Lamar Trotti Movies

Like Alexander's Ragtime Band (1938), 20th Century-Fox's There's No Business Like Show Business is a "catalogue" film, its thinnish plot held together by an itinerary of Irving Berlin tunes. The story chronicles some twenty years in the lives of a showbiz family, headed by Dan Dailey and Ethel Merman. Two of the couple's three grown children -- Donald O'Connor and Mitzi Gaynor -- carry on the family tradition, while the third, Johnny Ray, decides to become a priest. There are a few tense moments when O'Connor falls in love with ambitious chorine Marilyn Monroe and loses all sense of perspective, but the family reunites during a splashy production-number finale. Highlights include Dailey and Merman's Play a Simple Melody duet, O'Connor's A Man Chases a Girl solo, and Monroe's tempestuous rendition of Heat Wave (her delivery and stage presence both compensate for her unflattering bare-midriff costume). Of historical interest, There's No Business Like Show Business was Fox's first CinemaScope musical; as such, it is best viewed on TV in "letterbox" format. ~ Hal Erickson, All Movie Guide

Stars and Stripes Forever is the highly fanciful filmed biography of "march king" John Philip Sousa. Clifton Webb does a fine job as Sousa, while Ruth Hussey is equally good in the less-demanding role of Sousa's wife. The problem faced by screenwriter Lamar Trotti (who adapted the film from Sousa's autobiography Marching Along) was that, outside of Sousa's early travails in organizing his own band after leaving the Marine Corps, there just wasn't much drama in the great composer's life. Thus, a secondary (and wholly fictional) romance involving young musician Willie (Robert Wagner) and ex-chorus girl Lily (Debra Paget) is given special emphasis. Willie invents the Sousaphone on behalf of his mentor, and upon returning from the Spanish American War minus one of his legs, Willie makes an inspirational solo appearance with the Sousa band. The best scenes include Sousa's ongoing efforts to break free from the "march king" onus and write romantic ballads, and Lily's high-kicking rendition of the music-hall ballad "Father's Got 'Em." When first telecast on NBC's Saturday Night at the Movies in 1962, Stars and Stripes Forever was accompanied by a short newsreel clip of the real John Philip Sousa in action. ~ Hal Erickson, All Movie Guide

Based on a story by Paddy Chayefsky, this is the tale of a man who is being forced to retire from his job, at the age of 65, and decides to fight back. Impersonating the head of the company, he sets out to convince them to get rid of their outmoded retirement policy and gives a creditable speech on the dignity of man, gaining national attention. This movie features good performances, but it will probably be remembered more for the bit part played by a young Marilyn Monroe as the boss' secretary. ~ Tana Hobart, All Movie Guide

The year is 1942. Ensign Chuck Palmer (Tyrone Power) is stranded in the Japanese-occupied Philippines after his ship is torpedoed. Linking up with several other American refugees, Palmer helps the Filipinos organize a resistance movement against the enemy. They even manage to construct a few jerry-built radio stations to keep tabs on Japanese fleet movements. Hard to believe that Palmer finds romance under these trying circumstances, but he does, in the form of Jeanne Martinez (Micheline Presle), the wife of a Filipino war hero. Based on the novel by Ira Wolfert, American Guerilla in the Philippines is directed with unvarnished efficiency by Fritz Lang. Standouts in the supporting cast include Tom Ewell as Tyrone Power's wisecracking buddy and Robert Barrat as General Douglas MacArthur. ~ Hal Erickson, All Movie Guide

Even allowing for the fact that it owed its existence to the popularity of Life with Father (1947), Cheaper by the Dozen is one of the freshest, funniest and most enduring "family" films ever to emerge from Hollywood. Based on the autobiographical novel by Frank Gilbreth Jr. and Ernestine Gilbreth Carey, this is the mostly true story of famed efficiency expert Frank Bunker Gilbreth. As played by Clifton Webb, Gilbreth is a benevolent despot in his own home, managing to keep order and (sometimes) sanity despite the presence of twelve children (hence the title). Myrna Loy co-stars as Gilbreth's wife Lillian, who provides balance to her lively household, while Jeanne Crain is allotted the somewhat thankless role of eldest daughter Ernestine (who also narrates the story). The original book was basically a series of non-chronological anecdotes: Lamar Trotti's screenplay provides a throughline in the form of Gilbreth's ongoing ambition to deliver a series of lectures in Europe. The best moments (taken almost verbatim from the novel) include: Papa Gilbreth's insistence upon filming his family's tonsillectomies, including his own; a cruel but undeniably funny vignette wherein the Gilbreths flummox a lady advocate of planned parenthood (Mildred Natwick); Mr. Gilbreth giving an impromptu demonstration on how to take a bath in the least amount of time; and daughter Ernestine's senior prom, where her father ends up as the life of the party (appearing in this sequence as a Southern belle is Betty Lynn, who later played Thelma Lou on TV's Andy Griffith Show). The decision to retain the book's surprisingly downbeat ending provides a poignant coda to this heartwarming comedy. Cheaper by the Dozen was followed in 1952 by a sequel, Belles on their Toes. ~ Hal Erickson, All Movie Guide

William Wellman's westerns always seemed a little claustrophobic, but in Yellow Sky the director's technique works to the film's advantage. Outlaw leader Gregory Peck takes refuge in a frontier ghost town. The only inhabitants are elderly James Barton and his pretty granddaughter Anne Baxter. Barton reveals that there's gold hereabouts, prompting a few of Peck's companions--especially Richard Widmark--to plot the old man's demise and claim the treasure for themselves. For his part, Peck is basically honorable, and offers to split fifty-fifty with Barton. Dissension, hostility and gunplay ensue, finally narrowing down to a standoff between Peck and Widmark. Yellow Sky was based on a novel by W.R. Burnett, who moved from westerns to gangster stories and back again with the greatest of ease. ~ Hal Erickson, All Movie Guide

The year is 1908 and the setting Jericho, Kansas, a veritable cesspool of sin and vice. Dave Connors is a politically ambitious lawyer married to Belle, the town lush, and is in love with beautiful colleague Julia Norman. Matters are worsened when Algeria Wedge, his best friend's wife, makes a pass at him. When Dave rejects her advances, she retaliates by printing vile things about him in the town paper. This effectively destroys his political career and causes him to leave town. Algeria then successfully helps to launch her husband's career so she can remain in town and cause even more trouble. ~ Sandra Brennan, All Movie Guide

A woman looks back at her childhood in show business in this musical comedy. At the turn of the century, Myrtle McKinley (Betty Grable) is working her way through business school and gets a job dancing at a San Francisco vaudeville house. She meets fellow hoofer Frank Burt (Dan Dailey), and they soon fall in love. Marriage follows, and Myrtle and Frank begin performing a song and dance act on the road. Myrtle leaves the act when she becomes pregnant with the first of two children, but when the kids are old enough to go out on tour, she and Frank work them into the act, and they learn to live out of a suitcase like their parents. Years later, Iris (Mona Freeman) and Mikie (Connie Marshall) are attending college when they learn that Mom and Dad have pulled their act out of mothballs -- and are booked to perform at a theatre near their campus. Mother Wore Tights won an Academy Award for Best Musical Score, and it was nominated for Best Song ("You Do") and Best Color Cinematography; the great Mexican ventriloquist Senor Wences appears as himself. ~ Mark Deming, All Movie Guide

Director Henry King's adaptation of John Hersey's novel is a faithful telling of the story of Major Joppolo (John Hodiak), who is assigned to administrate the Sicilian town of Adano after World War II and attempts to return it to its pre-war tranquility. His initial actions include feeding and clothing the villagers, who have been left starved and destitute by the ravages of the war, and preventing the hanging of its former mayor, a Mussolini supporter, although he makes clear that any hints of Fascism will not be tolerated. Suspicious at first, the villagers finally come to trust Joppolo when he works to reclaim the town bell, stolen from the city hall and a symbol of its identity. Gene Tierney plays the fisherman's daughter that Joppolo falls for, while William Bendix is his compassionate orderly and assistant. A Bell For Adano is a low-key look at the effects of war that builds to a quietly powerful conclusion. ~ Don Kaye, All Movie Guide

Producer Darryl F. Zanuck had high hopes that Wilson would immortalize him in the manner that Gone With the Wind did for David O. Selznick. The notion of bringing the life story of Woodrow Wilson, 28th president of the United States, to the big screen was a labor of love for Zanuck, and accordingly the producer lavished all the technical expertise and production values he had at his disposal. Though Alexander Knox seems a bit too robust and overnourished for Wilson, his is a superb performance, evenly matched by those of Ruth Nelson as Wilson's first wife Ellen, Geraldine Fitzgerald as second wife Edith, Thomas Mitchell as Joseph Tumulty, Sir Cedric Hardwycke as Henry Cabot Lodge, Vincent Price as William Gibbs McAdoo, Sidney Blackmer as Josephus Daniels, and the rest of the film's enormous cast. The story begins in 1912, a time when Wilson is best known as the head of Princeton University and the author of several books on the democratic process. Urged into running for Governor of New Jersey by the local political machine, Wilson soon proves that he is his own man, beholden to no one-and that he is dedicated to the truth at any cost. From the governor's office, Wilson is nominated as the Democratic presidential candidate, an office he wins hands-down over the factionalized Republicans. The sweetness of his victory is soured by the death of his wife Ellen, but Wilson ultimately finds lasting happiness with Edith Galt. When World War I breaks out in Europe, Wilson vows to keep America out of the conflict, despite pressure from such political foes as Henry Cabot Lodge (who is depicted as a thoroughly unsympathetic power broker). After being elected for a second term, however, Wilson finds it impossible to remain neutral, especially in the wake of the Lusitania sinking. Reluctantly, he enters the war in April of 1917. Deeply disturbed by the mounting casualties, Wilson decides that, after the Armistice, he will press for a lasting peace by helping to organize a League of Nations. Unfortunately, the isolationist congress, urged on by Lodge and his ilk, refuses to permit America's entry into the League. His health failing, Wilson nonetheless embarks on a whistle-stop tour, imploring the public to support the League of Nations and Wilson's 12-point peace program. During this campaign, he is felled by a stroke, whereupon Mrs. Wilson begins acting as liason between the president and the rest of the country (the commonly held belief that Edith Galt Wilson virtually ran the nation during this crisis is soft-pedalled by Lamar Trotti's script). All hopes for America's joining the League of Nations are dashed when, in the 1920 election, the Republicans gain control of the White House. The film ends as the ailing but courageous Woodrow Wilson bids farewell to his staff and walks through the White House doors for the final time. Idealistically ignoring the negative elements of the Wilson regime (notably his attitudes toward racial relationships), Wilson is not so much a biography as a paean to the late president. Though too long and overproduced, the film survives as one of Hollywood's sturdiest historical films of the 1940s. However, audiences did not respond to Wilson as Zanuck had hoped; the film was a terrific flop at the box office, so much so that it was for many years forbidden to speak of the project in Zanuck's presence. Still, Wilson garnered several Academy Awards: best original screenplay, best color art direction (Wiard Ihnen), best color cinematography (Leon Shamroy), best sound recording (E. H. Hansen), best film editing (Barbara McLean) and best color set decoration (Thomas Little). ~ Hal Erickson, All Movie Guide

Though Henry Fonda is top-billed in The Immortal Sergeant, the title character is played by Thomas Mitchell. Set in the Libyan Desert during WW2, the story finds tough but compassionate British Eighth Army sergeant Kelly (Thomas Mitchell) in charge of a 14-man patrol. Kelly's corporal is Colin Spence (Henry Fonda), a shy and retiring Canadian. When the squad becomes lost in the desert, it is the guidance and example of Kelly that brings the timid Spence out of his shell. Kelly ultimately dies, leaving Spence in charge of the surviving soldiers. Applying the lessons learned from the Immortal Sergeant, Spence is able to lead his comrades back to allied lines, becoming a hero in the process. Second-billed Maureen O'Hara plays Spence's sweetheart in a series of gratuitous but effective flashbacks. Immortal Sergeant was based on the novel by John Brophy. ~ Hal Erickson, All Movie Guide

Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique. ~ Hal Erickson, All Movie Guide

On a secluded base in Arizona, veteran World War One pilot Steve Britt (Preston Foster) trains flyers to fight in World War Two. One of his trainees, Englishman Peter Stackhouse (John Sutton), competes with Britt for the affections of Kay Saunders (Gene Tierney), the daughter of a local rancher. Despite their differences, Britt makes sure Sutton passes his training and becomes a combat pilot -- even though he loses Kay to the young man in the process. Note the photos of director (and former flying ace) Wellman, which are used as the pictures of Sutton's father displayed by Britt and Sutton's grandmother, Lady Stackhouse (Dame May Whitty). ~ Nicole Gagne, All Movie Guide