Jeremy Thomas

Filmmaker Mark Hartley explores Australia's hidden genre in this documentary that casually casts aside "official" film history to celebrate the demented genius of director Brian Trenchard-Smith, and the exciting wave of little-known but supremely entertaining films that entertained adventurous Australian filmgoers throughout the 1970s and '80s. Every film student worth his or her weight in celluloid has seen Breaker Morant and Picnic at Hanging Rock, but what about the lesser-known gems that didn't make the film-school textbooks? In his forward to Tim Lucas' book Mario Bava: All the Colors of the Dark, director Martin Scorsese states, "We have to keep resisting the idea of official film history, a stately procession of 'important works' that leaves some of the most exciting films and filmmakers tucked away in the shadows." In this documentary, director Hartley explores the films forgotten by "official film history" with the comprehensive eye of a true film buff. As a child watching such films as Snapshot and The Man from Hong Kong, Hartley immediately recognized how wildly disparate they were in tone and execution from the films that comprised Australia's traditional film library. Appearing like American genre films that just happened to be shot in Australia and cast with Australian actors, these so-called "Ozploitation" flicks flourished in the wake of relaxed censorship laws down under. Yet despite constant chatter about the "new wave" of Australian cinema, financially successful films like The Man from Hong Kong and Patrick that were popular both at home and abroad were never mentioned, sneeringly dismissed as "genre" films rather than Australian films. Perhaps in the wake of such successful Australian films as Wolf Creek and Undead -- and looking ahead to such films as the slasher shocker Storm Warning and the eagerly anticipated remake of Long Weekend -- curious filmgoers are finally prepared to discover what they've been missing all these years. ~ Jason Buchanan, All Movie Guide

A woman isolated in the harsh terrain of Australia's Northern Territories (Rachel Weisz) finds her withering passion for life unexpectedly rekindled by the arrival of a mysterious drifter (Colin Farrell) as author Tim Winton's acclaimed novel comes to the screen under the direction of Phillip Noyce. ~ Jason Buchanan, All Movie Guide

In 1970, a music aficionado and entrepreneur named Michael Eavis staged a "pop, folk, and blues" festival on a dairy farm in the English community of Glastonbury, not far from Stonehenge. 1,500 attended the "Glastonbury Fayre," and a second festival followed in 1971. By 2005, The Glastonbury Festival of Contemporary Performing Arts had grown into the biggest pop music festival in the world, playing host to the biggest names in rock, reggae, electronic, blues, and world music for a crowd of up to 150,000 people over the course of a three-day weekend in June. Filmmaker Julien Temple offers a backstage look at the history of this event, as well as a cross section of the memorable performances which have taken place on the festival's stage in the documentary Glastonbury. Performers featured in archival footage include R.E.M., David Bowie, New Order, Radiohead, Coldplay, the Velvet Underground, Nick Cave, Oasis, Blur, Björk, and many more. ~ Mark Deming, All Movie Guide

Inspired by author Eric Schlosser's New York Times best-seller of the same name, director Richard Linklater's ensemble drama examines the health issues and social consequences of America's love affair with fast food and features an all-star cast that includes Greg Kinnear, Ethan Hawke, Kris Kristofferson, Patricia Arquette, and Luis Guzman. Mickey's is the most popular fast-food chain in America, and The Big One is the top-selling burger that put them on the map. When the higher-ups at Mickey's corporate offices learn that the frozen meat patties used to make the wildly popular burger have somehow been tainted with contaminated meat, they send marketing executive Don Henderson (Kinnear) on an urgent mission to ensure quality control and find out precisely how their product became compromised. It's a long way from the Southern California boardroom to the immigrant slaughterhouses, though, and the further Henderson works his way through the bustling feedlots and toward the ubiquitous restaurant sites that have become a staple of modern culture, the more he begins to realize just how dangerous convenience can become when it leads to blissfully ignorant complacency. ~ Jason Buchanan, All Movie Guide

Following the death of her drug-addicted mother, a whimsical young girl follows her chemically dependent father to a remote prairie house to discover a wondrous world of magical fireflies and nocturnal bog men in this hallucinatory childhood fantasy from visionary filmmaker Terry Gilliam. Noah (Jeff Bridges) is a burnt-out rock star whose post-superstar voyage to obscurity is hastened by a serious drug addiction that is also shared with his wild-eyed wife (Jennifer Tilly). When the Noah's increasingly erratic wife suffers a fatal overdose, the faded rock star opts to escape the painful reality by retreating to a ramshackle remote home with his young daughter, Jeliza-Rose (Jodelle Ferland). Left to her own devices as her father stumbles about the grasslands in a drug-induced haze, Jeliza-Rose soon ventures into her own fantasy land before making the acquaintance of mentally challenged youth Dickens (Brendan Fletcher). As the two become fast friends and Jeliza-Rose joins the swimsuit-clad Dickens in defeating the menacing shark that traverses the nearby railways, the pair are watched over by Dickens' black-clad sister, Dell (Janet McTeer), who acts as Dickens' guardian and whose overly enthusiastic interest in the art of taxidermy borders on obsessive. ~ Jason Buchanan, All Movie Guide

Written and directed by Khyentse Norbu, Chang Hup The Gi Tril Nung (Travellers and Magicians) chronicles two parallel stories. The first belongs to Dondup (Tshewang Dendup), a bored mountain villager determined to move to the United States, and Tashi (Lhakpa Dorji), another restless soul whose journey led him to an affair and eventual conspiracy to murder. Tashi's story was related to Dondup by one of the fellow travelers trekking through the mountains on their way to an airplane headed for America. The traveler suggests that Tashi's story may contain an important message for Dondup -- namely, to consider being satisfied with what life has dealt him before setting off to parts unknown. ~ Tracie Cooper, All Movie Guide

After directing a number of major motion pictures in the United States, Australian-born filmmaker Phillip Noyce returned home to make this remarkable adventure-drama, based on a true story as well as a lamentable period in his nation's history. When European settlers first arrived in Australia, there was an almost immediate conflict between the recent arrivals and the nation's indigenous people, whose rich cultural heritage which bore little resemblance to that of the Europeans. By the mid-19th century, when white settlers had gained political control of the continent, many aborigines found themselves removed from their lands and their children taken from them, under the belief that the youngsters would be better off in a more "civilized" environment. Through most of the 20th century, it was official government policy that half- or quarter-caste indigenous children were to be taken from their families and raised as "white" children in orphanages, where they would be trained to work as domestic servants or laborers. In 1931, Molly (Everlyn Sampi) and her younger sister Daisy (Tianna Sansbury) and cousin Gracie (Laura Monaghan) were three half-caste children from Western Australia who were taken from their parents under government edict and sent to an institution, where they were subject to physical and emotional abuse as they were taught to forget their families, their culture, and their lives up to that point and re-invent themselves as members of "white" Australian society. Gracie and Daisy cling to Molly for support, and Molly decides they need to return to their parents. Molly plans a daring escape, and the three girls begin an epic journey back to Western Australia, travelling 1,500 miles on foot with no food or water, and navigating by following the fence that has been build across the nation to stem an over-population of rabbits. A.O. Neville (Kenneth Branagh), the government functionary in charge of relocating Western Australia's aborigines, takes a special interest in the case of the three girls, and brings in a veteran tracker, Moodoo (David Gulpilil) to help find them, secure in the belief he's acting in their best interest. Rabbit-Proof Fence was based on the acclaimed book by Doris Pilkington Garimara, whose Aunt Daisy was one of the three children who made the extraordinary journey and helped her with the research for the book. ~ Mark Deming, All Movie Guide

After a 13-year absence, partially due to a life-threatening stroke, master filmmaker Nagisa Oshima returns to the silver screen with this revisionist samurai epic. From his first major film, Cruel Story of Youth to his most notorious work Ai no Korrida, Oshima has coupled the political and the sexual in a manner that transgresses all social norms. In this film, Oshima explores homosexuality among the ranks of the much hallowed samurai. The film is set in Kyoto in 1865 during a critical moment of Japanese history--the country's 300-year-long self-imposed isolation was coming to an abrupt halt leading to the end of the Shogunate. In its place came a more internationally-minded government with the Emperor as its nominal head. Feeling both their traditions and their grip on power threatened, samurai militia sprang up throughout the country to fight this foreign encroachment. One such group, the Shinsengumi, is auditioning new recruits at the film's opening. Commander Kondo (Yoichi Sai) and Captain Hijikata (Takeshi Kitano, a renowned filmmaker in his own right) select the ruggedly handsome Tashiro (cult actor Tadanobu Asano) and Kano (Ryuhei Matsuda), an effeminate lad with long locks and a thirst for blood. Worried about the perceived slightness of the latter, Kondo and Hijikata order Kano to perform an execution, which he does with grim aplomb. The lad's androgynous beauty soon raises the general blood pressure of the militia. While Tashiro snuggles up with him nightly, Hijikata, who suspects that something other than manly appreciation is going on between the two neophytes, also seems unduly interested in the youth. This film was screened in competition at the 2000 Cannes Film Festival. ~ Jonathan Crow, All Movie Guide

A group of Tibetan monks finds themselves torn between spiritual enlightenment and their love for soccer in the comedy Phorpa/The Cup. In Northern India near the Himalayas, a band of Buddhist monks from Tibet have set up a monastery in exile from their native land. Under the gaze of their leaders -- firm-handed Geko and the Khempo, a more easy-going sort -- new students are instructed in Buddhist practices as the monks educate young children, who are usually fidgety and prefer to discuss football rather than spiritual matters. Two of the novice monks, Lodo and Orgyens, are also avid soccer fans, and they eventually find themselves punished for watching a match on television without permission. However, the tiny wave of soccermania sparked by the new arrivals begins to grow, and when the young monks ask permission to watch the upcoming World Cup Final between France and Brazil, Geko and the Khempo say yes. However, now the monks have to figure out how to pay for the satellite dish they'll need to pull in the broadcast. First-time director Khyentse Norbu was himself a Buddhist monk, lending an authenticity to the proceedings. Phorpa/The Cup was shown as part of the Directors Fortnight series at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Johnny Depp made his debut as a director and screenwriter with this allegorical tale of the plight of Native Americans. Raphael (Depp) is an alcoholic American Indian who lives in a hovel near a junkyard with his wife Rita (Elpidia Carillo) and his children Frankie (Cody Lightning) and Marta (Nicole Mancera); he scrapes together a meager living rescuing potentially salable items from the rubbish. Desperate to raise money, Raphael arranges to meet a wealthy man named McCarthy (Marlon Brando), who makes him an unusual offer: he'll pay Raphael $50,000 to appear in a film in which he's beaten to death by a gang of rednecks. The murder in the film will not be faked; if he takes the role, Raphael will suffer a painful demise in front of the camera. Raphael accepts, hoping the money will help Rita build a better life for their children. For the next seven days, Raphael tries to enjoy his last week on Earth and teach Frankie something of his new responsibilities as the man of the house. The Brave received decidedly mixed reviews in its initial screenings at the 1997 Cannes Film Festival; it had a limited release in Europe but has yet to appear in the United States, either in theaters or on home video. Punk rock icon Iggy Pop composed the film's score. ~ Mark Deming, All Movie Guide

This beautiful if ponderous soufflé of a film from director Bernardo Bertolucci serves more as an Italian travelogue than a drama. Liv Tyler stars as Lucy Harmon, an American teenager arriving in the lush Tuscan countryside to visit family friends residing there. Lucy visited four years earlier and exchanged a kiss with a handsome boy with whom she hopes to become reacquainted. Lucy's mother has committed suicide since then, and the teenager also hopes to discover the identity of her father, whom her mother hinted was a resident of the villa. Once she arrives, Lucy meets a variety of eccentric visitors, including a dying gay playwright (Jeremy Irons), a sculptor (Donal McCann), an entertainment lawyer (D.W. Moffet), and several others. Lucy has decided to lose her virginity and becomes an object of intense interest to the men of the household, but the suitor she finally selects is not the initial object of her affection. Stealing Beauty boasted an intriguing parallel between actress Tyler's role and her real life. The daughter of a famed rock and roll star, she was brought up believing that her father was someone else, a fact that Bertolucci may have had in mind when writing the story. ~ Karl Williams, All Movie Guide

Jack Nicholson reunited with director Bob Rafelson, director of Five Easy Pieces and The King Of Marvin Gardens, for this violent, downbeat crime drama. Alex (Jack Nicholson) is a wine dealer whose business is going belly-up, along with his life. His step-son Jason (Stephen Dorff) hates him, his wife Suzanne (Judy Davis) has a drinking problem and is the constant target of Alex's abuse, and Alex is having an affair with Gabriella (Jennifer Lopez), a domestic worker from Cuba. One of the people that Gabriella cleans for has a diamond necklace worth several million dollars locked in a safe in a bedroom. Desperate for a quick score to get himself out of debt, Alex sees a opportunity for a lot of fast money and hooks up with Victor (Michael Caine), a career criminal who knows how to open safes but is desperately ill with tuberculosis. Nicholson and Rafelson first worked together on the film Head, starring The Monkees (Nicholson only had a bit part, but he also wrote the screenplay and was credited with producing the soundtrack album). ~ Mark Deming, All Movie Guide