Lawrence Turman Movies

An American paleontologist and a team of Norwegian scientists fight for their lives against a shape-shifting extraterrestrial that can perfectly mimic any living creature in this prequel to John Carpenter's 1982 horror classic. Upon receiving word that the Antarctic research team has unearthed an alien craft, paleontologist Kate Lloyd (Mary Elizabeth Winstead) joins the group to explore what secrets the ship might hold. Though by Kate's estimation the creature inside the spaceship has been dead for centuries, it has actually just been lying dormant in the ice. Perfectly preserved, it has awaited the day when it would finally be freed from its frigid prison; now, after eons of lying in wait, that day has finally come. Suddenly revived during a crucial experiment, the malevolent alien begins methodically mimicking each member of the crew undetected. By the time Kate realizes the frightening implications of the creature's unique ability, it may already be too late. As paranoia among the crew begins to intensify, it's up to Kate and the crew's helicopter pilot, Carter (Joel Edgerton), to make sure the extraterrestrial menace is exterminated before it has the opportunity to escape -- for, should it manage to make its way to a heavily populated area, humanity's days may be numbered. Matthijs Van Heijningen Jr. makes his feature directorial debut from a script by Eric Heisserer and Battlestar Galactica's Ronald D. Moore. ~ Jason Buchanan, Rovi

Based on the play Dearly Departed by David Dean Bottrell and Jessie Jones (who also penned this screenplay), this new comedy from the director of Jason's Lyric looks at a family gathering after one of their clan dies of a stroke. In the midst of a sweltering summer, the Slocumb family convenes. They include Charisse (Jada Pinkett Smith), the long-suffering, frustrated wife of philandering Junior (Anthony Anderson); there's also the Bible-spouting Marguerite (Loretta Devine), who prays to save her hard-living son Royce (Darius McCrary) from a life on welfare. Lucille (Vivica A. Fox) is the devoted family peacekeeper who is struggling with a money-grubbing funeral director, and her husband Ray Bud (L.L. Cool J) has major contempt for his family and wishes he were burying them instead. Kingdom Come also features Cedric the Entertainer as an intestinally challenged reverend and Whoopi Goldberg as the family matriarch. ~ Jason Clark, Rovi

75-year-old retired cabinetmaker Thomas Gerrin (Jack Lemmon) has been a widower for three years, during which time his well-meaning children have insisted upon treating him as a helpless invalid. Determined to prove that the spark of life still burns within him, Thomas impulsively cashes his most recent pension check and heads off for Monterey, California, there to touch base with an old flame (Betty Garrett) whom he hasn't seen in fifty years. En route, he befriends a free-spirted young graduate student named Leanne Bossert (Sarah Paulson). Both agree that any sort of romance would be out of the question: Nonetheless, Leanne is the catalyst for Thomas' new lease on life--and as his children franctically search for their fugitive dad, the May-December "odd couple" encounter all manner of breathtaking adventures and colorful characters. Based on Thomas Guerin, Retraite a 1978 French TV movie starring Charles Vanel, The Long Way Home was produced for the CBS television network, where it was first broadcast on March 1, 1998. ~ Hal Erickson, Rovi

The made-for-TV Pretty Poison is a remake of the 1968 "cult" film of the same name, which starred Anthony Perkins and Tuesday Weld. Fresh out of a mental institution, the charming but delusional Dennis Pitt (Grant Show) cannot cope with the harsh realities of life and creates a dream world of his own, in which he is a daring government agent. In the course of his travels, Dennis meets a high school girl named Sue Ann Stepanek (Wendy Benson), who seems to swallow his tall tales about being an FBI man hook, line and sinker. As it turns out, however, Sue Ann has got a few problems of her own--chief of which is her deadly hatred for her domineering mother (Michelle Phillips). Inevitably, Mom is murdered and Dennis and Sue Ann hit the road together--and the question becomes not "When will they get caught?" but "Who exactly is manipulating whom?" Set in New England (but filmed in Montreal) and originally telecast by the Fox network on September 24, 1996, Pretty Poison was like its predecessor based on Stephen Geller's novel She Let Him Continue. ~ Hal Erickson, Rovi

The Getaway, a remake of Sam Peckinpah's excellent escape thriller of the same name, adapted from a story by Jim Thompson, is the story of ill-fated romance on the run. Doc McCoy (Alec Baldwin) is released from a Mexican prison with the help of gangster Jack Benyon (James Woods) who wants Doc's help in the hold-up of a racetrack. With the help of Doc's wife Carol (Kim Basinger), and Jack's thugs Rudy (Michael Madsen) and Frank (Philip Hoffman), the robbery is successful, but a guard is murdered. Doc also finds out that Carol has had an affair with Benyon. Carol shoots Benyon and the two flee for Mexico and freedom. ~ Linda Rasmussen, Rovi

Fisher Stevens reprises his role of Ben Jahrvi, the co-inventor of the cute robot Number Five, in this sequel to Short Circuit. Since the last film, Ben has moved to the city, where he lives in a truck and sells toy Number Fives as a street vendor. Ben plies his trade until one day luck strikes in the form of Sandy (Cynthia Gibb), a toy buyer in dire straits who offers Ben $50,000 if he can quickly churn out a thousand toy robots. Offering to help the naive Ben is street con man Fred (Michael McKean), who becomes Ben's partner and finances the burgeoning enterprise through a loan shark. Ben and Fred begin to manufacture the toys in a warehouse; unfortunately, they soon find the building also houses the entrance of a tunnel dug by thieves, preparing to rob the bank across the street. With things appearing their bleakest, a crate arrives from Montana. Inside is the new and improved Number Five, who now insists on being called Johnny Five. Johnny Five has even learned to talk in a litany of phrases gleaned from television shows, and now helps Ben get started in the toy business. In the process, Ben and Johnny Five contend with the temptations and corrupt business practices of a big city environment. ~ Paul Brenner, Rovi

News at Eleven is a stacked-card study of journalistic ethics -- or rather, the lack of same. Martin Sheen stars as the well-respected senior anchorperson at a fictional San Diego TV station. Honcho news-director Peter Riegert insists that the news is becoming a tune-out, and demands more sensationalism in the coverage. When a junior high school teacher is accused of statutory rape, Riegert orders Sheen to exploit the story to the hilt. This results in a near-tragedy involving the high school girl who's accused the teacher. The conscience-stricken Sheen exacts a clever "hoist on his own petard" revenge for the unrepentant Riegert. Made for television, News at Eleven was actually telecast at 9 PM (EST) on April 2, 1986. ~ Hal Erickson, Rovi

Distinguished by a sharp, witty dialogue between its two cop protagonists, Ray and Danny (Gregory Hines and Billy Crystal), this entertaining crime drama is well worth a visit. Ray and Danny are nearly blown away by super bad guy Julio (Jimmy Smits), and their boss is peeved at them as usual. So the two are given a holiday from their beat in Chicago and travel to the sunny shores of Key West. They like it enough to retire from police work and open a business there. But when the duo returns to the Windy City, Julio is about to pull off a big drug deal and retirement may not be such a good idea. ~ Eleanor Mannikka, Rovi

Jack Lemmon stars in Mass Appeal as a popular Los Angeles parish priest, who has retained the good will of his parishioners by cracking jokes and never taking a stand on crucial matters. Enter young seminarian Zeljko Ivanek, whose rebellious reputation threatens to earn him an expulsion. Lemmon is expected to bring Ivanek around to the Church's "party line," but the younger man resists the older man's advice--quite loudly at times. The audience is fully aware that, by film's end, Ivanek will have converted Lemmon instead of the other way around, but the sheer joy of watching two superb actors at work transcends the story's predictability. Mass Appeal was based on a play by Bill C. Davis, and produced by none other than the widow of McDonalds mogul Ray Kroc. ~ Hal Erickson, Rovi

John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves. ~ Anthony Reed, Rovi

The Gift of Life is a non-sensational study of surrogate pregnancy. Susan Dey stars as Joleen Sutton, a woman with a husband and two kids who agrees to be artificially inseminated on behalf of another woman. Since the surrogate mother concept is somewhat cloudy on a legal basis, Joleen faces conflict from her own family and friends, as well as the state attorney general. Her husband (Paul Le Mat) is particularly troubled by the situation, even though the money Joleen will earn for her pregnancy will help him keep his struggling gas station. But as the baby's birth date approaches, Joleen isn't so certain she wants to give up the child. Admirable in its refusal to take sides in the surrogate-mother controversy, The Gift of Life was telecast around the same time as another TV movie with a similar plotline, Tomorrow's Child. ~ Hal Erickson, Rovi

Jack Lemmon stars in an Academy Award-nominated performance as Scottie Templeton, a Broadway press agent dying of cancer, in Bernard Slade's film adaptation of his Broadway play (in which Lemmon originated the role). Divorced from his wife Maggie (Lee Remick), Scottie leads a happy-go-lucky life until he is informed by his doctor (Colleen Dewhurst) that he has contracted leukemia. She tells him that, without treatment, he will die. Scottie is unsure whether he wants to bother with the treatment, but he has some unfinished business with his son Jud (Robby Benson), a serious-minded person who scorns Scottie's job. As their relationship begins to improve, Scottie begins to reconsider his decision against the cancer treatments. ~ Paul Brenner, Rovi

Heroes is an old-fashioned social problem movie concerning a troubled Vietnam veteran and the loving woman who helps him to work out his problems. Henry Winkler plays Jack Dunne, a veteran who has a history of mental problems. Jack fools the hospital doctor Elias (Hector Elias) and escapes from the hospital with the intention of starting a worm farm with money collected from his fellow inmates. Jack hops aboard a bus, where he meets up with Carol Bell (Sally Field), who, invites Jack to join up with her on a trip to California. ~ Paul Brenner, Rovi