Ronn Carroll Movies

Friday the 13th director Sean S. Cunningham helmed this sea-monster opus about a team of engineers on an undersea missile platform who disturb the slumber of a huge, killer crustacean, which soon develops a taste for human-flavored snacks. The rubbery-looking beastie is quite a laugh, but there are some genuine freak-outs as it chomps away at the crew -- that is, while they're not reducing their own numbers through sheer incompetence. In the end, it's B.J. & the Bear's Greg Evigan (alas, minus chimp) who saves the day. One of a dozen-or-so subaqueous Alien clones (half of which were produced by Roger Corman) designed to trade on the building hype of James Cameron's long-awaited The Abyss, this soggy little picture managed to reach theaters first. Not that it's the least impressive of the lot -- actually, it succeeds on its own terms as a thoroughly intense and fast-paced "B"-monster flick, aided by good performances (Evigan is a likable, sensitive hero, and Miguel Ferrer quaffs the scenery as a high-strung jerk). At least it's better than Leviathan, which tells essentially the same story but wastes considerably more money. ~ Cavett Binion, Rovi

Helene Hanff's book 84 Charing Cross Road had previously been a TV program and a stage play before it was converted into this 1986 film. The scene is New York, 1949: Anne Bancroft plays a struggling writer and passionate bibliophile, who answers an advertisement from a rare-volumes bookshop at 84 Charing Cross Road in London. Thus begins a two-decade romance by correspondence between Bancroft and Briton Anthony Hopkins, the man in charge of the overseas department of Marks and Company. Though several meetings are arranged, Bancroft and Hopkins never come face to face thanks to mitigating circumstances. But Anne finally makes it to London, and finds that much has changed. 84 Charing Cross Road was produced by Mel Brooks, the husband of star Anne Bancroft. ~ Hal Erickson, Rovi

Hockey-masked killer Jason Vorhees returns to terrorize a lakeside family and their rowdy teen neighbors in this fourth installment of the long-running slasher series. After the events of Friday the 13th, Part 3, Jason's seemingly lifeless body is brought to the morgue, where horny attendant Axel (Bruce Mahler) is trying to score with foxy Nurse Morgan (Lisa Freeman). The pair quickly meet a grisly end. Meanwhile, at Crystal Lake, estranged wife Mrs. Jarvis (Joan Freeman) and her kids -- young Tommy (Corey Feldman) and teenaged Trish (Kimberly Beck) -- find their quiet invaded by a group of hard-partying kids moving into the rental house next door. The youngsters include curious virgin Sara (Barbara Howard), hot-to-trot Samantha (Judie Aronson), and nebbish Jimmy (Crispin Glover). Tommy, a monster makeup enthusiast, enjoys watching the scantily clad young ladies through his window, while Trish toys with the idea of joining in their revelries. Also lurking around the area is Rob (Erich Anderson), who claims to be hunting bear but actually has mysterious ties to the events of Friday the 13th, Part 2. As the house full of teens begins to pair off -- aided by the addition of local twins Tina (Camilla More) and Terri (Carey More) to the mix -- an unseen killer begins to pick them off one by one. The bloodshed climaxes with a tense showdown in which Tommy disguises himself as a bald, lumpy boyhood version of Jason in hopes of distracting the relentless psychopath who hunts him. Feldman would return for a cameo in Friday the 13th, Part V: A New Beginning, only to be replaced by another actor in a grown-up version of the role. ~ Brian J. Dillard, Rovi

One of the longest-running horror film series began with this gory shocker from director Sean S. Cunningham, who had previously produced Wes Craven's classic Last House on the Left. Entrepreneur Steve Christie (Peter Brouwer) re-opens Camp Crystal Lake after many years during which it has been cursed by murders and bad luck. The young and nubile counselors all begin to die extremely bloody deaths at the hands of an unseen killer during a rainstorm which isolates the camp. A woman is chopped in the face with an axe, another has her throat sliced in amazingly gruesome fashion, a male counselor (Harry Crosby) is pinned to a door with arrows, and a young Kevin Bacon has an arrow shoved through his throat from below a bed. Victor Miller's script is not particularly impressive, but Cunningham's tense direction, and some remarkable special-effects by acclaimed makeup artist Tom Savini are enough to make it worthwhile. 1950s quiz show regular Betsy Palmer appears as the cook whose son, Jason (Ari Lehman), drowned 25 years earlier while neglected by romancing counselors. Palmer was reportedly cast because she was willing to drive her own car to and from the set. Trivia buffs should note the decapitation scene near the end, in which the female killer exhibits rather hirsute hands clutching at the air. The hands belong to Savini's assistant, Taso N. Stavrakis. Friday the 13th made nearly 40 million dollars at the box office and spawned numerous sequels. ~ Robert Firsching, Rovi