Dwight Taylor Movies

Vom Himmel Gefallen is better known by its American title, Special Delivery. Joseph Cotten plays John Adams, a functionary at the U.S. embassy in a fictional Iron Curtain country. A baby is left on the doorstep of the embassy, sparking an international incident when a high-ranking communist official demands that the child be turned over to him. Much of the humor arises from the efforts of the male embassy staff to care for the scene-stealing youngster. Fortunately for the kid (and, as it turns out, for John Adams), pretty refugee nurse Sonja (Eva Bartok) arrives on the scene. Directed by Hollywood veteran John Brahm, Von Himmel Gefallen was filmed simultaneously in an English and German language version. ~ Hal Erickson, All Movie Guide

Samuel Fuller scarcely used Dwight Taylor's source material, a languid courtroom romance, in crafting this pugnacious potboiler. Pickup on South Street is strictly Fuller film noir -- lean and wicked straight to its core. Barely out of prison, loner and pickpocket Skip McCoy (Richard Widmark) quietly helps himself to the contents of a woman's purse. His beautiful victim, Candy (Jean Peters), turns out to be an unwitting courier for the communist underground; McCoy's booty is actually microfilmed U.S. government secrets, formerly en route to Moscow. Both the FBI and Candy's employers are desperate to retrieve the film. The apolitical and arrogant McCoy has a plan to play both ends against the middle and come up ahead. However, dealing with the authorities may mean life in the clink, and the sadistic communists would rather kill McCoy than pay him off. He quickly becomes embroiled with Candy, who will risk everything to right her wrongs, and eventually even more to save her new man. When McCoy loses a cohort and Candy is almost killed, the cocksure pickpocket finds a stronger motivation than personal gain. ~ Aubry Anne D'Arminio, All Movie Guide

Something to Live For is the last of director George Stevens' "small" films, before he concentrated full-time on such blockbusters as Shane and Giant. Joan Fontaine plays a popular actress who descends into alcoholism. Ray Milland, in an unofficial extension of his Lost Weekend role, plays a reformed drunkard who comes to Fontaine's rescue. He encourages her to join Alcoholics Anonymous--one of the first times that this organization was given any kind of screen treatment. Milland's concern strains his relationship with his wife (Teresa Wright), who doubts that Ray's interest in Fontaine is merely humanitarian. But Milland refuses to endanger his marriage no matter how strong his feelings towards Fontaine--nor how much the audience wants him to. ~ Hal Erickson, All Movie Guide

This fifth entry in MGM's off-and-on "Thin Man" series maintains the high production and story values of the first four. Per the title, retired private detective Nick Charles (William Powell) pays a visit to his home town of Sycamore Springs, with wife Nora (Myrna Loy) in tow. Poor Nick is amusingly browbeaten by his parents (Harry Davenport and Lucile Watson), who wanted their boy to study medicine, is frustrated by the fact that there isn't a good stiff drink to be had in town, and is hilariously defeated by a recalcitrant hammock. In a more serious vein, Nick and Nora become involved in international intrigue while investigating the murder of a local house painter. If the identity of the murderer seems obvious today, it is only because the actor in question has played so many "surprise killers" in other films of this genre. A refreshing change of pace for the usually urbanized "Thin Man" series, The Thin Man Goes Home features such colorful suspects as Gloria DeHaven, Edward Brophy, Lloyd Corrigan, Leon Ames, and, best of all, Ann Revere as a local eccentric named "Crazy Mary". ~ Hal Erickson, All Movie Guide

Well-known New York sports promoter Frankie Christopher (Victor Mature) is the prime suspect in the murder of Vicky Lynn (Carole Landis), a successful model and would-be actress. Questioned relentlessly by the police, and particularly by hulking detective squad commander Ed Cornell (Laird Cregar), he maintains his innocence. Meanwhile, Vicky's sister Jill (Betty Grable) is also being questioned. Their answers, given in adjoining interrogation rooms, become the basis for brief, neatly constructed interlocking flashbacks at the opening of the movie that explain a ton of plot in very little time. Both are released after admitting nothing, and the police begin working on other suspects, including journalist Larry Evans (Allyn Joslyn), aging actor Robin Ray (Alan Mowbray), and hotel clerk William Harrison (Elisha Cook Jr.) Jill had little use for Frankie, the man who had been promoting her sister's career, but the two are drawn together in the course of trying to sort out their lives and the murder of her sister, and her realization that Frankie is capable of truly loving a woman, and not just exploiting her. Meanwhile, Cornell makes it his business to pressure and torment Frankie, illegally entering his apartment and promising him an arrest and a death sentence. Eventually, the noose seems to tighten around Frankie as the circumstantial evidence piles up, until Frankie, trying to clear himself, uncovers a clue leading back to the real killer -- who was known to Cornell all along. Confronting the detective in his apartment, Frankie discovers a veritable shrine to Vicky -- copies of her magazine covers and photos filling the walls of his apartment -- and learns that the man had his own dark reasons for wanting to kill him. His psychosis finally catching up with him, his career and reputation in ruins, Cornell reveals the truth to Frankie as he proceeds to take his own life. ~ Bruce Eder, All Movie Guide

Billy Wilder was among the screenwriters of this easy-to-take Bing Crosby musical. Basil Rathbone dominates the proceedings as Oliver Courtney, a popular composer whose most successful tunes were actually ghost-written by musician Bob Summers (Crosby) and lyricist Cherry Lane (Mary Martin). Unaware of each other's existence at first, Bob and Cherry eventually discover that they've been duped by the pompous Courtney. They decide to break away from their employer and team up on their own, but the powerful Courtney manages to block their professional efforts. Ultimately, hero and heroine emerge triumphant, and Courtney is forced to help them get started on the road to success lest he be exposed as a charlatan. Piano prodigy Oscar Levant essays his first full-out comedy role as Courtney's sarcastic assistant, taking time out to poke fun at his own real-life phobias (in his memoirs, Levant recalled that he spent many a pleasant afternoon listening to the middle-aged Basil Rathbone discuss his digestive problems in vivid and eloquent detail!) None of the seven original songs in Rhythm on the River grew up to be hits, but the title tune did manage to get generous airplay thanks to Bing Crosby. ~ Hal Erickson, All Movie Guide

One review of Columbia's The Amazing Mr. Williams referred to its private-detective hero as "slap happy". As played by Melvyn Douglas, the giddy Kenny Williams is all that and more. On the eve of his wedding to longtime fiance Maxine Carroll (Joan Blondell), Williams is obliged to solve three mysteries in a row. One of these finds him handcuffed to convicted criminal Moseby (Ed Brophy), causing no end of discomfort and embarrassment on the dance floor. Another requires Williams to disguise himself as a woman, mustache and all. Finally, our hero goes undercover to prove the innocence of accused murderer Stanley (John Wray). Through it all, Maxine gamely remains at Williams' side, determined to march him to the altar come what may-at least until she herself is deputized by the police force! ~ Hal Erickson, All Movie Guide

In this musical, a plucky London newspaper journalist boards a transatlantic ocean liner in hopes of interviewing a prominent Hollywood starlet. She is followed by a Scotland Yard inspector who is looking for the jewel thief he knows is on board. Unfortunately, the inspector doesn't know the actual identity of the thief and his prime suspect becomes the hapless reporter who also finds herself pursued by a determined gangster who has made the same assumption. Before the boat docks in New York, the reporter is kidnapped and forced to work for the gangster's boss. Fortunately, the inspector finally discovers the thief's true identity and brings her to justice. The plot is based on a Dwight Taylor story. ~ Sandra Brennan, All Movie Guide

Tulio Carminati, who was previously and felicitously teamed with Grace Moore in One Night of Love, co-stars with another splendid operatic singer, Mary Ellis, in Paris in Spring. Ellis plays Simone, who breaks up her long-standing engagement with Paul de Lille (Carminati) because she balks at the notion of marriage. Simultaneously, young lovers Mignon (Ida Lupino) and Albert (James Blakely) split up for the same reason. In desperation, Mignon heads to the Eiffel Tower, intending to leap to her death. She is dissuaded from doing away with herself by Paul, who'd come to the tower with the same thought in mind. The symbiotic relationship between the two couples is played to the hilt, especially when Mignon and Albert conspire to make Simone and Albert jealous. The distinctly American character actor Lynne Overman is bizarrely but effectively cast as a dry-witted French gendarme. ~ Hal Erickson, All Movie Guide

Promoted as a follow-up to Frank Capra's 1933 hit Lady for a Day, Lady by Choice resembles the earlier film only in its choice of leading lady. May Robson plays a drunken derelict who'd once been quite a heartbreaker. Her self-respect is restored when she is asked to pose as fan-dancer Carole Lombard's mother. Lombard is part of the deal only to gain publicity for herself, but Robson takes her assignment seriously, ordering Lombard to give up her tacky profession and use her talents for something more dignified. At first against her will, Lombard starts taking formal acting and singing lessons and begins gaining a reputation as a serious artist. Wealthy Roger Pryor, a family friend of Robson's, falls in love with Lombard, but she breaks off the relationship so that Pryor won't be disinherited. Robson takes a hand in things, forcing Pryor and Lombard together in a delightfully devious fashion. Lady By Choice proved that Columbia Pictures (and scriptwriter Jo Swerling) could turn out a perfectly respectable Frank Capra film without Frank Capra. ~ Hal Erickson, All Movie Guide

John Barrymore is the Long Lost Father in this lightweight seriocomedy. Barrymore is felicitously cast as Carl Bellairs, who is unexpectedly reunited with Lindsay Lane (Helen Chandler), the daughter he deserted years earlier. Not surprisingly, Lindsay wants nothing to do with her prodigal dad, even though both are employed by nightclub owner Tony Gelding (Alan Mowbray). Despite Lindsay's icy hostility, Bellairs rescues her when she is falsely accused of theft. The bittersweet ending is somehow appropriate to this impeccably tailored star vehicle. Scripted by Dwight Taylor, Long Lost Father is a rare foray into sophisticated comedy by King Kong director Ernest B. Schoesdack. ~ Hal Erickson, All Movie Guide

A love triangle forms the basis of this drama set during WWI. The screenplay was written by the story's original author William Faulkner. It centers on a pleasure-seeking British girl who is romantically involved with her brother's naval buddy. She then sees and falls for an American pilot. He leaves to fly a combat mission over France and is later listed as dead, causing her to return to the sailor. Fortunately, the flyer didn't actually die and eventually the two are joyfully reunited. ~ Sandra Brennan, All Movie Guide