Lewis Teague Movies

It's The Shining at sea in the made-for-cable paranormal thriller The Triangle. The story opens in the Caribbean, where Stu (Luke Perry), a shady lawyer, has chartered a boat captained by Louis Morgan (Dorian Harewood) for a fishing excursion. Accompanying Stu are his "trophy" girlfriend Julia (Polly Shannon), his best friend Tommy (Dan Cortese), and Capt. Morgan's attractive First Mate (Olivia D'Abo). Swept into the Bermuda Triangle by inclement weather, the five seafarers are greeted with the daunting vision of a huge, deserted ocean liner: the Queen of Scots, which disappeared in 1939. Climbing on board the liner to investigate, Stu and his comrades find themselves at the mercy of an unfriendly spirit: the ghost of a legendary movie star who had gone on a murderous rampage on the night that the Queen of Scots vanished without a trace. Lensed on location in Barbados and Toronto, The Triangle premiered August 12, 2001, on WTBS. ~ Hal Erickson, Rovi

Another Tom Clancy political thriller is put to film with this made-for-television movie. Harry Hamlin stars as Paul Hood, the new director of an obsolete government crisis management center. Hood is assigned to downsize the center, but during first day on the job some nuclear warheads are hijacked by terrorists. Hood has to rise to the occasion and prove himself as a leader in unfamiliar territory. ~ Bernadette McCallion, Rovi

In this futuristic action drama directed by Lewis Teague, Frank Warren (Rutger Hauer) is a man accused of stealing millions of dollars worth of gems. In prison, all the inmates wear collars which are electronically joined to those of an unknown partner. The collars will explode if either partner gets more than 300 feet away from the other. Warren is determined to escape, however, and finds that his partner is Tracy Riggs (Mimi Rogers). They plan and execute an elaborate escape and head off to search for the stolen diamonds. But members of Warren's former gang pursue them. ~ Michael Betzold, Rovi

This surfing documentary by surfer Larry Yates has qualities reminiscent of a home movie, and chronicles Yates and Rick Ely's travels through the South Seas in pursuit of waves. In addition to surfing footage, the film also records tribal dances, and religious processions. ~ Clarke Fountain, Rovi

Defense lawyer Ned Murray (Martin Landau) is certain that he has made a name for himself by getting his client Lew Rydell (Frank Gorshin) acquitted on a murder charge. Later on, however, Lew mockingly informs Ned that he was actually guilty of the crime -- and under the rule of double jeopardy, he cannot be prosecuted twice for the same crime. Motivated by both guilt and the fear that he will be ruined if the truth comes out, Ned tries to figure out a way to bring Rydell to justice. But, as things turn out, the lawyer is placed in the unenviable position of saving Lew's life all over again. ~ Hal Erickson, Rovi

Based on a Stephen King novel, Cujo is not as menacing or as frightening as other film adaptations of King's popular stories and especially cannot compare to the 1976 Carrie. Cujo is a happy St. Bernard until he is bitten on the nose by a rabid bat and slowly begins manifesting the symptoms of his fatal illness. His condition deteriorates as he attacks people again and again, until finally, mom Donna Trenton (Dee Wallace) and her son Tad (Danny Pintauro) are trapped inside the family car with Cujo lurking nearby, set to kill them any way he can. A showdown is inevitable but is as predictable as the rest of the film. ~ Eleanor Mannikka, Rovi

Lewis Teague directed this sly horror-comedy from a script by John Sayles, which plays off the old urban legend about the dangers of flushing one's pet alligator down the toilet. One such unlucky reptile is "Ramon," who survives in the subterranean cesspool by feeding on the steroid-saturated carcasses of dogs dumped there by chemical company researchers and eventually bulks up to the size of a Winnebago. When assorted sewage workers start disappearing into Ramon's massive maw, hard-boiled cop David Madison (Robert Forster), who has a history of unlucky partners, reveals a strong personal interest in the case. Deemed a jinx and a nutcase by his superiors, he's kicked off the force and must go underground (literally) to destroy the beast with the help of young reptile-expert Marion (Robin Riker). The witty screenplay is filled with clever references, eccentric characters and in-jokes aplenty (a style reflective of Joe Dante's Piranha and The Howling, both of which Sayles also scripted), which combines with decent effects and a good amount of suspense (particularly in the sewer scenes) to make this an entertaining romp overall. Highlights include Henry Silva's over-the-top performance as a misplaced big-game hunter who recruits urban "native guides" in his back-alley search for the elusive Ramon. ~ Cavett Binion, Rovi

Frank Mansfield (Warren Oates) is a game cock trainer who has taken a vow of silence; he once bragged too loudly about his cockfighting prowess and ended up losing his best fowl in a drunken, late-night match before an important tournament. To regain his pride after such hubris, Frank refuses to utter a word until he wins the coveted "Cockfighter of the Year" medal. Cockfighter follows his ups and downs as he attempts to succeed in the shadowy, barely legal sport. Frank loses his truck, trailer, and a girlfriend after trying to rig a match with fellow cocksman Jack Burke (Harry Dean Stanton), and has to sell his house to raise funds for stock. Later, Frank wins ten roosters in a private backwoods match and trains them heavily with his partner, Omar Baradinsky (Richard B. Shull), working his way back to the top of his chosen craft. He also attempts to reestablish his relationship with an old girlfriend (Patricia Pearcy) who doesn't know much about cockfighting and is repulsed when she actually witnesses one in the flesh. There is plenty of brutal footage included in Cockfighter that will dismay many animal lovers, so those with qualms about the sport should steer clear. ~ Fred Beldin, Rovi

This iconic musical documentary covers the three-day 1969 music festival on the property of Max Yasger's farm that symbolized the late 1960s in terms of musical, social and political ideology of the era. American audiences are introduced to Ten Years After, featuring guitar great Alvin Lee. Jimi Hendix, The Who and Joe Cocker give riveting performances. As naked flower children romp, the New York freeway is closed because of traffic congestion. Music lovers leave their cars and travel on foot only survive torrential downpours of rain, food shortages and non-stop music. Jefferson Airplane gives the wake up call with their song "Volunteers Of America." Crosby, Stills and Nash deliver a memorable performance. John Sebastian gives an impromptu set with a borrowed guitar from Tim Hardin. Santana, Sly and The Family Stone, Sha-Na-Na, Arlo Guthrie, Richie Havens and Joan Baez also appear. The movie did big box office business and a successful three record set sold millions of copies. The Grateful Dead, Credence Clearwater Revival and Janis Joplin performed but were not shown in the film. The Dead's Jerry Garcia recalled that it was the worst live show the band ever did, ironic for a band known for their spirited live performances. ~ Dan Pavlides, Rovi

Cat's Eye is an uneven, tepid trilogy of stories written by Stephen King connected by a cat which appears at the beginning of each story. The best story, and first episode, concerns chain-smoker Morrison (James Woods) who joins a stop-smoking group run by sadistic Dr. Monatti, played with great relish by Alan King. In the second episode, a gambler named Cressner (Kenneth McMillan) makes a bet with his wife's lover. In the third episode, a young girl (Drew Barrymore) is terrorized by a tiny troll. Although he wrote the screenplay, Stephen King was disappointed with the results and thought the interconnection of the stories using the cat clumsy and distracting. Directer Lewis Teague does an average job of directing the confusing and sometimes foolish script. However, James Woods' fine performance and the special effects by Jeff Jarvis make the film worth a view. ~ Linda Rasmussen, Rovi

An arrogant Detroit cop (Jay Leno) must work with his efficient Japanese counterpart (Pat Morita) to corner an evil ganglord. ~ John Bush, Rovi

Samuel Fuller's valedictory war picture, The Big Red One follows the First Infantry Division from Africa to Europe during the years 1942 through 1945. Lee Marvin portrays the division sergeant; he's tough and experienced, to be sure, but he takes on his job with cool professionalism rather than Hollywood bravado. Based on Fuller's own experiences, the film is a loosely constructed series of anecdotes. Among them are an insane asylum under bombardment while the inmates applaud and a climactic vignette in which a very young concentration camp internee dies while a friendly soldier plays piggy-back with the boy. ~ Hal Erickson, Rovi