Wynn P. Thomas Movies

Shattered Glass director Billy Ray directs Chris Cooper and Ryan Philippe in this fact-based drama concerning the FBI traitor who carried out what many historians refer to as the most notable national security breach in U.S. history. A key member of the FBI's elite Soviet Analytical Unit, Robert Hanssen (Chris Cooper) would, for 15 years beginning in 1985, sell thousands of pages of classified documents to the Soviets. After making roughly 600,000 dollars on his clandestine endeavor and compromising everything from the identities of KGB spies working for the American government to nuclear war contingency plans, Hanssen was eventually transferred to a newly created position at the FBI's Washington headquarters and assigned the task of guarding his country's most sensitive secrets. It was while working in this capacity that a young agent named Eric O'Neill (Phillipe) was assigned the task of keeping tabs on Hanssen by suspicious higher-ups. Later, after being arrested while delivering a cache of secret documents to a "dead drop" spot in a Virginia park, the notorious traitor was arrested and sentenced to life in prison with no chance for parole. ~ Jason Buchanan, All Movie Guide

The true story of an athlete who achieved his greatest success against the most daunting odds of his life is brought to the screen in this historical drama. In the 1920s, James Braddock (Russell Crowe) from Bergen, NJ, was a promising contender in professional boxing; he had strength, spirit, and tenacity, but the combination of a serious hand injury and a 1929 defeat in a bout with light heavyweight champ Tommy Loughran sent his career into a serious tailspin. As Braddock's career in the ring dried up, the Great Depression put a stake through the heart of America's economy, and Braddock found himself working at the New York docks for pitiful wages as he tried to support his wife, Mae (Renée Zellweger), and three children. Desperate for money, Braddock turned to his former trainer and manager Joe Gould (Paul Giamatti), who was unexpectedly able to scare up a bout for him, battling John Griffin at Madison Square Garden. While conventional wisdom had it that Braddock was too old, out of shape, and out of practice to have any chance of winning, he defeated Griffin, and continued beating his opponents with a powerful left hook that had been intensified by years of punishing dock work. In a nation desperate for good news, Braddock's surprising comeback became a tonic to struggling workers and unemployed people, and all eyes were on Braddock when in 1935 he took on powerful heavyweight champion Max Baer (Craig Bierko) in what was both literally and figuratively the fight of his life. ~ Mark Deming, All Movie Guide

The true story of prominent mathematician John Forbes Nash Jr. is the subject of this biographical drama from director Ron Howard. Russell Crowe stars as the brilliant but arrogant and conceited professor Nash. The prof seems guaranteed a rosy future in the early '50s after he marries beautiful student Alicia (Jennifer Connelly) and makes a remarkable advancement in the foundations of "game theory," which carries him to the brink of international acclaim. Soon after, John is visited by Agent William Parcher (Ed Harris), from the CIA, who wants to recruit him for code-breaking activities. But evidence suggests that Nash's perceptions of reality are cloudy at best; he is struggling to maintain his tenuous hold on sanity, and Alicia suspects a diagnosis of paranoid schizophrenia. Battling decades of illness with the loyal Alicia by his side, Nash is ultimately able to gain some control over his mental state, and eventually goes on to triumphantly win the Nobel Prize. Based loosely on the book of the same name by Sylvia Nasar, A Beautiful Mind (2001) co-stars Paul Bettany, Adam Goldberg, Anthony Rapp, Christopher Plummer, and Judd Hirsch. ~ Karl Williams, All Movie Guide

Actor Edward Norton debuts as a director with this comedy-drama about love, friendship, and faith. Priest Brian Finn (Norton) and rabbi Jacob Schram (Ben Stiller) have known each other since childhood. When Anna Reilly (Jenna Elfman), whom they both knew as children, returns to New York, both men find themselves infatuated with her, sparking both rivalry and personal dilemmas: Brian has taken a vow of celibacy, and Jacob is allowed to marry only within his faith. Award-winning director Milos Forman appears in the supporting cast, alongside Anne Bancroft, Ron Rifkin, and Eli Wallach; the screenplay marks the debut of writer Stuart Blumberg, whom Norton met when they were both undergraduates at Yale. ~ Mark Deming, All Movie Guide

Denzel Washington and writer-director Spike Lee team for the third time with this contemporary basketball drama focusing on a promising athlete, the son of a convict-father. Jake Shuttlesworth (Denzel Washington) has been in prison for six years when tough prison-warden Wyatt (Ned Beatty) tells him that he's getting a temporary parole with the promise of a commuted sentence. However, there's a trade-off -- Jake must talk his son, Jesus Shuttlesworth (NBA star Ray Allen of the Milwaukee Bucks), the top-ranked high-school basketball player in the country, into signing with the governor's alma mater, Big State. A flashback makes it clear that Jesus' mother (Lonette McKee was accidentally killed by Jake during a violent family fight. After Jake went to prison, the resentful Jesus was left alone to raise his sister Mary (Zelda Harris). Now several colleges are offering Jesus scholarships, and montages satirize the manner in which young athletes are wooed by educators and coaches across the country. However, Jake will soon be back behind bars if he can't get Jesus to sign with Big State within the week. Meanwhile, the greed of other family members begins to surface. John Turturro is seen in a cameo as Coach Billy Sunday, and several real-life coaches can also be spotted in this movie. Music by Aaron Copland (1900-1990) with songs by Public Enemy. ~ Bhob Stewart, All Movie Guide

This quirky science fiction comedy is a characteristic feature by iconoclastic director Tim Burton, known to moviegoers for Beetlejuice, Edward Scissorhands, and The Nightmare Before Christmas. The storyline affectionately harkens back to the deadpan sincerity of such '50s and '60s science-fiction films as The Day the Earth Stood Still and War of the Worlds. Flying saucers have been reliably seen over the capitals of the world, and the whole world awaits with bated breath to see what will transpire. Among those waiting is the President of the United States (Jack Nicholson), who is assured by his science advisor (Pierce Brosnan) that the coming aliens are utterly peaceful. This advice is hotly contested by the military (led by Rod Steiger), who advices the President to annihilate them. When the aliens land, they are seen to be green, garish, and very cheerful. But appearances prove deceiving when the "friendly" aliens abruptly disintegrate the entire U.S. Congress. Hollywood notables appear in vast quantities in roles (and sub-plots) of all sizes in this zany feature. ~ Clarke Fountain, All Movie Guide

Spike Lee and his siblings Cinque Lee and Joie Lee co-wrote this nostalgic but unglamorized look at a family growing up in Brooklyn in the 1970s, inspired by their own childhood. Woody Carmichael (Delroy Lindo) is a jazz musician whose career is in a slump; he once made a good living as a session musician, but he has moved away from it to devote himself to more serious music, a choice that has not worked out well from a financial standpoint. His wife Carolyn (Alfre Woodard) works as a school teacher to keep food on the table. The Carmichaels have five children, a bright and introspective daughter named Troy (Zelda Harris) and four sons with a habit of causing trouble, and they all share an apartment in a brownstone in Brooklyn. Crooklyn follows the Carmichaels as the kids learn the funny and painful lessons of growing up, Mom and Dad balance their love for each other against the financial and personal difficulties of the creative life, and they all try to get along with the often eccentric neighbors on their block. Crooklyn's soundtrack is enlivened by classic 70s R&B hits, including selections by Sly and the Family Stone, The Jackson Five, Curtis Mayfield, The Staple Singers, and The Chambers Brothers. ~ Mark Deming, All Movie Guide

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, All Movie Guide

Spike Lee defines "jungle fever" as sexual attraction between members of two races. In his film Jungle Fever, he examines the repercussions of an interracial affair upon two very distinct communities. Wesley Snipes is Flipper, a happily married and successful architect, and Annabella Sciorra is Angie, an office temp. When she starts working in Flipper's Manhattan office, one day they look at each other and are soon having sex over a blueprint-strewn desk. Their liaison causes an explosion on both homefronts. Flipper's family consists of his father Doctor Purify (Ossie Davis), a former preacher; his mother Lucinda (Ruby Dee); his violent, crackhead brother Gator (Samuel L. Jackson); and his wife Drew (Lonette McKee), whom he loves, despite his sexual attraction to Angie. Angie's family is a typical Italian-American household from Bensonhurst. She's engaged to Paulie Carbonne (John Turturro), who works in a deli owned by his father Lou (Anthony Quinn). When the two families find out about Flipper and Angie's affair, their shock leads to recriminations and racial animosity. ~ Paul Brenner, All Movie Guide

Director Spike Lee dives head-first into a maelstrom of racial and social ills, using as his springboard the hottest day of the year on one block in Brooklyn, NY. Three businesses dominate the block: a storefront radio station, where a smooth-talkin' deejay (Samuel L. Jackson) spins the platters that matter; a convenience store owned by a Korean couple; and Sal's Famous Pizzeria, the only white-operated business in the neighborhood. Sal (Danny Aiello) serves up slices with his two sons, genial Vito (Richard Edson) and angry, racist Pino (John Turturro). Sal has one black employee, Mookie (Spike Lee), who wants to "get paid" but lacks ambition. His sister Jade (Joie Lee, Spike's sister), who has a greater sense of purpose and a "real" job, wants Mookie to start dealing with his responsibilities, most notably his son with girlfriend Tina (Rosie Perez). Two of Mookie's best friends are Radio Raheem (Bill Nunn), a monolith of a man who rarely speaks, preferring to blast Public Enemy's rap song Fight The Power on his massive boom box; and Buggin' Out (Giancarlo Esposito), nicknamed for his coke-bottle glasses and habit of losing his cool. When Buggin' Out notes that Sal's "Wall of Fame," a photo gallery of famous Italian-Americans, includes no people of color, he eventually demands a neighborhood boycott, on a day when tensions are already running high, that incurs tragic consequences. ~ Mark Deming, All Movie Guide

Johnny Walker (Mickey Rourke) is a punch-drunk and alcoholic cowboy pugilist who gives boxing one last shot in Asbury Park, New Jersey. He meets Wesley Pendergrass (Christopher Walken), the smooth-talking hood who tries to talk Johnny into helping in the heist of a jewelry store. Johnny considers the offer but elects to enter the ring to help Ruby (Debra Feuer) and her financially troubled arcade with the prize money. He agrees to the bout despite the fact that a blow to his fractured temple bone could kill him. Music is provided by Eric Clapton and Michael Kamen. ~ Dan Pavlides, All Movie Guide

Filmed in front of a packed New York City crowd, the concert film Eddie Murphy: Raw presents the comedian (near the height of his popularity) performing his standup material. The energetic and often extremely raunchy set begins with a series of impressions, most involving some celebrity becoming upset at Murphy for unflattering jokes: a squeaky-voiced Michael Jackson threatens to pummel Murphy into the ground; an enraged Mr. T is confused by Murphy's verbal sleight of hand; and even paragon of calm Bill Cosby loses his cool while chastising the comic for his dirty mouth. After some digressions finding humor in racial differences and other matters, Murphy proceeds into the centerpiece of his act, a series of routines about contemporary relationships between men and women, including an extended bit about what life would be like were he to become married -- jokes that some have criticized as heavily misogynist. Finally, Murphy concludes his set with an extended, comedic but sympathetic, reminiscence about his childhood and family life, a tone that matches that of the film's prologue -- a fictional re-creation of Murphy, in his childhood, entertaining a family gathering with what turns out to be an inappropriately off-color joke. ~ Judd Blaise, All Movie Guide