Peter Thompson Movies

This human-interest drama is well intentioned and has a moving finale, but the story is too thin to stretch over ninety minutes. Set in the 1830s, the tale begins when little Joanna (Anna Ralph) gets lost and comes across an Aboriginal woman (Mawuyul Yathalawuy) who takes her under her wing. The two cannot communicate except by gestures, facial expressions, and whatever they can mime because the Aboriginal, Manganinnie, does not speak English. She herself is looking for her tribe and so the pair wanders through some very scenic locations in search of their future. ~ Eleanor Mannikka, All Movie Guide

Dennis Hopper plays the title character in this true story of a 19th-century Australian gold-digger who is pressed into a life of crime. A six-year stint in jail doesn't provide reform, but does introduce him to an Aboriginal partner-in-crime (David Gulpilil). The duo then proceed to terrorize the province of New South Wales with no lack of violence. The TV version was retitled Mad Dog. ~ John Bush, All Movie Guide

In this comedy, an American learns that he is an English earl. He travels to Great Britain to run his estate. Mayhem ensues when he falls in love with a girl there. His girl friend back home is not amused until she finds a new love of her own. ~ Sandra Brennan, All Movie Guide

Fort Savage Raiders is another entry in Charles Starrett's "Durango Kid" western series. Starrett once again does double duty as a peacekeeper named Steve (this time his last name is Drake) and as masked avenger Durango. The heavy of the piece is escaped military prisoner Craydon (John Dehner) who, with several other fugitives from justice, forms an army of terrorists. After dozens of attacks on peaceful communities, Craydon is targeted for elimination by the authorities. Steve Drake is assigned to put an end to Craydon's activities. Why he needs to adopt the disguise of the Durango Kid to pull this off is a mystery left unsolved by screenwriter Barry Shipman (who later went on to such prestige westerns as Republic's Stranger at My Door). ~ Hal Erickson, All Movie Guide

John Derek plays a Polish-American immigrant who excels in high school sports. Though no great shakes academically, Derek wins a scholarship at an exclusive Southern university. Sidney Blackmer is a wealthy alumnus who sees to it that Derek is allowed to coast in his classes so that he can play football--and help Blackmer win a series of lucrative wagers on the games. When Derek is sidelined by an injury, Blackmer loses interest, but the rich man's niece (Donna Reed) remains faithful to the boy. The cold business of subsidizing (and exploiting) college athletes is given a critical scrutiny in Saturday's Hero, though the film ends happily with Derek bearing down on his classroom work and making something of himself without relying on football. Featured in a supporting role is ex-athlete Aldo DaRe, later known as Aldo Ray. ~ Hal Erickson, All Movie Guide

Charles Starrett plays lawman Steve Forsythe in Ridin' the Outlaw Trail. Somewhere along the line, of course, Steve is obliged to don the mask of The Durango Kid, mysterious righter of wrongs. The "wrongs" in this instance include the theft of $20,000 in gold, and the "kidnapping" of a blacksmith's forge! Jim Bannon, who only a few months earlier had played the heroic Red Ryder, provides the villainy in this fast-paced "Durango Kid" entry. The musical chores are handled by Pee Wee King and his Golden West Cowboys. Sunny Vickers, a pert young starlet who was apparently being groomed for bigger things by Columbia, is the heroine. ~ Hal Erickson, All Movie Guide

Having signed up with Columbia to re-create his stage role in Death of a Salesman, Cameron Mitchell was obliged to earn his keep in such potboilers as Smuggler's Gold. Mitchell plays Mike Sloan, the fiancé of Susan Clarke (played by future Gunsmoke regular Amanda Blake). Susan's uncle is supposedly respectable skipper Pop Hodges (Carl Benton Reid). In truth, lovable old Pop is a ruthless smuggler, who strong-arms Mike into retrieving a sunken cache of stolen gold. Filmgoers with long memories were able to discern resemblances between Smuggler's Gold and the 1933 melodrama I Cover the Waterfront. ~ Hal Erickson, All Movie Guide

Owen Johnson's novel The Lawrenceville School Stories (compiled from short stories originally published in The Saturday Evening Post) was the basis for The Happy Years. The film is set at an early 20th-century boy's prep school; Dean Stockwell plays an habitual troublemaker sent to this school as a means of straightening him out and making a man of him. At first bullied by the older kids, the pugnacious Stockwell stands his ground until he earns his fellow students' respect. The film adheres strictly to MGM's factory-tested Boys Town formula by having Stockwell cleaning up his act and becoming a worthwhile Lawrenceville student. Watch The Happy Years carefully and you'll spot an unbilled Robert Wagner, in his film debut. ~ Hal Erickson, All Movie Guide

Blonde good-time girl Vivian Heldon (Jan Sterling), who lives in a cheap rooming house in a working-class section of Boston, run by the inquisitive and neurotic Mrs. Smerrling (Elsa Lanchester), goes out one night after a phone conversation with her boyfriend, proclaiming that she's got big plans and might even move to a nicer place. After putting in her shift as a waitress at a cheap dive called The Grass Skirt, she latches onto Henry Shanway (Marshall Thompson), an innocently drunk patron, who's trying to wash away his sadness over his wife's stillborn child. She uses Henry's car with him in tow to drive out to Cape Cod, then strands him on foot and meets her boyfriend -- but when she arrives, he puts a bullet into her, then strips the body, throws it into the sea, and drops the clothes and the car into a lake. Six months later, an ornithologist from the cape spots the skeleton of a human foot sticking up through the sand.

Enter Lt. Peter Morales (Ricardo Montalban) of the Boston PD; he and his partner on this case, Det. Sharkey (Wally Maher), bring the bones to Dr. McAdoo (Bruce Bennett), of Harvard University's forensic medical laboratory. Over the next few days, McAdoo and his staff are able to determine the gender, age, and general appearance of the person to whom the bones belonged, and that this is a case of murder -- and that the victim was pregnant. Morales and Sharkey, combing through what they know about the victim and the missing persons records of six nearby states, eventually tie the skeleton up with Vivian Heldon, who disappeared on just about the same day the victim was killed, and also to Shanway's car, which he reported stolen that day. The poor slob, who is merely trying to cover up a drunken lapse from his wife (Sally Forrest), acts guilty enough and lies about just enough so that Morales is certain that he's the murderer. His investigation isn't helped by the interference of Mrs. Smerrling, who sold Vivian's belongings when she didn't return to her room, and now seems fixated, even obsessed with the details of the case and its connection to her rooming house. While the police tighten the screws on Shanway, she backtracks Vivian's phone calls and makes contact with the woman's boyfriend, James Joshua Harkley (Edmon Ryan), member of a wealthy Boston family, and a married man; she also manages to steal a vital piece of evidence. But instead of turning it over to the police, she uses it to blackmail Harkley.

Meanwhile, the district attorney sets an early trial date for Shanway, but with the opening arguments only a week away, Morales begins to develop doubts about Shanway's guilt, in addition to harboring his own sympathy for Grace Shanway, whose life is being gradually destroyed by the prosecution on her husband -- not that Morales thinks he's innocent, but there's enough that's not right about the case, including the missing murder weapon, that he's not 100-percent sure. And that's when Vivian's friend and neighbor, Jackie Elcott (Betsy Blair) reports how strangely Mrs. Smerrling is acting, and the fact that she's got a gun. But before they can question her, Harkley kills Mrs. Smerrling -- now it's a race between Morales and Harkley to see who can get to the murder weapon first. ~ Bruce Eder, All Movie Guide

Ronald Colman won an Academy Award for his portrayal of an off-the-beam actor in A Double Life. A beloved stage star, Anthony John (Colman), has problems with his private life due to his unpredictable outbursts of temper. This trait has already cost him his wife, Brita (Signe Hasso), and threatens to sabotage his career. Nonetheless, Anthony makes his peace with Brita, and the two actors star in a new Broadway staging of Othello. The play is a hit, running over 300 performances, but the pressures of portraying a man moved to murder by jealousy takes its toll on Anthony. In a fit of delirium, he strangles his casual mistress, Pat (Shelley Winters), but retains no memory of the awful crime. Press agent Bill Friend (Edmond O'Brien), unaware that Anthony is the killer, uses Pat's murder as publicity for Othello. Anthony becomes enraged at this cheap ploy, and attacks Friend. At this point, Anthony realizes that he has been living "a double life" and is in fact Pat's murderer. A Double Life was written for the screen by Ruth Gordon and Garson Kanin, who occasionally digress from the melodramatic plotline to include a few backstage inside jokes. ~ Hal Erickson, All Movie Guide

After serving with a notable lack of distinction in WW2, Corporal Slicker Smith (Bud Abbott) and Private Herbie Brown (Lou Costello) return to the US. Unbeknownst to their sourpussed sergeant Collins (Nat Pendleton), Slicker and Herbie have smuggled cute little war orphan Evie (Beverly Simmons) past the immigration authorities. In their efforts to find a decent home for Evie, our heroes return to the prewar "jobs" as sidewalk salesmen, then make a disastrous attempt to collect their GI bonus money. They also struggle to save Evie from deportation, hiding her from the prying eyes of the ubiquitous Collins, who has likewise returned to his civilian job as a police officer. The climax finds Herbie participating in a big-money midget-car race, feverishly dodging pedestrians and motorists as he tries to escape the authorities. The film also includes a romantic subplot involving Tom Brown and Joan Fulton (later known as Joan Shawlee). ~ Hal Erickson, All Movie Guide