Jack Carson Movies

Fred Stone stars as the mayor of a small town, threatened by "progressive" politicians who plan to radically change the administration after the next election. Stone is vaguely aware that his opponents are crooks, and that they hope to loot the city treasury. To avoid this contingency, Stone bends the law a bit himself, "fixing" the ballots. On the brink of going to jail for vote fraud, Stone exposes the true crooks. Quick Money should not be confused with a like-vintage 20th Century Fox "B" comedy, Quick Millions ~ Hal Erickson, All Movie Guide

In this comedy, designed to exploit the then current national craze for picture puzzles, an alcoholic advertising exec becomes addicted to inventing puzzles. Trouble ensues when he goes off on a major drunk and forgets to leave the answers to a national breakfast cereal contest. His colleague is assigned to find him. She succeeds and takes him to a rehab farm to sober up. He is kidnapped by gangsters who want those answers. ~ Sandra Brennan, All Movie Guide

Based upon Arthur Kober’s play (which was subsequently musicalized onstage as Wish You Were Here, Having Wonderful Time stars Ginger Rogers as Teddy Shaw, a typist who goes to a summer camp for a little rest and relaxation. She’s also getting away from Emil (Jack Carson), whose interest in Teddy is no longer returned. Arriving at Camp Kare-Free, she’s offered a ride by Chick (Douglas Fairbanks, Jr.), who works at the camp as a waiter. Unfortunately, they get off to a bumpy start when Chick spills her suitcase and an argument ensues. Once at camp, she makes friends with Fay (Peggy Conklin), Miriam (Lucille Ball) and Henrietta(Eve Arden). Chick apologizes to Teddy, and over the next six days their relationship blossoms, concurrently with that of Miriam and another guest, Buzzy. However, when Chick makes an improper advance during her last night at the camp, Teddy gets angry and leaves him. She dances with Buzzy to make Chick jealous and makes sure she is seen entering Buzzy’s cabin. She takes steps to see that nothing happens and leaves unscathed the next morning, but not before causing trouble between Buzzy and Miriam. Emil has arrived and plans to bring her home after breakfast. While they are eating, Emil proposes to Teddy. Both Chick and Miriam overhear this proposal, after which Miriam loudly comments that Teddy stayed overnight with Buzzy. In the ensuing confusion, Chick decks both Buzzy and Emil, and offers his own proposal to Teddy – which she happily accepts. ~ Craig Butler, All Movie Guide

It's more Ginger Rogers than Fred Astaire, and more comedy than singing and dancing in this Astaire-Rogers entry into the screwball comedy sweepstakes which features a top-of-the-line Irving Berlin score (Change Partners, I Used to be Color Blind, The Night is Filled with Music). Fred Astaire plays Dr. Tony Flagg, a psychiatrist, who enters the psyche of Amanda Cooper (Ginger Rogers), a radio singer whom Tony's friend Stephen Arden (Ralph Bellamy) takes to see him. It seems Arden thinks that Amanda needs psychiatric help since she can't reach a decision regarding Stephen's proposal of marriage to her. As Tony explores her subconscious dream life, she falls in love with him. Tony feels that her love is temporary -- merely a sign of transference. To channel her love in the right direction, Tony hypnotizes her to believe that she is in love with Stephen. But then things become more complicated when Tony comes to realize that he, in fact, is in love with Amanda himself. He now has to figure out a way to bring her out of her hypnosis and get her back to normal so that they can both fall into the clinch. ~ Paul Brenner, All Movie Guide

In this comedy, a marriage-license clerk is proud of the fact that during his 20-year career not one of the couples he has licensed have gotten divorced. A reporter learns of his record and writes an article resulting in the small town office being flooded with engaged couples. The reporter then nominates the clerk for mayor, dubbing him "Lucky License." Meanwhile his political rivals try to frame him by having him pose with seductive bathing beauties. When that fails, they try framing him for murder. Fortunately that fails too and things turn out for the best. ~ Sandra Brennan, All Movie Guide

When two lovers are framed for a jewelry store robbery in which the clerk was killed, the only person capable of saving them from the death penalty is the gangster who actually committed the crime. A remake of the 1930 thriller The Pay Off, Law of the Underworld tells the tale of Shirley and Bond, two young lovers who are about to be swept up in circumstances beyond their control. On the surface Morris is a respectable citizen, the perfect cover for a career criminal. When Morris frames Shirley and Bond for a violent jewelry store robbery, the lovebirds are arrested and sentenced to death. Morris may be a criminal, but is he really willing to let two innocent people die for his crime, or will his conscience finally get the best of him at the last minute? ~ Jason Buchanan, All Movie Guide

Joan Fontaine was still two years away from full stardom when she appeared in the B-plus comedy Maid's Night Out. Future cowboy star Allan Lane plays Bill, a millionaire's son who, to win a bet with his father (George Irving), sets out to prove that he can succeed without his family's money. While working as a milkman, Bill offers a lift to Sheila (Fontaine), whom he takes to be a housemaid. In fact, Sheila was also born into wealth, but she doesn't let Bill know that, fearful that she'll lose his love; Bill likewise keeps his actual identity a secret for the same reason. Adding to the fun is the presence of Hedda Hopper, making one of her final acting appearances before devoting herself full-time to her gossip columnist. Film buffs will also enjoy a fleeting but hilarious jibe at Hopper's number-one rival Louella Parsons. ~ Hal Erickson, All Movie Guide

Allegedly based on two factual works, Bouck White's The Book of Daniel Drew and Matthew Josephson's The Robber Barons, RKO's The Toast of New York is a largely fanciful account of the career of 1870s financier "Jubilee Jim" Fisk. As played by Edward Arnold in his usual "tycoon" mode, Fisk was a likable scoundrel who finagled his way into the upper rungs of Wall Street as much for fun as for profit. The film conveniently ignores Fisk's involvement with the infamous Tweed Ring, and skims over his complicity in 1869's "Black Friday," one of the most disastrous events in American economic history. We are also offered a sanitized version of Fisk's notorious mistress Josie Mansfield, who as played by Frances Farmer is an apple-cheeked lass who regards Fisk only as a loyal friend. Cary Grant is along for the ride as "Nick Boyd," a thinly disguised version of Fisk's actual partner in crime Ned Stokes. Too costly to post a profit, Toast of New York is nonetheless fine non-think entertainment, kept alive by a superb supporting cast ranging from Donald Meek as Daniel Drew and Clarence Kolb as Cornelius Vanderbilt to such bit players as Laurel & Hardy perennial James Finlayson, who plays the inventor of a self-tipping hat! ~ Hal Erickson, All Movie Guide

Bert Wheeler and Robert Woolsey's final film is far from their best, but at least it never plunges to the depths reached by their earlier Silly Billies and Mummy's Boys. Adapted from an unproduced stage play called The Kangaroos, High Flyers casts Bert and Bob as Jerry Lane and Pierre Potkins, operators of an amusement park kiddie-airplane concession. Newspaperman Dave Hanlon (Jack Carson) persuades the boys to fly out to sea to pick up a life preserver which purportedly contains precious photos taken by Hanlon of the British Royal Family. What our heroes don't know is that Hanlon is head of a gang of smugglers, and that the preserver contains stolen jewels and a cache of drugs. But what Hanlon doesn't know is that, despite their boasts, Jerry and Pierre have never flown a real plane in their lives. Upon scooping up the preserver, the boys accidentally open a package of cocaine powder, whereupon they become really high flyers (how this scene got past the censors is astonishing). They crash-land in the backyard of wealthy Horace Arlington (Paul Harvey), who fears that there's a sneak thief at large on his property (actually the "crook" is Arlington's pet dog). Assuming that Jerry and Pierre are the private eyes, he's summoned to his estate to protect the priceless Markoff Diamonds. Arlington gives the boys full reign over the household, allowing Jerry to romance Arlington's daughter Arlene (Marjorie Lord) and Pierre to spoon with household maid Maria (Lupe Velez). Things get really hectic when Hanlon and his fellow thieves converge on the Arlington household, demanding that Jerry and Pierre help them steal the Markoff gems -- or else. The whole mess is viewed with alarm by Arlington's eccentric wife Martha (Margaret Dumont), who fancies herself a fortune-teller. There are isolated moments in High Flyers that rank with Wheeler and Woolsey's best, notably Bert Wheeler's imitation of Charlie Chaplin and Bob Woolsey's song-and-dance duet with Lupe Velez. Also fascinating in a bizarre sort of way are Velez's impressions of Simone Simon, Dolores Del Rio, and Shirley Temple! All in all, however, High Flyers is a stilted, mechanical effort, garnering the team some of their worst reviews. Whether or not Wheeler and Woolsey would have been retained by RKO after the lukewarm box-office reception to this film is a moot point: Gravely ill with kidney disease, Robert Woolsey was confined to his bed after the film wrapped, where he remained until his death 14 months later. ~ Hal Erickson, All Movie Guide

The "suspense" in the RKO Radio musical comedy Music for Madame lies in whether or not golden-voiced Operatic tenor Nino Martini will be permitted to sing. En route to Hollywood, Tonio (Martini) is hoodwinked into serenading a wedding party while a gang of jewel thieves clean out the place. The crooks head for the hills, but not before threatening to murder Tonio if he ever sings again (his voice, you see, is the only clue the police have to go by). While pondering the future of his career, our hero falls in love with beautiful Jean (Joan Fontaine) and is sorely tempted to express his ardor in song. Music for Madame was Jesse L. Lasky's first RKO production -- and very nearly his last when the picture lost $375,000 for the studio. ~ Hal Erickson, All Movie Guide

Archetypal depression-era stars Henry Fonda and Sylvia Sidney are felicitously teamed in Fritz Lang's You Only Live Once. Fonda plays an ex-convict who can't get a break on the "outside". He marries Sidney, who like her husband is one of life's losers. Framed on a murder rap, Fonda is forced to take it on the lam, with his wife and baby in tow. In trying to avoid capture, Fonda becomes a murderer for real, condemning himself and Sidney to an early demise. Partly based on the legend of Bonnie and Clyde, the Gene Towne-Graham Baker screenplay stacks the deck against its protagonists to such an extent that the audience is virtually forced to hate their various antagonists. As superb as Henry Fonda is in portraying the foredoomed hero, Sylvia Sidney is even better as his wife; her reading of such lines as "We just call him...baby" are enough to shrivel the heart even after six decades. ~ Hal Erickson, All Movie Guide

In this thriller, an ex-pilot develops a useful new navigating device and decides to test it out. Unfortunately the test-run plane crashes as do all the other flights that use the device. Interestingly, all the crashes are followed by robberies of the dead passengers. The inventor pursues the thief, and comes close to capturing the criminal after every crash, but does not catch him and reveal his identity until the thrilling end. ~ Sandra Brennan, All Movie Guide