Frances Carson Movies

Aircraft plant worker Robert Cummings is accused of sabotaging his factory and causing the death of a co-worker. Actually, Cummings is the fall guy for a clever ring of Nazi spies, headed by above-suspicion American philanthropist Otto Kruger. Our hero goes on a cross-country chase after genuine saboteur Norman Lloyd, all the while pursued himself by the police. Along the way, he acquires a reluctant "travelling companion" in the form of Priscilla Lane, who at first despises Cummings and intends to turn him over to the authorities at the first opportunity, but who gradually comes to realize that the boy is innocent. Alfred Hitchcock intended Saboteur to be the American equivalent to his British The 39 Steps, employing such details as the solid-citizen villain, the handcuffed hero, the unwilling blonde heroine, and any number of stopovers with a variety of offbeat characters (a travelling "freak" show, a compassionate blind man, a grizzled old prospector who turns out to be one of the spies, etc.) ~ Hal Erickson, Rovi

RKO Radio's film series based on the popular radio serial Scattergood Baines rolled into 1942 with Scattergood Rides High. Guy Kibbee returns as Scattergood Baines, the grocer-sage of the small town of Coldriver. On this occasion, Baines champions the cause of orphan boy Dan Knox (Charles Lind), who has been cheated out of his family's racing stable and horse-breeding farm. Using common sense and a bit of genteel larceny, Scattergood out-slickers the crooks who've victimized Dan. He also puckishly stage-manages the romance between Dan and wealthy city gal Helen Van Pelt (Dorothy Moore). Mild comedy relief is provided by black youngsters Philip Hurlic and Paul White. ~ Hal Erickson, Rovi

The box-office success of Paramount's What a Life (1939), coupled with the popularity of the spinoff Henry Aldrich radio series, inspired the studio to launch an "Aldrich" series of its own. The inagural entry was Life with Henry, with Jackie Cooper repeating his role as befuddled teenager Henry Aldrich. This time around, Henry and his pal Dizzy (Eddie Bracken) conspire to win an all-expenses-paid trip to Alaska. The boys' bumbling efforts have unfortunate long-range repercussions, culminating in the decision by a group of investors not to build a factory in town, as originally planned. How will Henry get himself out of this one? For the record, in all subsequent "Henry Aldrich" endeavors, Henry would be played by Jimmy Lydon, while Dizzy would be enacted by Charles Smith. ~ Hal Erickson, Rovi

Fourteen scriptwriters spent five years toiling over a movie adaptation of war correspondent Vincent Sheehan's Personal History before producer Walter Wanger brought the property to the screen as Foreign Correspondent. What emerged was approximately 2 parts Sheehan and 8 parts director Alfred Hitchcock--and what's wrong with that? Joel McCrea stars as an American journalist sent by his newspaper to cover the volatile war scene in Europe in the years 1938 to 1940. He has barely arrived in Holland before he witnesses the assassination of Dutch diplomat Albert Basserman: at least, that's what he thinks he sees. McCrea makes the acquaintance of peace-activist Herbert Marshall, his like-minded daughter Laraine Day, and cheeky British secret agent George Sanders. A wild chase through the streets of Amsterdam, with McCrea dodging bullets, leads to the classic "alternating windmills" scene, which tips Our Hero to the existence of a formidable subversive organization. McCrea returns to England, where he nearly falls victim to the machinations of jovial hired-killer Edmund Gwenn. The leader of the spy ring is revealed during the climactic plane-crash sequence--which, like the aforementioned windmill scene, is a cinematic tour de force for director Hitchcock and cinematographer Rudolph Mate. Producer Wanger kept abreast of breaking news events all through the filming of Foreign Correspondent, enabling him to keep the picture as "hot" as possible: the final scene, with McCrea broadcasting to a "sleeping" America from London while Nazi bombs drop all around him, was filmed only a short time after the actual London blitz. The script was co-written by Robert Benchley, who has a wonderful supporting role as an eternally tippling newsman. Foreign Correspondent was Alfred Hitchcock's second American film, and remained one of his (and his fans') personal favorites. ~ Hal Erickson, Rovi