Armando Trovajoli Movies

1953  
 
Le Infedeli is graced by two internationally popular leading ladies: Italy's Gina Lollobrigida and Sweden's Mai Britt. The two actresses are but small portions of a larger plot mosaic, all about keeping up appearances no matter what the provocation. A group of "respectable" people are all partly responsible for the suicide of a servant girl. They are pounced upon by a wily blackmailer (Pierre Cressoy), who knows that these people will pay dearly rather than inform on themselves or others. The villain's comeuppance may seem a bit extreme, but it's undeniably satisfying. This Carlo Ponti-Dino DeLaurentiis production also features Irene Papas and Marina Vlady. ~ Hal Erickson, All Movie Guide

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Starring:
Gina LollobrigidaMay Britt, (more)
1953  
 
Originally released as Trattedella Blanche, Girls Marked Danger offers a voyeuristic glimpse at the subrosa world of 20th century white slavery. Veteran Hollywood heavy Marc Lawrence plays a vice lord who recruits innocent young Italian ladies for his nefarious purposes, on the pretext of hiring them to be cabaret dancers in South America. Despite the fact that none of Lawrence's "girls" ever return home, the new candidates suspect nothing as they sign up for the tour. Since the plot and outcome of Girls Marked Danger are predictable, the film justifies its 78-minute length by concentrating on the backgrounds of some of the unfortunate lasses. The most tragic of the ladies is played by Eleanora Rossi Drago, who is not only brutally beaten and mishandled, but ends up dying in childbirth. The nominal romantic lead is played by Sophia Loren, who tends to be upstaged on this occasion. ~ Hal Erickson, All Movie Guide

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Starring:
Silvana PampaniniSophia Loren, (more)
1954  
 
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In this Italian bedroom farce, the lusty "Queen of the Nile" is determined to be with her lover, Marc Antony, before he heads off to war. Unfortunately, she has been assigned a new guard. She made love to her previous guard and he ended up executed as had several guards before him. Her new guard does not know this. To see Marc, she has a slave girl impersonate her while she sneaks out. Upon her surreptitious return, she sees the guard making love to her double. The other guards are surprised to see the fellow alive the next day. He proves a useful fellow by saving the queen from a killer. He then saves the queen's imposter from the dungeon. Though the queen tries to seduce him, the guard finds life more appealing than love and demures. Instead he and the slave escape together where they make happy love for many years. ~ Sandra Brennan, All Movie Guide

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1955  
 
Sophia Loren was still in the "Anna Magnani" phase of her career when she starred in La Donna del Flume (The River Girl). Sophia is cast as Nives, the girlfriend of capricious cigarette smuggler Gino Lodi (Rik Battaglia). When Gino deserts her, the impregnated Nives is soured on all men, including the "right" one, a likeable police guard (Gerald Oury). The first half of the film plays for laughs, while the second half evolves into a lachrymose soap opera. Through it all, Sophia Loren looks like a million lire--and she even gets to sing and dance! ~ Hal Erickson, All Movie Guide

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Starring:
Sophia LorenRik Battaglia, (more)
1956  
 
In keeping with the film's title, most of the characters in Le Diciotenni are 18 years old. The story takes place in a girl's finishing school, populated entirely by knockout beauties. One of the girls (Marisa Allasio) faces expulsion because her father has been known to consort with criminals. Even so, the film maintains a lighthearted tone throughout, especially when it deals with affairs of the heart. Le Dicioetteni is a remake of a successful early-1940s film of the same name, which in turn was adapted from a popular stage comedy. ~ Hal Erickson, All Movie Guide

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Starring:
Marisa AllasioAve Ninchi, (more)
1960  
 
In spite of its title, this sex comedy by director Luciano Salce is not another mythic costume drama with Steve Reeves in the lead. Instead, those little pills mentioned in the title are Herculean in their impact on the sexual drives of anyone who takes them. According to this tale, long before Viagra became a household word, the Chinese had potent pills for the impotent of any age. The comedy follows the effects of this medicinal substance on the guests at an Italian hotel in a resort town. Up for special attention is a man, his French mistress Odette (Jeanne Valerie), and his wife Silvia (Sylvia Koscina). Nino Manfredi and Vittorio De Sica star as the principal male protagonists. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Nino ManfrediSylva Koscina, (more)
1960  
 
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Normally, an actor or actress in a foreign-language film was not the ideal candidate for an Academy Award, inasmuch as his or her English-language "performance" was often dubbed in by an anonymous third party. Such was not the case of Sophia Loren in Two Women (La Ciociara), who did her own English dubbing. Adapted by director Vittorio De Sica and Cesare Zavattini from the novel by Alberto Moravia, Two Women is the semi-neorealist account of widow Cesira (Loren) and her teenaged daughter, Rosetta (Eleanora Brown), as they struggle to survive in war-ravaged Italy. A conventional romantic triangle between mother, daughter, and Michele (Jean-Paul Belmondo), is barely under way when the war rears its ugly head once more. Seeking shelter in a bombed-out church, Cesira and Rosetta are attacked and raped -- a horrifying sequence, capped by a freeze-frame close-up of Rosetta, her face a taut mask of terror (this image was enough to prompt a virulent "anti-smut" editorial in The Saturday Evening Post). Once they've recovered from this appalling experience, mother and daughter are offered a ride back to Rome by friendly truck driver Florindo (Renato Salvatori). Though Cesira had hoped to keep her daughter from compromising herself as a means of survival, she is crushed to discover that Rosetta has given herself to the truck driver in exchange for a pair of stockings. When Cesira and Rosetta finally reconcile, it is a grievous occasion, mourning the death of their mutual love, Michele. A last-minute replacement for Anna Magnani, Sophia Loren brought hitherto untapped depths of emotion to her performance in Two Women; she later stated that she was utilizing "sensory recall," dredging up memories of her own wartime experiences. ~ Hal Erickson, All Movie Guide

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Starring:
Sophia LorenEleanora Brown, (more)
1960  
 
This conventional, unimaginative drama is about a coterie of "ladies of the evening" who get themselves embroiled in a cover-up that results in murder and suicide. Life seems to be proceeding as normal until one of the hookers has an elderly client die on her. The women rightly deduce that if their already bad reputation is saddled with a distinction of being sexually lethal, business might deteriorate. And so they decide to hide the body, which starts off a set of circumstances that make matters much worse. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Jean ValerieAndreina Pagnani, (more)
1961  
 
Topo Gigio was a mouse puppet who appeared regularly on the Ed Sullivan Show during the '60s. This children's fantasy is his feature film debut and chronicles his adventurous attempt to make it to the moon. Accompanied by his best pals, Topo boards a rocket. Unfortunately, it lands in an amusement park where the trio end up aiding a kindly puppet master. With Topo's help, the puppeteer has the most popular act on the midway, something that rankles the jealous magician who performs next door. For revenge, the magician abducts one of Topo's pals. Fortunately, the ingenious rodent has a few tricks and, depending on the version seen, either learns the magician's secrets and publicly humiliates him or persuades the prestidigitator to mend his ways and team up with the puppeteer. ~ Sandra Brennan, All Movie Guide

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1961  
 
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In the year 20,000 B.C., the continent of Atlantis is ruled by King Yotar (Roldano Lupi), who has set his people on a course of fantastic scientific development. The Atlanteans have dominated the Earth from their capitol city of Metropolis with their powers and technology, but they have also inflicted terrible cruelties on humanity. Yotar has begun experimenting with the powers of life and death on his young son, hoping to grant him immortality. The hero Obro (Gordon Mitchell) appears at the outskirts of Metropolis, leading a quest to stop the Atlanteans and their bloody reign over the Earth. Obro's brothers and allies are killed by the powerful rays dispatched by the Atlanteans, but he is strong enough to survive them -- he is captured, but rather than kill him, Yotar decides to see if Obro's super-strong physique would make him a better subject than his son for his experiments. Obro is put through various tortures, and set upon by menaces including a murderous giant and a horde of blood-thirsty dwarves, and is finally liberated by rebels against Yotar's rule, including Yotar's own daughter, Mesede (Bella Cortez). With their help, Obro begins killing the king's guards and retainers, terrorizing his underlings and eluding capture as he isolates Yotar; meanwhile, Yotar is becoming increasingly concerned not only with his experiment, which is about to reach its conclusion and which may kill his son in the process, but with the volcanic forces that seem to be building up beneath Metropolis. Finally, as if in rebellion against the king's profane use of science, an eruption ensues -- earthquakes rend the city and tidal waves threaten to engulf Atlantis, and amid the conflagration, Yotar is moved to pity by the pleadings of his son. He turns to Obro and Mesede to help save the boy from the doom that he has brought upon Atlantis, its people, and himself. ~ Bruce Eder, All Movie Guide

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1961  
 
In this sci-fi film, an alien android escapes from his home planet and ends up on Earth where he discovers that everyone he touches dies. In the end, he is defeated by a ship from his planet and the Italian army. ~ Sandra Brennan, All Movie Guide

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1961  
 
Hercules (Reg Park) and King Androcles (Ettore Manni) are on an ocean expedition when Androcles is washed overboard during a storm near a mysterious island. Making landfall, Hercules finds that the island is the kingdom of Atlantis, ruled by a beautiful, cruel, and ambitious queen, Antinea (Fay Spain), who controls a mysterious source of power. She has transformed her personal guard into super-strong warriors -- each nearly a match for Hercules, put Androcles under her spell, and inflicted terrible wounds on her people, all in preparation for her plan to conquer the world. Hercules finds that her power stems from a source older than the gods on Olympus, one over which he has virtually no power. He must save his friend, release Antinea's people, and prevent her from carrying out her plans. ~ Bruce Eder, All Movie Guide

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Starring:
Reg Park
1961  
 
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Horrormeister Mario Bava helmed this entry in the series, in which Hercules (Reg Park) must journey to the bowels of Hell to recover a magical plant that is the only hope of a dying princess. ~ Jason Ankeny, All Movie Guide

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Starring:
Reg Park
1961  
 
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A school for wayward girls is plagued by mysterious attacks by a strange beast. This low budget, melodramatic horror film has several shadowy characters who are suspected of being werewolves. The girls really are wayward as they wander off into the nearby forest every time the moon is full. A wolf, a girl, and three men meet their demise at the claws of the unknown throat ripper. Terror grips the campus as the search continues for the murderous monster. ~ Dan Pavlides, All Movie Guide

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Starring:
Barbara LassCarl Schell, (more)
1961  
 
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A less-stylish variant on Franju's classic Les Yeux Sans Visage, this low-budget Italian production borrows heavily from that film's plot to tell the tale of a scientist who employs a radical new procedure to restore the beauty of a young hoochie-koochie dancer disfigured in a car accident. All goes well after the bandages come off... but after all, this is a horror film, and it's only a matter of time before the young lass begins transforming into a monster -- which, despite the title, is not really a vampire, but more like something resembling an overcooked pizza roll with eyes. In order to return her to normal, the loony doc sets out to "borrow" the faces of other young women without their permission. Released in its native country (where the dubbing might have been a bit less painful) as Seddock, L'Ereda de Satana or Seddock, Heir of Satan. ~ Cavett Binion, All Movie Guide

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Starring:
Alberto LupoSusanne Loret, (more)
1961  
 
Long before the Olympics became tarnished by the questionable way in which sites for the games were selected, this excellent sports documentary by director Romolo Marcellini and his crew reminds viewers of the games' ideals, true spirit, and emotional impact. Rome is the site of the 1960s summer games filmed here, and an introduction to the city and its history, as well as the history of the games opens the documentary. Stirring scenes of village crowds cheering on the Olympic torch bearer as the flame is carried to the stadium are quickly followed by the spectacular opening celebrations. Then Marcellini logically segues into the highlights of most competitions, from the javelin toss to the decathalon, and swimming to cycling and track. Capturing the emotions of the competitors as well as providing scenic shots of the environment, the documentary easily sustains interest throughout its more than two-hour running time. ~ Eleanor Mannikka, All Movie Guide

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1962  
 
This somewhat stilted sword-and-sandal adventure based on Gastad Green's novel The Gladiator deals with the conquest of Antigonea by the 13th Roman Legion. Silla (Philippe Leroy), the corrupt temporary governor, takes a local concubine, Fabiola (Rosanna Podesta), who is really in love with a bound gladiator named Brenno (Lang Jeffries). Following the completion of his training, Brenno defeats the evil Silla in the arena, and is freed to claim the beautiful Fabiola. ~ Robert Firsching, All Movie Guide

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1962  
 
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Released in the US by 20th Century-Fox, Boccaccio '70 is a compendium of short subjects directed by three of Italy's top filmmakers. Each story is written in the style of the famed Italian essayist Boccaccio, albeit told in contemporary terms. First up is "The Raffle", written by Cesare Zavattini and directed by Vittorio De Sica: Sophia Loren (wife of Boccaccio '70 producer Carlo Ponti) plays the sexy operator of a shooting gallery, who offers herself as first prize to the best shot. In "The Job", written by Suso Cecchi D'Amico and directed by Luchino Visconti, Romy Schneider carries a torch for her philandering boss Tomas Milian. The final segment is "The Temptation of Dr. Antonio", directed by Federico Fellini and scripted by Fellini, Ennio Flaiano and Tullio Pinelli; in this one, Anita Ekberg is an image on a poster who comes to life for the benefit of a drooling middle-aged professor (Peppino De Filippo). A fourth episode, "Renzo and Luciana", directed by Mario Monicelli, was cut from U.S. release. ~ Hal Erickson, All Movie Guide

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Starring:
Sophia LorenLuigi Giuliani, (more)
1962  
 
In this WW II actioner, an American paratrooper lands behind enemy lines and begins an espionage assignment. He ends up captured and imprisoned. With four Italian POWs, he manages to escape. He then talks them into helping him blow up a strategically important bridge. Mayhem ensues until the only people left are the hero and a lovely Italian hooker. ~ Sandra Brennan, All Movie Guide

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1963  
 
This two hour film contains no less than twenty different vignettes. Traffic jams, a father passing on to his son the deceitful ways to survive everyday life, punch drunk ex-fighters, exploitation of a blind man are among the many stories. Vittorio Gassmann and Ugo Tognazzi lead the cast of actors in this film directed by Dino Risi. ~ Dan Pavlides, All Movie Guide

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Starring:
Vittorio Gassman
1963  
 
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Each of the episodes in the three-part Yesterday, Today and Tomorrow (Ieri, Oggi E Domani) stars Sophia Loren and Marcello Mastroianni. In "Adelina-Naples," Loren and Mastroianni are married, and Loren is in trouble with the law. Each time the authorities close in, Loren eludes capture by revealing a swollen belly; back in 1964, Italian law forbade the arrest of a pregnant woman until six months after the child's birth. In "Anna," Loren is married to a wealthy industrialist and has an affair with Mastroianni. So obsessed is she with material possessions that she's willing to walk out on Mastroianni when he smashes her sports car. And in "Mara," high-priced prostitute Loren attracts the attention of a young seminary student, but refuses to seduce him -- then takes a vow of chastity, aggravating her regular customer (Mastroianni). While the first episode is the funniest, it was the last episode which received the most press-coverage, thanks to Loren's "striptease" scene, revealing La Loren in skimpy bra and panties (a bit parodied by the stars in Robert Altman's otherwise-dreadful Prêt-à-Porter). Though the title Yesterday, Today and Tomorrow has absolutely no relation to the film at hand, it is a far more appealing cognomen than the film's British release title, She Got What She Asked For. ~ Hal Erickson, All Movie Guide

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Starring:
Sophia LorenMarcello Mastroianni, (more)
1964  
 
Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general, as referred to by the title. Prior to this feature, Gassman had worked with both screenwriter Ruggero Maccari and Ettore Scola (who also co-wrote rather than directed) in the 1962 feature Il Sorpasso from director Dino Risi. It was Risi and Maccari's teamwork which helped Gassman win a "Best Actor" award at Cannes Film Festival in 1974 for Profumo di Donna/Scent of a Woman. Gassman would later work with Maccari and Ettore again in episodic fashion with Signore e Signori Buonanotte/Goodnight, Ladies and Gentlemen (1976) and yet again in the drama Famiglia (1987). ~ Kristie Hassen, All Movie Guide

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1964  
 
In flashback, Marcello Mastroianni recalls his wartime romance with Sophia Loren. He is so enamored with her that he finances her escape from the bordello where she lives and sets her up with a good job in the restaurant that he owns, and later finds a place for her on his mother's domestic staff. He is not, however, enamored enough to make their union legal, and expects Loren to behave like a servant by day and his mistress by night. Years later, Loren lies on her deathbed. The contrite Mastroianni finally consents to marry her. Not only does she make a full recovery, but she brings her three grown sons to live with the nonplused Mastroianni after the wedding. He tries to weasel out of the arrangement, but is mollified by Loren's insistence that all three boys are his sons. Thus, after nearly twenty years' servitude, Loren is at last in a position to call the shots. Sold to American distributors on the basis of Sophia Loren's revealing costumes (some of these absolutely defy the laws of gravity), Marriage Italian Style remains a warm and spicy concoction today, even after years of less expert imitations. The film was based on Filumena Marturano by Eduardo de Filipo. ~ Hal Erickson, All Movie Guide

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Starring:
Sophia LorenMarcello Mastroianni, (more)

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