Frank Thring Movies

Season One of the "new" Mission:Impossible came to an end with the episode titled "The Bayou." Veteran Australian movie villain Frank Thring guest-stars as Jake Morgan, who in concert with his partner Pepper Leveau (Paula Kelly) operates a thriving white-slavery ring in New Orleans. To put Morgan and Leveau out of business, the IMF team stages a voodoo ritual aimed at splitting up the nefarious duo --- and in so doing, our heroes also hope to rescue the villain's latest victim, Diane Marshall (played by former What's Happening!! regular Danielle Spencer). First broadcast on May 6, 1989, "The Bayou" was written by Jeffrey M. Hayes. ~ Hal Erickson, Rovi

About 15 years after the events of Mad Max 2, nuclear war has finally destroyed what little was left of civilization. Grizzled and older, former cop Max (Mel Gibson) roams the Australian desert in a camel-drawn vehicle -- until father-and-son thieves Jebediah Sr. (Bruce Spence) and Jr. (Adam Cockburn) use their jury-rigged airplane to steal his possessions and means of transportation. Max soon winds up in Bartertown, a cesspool of post-apocalyptic capitalism powered by methane-rich pig manure and overseen by two competing overlords, Aunty Entity (Tina Turner) and Master (Angelo Rossitto), a crafty midget who rides around on the back of his hulking underling, Blaster (Paul Larsson). Seeking to re-equip himself, Max strikes a deal with the haughty Aunty to kill Blaster in ritualized combat inside Thunderdome, a giant jungle gym where Bartertown's conflicts are played out in a postmodern update of blood and circuses. Although Max manages to fell the mighty Blaster, he refuses to kill him after realizing the brute is actually a retarded boy. Aunty's henchmen murder Blaster nonetheless, then punish Max for violating the law that "Two men enter, one man leaves." Lashed to the back of a hapless pack animal and sent out into a sandstorm, a near-death Max is rescued by a band of tribal children and teens. The descendants of the victims of an airplane crash, the kids inhabit a lush valley and wait for the day when Captain Walker, the plane's pilot, will return to lead them back to civilization. Some of the children, refusing to believe that Max isn't Walker and that the glorious cities of their mythology no longer exist, set off in search of civilization on their own. Max and three tribe members must then rescue their friends from Bordertown and the clutches of Aunty Entity -- a quest that ends in a lengthy desert chase sequence that echoes the first two Mad Max films. Spence also appeared in Mad Max 2 in a different role, that of the Gyro Captain. ~ Brian J. Dillard, Rovi

A vacationing group of teens become stranded in the countryside, and upon seeking shelter in a sprawling mansion they are greeted by a sinister host, lusty witches, a nymphomaniac peasant girl, and one truly twisted manservant in this sexy spoof of Hammer horror films. ~ Jason Buchanan, Rovi

The Far East and the Land Down Under are about to have a head-on collision in this action drama. Fang (Jimmy Wang Yu) is an undercover detective from Hong Kong sent to Australia to crack open the operation of a Sydney mob boss named Wilton (George Lazenby). Fang puts his skills as a hang glider pilot and martial arts master to work as he sets up Wilton for a literally explosive finale. Samo Hung (aka Kim Po Hung), later to become a major martial arts star in his own right, appears in a supporting role and has an impressive battle with an Australian cop. The film also features the song "Sky High" by Jigsaw, which would go on to become a Top 40 hit. ~ Mark Deming, Rovi

Ned Kelly (Mick Jagger) is the legendary outlaw of the Australian outback sought by authorities for stealing horses. At age 20, Ned has already served a three-year prison term at hard labor. When Ned's mother (Clarissa Kaye) is arrested and jailed on a bogus murder charge, Ned offers to surrender in exchange for his mother's freedom. When the authorities refuse, the Kelly brothers go on a robbing rampage. Cornered by the law in a saloon, Ned's brothers commit suicide rather than be taken alive. Shel Silverstein wrote the music performed by Waylon Jennings, Jagger and Glen Tomasetti. Australian folk songs are also included in this story taken from a popular 19th-century ballad. ~ Dan Pavlides, Rovi

One major film star referred to director Nicholas Ray as a "loser," because of Ray's alleged willingness to let his more temperamental actors walk all over him. Evidently, Ray had a very compliant and cooperative cast in King of Kings, inasmuch as the film emerged as one of the most disciplined Biblical epics ever made. Jeffrey Hunter is cast as Jesus Christ, delivering a wholly credible performance in this most taxing of roles (never mind the wags who referred to the film as "I Was a Teenage Jesus"). Siobhan McKenna is a radiant if somewhat overaged Mary; Hurd Hatfield offers a properly preening Pontius Pilate; Rip Torn portrays Judas more for the tragedy than the treachery; Robert Ryan (a personal favorite of Ray's) is one of the best John the Baptists you're ever likely to see; and Harry Guardino convincingly interprets Barabbas as a firebrand political extremist. The only false note in the casting is the MGM-dictated selection of teenaged Brigid Bazlen as Salome. The best aspect of the film is its handling of the days after the Resurrection; the "Jesus sightings" are offered as secondhand information, so as to retain some of the mystery inherent in the Scriptures. King of Kings was previously filmed in 1927 by Cecil B. DeMille, with a middle-aged H.B. Warner as Jesus. ~ Hal Erickson, Rovi

This 1959 version of Lew Wallace's best-selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards. Adapted by Karl Tunberg and a raft of uncredited writers including Gore Vidal and Maxwell Anderson, the film once more recounts the tale of Jewish prince Judah Ben-Hur (Charlton Heston), who lives in Judea with his family during the time that Jesus Christ was becoming known for his "radical" teachings. Ben-Hur's childhood friend Messala (Stephen Boyd) is now an ambitious Roman tribune; when Ben-Hur refuses to help Messala round up local dissidents on behalf of the emperor, Messala pounces on the first opportunity to exact revenge on his onetime friend. Tried on a trumped-up charge of attempting to kill the provincial governor (whose head was accidentally hit by a falling tile), Ben-Hur is condemned to the Roman galleys, while his mother (Martha Scott) and sister (Cathy O'Donnell) are imprisoned. But during a sea battle, Ben-Hur saves the life of commander Quintus Arrius (Jack Hawkins), who, in gratitude, adopts Ben-Hur as his son and gives him full control over his stable of racing horses. Ben-Hur never gives up trying to find his family or exact revenge on Messala. At crucial junctures in his life, he also crosses the path of Jesus, and each time he benefits from it. The highlight of the film's 212 minutes is its now-legendary chariot race, staged largely by stunt expert Yakima Canutt. Ben-Hur's Oscar haul included Best Picture, Best Director for the legendary William Wyler, Best Actor for Heston, and Best Supporting Actor for Welsh actor Hugh Griffith as an Arab sheik. ~ Hal Erickson, Rovi

Inspired by the novel The Viking by Edison Marshall, The Vikings was lensed on location in Norway under extremely adverse weather conditions. Adding to the difficulty was the fact that star Kirk Douglas and director Richard Fleischer never quite found a common ground, and for years thereafter would hold each other responsible for the film's falling short of its potential. Still, the finished product is quite a feast for the eyes and ears. Douglas, the son of Viking leader Ernest Borgnine, carries on a film-length feud with slave Tony Curtis, who, though he does not realize it, is actually his illegitimate son. This personal battle comes to a head when Douglas and Curtis both lay claim on captured English princess Janet Leigh. The scene everyone remembers in The Vikings finds Borgnine, at the mercy of wicked monarch Frank Thring, defiantly throwing himself into a pit of ravenous wolves. Launched into distribution with one of the splashiest ad campaigns in United Artists' history, The Vikings proved an enormous success; it inspired the 1959 TV series Tales of the Vikings, which utilized the film's props, costumes and scale-model ships. In 1964, The Vikings served as the inagural presentation of ABC's Sunday Night Movie series. ~ Hal Erickson, Rovi