general. Her husband (Paul Le Mat) is particularly troubled by the situation, even though the money Joleen will earn for her pregnancy will help him keep his struggling gas station. But as the baby's birth date approaches, Joleen isn't so certain she wants to give up the child. Admirable in its refusal to take sides in the surrogate-mother controversy, The Gift of Life was telecast around the same time as another TV movie with a similar plotline, Tomorrow's Child. ~ Hal Erickson, All Movie Guide