Diahann Carroll Movies

In 1943, Oscar Hammerstein Jr. took Georges Bizet's opera Carmen, rewrote the lyrics, changed the characters from 19th century Spaniards to World War II-era African-Americans, switched the locale to a Southern military base, and the result was Carmen Jones. Dorothy Dandridge stars as Carmen Jones, tempestuous employee of a parachute factory. Harry Belafonte plays Joe (originally José), a young military officer engaged to marry virginal Cindy Lou (Olga James). When Carmen gets into a fight with another girl, she is placed under arrest and put in Joe's charge. Succumbing to her attractiveness, Joe accompanies Carmen to her old neighborhood, where, after killing a sergeant sent to retrieve him, he deserts the army. Carmen tries to be faithful, but fortune-telling Frankie (Pearl Bailey) warns her that she and her soldier are doomed. Enter Joe Adams in the role of boxer Husky Miller (a play on Carmen's bullfighter Escamillo), who sweeps Carmen off her feet, ultimately with tragic consequences. Alhough both Dorothy Dandridge and Harry Belafonte were singers, their opera voices were dubbed in by LeVern Hutcherson and Marilyn Horne. ~ Hal Erickson, All Movie Guide

Based on the Francoise Sagan novel Aimez vous Brahms?, Goodbye Again stars Ingrid Bergman as Paula Tessier, a successful Parisian interior decorator (with a personal wardrobe by Christian Dior) and Yves Montand as her roving-eye lover, Roger Demarest. Worried that she'll be left in the lurch by the unfaithful Montand, Bergman enters into an affair with the much-younger Philip Van Der Besh (Anthony Perkins). Once he realizes that he's lost Paula to Philip, Roger offers to mend his rakish ways. She takes him back, and they are married; soon afterward, however, Roger goes back to his old skirt-chasing habits. Variety noted that Goodbye Again has "strong appeal for a middle-aged distaff audience"; nowadays, they'd call it a chick flick. ~ Hal Erickson, All Movie Guide

Otto Preminger directed this star-studded adaptation of K.B. Gliden's novel about racial prejudice and emotional unrest in the Deep South. Henry Warren (Michael Caine) is a land owner obsessed with buying up all available land in a Georgia farming town. However, two parcels of land have escaped his reach, and he's determined to get them. The Scotts, an African-American family, own one of the lots that Henry is after; the matriarch of the family, Rose (Beah Richards), used to work as a servant for the family of Henry's wife, Julie Ann (Jane Fonda), so Henry sends Julie Ann to talk with her. However, not only doesn't Rose agree to sell, she gets so upset that she dies of a heart attack, and soon her headstrong son Reeve (Robert Hooks) is the owner of the land. Reeve refuses all of Henry's offers to sell out, and he even stands up to a racist lynch mob that tries to ransack his farm; when Henry attempts to prove that Reeve holds no legal deed to the property, Vivian Thurlow (Diahann Carroll), the town's black schoolmarm, is able to provide the documentation that the Scotts do indeed own their land. Meanwhile, Henry is also trying to buy some property farmed by Rod McDowell (John Phillip Law) and his wife Lou (Faye Dunnaway), a poor white couple who are Henry's cousins. The McDowell farm adjoins that owned by the Scotts, so Reeve and Rod agree to join forces against Henry, which leads to violent reprisals against them. While set in Georgia, Hurry Sundown was actually shot on location in Louisiana; it was the first film shot in the South with an integrated cast and crew, leading the producers to demand protection from State Troopers after members of the company received death threats. ~ Mark Deming, All Movie Guide

This 1968 television special (whose title proves Frank Sinatra was doing his best to keep up with the times) features Ol' Blue Eyes duetting with Diahann Carroll on several tunes (including "Lonesome Road" and "Sometimes I Feel Like A Motherless Child") and turning the stage over to special guests The 5th Dimension for two numbers (they also team up with Frank for the song "Sweet Blindness"). Mr. Sinatra also sings some of his more interesting material from the period, including "Cycles," "Baubles Bangles and Beads" and "Put Your Dreams Away," with arrangements by longtime collaborator Don Costa. ~ Mark Deming, All Movie Guide

A pair of crooks conspire to rob the ticket booth at the Los Angeles Coliseum during a Rams game. Before they can perform the heist, the two must find precisely the right henchmen to join them. Each potential gang member must undergo a rigorous test of skill. Thanks to care and precise planning, the caper comes off smoothly and afterward the gang leader (Jim Brown) hides the money in the apartment of his ex-wife (Diahann Carroll). She only agrees to keep the money on the provision that he reform so they can get back together. Unfortunately, the wife's lust-crazed landlord (James Whitmore) busts into her house the next day and tries to rape her. During the struggle he kills her and then takes the loot. Later a crooked cop (Gene Hackman) investigates. Meanwhile, when the gang members learn that the loot is missing, they suspect a double-cross and engage in a huge battle. The cop finds the money and at first keeps it for himself. The head crook eventually figures out that the cop has it and so goes to him to make a little deal. ~ Sandra Brennan, All Movie Guide

The 1975 TV movie Death Scream is based on the shameful Kitty Genovese affair of 1964, in which a N.Y.C. woman was stabbed to death while 38 witnesses locked their windows and doors and pretended not to hear. Raul Julia stars as the detective who investigates the murder and stirs up the guilt feelings of those who refused to help. The film casts celebrity actors in the roles of the witnesses (Diahann Carroll, Cloris Leachman, Lucie Arnaz, Nancy Walker, Art Carney, et al.). ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

Maya Angelou may be eminently qualified for her position as America's poet laureate, but her skills as a scriptwriter areat play in Sister Sister. Diahann Carroll plays a Southern schoolteacher who lives in the large house willed to her by her pullman-porter father; here she takes care of younger sister Irene Cara, striving to keep the girl on the straight and narrow. Into this proper household descends Carroll's other sister, Rosalind Cash, an uninhibited swinger. The inevitable confrontation is spiced by the fact that the "saintly" Carroll has been busy helping her preacher boyfriend (Dick Anthony Williams) siphon church funds in order to finance his political career. Set in North Carolina, the made-for-TV Sister Sister was actually filmed in Alabama. ~ Hal Erickson, All Movie Guide

Diahann Carroll earned an Emmy nomination for her first appearance as Marion Gilbert, overbearing mother of Hillman student Whitley Gilbert (Jasmine Guy). Convinced that Whitley is "wasting" herself in college, Marion tries to persuade the girl to forego her studies and start looking for a husband. Meanwhile, Freddie (Cree Summer goes overboard--as usual--when she inaugurates a campus-wide recycling program. Supporting player Dominic Hoffman (Kent Souje) later appeared in the recurring role of Julian Day. ~ Hal Erickson, All Movie Guide

From the Dead of Night has an acceptable two-hour premise; unfortunately, the producers saw fit to drag things out to four hours. Lindsay Wagner stars as an LA fashion designer who, when she nearly drowns, has an out-of-body experience. Haunted by this, Wagner seeks out a spiritualist (Rita Zohar). This weird but worthy seer suggests that Wagner saw what no living person can be permitted to see, and prophesies that six entities from "the other side" will try to drag Wagner back. The conclusion finds the plucky Ms. Wagner doing battle with resurrected corpses. From the Dead of Night was stretched out over two consecutive days, February 27 and 28, 1989. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, Whitley (Jasmine Guy) is outraged that her fiance Dwayne (Kadeem Hardison) has been dating an attractive science professor, and never mind that it was Whitley's own bad attitude that drove Dwayne away from her. At the same time, Whitley's mom Marion (iahann Carroll) and Dwayne's mom Adele (Patti LaBelle) meet for the first time--and detest each other on sight. Eventually, Marion and Adele negotiate a temporary detente...which, alas, is more than can be said for Whitley and Dwayne. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Whitley's overbearing mother Marion (Diahann Carroll) visits Whitley (Jasmine Guy) and Dwayne (Kadeem Hardison). It's bad enough that Whitley is unable to admit that she's lost her job; it's even worse when she meets Marion's much-younger boyfriend Malik (Nestor Carbonell). But the fur doesn't really begin to fly until Dwayne's mom Adele (Patti LaBelle) shows up, still unable to forgive her son for marrying Whitley without her O.K., and absolutely unprepared to make nice-nice with Marion. ~ Hal Erickson, All Movie Guide