Joan Carroll Movies

This British drama is a soft-pedalled paean to the nursing profession. The story takes place in a large hospital, where several aspiring nurses receive their training. Special attention is paid to novice nurse Pat (Delphi Lawrence), who is more concerned with landing a wealthy husband than ministering to the sick, and fellow trainee Susan (Belinda Lee), who is torn between marrying her doctor-lover or continuing her studies. Mandy Miller, one of Britain's best child performers, is effectively cast as a dying heart patient. The Feminine Touch is based on a novel by Sheila MacKay Russell. ~ Hal Erickson, All Movie Guide

In this crime drama, a detective refuses to believe that his client's wealthy, crippled wife died in a boating accident. As he looks deeper, the gumshoe proves that his employer and his mistress were behind it all along. ~ Sandra Brennan, All Movie Guide

In this drama, bank robbers are exiled to an island off the English coast. They are caught in raging seas and would have died had not the two lighthouse keepers come to their aid. The crooks then try to persuade the keepers into letting them escape. It almost works. ~ Sandra Brennan, All Movie Guide

Before detective Slim Callaghan (Michael Rennie) can meet with prospective client Col. Stenhurst, he gets drugged, is ordered not to take the case by the colonel's step-daughter, and finds Stenhurst's dead body. So, of course, Callaghan investigates for himself, accurately predicting that several of the relatives will hire him. What he finds is a sordid history of murder and blackmail. Vernon Sewell's Uneasy Terms is a scrambled British attempt at American-style hard boil. ~ Steve Press, All Movie Guide

Sally Benson's short stories about the turn-of-the-century Smith family of St. Louis were tackled by a battalion of MGM screenwriters, who hoped to find a throughline to connect the anecdotal tales. After several false starts (one of which proposed that the eldest Smith daughter be kidnapped and held for ransom), the result was the charming valentine-card musical Meet Me in St. Louis. The plot hinges on the possibility that Alonzo Smith (Leon Ames), the family's banker father, might uproot the Smiths to New York, scuttling his daughter Esther (Judy Garland)'s romance with boy-next-door John Truett (Tom Drake) and causing similar emotional trauma for the rest of the household. In a cast that includes Mary Astor as Ames' wife, Lucille Bremer as another Ames daughter, and Marjorie Main as the housekeeper, the most fascinating character is played by 6-year-old Margaret O'Brien. As kid sister Tootie, O'Brien seems morbidly obsessed with death and murder, burying her dolls, "killing" a neighbor at Halloween (she throws flour in the flustered man's face on a dare), and maniacally bludgeoning her snowmen when Papa announces his plans to move to New York. Margaret O'Brien won a special Oscar for her remarkable performance, prompting Lionel Barrymore to grumble "Two hundred years ago, she would have been burned at the stake!" The songs are a heady combination of period tunes and newly minted numbers by Ralph Blane and Hugh Martin, the best of which are The Boy Next Door, The Trolley Song, and Have Yourself a Merry Little Christmas. As a bonus, Meet Me in St. Louis is lensed in rich Technicolor, shown to best advantage in the climactic scenes at the St. Louis World's Fair of 1904. ~ Hal Erickson, All Movie Guide

14-year-old Skip Homeier repeats his stage role as an unreconstructed Hitler Jugend in the film version of the James Gow/Arnaud D'Usseau stage play Tomorrow the World. A German orphan, Homeier is taken into the home of his American uncle (Fredric March), a gently liberal university professor. Though the son of an anti-Nazi, little robot-like Skip has become a parrot for the Third Reich, denouncing his late father as a traitor and being as nasty as possible to the professor's Jewish fiancee (Betty Field). Homeier accepts democracy only when the professor forgets his fuzzy-headedness and applies a little "physical culture." The moral really shouldn't be "Love America or We'll Break Every Bone in Your Body," but given the times in which it was made, Tomorrow the World can be forgiven its excesses. ~ Hal Erickson, All Movie Guide

The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce. ~ Hal Erickson, All Movie Guide

This sequel to 1934's Anne of Green Gables stars Anne Shirley as Anne Shirley, the plucky Canadian orphan girl created by novelist Lucy Maude Montgomery. Now all grown up, Anne takes on the job of vice-principal of the only school in Windy Poplars Unfortunately, she must contend with the opposition of the community's most powerful and contentious family, the much-hated Pringles. Helping matters a bit is the fact that handsome Tony Pringle (James Ellison) falls in love with Anne. It takes a near-tragedy to wash away all misunderstandings, prejudices and hypocricies and restore happiness and stability to the community. Based on L. M. Montgomery's novel Anne of Windy Willows, Anne of Windy Poplars was remade for Canadian television in 1985. ~ Hal Erickson, All Movie Guide

The gathering war clouds in the late 1930s prompted a number of Hollywood films about recent political upheavals, one of which was 20th Century-Fox's Barricade. While fleeing war-torn China by train, two Americans-singer Emmy Jordan (Alice Faye) and journalist Hank Topping (Warner Baxter)-are attacked by Mongol bandits. United in danger, Faye and Baxter fall in love as they attempt to escape the American embassy where they're holed up. More than one reviewer noted that Barricade resembled a modern-dress western, with the Mongol hordes substituting for American Indians. Also noted was the fact that the film had been completed as a nine-reel "A" picture in 1938, undergoing drastic cutting and script revisions before it finally emerged in its present truncated 71-minute form. ~ Hal Erickson, All Movie Guide

Not a remake of the 1932 Erich Von Stroheim film of the same name (which was ultimately released as Hello Sister), Walking Down Broadway owes more to the old Warner Bros. melodrama Three on a Match. The story concerns six Broadway chorus girls, who, when their latest show folds on New Years' Eve, make a pact to stage a reunion one year later. And what a year it is! Two of the girls die in accidents, one is framed on a manslaughter charge, and the other three land husbands, one of whom is fabulously wealthy. The most successful of the six is the group's "den mother" Joan Bradley (Clare Trevor), who not only finds the man of her dreams, but also achieves success in the business world. For the record, the other five girls are played by 20th Century-Fox contractees Phyllis Brooks, Leah Ray, Dixie Dunbar, Lynn Bari and Jayne Regan, who like their cinematic counterparts would have mixed success in their future careers. ~ Hal Erickson, All Movie Guide

Within the framework of a conventional newspaper yarn, One Mile From Heaven raises several controversial issues. Scoop-happy reporter Lucy "Tex" Warren (Claire Trevor) senses a big story in the plight of Flora Jackson (Fredi Washington), a young black woman who claims to be the mother of a white baby. In the course of her investigation, Luch discovers that the child actually belongs to Barbara Harrison (Sally Blane), now remarried to a wealthy young man and anxious to bury her past. A gang of extortionists pounce upon this information to victimize Barbara and Flora, but Lucy uses her newspaper connections to help both women. In the end, it is decided that the public's "right to know" can best be ignored in this case. ~ Hal Erickson, All Movie Guide