Elaine Taylor Movies

This made-for-TV drama, adapted from a book by Vincent Bugliosi, is based on a true story about an ex-cop who deceives and murders a number of women for their life insurance benefits. The video release includes scenes not shown in the original. ~ Kristie Hassen, Rovi

In this romantic comedy that wobbles along on a shaky plot -- the first full-length feature of a Brit TV show -- Dennis (Adrian Edmondson) is on vacation with his mother when he invents a tall tale of his involvement with a drug cartel in order to impress a woman he likes. Sure enough, his story accidentally tallies with what the police already know, and before he can cry "wolf," Dennis is sent off to the coast with two undercover cops. One cop is a woman (Jennifer Saunders) and the other her former boyfriend (Harvey Duncan) -- but the woman has to pretend to be Dennis' lover. Then along comes a string of several unique policemen and a few real drug smugglers, one in drag, adding their eccentricity to the growing group of comic characters. ~ Eleanor Mannikka, Rovi

Warren Mitchell stars in All the Way Up as a dimwitted British salesman. Though a bit shy in the brains department, Mitchell has hopes of climbing the corporate ladder. To do this, he tries to whip his addled family into a semblance of social acceptability. This being a comedy, Mitchell soon learns that his high-society aspirations are not only beyond his reach, but also not worth all the bother. All the Way Up was based on Semi-Detached, a play by David Turner. ~ Hal Erickson, Rovi

Bette Davis plays a wealthy one-eyed widow (complete with designer eye patch) who gathers her sons together once a year to celebrate the death of the husband she detested. Mama Davis couldn't be more castrating if her last name was Bobbitt: Her grown sons (it's been 10 years since daddy died) are essentially weaklings who seem to secretly covet the emotional stranglehold she has over them. When she can't exert her authority of her sons by normal means, Davis blackmails them with her knowledge of the skeletons in their closets -- and in the case of her eldest son, the women's undies in his dresser drawers. ~ Hal Erickson, Rovi

British musical star Tommy Steele had starred in Half a Sixpence in London and on Broadway, thus he was first choice for this garish film version. Based on the H.G. Wells story Kipps (previously filmed in 1941 with Michael Redgrave), Half a Sixpence tells the tale of a humble London drapery clerk (Steele) who inherits a fortune. He briefly forgets his old mates and his faithful girl friend (Julia Foster), but soon discovers that High Society isn't his cup of tea. Filmed during the "monster musical" cycle fostered by The Sound of Music, Half a Sixpence isn't really suited for the spectacular approach dictated by co-producer Charles H. Schneer. Fortunately, the guiding directorial hand is the film's other producer: George Sidney, a veteran of MGM's Arthur Freed unit, who knew how to successfully weld music with story. Thanks to Sidney and star Steele, Half a Sixpence never gets too out of hand, though we'd argue with some of the eyestrain-inducing color choices in the bigger numbers. The film might have done better at the box office had the score yielded a few hit songs. ~ Hal Erickson, Rovi