Robert Taylor Movies
Robert Taylor's cumbersome given name, Spangler Arlington Brugh, can be blamed on his father, a Nebraska doctor. As a high schooler, Taylor participated on the track team, won oratory awards, and played the cello (his first love) in the school band. Attending Pomona College to study music, Taylor became involved in student theatricals, where his uncommonly good looks assured him leading roles. Spotted by an MGM talent scout, the 23-year-old Taylor was signed to a contract with that studio -- though his first film, Handy Andy (1934), would be a loanout to Fox. Taylor was given an extended, publicly distributed "screen test" when he starred in the MGM "Crime Does Not Pay" short, playing a handsome gangster who tries to avoid arrest by purposely disfiguring his face with acid. It was another loanout, to Universal for Magnificent Obsession (1935), that truly put Taylor in the matinee-idol category. Too "pretty" to be taken seriously by the critics, Taylor had to endure some humiliating reviews during his first years in films; even when delivering a perfectly acceptable performance as Armand in Camille (1936), Taylor was damned with faint praise, reviewers commenting on how "surprised" they were that he could act. Nobody liked Taylor but his public and his coworkers, who were impressed by his cooperation and his willingness to give 110 percent of himself and his time on the set. Though never a great actor, Taylor was capable of being a very good one, as even a casual glance at Johnny Eager (1942) and Bataan (1942) will confirm. Taylor's contributions to the war effort included service as an Air Force flight instructor and his narration of the 1944 documentary The Fighting Lady. His film career in eclipse during the 1950s, Taylor starred for three years in the popular weekly police series Robert Taylor's Detectives (1959-1962); and when his friend, Ronald Reagan, opted for a full-time political career in 1965, Taylor succeeded Reagan as host/narrator of the Western anthology Death Valley Days. Robert Taylor was married twice, to actresses Barbara Stanwyck (they remained good friends long after the divorce) and Ursula Theiss. ~ Hal Erickson, All Movie Guide- 1964
This drama tells the true story of one of Broadway's most successful madams in the 1920s. It is loosely based on the autobiography of Polly Adler. The story begins when young Polly is seduced and raped at her job by the sweatshop foreman. When her uncle, with whom she lived, learns of the act, he blames her and tosses her out. She then moves into an apartment owned by a racketeer. It is he who encourages her into her "helping" profession when he gives her money for bringing her pals to a gangster party. Soon she is beginning to build up her own clientele. As her business prospers, she begins to choose nicer locations. Her tiny cathouse becomes a haven for sleazy politicos, mobsters, and businessmen. The madame herself has a passionate romance with a young songwriter and she helps his career. He does not know of her vocation and she eventually breaks up with him to keep his reputation intact. ~ Sandra Brennan, All Movie Guide
- Starring:
- Shelley Winters, Robert Taylor, (more)
- 1934
Helen Hayes reportedly turned down the opportunity to play the title role in this dreary melodrama about self-sacrificing motherhood; the opportunity, if that's the word, instead went to Viennese import Mady Christians. After killing her abusive husband (Paul Harvey) in self-defense, downtrodden Naomi Trice (Christians) dusts herself off and moves to another city with her four young children, vowing to pay for her crime when the youngsters are old enough to make their own way in life. Years later, Naomi is not only the proprietor of a successful dress designing business but is also courted by a kind newspaper editor, Pat Naylor (Charles Bickford). But when her oldest son Curtis (William Henry) is badly hurt in a fight with his sister's unsympathetic boyfriend (a very young Robert Taylor), Naomi vows to live up to her old promise if only he will pull through. The young man recovers and Naomi goes on trial for the murder of her husband but refuses to allow her children to give crucial testimony that may lead to an acquittal. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Mady Christians, Jean Parker, (more)
- 1938
A Yank at Oxford was filmed in England at MGM's "sister studio", Elstree. Robert Taylor plays Lee Sheridan, an arrogant young American scholar/athlete who intends to show the "Brits" a thing or two while attending Oxford University. His abrasive attitude grates against the Oxonian students, who retaliate by subjecting Sheridan to a rather humiliating hazing. Romance enters the picture in the form of Molly Beaumont (Maureen O'Sullivan), the sister of Sheridan's chief academic rival Paul Beaumont (Griffith Jones). When Paul faces disgrace over a breach of student ethics, Sheridan nobly shoulders the blame, simultaneously endangering his own future at Oxford and proving that he's really a "right guy" underneath. All is forgiven during the annual rowing competition against Cambridge, with Sheridan coming through in jolly good fashion. Cast as campus vamp Elsa Craddock is the stunningly beautiful Vivien Leigh, still two years away from Gone With the Wind. A Yank at Oxford was remade in 1984 as Oxford Blues, and mercilessly lampooned by Laurel & Hardy in 1940's A Chump at Oxford. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Lionel Barrymore, (more)
- 1952
- NR
Above and Beyond is the story of the atomic bombing of Hiroshima, as told from the perspective of the man who flew the mission. Robert Taylor stars as Col. Paul Tibbetts, commander of the Enola Gay. Once selected for this extremely dangerous mission, Tibbetts must hand-pick a crew worthy of the task. He is also forced to keep his mission a closely guarded secret, even unto withholding all information from his loving and patient wife Lucey (Eleanor Parker). The film concentrates on the strain placed upon Tibbetts, his crew and their families in the crucial days before the "big drop". The bombing itself is handled with taste and decorum, though the horror and mixed emotions of the moment are brilliantly conveyed on the faces of Tibbetts and his men. Above and Beyond represents a rare noncomedy endeavor from the writer-director team of Melvin Frank and Norman Panama. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Eleanor Parker, (more)
- 1953
Previously adapted to film in 1923, Ben Ames Williams' rousing sea adventure All the Brothers Were Valiant was given the prestige MGM treatment in 1953. Robert Taylor and Stewart Granger star as seafaring siblings Joel and Mark Shore. When Mark disappears during a whaling expedition, Joel and his wife Priscilla Holt (Ann Blyth) set sail in search of his missing brother. They discover to their chagrin that Mark has become a conscienceless reprobate, a disgrace to his family. Not only does Mark make a play for Priscilla, but he foments a mutiny on board Joel's ship so that he may commandeer the vessel and embark on a search for a valuable bed of pearls. Eventually, one of the brothers comes to a literally sticky demise, with Priscilla looking on in wide-mouthed horror. Cast as Priscilla's father is that grand old trouper Lewis Stone, in his final film role. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Stewart Granger, (more)
- 1950
- NR
Ambush is a tight, well-paced western, expertly assembled by veteran director Sam Wood, whose last film this was. Robert Taylor stars as an Indian scout, sent to rescue a woman who is somewhere deep in Apache territory. The woman's sister, naturally, goes along for the ride: she is played by Arlene Dahl, then in her considerable prime. Outside of its feminine angle, Ambush is packed with action from first frame to last. Released to theatres at the tail end of 1949, the film was an unqualified success with holiday audiences. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, John Hodiak, (more)
In 1942, Metro-Goldwyn-Meyer and the United States Office of War Information collaborated on Bataan with the official goal to increase public understanding of World War II. The first war film to take place entirely on the battlefield -- with no scenes of the soldiers on leave, depictions of the home front, or flashbacks to pre-war civilian life -- Bataan prepared its wartime audience for American casualties. Its Alamo-esque storyline emphasized the value of such sacrifice and its diverse group of soldiers --compiled of all ranks, races, classes, ages, and creeds -- portrayed this effort as the duty of all men. It is a depiction of altruism and national unity that both inspired public support of the War and served as the template for World War II films throughout the forties and into the present. ~ Aubry Anne D'Arminio, All Movie Guide
- Starring:
- Robert Taylor, George Murphy, (more)
- 1941
The famous outlaw rides again in this fictionalized western that chronicles Billy's turn from criminal to fine upstanding citizen. The film received an Oscar nomination for its color cinematography. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robert Taylor, Brian Donlevy, (more)
- 1935
The Broadway Melody of 1936 was designed as the first of many annual follow-ups to "MGM"'s early-talkie triumph Broadway Melody (1929). Jack Benny is atypically cast as a Walter Winchell type who carries on a feud with Broadway producer Robert Taylor. Into this fray comes Taylor's childhood sweetheart Eleanor Powell, who wants to play a role in Taylor's upcoming production. Already under fire from Benny for exhibiting favoritism, Taylor says no. Powell gets into the show anyway, disguising herself as a celebrated Parisian stage star. The film's song highlights (one of them sung by Robert Taylor!) include "I've Got a Feeling You're Fooling", "Broadway Rhythm", and a holdover from the original Broadway Melody, "You Are My Lucky Star." Spotlighted in several numbers is the song 'n' dance team of Buddy and Vilma Ebsen. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Benny, Eleanor Powell, (more)
- 1937
This third entry in MGM's "Broadway Melody" series may not have been the biggest or best, but thanks to a masterpiece of casting it is one of the most memorable of the batch. Signed by MGM in 1935, 15-year-old Judy Garland made her first feature-film appearance under the aegis of Leo the Lion, immediately capturing the hearts of moviegoers everywhere by singing "You Made Me Love You" to a photograph of Clark Gable (a sequence that has since been excerpted countless times in TV and movie documentaries). She later shares a song-and-dance number with gangly Buddy Ebsen, making an impressive entrance in a white midget car (Ebsen would later be cast as the Tin Man in Judy's The Wizard of Oz, only to be replaced by Jack Haley when he fell ill during shooting). The presence of Garland, coupled with several superlative dance solos by Eleanor Powell and a spectacular musical finale, tends to make one forget about the plot, which has something to do with a racehorse owned by heroine Sally Lee (Powell). The horse wins the Grand Steeplechase, the prize money is poured into the stage production previously bankrolled by Steve Raleigh (Robert Taylor), and the Show Goes On. Movies fans of the 1930s with long memories were gratified to see such old vaudeville favorites as Sophie Tucker and Willie Howard in the cast, even if their material wasn't quite up to standard. Interestingly, one of the best comic turns is performed by "professional sneezer" Robert Wildhack -- leaving another famed movie sneezer, Billy Gilbert, with virtually nothing to do! On the other hand, Robert Benchley is his usual droll self, managing to score a comic bullseye despite all the lavish and noisy competition around him. Broadway Melody of 1938 was followed by a 1940 sequel, distinguished by the "challenge dance" between returnee Eleanor Powell and Fred Astaire. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Eleanor Powell, (more)
Greta Garbo enjoyed one of her greatest triumphs in this glossy adaptation of Alexandre Dumas' oft-filmed romantic tragedy. Here, Garbo stars as Marguerite Gauthier, who is born into humble circumstances but in time becomes Dame aux Camille, one of the most glamorous courtesans in Paris. Camille is kept by the wealthy and powerful Baron de Varville (Henry Daniell), but after many years of earning a good living from her beauty without finding true love, Camille's heart is stolen by Armand (Robert Taylor), a handsome but slightly naive young man who doesn't know how she came by her fortune. Armand is just as attracted to Camille as she is to him, and she's prepared to give up the Baron and his stipend to be with Armand. However, Armand's father (Lionel Barrymore) begs Camille to turn away from his son, knowing her scandalous past could ruin his future. Realizing the painful wisdom of this, Camille rejects Armand, who continues to pursue her even as Camille contracts a potentially fatal case of tuberculosis. Remarkably, even though this was one of Garbo's greatest commercial and critical successes, she would make only three more films before her retirement in 1941; Camille, however, would be filmed several more times following this version (most memorably by elegant sexploitation auteur Radley Metzger in 1969's Camille 2000). ~ Mark Deming, All Movie Guide
- Starring:
- Greta Garbo, Robert Taylor, (more)
- 1963
Robert Taylor closed out his MGM contract with the 1963 western Cattle King. Taylor plays a Wyoming rancher at odds with cattle baron Robert Middleton, who is dead set against barbed wire being erected on "his" land. Just so we know the film isn't kidding around, leading lady Joan Caulfield is shot full of holes some thirty minutes before the fade-out. Taylor finally vanquishes the evil Middleton, but not without help from Caulfield's previously spineless brother William Windom-not to mention the legal support of President Chester A. Arthur (Larry Gates). Cattle King was released in England as Guns of Wyoming. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Joan Caulfield, (more)
- 1949
Elizabeth Taylor played her first grown-up romantic lead in the Anglo-American melodrama Conspirator. Taylor portrays Melinda Greyton, the new bride of highly respected Major Michael Curraugh (Robert Taylor). It comes as quite a jolt when Melinda learns that her husband is actually a spy for the communists (ironically, Robert Taylor had been one of the friendliest of friendly witnesses during the HUAC hearings.) Much of the film takes place in a picturesque Welsh village, an unusual setting for a tense espionage yarn. Reversing the usual MGM "tailor the story to the stars" formula, the storyline in Conspirator is sometimes more compelling than its leading players. Still, Liz Taylor acquitted herself nicely, proving that she'd have little difficulty tackling meaty dramatic roles in future films. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Elizabeth Taylor, (more)
We don't see much of Omaha Beach in D-Day, the Sixth of June. Instead, the film concentrates on a romantic triangle involving American officer Robert Taylor, British officer Richard Todd and the lovely Dana Wynter. Taylor and Todd spend the last hours before D-Day reminiscing about Wynter. The romantic dilemma is eventually solved shortly after the invasion, when one of the men conveniently steps on a land mine. Lionel Shapiro's novel was geared more for the beach-and-bonbons crowd than war buffs, and the film follows suit. 20th Century-Fox gives a far more thorough account of D-Day itself in 1963's The Longest Day. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Richard Todd, (more)
- 1950
- NR
Devil's Doorway was the first of many top-rank westerns directed by Anthony Mann. RobertTaylor is cast against type as a Native American named Lance Poole. Returning to his people's land after the Civil War, Poole discovers that the Indians are being victimized and persecuted--and, thanks to machinations of crooked lawyer Verne Coolan (Louis Calhern), it's all legal. Unable to turn to the Law to protect his tribesmen, Lance becomes what white men call a "renegade." Devil's Doorway was the vanguard of a new western cycle of the early 1950s, wherein the Indians were the good guys and the whites the villains. Had it been made 30 years later, it is likely that the star would have been a genuine Native American, rather than a white matinee idol in "redface." ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Louis Calhern, (more)
- 1940
Based on a novel by Ethel Vance, Escape stars Robert Taylor as a young American, the son of a widowed European woman (Alla Nazimova). The mother has been imprisoned in a German concentration camp, compelling her son to ignore America's neutrality and attempt a rescue. Sneaking into German-occupied Europe, Taylor is befriended by a countess (Norma Shearer) who is the mistress of a Nazi general (Conrad Veidt). Taylor isn't certain of the countess' loyalties, but she proves herself by aiding in the rescue of the imprisoned woman. Escape is distinguished by a surprisingly subtle performance from Norma Shearer, though she gives in to her tendency to "ham" in her final denunciation of her Nazi paramour. ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Shearer, Robert Taylor, (more)
One of three morale-boosting government documentaries directed by Lieutenant Colonel William Wyler (the others were The Memphis Belle and Thunderbolt), The Fighting Lady follows the exploits of an aircraft carrier, its crew, and the planes transported on its deck. The officers and enlistees are not required to perform; that function is handled by a professional narrator. Much of the combat footage resurfaced in the postwar era to bolster many a low-budget aviation picture. As an added advantage, The Fighting Lady was photographed in full color by Edward Steichen, meaning that the stock footage would come in handy on TV from the 1960s onward. The Fighting Lady is frequently released on videocassette in tandem with one or both of William Wyler's other government-sponsored films. ~ Hal Erickson, All Movie Guide
- 1940
MGM had a tendency to overglamorize the sort of rough-hewn film fare that Warner Bros. offered to its public without adornments. Such was the case of Flight Command. Instead of Warners' streetwise James Cagney, the MGM film stars pretty-boy Robert Taylor as the obligatory hotshot cadet who chafes at the authority and discipline of a naval flight squadron. While Warners might have done without a romantic subplot, MGM contrives to have Taylor fall for the wife (Ruth Hussey) of squad commander Walter Pidgeon. And whereas Warners would have told this story compactly in 90 minutes, MGM lolls around for nearly two hours before Taylor's anticipated redemption and "make good" scene. MGM newcomer Red Skelton shows up in Flight Command for comedy relief, which turns out to be neither. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Ruth Hussey, (more)
- 1965
A documentary drama on the American Revolution and the founding of the nation, with Jimmie Rodgers' music. ~ All Movie Guide
- 1934
In this domestic comedy, a small town druggist is married to a woman with social aspirations. To achieve her goal, she cons him into selling his store to a chain. She then puts on all sorts of phony airs and proceeds to make a pompous fool of herself. Meanwhile he amuses himself with hobbies. The two go on a New Orleans vacation. There a gigolo begins being overly attentive to his wife, who is still putting on the style. This makes her husband so jealous that he dons a Tarzan suit and winds up in jail. Later his wife settles down, he gets his store back, and harmony resumes. ~ Sandra Brennan, All Movie Guide
- Starring:
- Will Rogers, Peggy Wood, (more)
- 1942
No one will ever know what possessed MGM's reigning screen queen Norma Shearer to select the tired old stage farce Her Cardboard Lover as her final film. Set in Florida, the creaky plotline finds Consuelo Croyden (Shearer) attempting to make her disinterested sweetheart Tony Barling (George Sanders) jealous. To this end, Consuelo orders her personal secretary, Terry Trindale (Robert Taylor) to pretend to be her lover. This suits Terry fine, since he's always been crazy about Consuelo. And on and on it goes, with the three stars trying to make this wearisome old yarn worth watching. Of the three film versions of Her Cardboard Lover, this one isn't anywhere near as entertaining as the 1932 Buster Keaton vehicle The Passionate Plumber (which was no great shakes itself!) ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Shearer, Robert Taylor, (more)
- 1936
In this polished soap opera from MGM, Robert Taylor plays Chris Claybourne, a dedicated scientist researching a possible cure for spotted fever. However, Chris has a dark side; he has a weakness for gambling and has fallen into debt with a gangster named Fish Eye (Joseph Calleia). While visiting a casino, Chris meets Rita Wilson (Barbara Stanwyck), a gambler's shill who does some modeling on the side. Chris and Rita quickly fall in love, and when Chris is due to leave for South America on a research expedition, Rita begs him to stay with her. However, Fish Eye has been leaning on Chris for his money, and when he asks his brother Tom (John Eldridge) for a loan to pay off the debt, he agrees under one condition -- that Chris leave for South America right away, and without Rita. When Chris ships out, Rita believes that he left her behind because he didn't care for her, and to hurt him, she marries Tom and takes Chris's IOU. However, by the time Chris returns, Rita's marriage with Tom is in tatters and she's desperate to win back Chris's affection. In real life, Robert Taylor and Barbara Stanwyck were an item while shooting His Brother's Wife, and they married three years later. ~ Mark Deming, All Movie Guide
- Starring:
- Barbara Stanwyck, Robert Taylor, (more)
- 1967
Released theatrically in Europe, Hondo and the Apaches was stitched together from the first two episodes of the Hondo TV series, telecast September 7 and 15, 1967. Ralph Taegar plays the title role of western U.S. Army agent Hondo Lane, with Noah Beery Jr. as sidekick Buffalo Baker. Guest-star Robert Taylor is given top billing, but his participation is secondary to the main plotline: Hondo is told to help make peace with Indian Chief Vittoro (Michael Pate), whose daughter--Hondo's wife--had been killed by the Cavalry. Once the peace pipe is smoked, Hondo must deal with a renegade Native American who threatens the peace by randomly attacking settlers. The original TV series Hondo lasted only 13 weeks, knocked off in the ratings by the competing Star Trek. ~ Hal Erickson, All Movie Guide
