Frank Tashlin Movies
Few filmmakers have moved as easily between animated and non-animated work as New Jersey-born Frank Tashlin. A school drop-out at age 13, he drifted into a multitude of jobs before he went to work for producer Paul Terry at 17, as a cartoonist on Terry's Aesop's Film Fables animated shorts. Three years later he was working as a gagman for Hal Roach, and soon after began his own comic strip, which ran through 1939. He worked for Disney's story department until the mid '40s, and later joined Warner Bros., where he became a director for Leon Schlesinger's cartoon unit. But from the middle of the decade onward, he moved out of animated work entirely and into comedy screenwriting, adapting One Touch of Venus as a film vehicle, and then taking up writing for Bob Hope (The Paleface, etc.) and Red Skelton (The Fuller Brush Man, etc.), and later became a director for Jerry Lewis (Geisha Boy, Cinderfella), Hope (Son of Paleface), and Doris Day (The Glass Bottom Boat). His experience in cartoons showed in the wilder elements of his scripts and directing--his films were known for their bizarre turns in action, unexpected use of sight gags, and frenzied pacing, which lent itself to the work of his comic stars. Probably Tashlin's most well known films today are his two late-'50s satires, The Girl Can't Help It and Will Success Spoil Rock Hunter?, both of which starred Jayne Mansfield in her best roles, and poked merciless fun at a multitude of social and cultural sacred cows, using cartoon-like pacing at strategic points to make their own points. The '60s saw a slowing and blunting of Tashlin's work--The Glass Bottom Boat was a cute Doris Day slapstick comedy mixing the perky comedy star with spies, but Tashlin's final film, The Private Navy of Sgt. O'Farrell (1968), was a disaster, a Bob Hope comedy from the actor/comedian's declining years of popularity that seemed to confirm his lack of taste. The tapering off of Hope's screen career, coupled with the changes in public taste and the gradual end of Doris Day's and Jerry Lewis's movies work, precipitated the end of Tashlin's career as well. ~ Bruce Eder, Rovi
- 1968
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O'Farrell (Bob Hope) is a navy sergeant who tries to boost the moral of the men by bringing in a shipment of beer. When the beer turns up missing, he calls an all-out search for the suds. In the process, O'Farrell captures a Japanese submarine single-handedly and tries to pilot the boat to safety. Phyllis Diller stars as the nurse who does absolutely nothing for troop moral in this uneven and poorly conceived comedy. Gina Lollobrigida and Jeffrey Hunter also star in the feature. ~ Dan Pavlides, Rovi
- Starring:
- Bob Hope, Phyllis Diller, (more)
Doris Day plays a swinging, mod-attired agent of espionage (yes, that Doris Day) in this caper comedy directed by Frank Tashlin. Patricia Fowler (Day) is an industrial spy who is hired to work undercover at a cosmetics company. While posing as a low-level employee, she is to get the goods on a new formula they intend to market. However, it turns out that makeup isn't all this firm has to sell; they're also involved in an international drug-smuggling ring, and she finds herself doing battle with other agents willing to kill to ensure that the flow of narcotics is unabated. Her adventures cause her to cross paths with Christopher White (Richard Harris), a fellow agent with whom Patricia is soon romantically involved, and together the couple locate the secret lab of cosmetics tycoon and evil genius Stuart Clancy (Ray Walston). While this was a game attempt to update Day's squeaky-clean image, it was not terribly well received; one year and three films later, Day retired from movies to devote herself to television work, and quit showbiz altogether in 1973 (with the exception of a short-lived talk show that aired in 1984). ~ Mark Deming, Rovi
- Starring:
- Doris Day, Richard Harris, (more)
- 1967
Harry Lucas (Jim Hutton) is a U.S. Mint employee who scrambles to recover $50,000 he accidentally destroyed in this underrated comedy of errors. After he mistakenly throws the money down the garbage disposal, a frantic Harry recruits retired mint employee Pop Gillis (Walter Brennan) to cook up a hot new batch of cold cash. The two have to hire a bunch of colorful crooks to pull off the caper. Soon the money paid out far exceeds the total of the original loss. ~ Dan Pavlides, Rovi
- Starring:
- Jim Hutton, Dorothy Provine, (more)
The Glass Bottom Boat is hardly a high point in the careers of star Doris Day and director Frank Tashlin, though it is a better-than-usual example of that pure-'60s genre, the "spy spoof." Day plays Jennifer Nelson, a PR worker at NASA in Florida. She also doubles as a "mermaid" for her father, Axel (Arthur Godfrey), the skipper of a glass-bottom tourist boat. While garbed in her skimpy mermaid costume, she has a run-in with handsome space technician Bruce Templeton (Rod Taylor). Through a series of misunderstandings, Bruce is led to believe that Jennifer is an enemy spy, determined to steal scientific secrets. Several other characters enter into the plot, including bumbling secret agent Julius Pritter (Dom DeLuise) and prissy security chief Homer Cripps (Paul Lynde). Also on hand are TV favorites Dick Martin as Jennifer's erstwhile beau and Eric Fleming as a man of mystery. A few cute celebrity cameos round out this ribtickler, while Doris Day, as always, gets a few opportunities to sing. ~ Hal Erickson, Rovi
- Starring:
- Doris Day, Rod Taylor, (more)
- 1965
Released in Great Britain as The ABC Murders, The Alphabet Murders stars a well-disguised Tony Randall as Agatha Christie's brilliant, insufferable Belgian detective Hercule Poirot. Unfortunately, director Frank Tashlin chooses to open the film with one of his Pirandelloian gimmicks by introducing Randall out of make-up as himself, then cutting to Randall as Poirot. This has the effect of taking the audience "out" of the picture, and it takes a while for the film to recover. On its own, the plot is a good one, as Poirot investigates a series of murders, with the victims arranged alphabetically. There's also a well staged mid-film sequence, in which leading lady Anita Ekberg, as Amanda Beatrice Cross, supposedly comes to a soggy demise. But in never deciding whether to play "straight" or for laughs, The Alphabet Murders ends up a wildly uneven experience. Best bit: Poirot inadvertently confronting another Agatha Christie creation, Miss Marple (played without screen credit by Margaret Rutherford). ~ Hal Erickson, Rovi
- Starring:
- Tony Randall, Anita Ekberg, (more)
In this comedy classic, Jerry Lewis plays Jerome Littlefield, an orderly in a mental hospital in this slapstick situation comedy that makes full use of Lewis's patented brand of screwball comedy. Dr. Jean Howard (Glenda Farrell) is the exasperated head of the sanitarium who almost becomes a patient after the antics of the frantic employee. Jerome takes on the symptoms of most of his patients and helps Susan Andrews (Susan Oliver) go from a woman considering suicide to an alluring woman of sensual confidence. When talkative patient Alice Pearce relates her maladies to Jerry, he hilariously has psychosomatic symptoms that mirror those of the woman. ~ Dan Pavlides, Rovi
- Starring:
- Jerry Lewis, Glenda Farrell, (more)
- 1963
Heavy on slapstick and light on the more subtle forms of humor, this standard comedy by Frank Tashlin is still an amusing junket with Danny Kaye at the forefront as Ernie Klenk, a bumbling employee of the Diner's Club credit card company. Ernie has his hands full trying to manage the new computers (maybe they were all new at this point in time) and a bullying boss. His job is to okay the credit line of new customers and after he does just that with Foots Pulardos (Telly Savalas) he may have made his last serious mistake. Foots is facing trial for tax evasion and when he discovers that he and Ernie have an odd physical trait in common, he hits upon a scheme to fake his own death by immolating most of the hapless employees and then escaping the country disguised as Ernie. ~ Eleanor Mannikka, Rovi
- Starring:
- Danny Kaye, Cara Williams, (more)
- 1963
This frantic comedy finds Raymond (Jerry Lewis) working in a department store. Mr. Tuttle (John McGiver) is the watchful owner, whose outspoken wife Phoebe (Agnes Moorehead) makes no secret about her feelings that Raymond is an incompetent boob. Barbara (Jill St. John) is the pretty elevator operator, and unknown to Raymond, the boss' daughter. Quimby (Ray Walston) is the floor manager who has more of an eye for the ladies than his job at the store. Raymond proceeds to wreck every department in the store, earning new positions with each mishap. ~ Dan Pavlides, Rovi
- Starring:
- Jerry Lewis, Jill St. John, (more)
- 1962
Jerry Lewis stars in this broad slapstick comedy as Lester March, a TV repairman who dreams of some day being a private detective like his friend and role model Mr. Flint (Jesse White). One night, Lester sees a report on television about Cecilia Albright (Mae Questel), the elderly owner of a successful electronics empire. Cecilia is looking for her missing nephew, who will be the heir to her estate, and Lester decides that this is a case he should try to crack. However, when Lester pays a visit to Cecilia's estate, more than one person remarks that he looks an awful lot like the missing person in question -- including Gregory DeWitt (Zachary Scott), Cecilia's money-hungry attorney who would just as soon the nephew not be found so he could have the fortune to himself. Gregory attempts to kill Lester, but he turns out to be much harder to get rid of than anyone expected. It's Only Money was directed by Frank Tashlin, who after directing a number of classic animated shorts for Warner Bros. moved on to live-action films and made several classic Jerry Lewis vehicles, including two features with onetime partner Dean Martin. ~ Mark Deming, Rovi
- Starring:
- Jerry Lewis, Joan O'Brien, (more)
- 1962
Another in a series of American comedies of manners, this film was written and directed by Frank Tashlin with his usual grace and elegance. Terry-Thomas plays a meek archeology professor named Bruce Patterson who is attracted to bones. His salivating female college students are attracted to him. And his neighbor's Dachshund is attracted to Patterson's big and ancient dinosaur bone. With his fiancee, Helen (Celeste Holm), away in Paris, Bruce stays at her empty apartment, where love-sick women attempt to make their way through every orifice in the flat to get to the sky professor. Helen, fearful of revealing her true age to Bruce, never told him that she had married before and that she has a college-age daughter to boot. So, when her daughter, Libby (Tuesday Weld), arrives at her mother's home, Bruce thinks she is just another sex-crazed college girl and sends her away. But Libby appeals to the professor's sociological side by pretending to be a juvenile delinquent, and Bruce permits her to stay at the flat with him. Once there, Libby becomes attracted to Bruce's handsome law-student neighbor Mike (Richard Beymer). When Bruce complains to Mike about all the gals who want to lock lips with him, Mike offers a solution to his dilemma -- instead of allowing himself to be chased by the college girls, he should be the one to do the chasing. Bruce agrees and becomes a satyr with a Ph.D. At that point, Helen returns home from Paris. ~ Paul Brenner, Rovi
- Starring:
- Tuesday Weld, Richard Beymer, (more)
Both director Frank Tashlin and his comic star Jerry Lewis dilute their comic talents to play for the kiddie crowd in this fractured fairy tale version of the Cinderella story. This simply-told tale lards over the fairy story with un-needed songs and production numbers, but the basic story is still the same, only switched to a male Cinderella. Lewis is Fella, a put-upon flunky to a mean and rich dowager (Judith Anderson) and her three surly sons (all of whom appear to be pushing fifty). Fella falls for the beautiful princess (Anna Maria Alberghetti) and with the assistance of his screwy fairy godfather (Ed Wynn) gets transformed into a pre-Buddy Love lounge lizard who sweeps the Princess off her feet as he struts down an ornate stairway to the beat of The Count Basie Orchestra, leaving his stepbrothers with their mouths agape. ~ Paul Brenner, Rovi
- Starring:
- Jerry Lewis, Ed Wynn, (more)
- 1959
This musical comedy takes an off-beat religious turn as it tells the tale of a show-biz priest (Bing Crosby) who runs a Broadway theater for spiritually kindred show-folk. His problems begins when a vivacious but troubled chorine (Debbie Reynolds) shows up with a sad story about her ailing father, a friend of the priest, needing an operation. Touched and eager to help her find work and earn the money to help her daddy. Unfortunately, she ends up performing in a sleazy dive owned by an oily wolf (Robert Wagner) who decides to prey upon the innocent gal. The protective priest tries to dissuade him, but its to no avail, the club owner wants to marry her. Meanwhile, the priest busily prepares to produce a charity television show in conjunction with other priests. It is upon this show that the real romantic and comical chaos occurs. Songs include: "The Girl Most Likely to Succeed", "The Secret of Christmas", and "The Night Rock 'n' Roll Died". ~ Sandra Brennan, Rovi
- Starring:
- Bing Crosby, Debbie Reynolds, (more)
- 1958
In this comedy, an awkward TV repairman finds himself falling for an actress who doesn't even know he exists and instead marries a dashing Mexican bullfighter. Unfortunately, he dies the day after their wedding; fortunately, he managed to impregnate her. Unfortunately, she is soon supposed to be starring in a religious epic called The White Virgin on the Nile. To help her, the repairman offers to watch her baby after it is born. Unfortunately, she gives birth to triplets. Later he marries the sister of the actress who bears him quintuplets. Some guys have all the luck. Songs include: "In the Land of La La La", "Dormi, Dormi, Dormi", "The White Virgin of the Nile", "Love is a Lonely Thing" and ""Why Can't He Care for Me?"" ~ Sandra Brennan, Rovi
- Starring:
- Jerry Lewis, Marilyn Maxwell, (more)
- 1958
Jerry Lewis, plays a third-rate USO magician named Gilbert Woolley, working the Far East circuit with his pet rabbit Harry. Nearly fired for accidentally humiliating haughty movie star Marie McDonald, Gilbert's career is salvaged by kindly Japanese aristocrat Sessue Hayakawa; it seems that Gilbert is the only person who is able to make Sessue's lonely, orphaned nephew Robert Hirano laugh. An international incident nearly develops when hero-worshipping Hirano tries to follow Gilbert back to the US, whereupon the poor prestidigitator is accused of being a kidnaper. Like most of the Jerry Lewis/Frank Tashlin collaborations, The Geisha Boy is highlighted by several eye-popping sight-gag sequences. The best bits include a ballpark scene featuring several members of the 1958 Los Angeles Dodgers (notably Gil Hodges) and a sledgehammer-subtle "throwaway" concerning Sessue Hayakawa's previous appearance in Bridge on the River Kwai. Less successful are the maudlin scenes between Jerry Lewis and little Robert Hirano, with both performers ladling on pathos with a trowel. Oh, yes: Geisha Boy served as the film debut of Suzanne Pleshette. ~ Hal Erickson, Rovi
- Starring:
- Jerry Lewis, Marie McDonald, (more)
- 1957
Jayne Mansfield recreated her starmaking stage role in this film adaptation of George Axelrod's Broadway comedy. Mansfield plays a Monroe-like movie queen whom adman Tony Randall hopes to sign for a product endorsement. Through a fluke, the press believes that Randall is having an affair with Mansfield; she eagerly pounces on the attendant publicity, much to the dismay of her body-builder beau (Mickey Hargitay, then married to Mansfield). At the behest of his ad agency, Randall is forced to propose to Mansfield on a coast-to-coast TV show, which breaks the heart of his true love (Betsy Drake). Both Randall and Mansfield are saved from a marriage neither one wants by the last-minute arrival of Mansfield's hometown boy friend (Groucho Marx). Director Frank Tashlin uses Will Success Spoil Rock Hunter as an excuse to take satirical potshots at everything from TV commercials to the unwieldiness of CinemaScope. ~ Hal Erickson, Rovi
- Starring:
- Jayne Mansfield, Tony Randall, (more)
- 1956
Dean Martin and Jerry Lewis made their last joint film appearance in the girl-filled musical Hollywood or Bust. The thinnish plot finds inveterate film fan Jerry making a cross-country journey to Tinseltown for the purpose of meeting his favorite screen star, the buxom Anita Ekberg (the film's title, need it be added, has a double meaning). Dean goes along for the ride, hoping to expand his bankroll during a Las Vegas stopover. The boys are joined by a third traveller, an enormous Great Dane named Mr. Bascomb; along the way, the trio becomes a quartet when pretty Pat Crowley hitches a ride. The finale takes place in Hollywood, naturally, as Jerry wreaks havoc at a film studio which looks suspiciously like Paramount. All reports indicate that Hollywood and Bust was an unhappy shoot, with Jerry Lewis behaving so obstreperously that director Frank Tashlin ordered him off the set and told him to go home until he learned to behave himself; to this day, Lewis cannot bring himself to watch the film. Happily, the animosity between the two stars never comes across on screen, and as a result Hollywood or Bust is a most enjoyable diversion. ~ Hal Erickson, Rovi
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1956
Frank Tashlin directed this comedy about a man whose marriage hits the skids when his wife gets caught in the draft. Gregory Whitcomb (Tom Ewell) served with distinction in the Army during WWII, but he now makes his living as a television writer. Gregory's wife Katy (Sheree North), several years his junior, was also a member of the military as a WAC. When the armed forces find themselves strapped for qualified personnel, Gregory and Katy are ordered to return to active duty; after his physical, Gregory is reclassified 4-F for health reasons, but Katy is judged 1-A and put back in camouflage. Now poor Gregory finds himself having to look after the home by himself and waiting for his spouse at the base, while both Katy and Gregory try to figure out how to free her from her military obligations. The Lieutenant Wore Skirts also features Rita Moreno and Rick Jason. ~ Mark Deming, Rovi
- Starring:
- Tom Ewell, Sheree North, (more)
- 1956
The Scarlet Hour was a relatively bold experiment for a mid-1950s Paramount release. The studio expended a great deal of money on the project and enlisted the services of top-flight director Michael Curtiz -- then populated the cast with young unknowns. It also used a series of experimental lenses called Fujinon lenses, which had the distinction of alllowing filming at reduced light levels given their larger than normal apertures. Carol Ohmart and Tom Tryon (yes, the future novelist) star as Paulie and Marsh, respectively the film's villainess and protagonist. Knowing that Marsh is hopelessly in love with her, Paulie uses him as a dupe in an upcoming jewelry heist. Only after a killing has occurred does Marsh come to his senses. Jody Lawrance, whose previous career as a Columbia contract player had led nowhere, is "introduced" as the good girl to whom Marsh eventually retreats. Other comparative newcomers in the cast include Elaine Stritch, James Gregory and Edward Binns. Nat "King" Cole turns up for a nightclub performance of the Ray Evans-Jay Livingston tune
"Never Let Me Go." ~ Hal Erickson, Rovi
"Never Let Me Go." ~ Hal Erickson, Rovi
- Starring:
- Carol Ohmart, Tom Tryon, (more)
- 1956
The inimitable writer-director Frank Tashlin once more aims his satiric barbs at modern culture (modern 1950s culture, that is) in The Girl Can't Help It. Much of the film is dominated by Edmond O'Brien as mob boss Murdock, who while serving a term in federal prison becomes a singing sensation with his hit tune "Rock Around the Rock Pile." Once he's sprung, Murdock hires impoverished agent Tom Miller (Tom Ewell), not to promote his own career, but to turn his curvaceous lady friend Jerri Jordan (Jayne Mansfield) into a star. Alas, Jerri has no singing or acting talent whatsoever, a fact that she's eager and willing to admit. A domestic type at heart, all Jerri really wants out of life is to marry Murdock, so that she can clean his house, cook his meals and raise his children. When Murdock refuses to grant her wishes, Jerri falls in love with Tom instead.
Every so often, director Tashlin takes time out from the plot to poke fun at such technical marvels as CinemaScope and Technicolor, and to lampoon the American male's fixation on female bosoms and bottoms (at one point, Jayne Mansfield leans towards the camera, her cleavage exposed as far as the censors will allow, and plaintively asks Tom Ewell if he believes that she's equipped for motherhood). While much of the humor in the film is dated, The Girl Can't Help It is an invaluable record of the pop-music scene of the 1950s, featuring such guest artists as Julie London (playing Tom Ewell's dream girl), Ray Anthony, Fats Domino, The Platters, Little Richard and his Band, Gene Vincent and his Blue Caps, the Treniers, Eddie Fontaine, Abbey Lincoln and Eddie Cochran. ~ Hal Erickson, Rovi
Every so often, director Tashlin takes time out from the plot to poke fun at such technical marvels as CinemaScope and Technicolor, and to lampoon the American male's fixation on female bosoms and bottoms (at one point, Jayne Mansfield leans towards the camera, her cleavage exposed as far as the censors will allow, and plaintively asks Tom Ewell if he believes that she's equipped for motherhood). While much of the humor in the film is dated, The Girl Can't Help It is an invaluable record of the pop-music scene of the 1950s, featuring such guest artists as Julie London (playing Tom Ewell's dream girl), Ray Anthony, Fats Domino, The Platters, Little Richard and his Band, Gene Vincent and his Blue Caps, the Treniers, Eddie Fontaine, Abbey Lincoln and Eddie Cochran. ~ Hal Erickson, Rovi
- Starring:
- Tom Ewell, Jayne Mansfield, (more)
- 1955
Bearing very little relation to the 1937 Paramount musical of the same name, Artists and Models is a lavish, girl-filled vehicle for the popular team of Dean Martin and Jerry Lewis. Martin plays Rick Todd, a comic-book artist who is under fire from his publisher (Eddie Mayehoff), who complains that Rick's work isn't gory enough. Lewis plays Eugene Fullstack, Rick's roommate, who while asleep dreams up elaborate comic-book plots and garishly costumed superheroes. Eugene's nightmares help Rick become a success; meanwhile, our two heroes romance their luscious neighbors, artist Dorothy Malone and rambunctious model Shirley MacLaine (who during one song wrestles Eugene to the floor and sits on his chest!) Eugene's overworked imagination somehow attracts the attention of a group of Russian spies, who attempt to abduct Eugene during the annual Artists and Models Ball. Director Frank Tashlin uses Artists and Models as an excuse for some of the wildest sight-gags seen in a mid-1950s film. At one point, the director contrives to stuff a gag in Shirley MacLaine's mouth. Tashlin also exhibits his ongoing fascination with female breasts and legs by giving ample screen time to the natural attributes of co-stars Anita Ekberg and Eva Gabor. One of the best of the Martin/Lewis efforts, Artists and Models suffers only from being about 20 minutes too long. ~ Hal Erickson, Rovi
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1954
Susan Slept Here is the only feature film in Hollywood history ever to be narrated by an Academy Award. After introducing itself, the Oscar statuette invites us into the apartment home of its owner, screenwriter Mark Christopher Dick Powell. Knowing that Mark is working on a script about juvenile deliquency, policeman Sam Hanlon Herb Vigran deposits teenaged troublemaker Susan Landis Debbie Reynolds on Mark's doorstep. Somewhat terrified by Susan's erratic behavior, Mark vows to keep their relationship platonic, but his fiancee Isabella Anne Francis suspects the worst. Director Frank Tashlin aims his satiric barbs at psychiatry, conspicuous consumption and Hollywood itself. The spirited supporting cast includes Glenda Farrell, Alvy Moore, Horace McMahon and Les Tremayne. ~ Hal Erickson, Rovi
- Starring:
- Dick Powell, Debbie Reynolds, (more)
- 1953
This nonsensical farce stars Robert Cummings as an air force reserve pilot, called back to active duty on the eve of his wedding to Marie Wilson. When he returns, he discovers that Wilson has inherited a million dollars, and plans to be the head of their household. Under the circumstances, Cummings decides not to get married and to re-enlist. The air force subjects poor Cummings to a team of psychiatrists, on the theory that any man who wouldn't want to marry the wealthy and voluptuous Ms. Wilson has to be crazy! Marry Me Again has the look, feel and logic of an animated cartoon, which shouldn't be surprising since the director is former Warner Bros. animator Frank Tashlin. ~ Hal Erickson, Rovi
- Starring:
- Robert Cummings, Marie Wilson, (more)
- 1952
Former cartoonist and gag man Frank Tashlin made his directorial debut with 1952's The First Time. The story concerns Joe and Betsey Bennet (Robert Cummings, Barbara Hale) a young married couple anxiously awaiting the arrival of their first child. Once the bundle of joy has arrived, Joe and Betsey experience the flip side of parenthood--the mounting bills, the incessant demands made on their time, and the ceaseless strain on their nerves. The story material is on the thinnish side, but Tashlin keeps things hopping with a few well-placed sight gags, while Bob Cummings and Barbara Hale work very well together. The First Time is pleasant enough, though it would take a few more pictures before Frank Tashlin would let loose with the zany slapstick and on-target social satire which made him the darling of French film critics. ~ Hal Erickson, Rovi
- Starring:
- Robert Cummings, Barbara Hale, (more)
A sequel to Bob Hope's 1948 box-office success The Paleface, 1952's Son of Paleface is a superior product in every way, thanks largely to the spirited, creative direction of Frank Tashlin. Hope is cast as Junior Potter, a Harvard-educated dude who heads West to claim the inheritance left him by his gunslinger father. Much to his chagrin, Junior discovers that his dad has left him nothing but debts. To stave off Potter Sr.'s angry creditors, Junior pretends that his father has salted away a fortune somewhere in the hills. This arouses the attention of curvaceous saloon owner Mike (Jane Russell), who doubles as a mysterious masked bandit known as The Torch. Meanwhile, Roy Rogers (playing a federal agent named Roy Rogers) keeps tabs on Junior, hoping that he'll lead him to The Torch and her gang. True to form, ex-cartoonist Tashlin fills the screen with a wealth of inventive sight gags and inside jokes: Cecil B. DeMille shows up as a photographer in one scene, while in another, Hope, about to embark on the film's wild climactic chase sequence, shoos away a couple of vultures wearing bibs, warning them that "You'll make the whole thing look impossible." Our favorite scenes: Hope's Wile E. Coyote-like reaction to a particularly potent drink, and his bedroom scene with Roy Rogers' wonder horse Trigger. And don't forget the film's slightly risque punch line "Let's see them top that on television," (you have to be there). Songs in Son of Paleface include "You Are My Valley of Sunshine," "Four-Legged Friend," "Wing Ding Tonight," "What A Dirty Shame," and a reprise of The Paleface's Oscar-winning "Buttons and Bows," performed by Hope, Russell and Rogers. ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Jane Russell, (more)
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