Christopher Trumbo Movies

A documentary adaptation of the popular regional theatrical monologue -- in which such heavyweights as Paul Newman, Nathan Lane, and Joe Mantegna essayed the lead on various occasions -- Trumbo recounts the life and times of legendary Hollywood scribe-turned-HUAC scapegoat Dalton Trumbo. As with its source production, the film takes as its base material highly personal, detailed, and emotive letters written by Dalton Trumbo to his son, Christopher; the latter, in turn, molded the missives into a screenplay for this production. Here, however, in lieu of one actor portraying Dalton, a number of celebrities take turns narrating from the script, including Lane, Paul Giamatti, Brian Dennehy, Donald Sutherland, and others. As a visual accompaniment, the film intercuts home-movie footage from the Trumbos' lives; incisive interview material with Trumbo, his family, friends, and collaborators; and haunting glimpses of the HUAC trial hearings with the Hollywood Ten, led by Senator Joseph McCarthy; as well as extracts from The Sandpiper, Johnny Got His Gun, Spartacus, and other productions authored by Trumbo. Peter Askin, who helmed the stage play, directs. ~ Nathan Southern, Rovi

Made for television, Ishi: The Last of His Tribe is based on the book by Theodora Kroeber. Kroeber's anthropologist husband Alfred was the man who, in 1911, discovered the last surviving member of the Yahi Indian tribe living in a barn in Oroville California. Dennis Weaver plays the Kroeber counterpart, here named Professor Fuller, who befriends the Native American Ishi and learns his language (much of the film is subtitled). Ishi is played by Joseph Running Fox as a teenager and Eloy Phil Casados as an adult. This informative and deeply moving project was conceived for TV by Dalton Trumbo, who died in 1976 before finishing his script, which was completed by his son Christopher Trumbo. Ishi: Last of His Tribe is to some people's way of thinking superior to the more expensive cable-TV retelling of the same story, 1992's Last of His Tribe, which was bogged down in revisionism and political correctness. ~ Hal Erickson, Rovi

Telecast April 17, 1974, Nakia was the pilot film for the shortlived ABC drama series of the same name. In the tradition of Billy Jack, Native American deputy sheriff Nakia Parker (Robert Fortier) tries to protect his people from the machinations of villainous whites. In this instance, Nakia stands up against an insensitive city council which plans to sell a historic mission to an evil land developer (is there any other kind on TV?) Nakia was filmed on location in Albuquerque, New Mexico, as was the weekly series itself, which ran from September 21 to December 28, 1974. ~ Hal Erickson, Rovi

In this organized crime drama (one of many that came in the wake of The Godfather), Frank (Robert Forster) is the son of a mafia kingpin. He puts together a heroin deal with the assist of brothers Vince (Al Lettieri) and Tony (Frederic Forrest), but realizes that a snitch is present when gunmen burst in and interrupt the drug deal. Shortly thereafter, Frank's father dies. The old man's rackets get divided between two mob families, one headed up by Don Angelo (Anthony Quinn) - but Vince and Tony refuse to follow Angelo's leadership. In the mean time, mob accountant Orlando (Charles Cioffi), whose boss, Don Bernardo (J. Duke Russo), is behind bars, devises and begins to execute a wild plan to bring himself to a position of power in the mob; he engineers a situation that will put Frank's sexy fiancee Ruby (Angel Tompkins) into the arms of Don Angelo, thereby sending Frank into a murderous rage. Cult figure Sid Haig has a supporting role as The Arab. ~ Mark Deming, Rovi

The author of the famous late 1930's antiwar book Johnny Got His Gun wrote and directed this film adaptation. It concerns a nameless young soldier (Timothy Bottoms) in a veteran's hospital in the World War I period. The young man has had his face blown off, he is without the use of any of his senses save touch, and also has no arms or legs. He is in a coma at the beginning of the film, and his doctors doubt that he will regain consciousness. This is also what they hope. A nurse, while changing his dressings, discovers that he is awake and responsive. The unrelieved awfulness of his situation is apparent to many. However, in order to keep the "good order" of the military, the regular Army general commanding the hospital will not allow the boy to be seen or his family notified, nor will he permit anyone to perform a mercy killing. Interspersed with this horror are flashbacks of the youth's life before the war. ~ Clarke Fountain, Rovi