Mark Tarlov Movies

A young lawyer becomes trapped in an eerie alternate reality in this haunting psychological thriller from first-time filmmaker Nevil Dwek. Derek (Sam Trammell) seems to have the perfect life. A 27-year-old lawyer with an impressive career and remarkable talent in the courtroom, he's on the fast track to success when he awakens in a strange apartment next to an unknown woman who inexplicably refers to him as "Zane." Though everything in this altered reality seems familiar, nothing seems right, and Derek soon discovers that he and Zane have somehow traded identities. Forced to see life from the other side of the spectrum, Derek and Zane must now reevaluate their entire lives to find out who they truly are on the inside, and what they aspire to become in a world where nothing is certain. ~ Jason Buchanan, All Movie Guide

An airy romance in the tradition of classic Hollywood comedies of the Depression Era, Simply Irresistible (1999) also presses into service the food-obsessed magical realism of Like Water for Chocolate (1992). Sarah Michelle Gellar stars as Amanda Shelton, the chef at Southern Cross, a trendy Tribeca restaurant she inherited from her legendary mother. Not the most inspired of culinary artists, Amanda is running the establishment into the ground, until a cab-driving, Cupid-like guardian angel (playwright Christopher Durang) intervenes with a magical crab that puts Amanda in the path of slick spin master Tom Bartlett (Sean Patrick Flanery). Tom is opening a restaurant for his boss Jonathan Bendel (Dylan Baker), who wants to assure the eatery is no less than a four-star affair, but the temperamental French chef is giving fits to Bartlett and his secretary Lois (Patricia Clarkson). Enter Amanda, who falls head over heels for Tom, love suddenly bestowing upon her the gift of infusing her dishes with powerful amorous emotions that overwhelm diners with a rapturous ecstasy. ~ Karl Williams, All Movie Guide

Jon Amiel directed this satire on mistaken-identity thrillers and the spy genre, scripted by Robert Farrar, Tim John, and Oliver Butcher from Farrar's unpublished novel, Watch That Man. In the female lead, Joanne Whalley returned to films after a three-year absence, choosing to do so with director Amiel. Farrar's Hitchcockian-style story focuses on naive Blockbuster Video clerk Wallace Ritchie (Bill Murray) who travels from Des Moines, Iowa, to London to celebrate his birthday with his wealthy younger brother, James (Peter Gallagher). When he turns up on the same night that James has plans to attend a high-profile client dinner party (that he hopes will bring him millions from a German investment firm), James needs to keep Wallace away during the evening, so he gives Wallace a ticket to the participatory Theater of Life. The theater game requires Wallace to assume a character and interact with actors portraying people in dramatic situations.

At the corner phone booth, the initial call should begin the evening of innocent fun. However, the phone instructions Wallace receives are actually intended for an assassin, part of a scheme to end the current UK regime and revive the Cold War. The real assassin gets the call from the Theater of Life. Blissfully unaware, Wallace walks without fear into a complex web of intrigue involving defense ministers, call girls, and Russian hitmen. For Wallace, all the world's a stage, and he's amazed at the skill of the actors, including beautiful enigmatic Lori (Joanne Whalley) -- while Wallace's pursuers are mystified by their adversary's fearlessness in the face of threats, torture and bullets. Farrar got the idea for this comedy from a chance remark at a party: "The inspiration came from a dinner party, when somebody told me about these strange live theater performances which were all the rage in England in the '80s. The idea was to telephone for instructions if you wanted to take part. My immediate reaction was, 'Wouldn't it be fabulous if somebody got the wrong number, and it all went hopelessly wrong?'" Filming took place in London's East End (Three Mills Studios), at a variety of London locations, and just outside London at the Elstree Film Studios. ~ Bhob Stewart, All Movie Guide

A serial killer stalks the streets of San Francisco; unlike his many predecessors does not choose a distinctive, identifying pattern. No, this killer prides himself on his unoriginality: he is a copycat, recreating the violent murders of some of the country's most notorious serial killers, his heroes. On the case, is criminal psychologist Helen Hudson who is the reigning expert on serial killers; she has also become agoraphobic after having too close of a brush with killer, Daryll Lee Cullum. Though he has finally been locked up, she is unable to function outside her apartment. It is homicide detective M.J. Monahan and her partner Ruben who involve Hudson after they begin suspecting that the recent rash of bizarre murders they investigate is the work of a new mass murderer. Using her career and her vast knowledge, she figures out the killer's game. She knows he is well-versed in history and that the killings are tributes to the old masters. Unfortunately, she cannot predict his next style of killing, who he will kill, or when. ~ Sandra Brennan, All Movie Guide

As two brothers fall in love with the same woman they must come to grips with the accidental death of their father in this sensitive drama set in Miami. Matthew is still wracked with guilt about the death of his father one year before. As a lifeguard, he believes he should have been able to save him from drowning. Matthew is slowly retreating into his own world, a world that includes a radio inside his head that keeps changing it's station when things become too difficult. Michael, his older brother, tries to help Matthew by getting him a new job at an advertising agency. Matthew stubbornly refuses and opts to remain at the local pool. Michael throws himself completely into his working leaving his ignored girlfriend Natalie ample time to explore a relationship with Matthew. Though innocent, the relationship makes Matthew feel even more guilty. He becomes more withdrawn and begins imaginary conversations with Jesus who is disguised as a Cuban vagabond. Images of water also continue to haunt him. ~ Sandra Brennan, All Movie Guide

An emotionally distraught cop is traumatized by memories of an abusive childhood in which he was forced to kill the uncle who was abusing him. Fired by his corrupt boss, he is recruited to infiltrate a ring of murderous, gun-running bikers, who would kill him in a second if they found out who he was -- which his friends begin to suspect was why he took the job in the first place. ~ Brian Gusse, All Movie Guide

Tune in Tomorrow is based on Mario Vargas Llosa's novel, Aunt Julia and the Scriptwriter. In New Orleans, circa 1951, a news writer for a local radio station, Martin Loader (Keanu Reeves), meets and falls in love with his aunt Julia (Barbara Hershey), a divorced woman who is looking for a new husband. Meanwhile, new-in-town eccentric radio-soap-opera writer, Pedro Carmichael (Peter Falk) has been hired to help boost the station's bad ratings. Pedro begins manipulating Martin and Julia's affair and using it as the basis for his radio show. Director Jon Amiel uses the same story-within-a-story construction from The Singing Detective, the miniseries that he directed for British television. ~ Linda Rasmussen, All Movie Guide

Also released under the title The Rites of Summer, this film follows the adventures of pampered city boy Alan Block (Sean Astin) when his parents ship him off to a wilderness camp. Once there, Alan and the other three campers must attempt to live up to the tough expectations of their guide, Vic (Kevin Bacon), who is determined to push the kids as far as he can--and maybe farther. ~ Iotis Erlewine, All Movie Guide

Made for cable, Reckless Disregard was clearly inspired by the 1983 court trial involving Dan Rather of 60 Minutes and Dr. Carl Galloway, who felt he was wrongly linked to a pill-dispensing clinic. Leslie Nielsen stars as arrogant TV reporter Bob Franklin, who as part of a lengthy investigative piece for the weekly newsmagazine Hourglass, accuses a Queens, NY doctor, Edward Lucas (Frank Adamson) of illegally trafficking prescription drugs. His reputation in tatters, the doctor wants to sue for slander, but hasn't the money or the position to adequately confront his powerful tormentors. Thus it is up to storefront legal-services attorney Meredith Craig (Tess Harper) to take on Franklin and his bosses in court -- a task made all the more difficult by smug, sophisticated defense counsel Jack Coburn (Henry Ramer). Filmed in Canada, Reckless Disregard debuted March 17, 1985, on Showtime. ~ Hal Erickson, All Movie Guide