Gregg G. Tallas Movies

This unusual horror anthology mixed edited-down versions of one unreleased feature and two previously released films (Death Wish Club and The Nightmare Never Ends) with newly shot wraparound footage to create a surreal combination of crazed plotting and grindhouse gore. The framing device consists of God and Satan on a train full of breakdancing teenagers telling each other stories about humans. The first story focuses on an institute for the mentally ill that is really a cover for a black market organ-harvesting operation. The second story focuses on a man who falls for a woman who is part of group of people that attempt suicide for fun. The final story tells the tale of a group of mortals who attempt to stop Satan from returning to earth to begin the apocalypse. Each episode combines deranged plot twists with heaping helpinds of sex and violence, resulting in a film that plays like a lysergic and deranged variant on comparatively sedate horror anthologies like Creepshow. Night Train to Terror didn't enjoy a great deal of box-office success, but has gone on to enjoy a lengthy life on home video, where it continues to astound (and confound) viewers with its blood-spattered weirdness. ~ Donald Guarisco, All Movie Guide

When the bad guys get an H-bomb and threaten WW III, a top-secret mission "Assignment Skybolt," is created to thwart them. ~ All Movie Guide

Secret Agent 077 (read that carefully!) is back on the scene when a high-tech weapon goes missing in this spy thriller. Professor Graff (Alfonso Rojas) is a scientist working with the International Atomic Energy Agency when he comes up with a powerful innovation in defense technology -- a molecular disintegration ray that can make objects instantly disappear. The works for Graff's disintegration ray are contained in a small metallic plate, and not long after he demonstrates the weapon for the first time, it's stolen by a team of masked martial arts experts. Globetrotting super spy Mike Murphy (played by Luis Dávila, and named Marc Mato in the Spanish language prints) is called in to find the plate before it can fall into the wrong hands, and when he's not busy romancing beautiful women, Murphy tracks the valuable gizmo to Rigo Orie (Alberto Dalbes), a suave thief with no scruples and an appetite for money and danger. However, things become complicated when several buyers begin vying for the deadly ray, and Mike has to find out not only who has the plate, but who is willing to pay the price for its power. An Italian and Spanish co-production helmed by a Greek director, Espionage In Tangiers (ala Marc Mato, Agente S. 077) features a brief appearance from George Lazenby; it was Lazenby's film debut, four years before he would play the ultimate super-spy, James Bond, in On Her Majesty's Secret Service. ~ Mark Deming, All Movie Guide

Barefoot Battalion is a tribute to the unsung heroes and heroines of the WW2 Greek resistance--the children who aided the cause. Filmed in semi-documentary fashion, the story concerns a group of Greek urchins who regularly steal provisions from the occupying Nazi troops. The kids then redistribute the goods to the starving citizenry (including themselves, of course). Most of the cast members were nonprofessionals, and all deliver credible performances, devoid of kiddie-star coyness. Particularly memorable is 5-year-old Ketty Gyni as a wide-eyed war orphan named Martha. ~ Hal Erickson, All Movie Guide

Also known as Twilight, Without Honor is a tour de force for leading-lady Laraine Day. During a quarrel with her lover Dennis Williams (Franchot Tone), Mrs. Jane Bandle (Day) attacks him with an ice pick. Believing she has killed Williams, she hurriedly hides the body in her laundry room when her husband Fred (Bruce Bennett) comes home. As Jane's nasty brother-in-law Bill Bandle (Dane Clark) reveals her romantic peccadilloes to Jane's husband and to Williams's wife Katherine (Agnes Moorehead), the "dead" man recovers and drags himself to a nearby hospital. Amazingly, the only one to suffer long-term consequences from this whole mess is the obnoxious Bill! As always, composer Max Steiner's musical score dutifully clues the viewer in as to what's about to happen next in any given scene. ~ Hal Erickson, All Movie Guide

Only faintly related to the old stage play The Argyle Case, The Argyle Secrets is based on a half-hour radio program originally heard on CBS' Suspense. In the immediate postwar years, several above-suspicion Americans attempt to hide their past collaborations with the Nazis. Reporter William Gargan refuses to let sleeping dogs lie, however, and tracks down some of these fifth columnists. The film's "Macguffin" is a set of incriminating papers, which are stolen early in the proceedings. The supporting cast of this Film Classics programmer includes future Danny Thomas Show co-star Marjorie Lord and former "Dick Tracy" portrayer Ralph Byrd. The Argyle Secrets was written and directed by one-time MGM film editor Cyril Endfield, later the man behind the megaphone on Zulu (1964). ~ Hal Erickson, All Movie Guide

After a five-year absence, the Marx Brothers returned to the screen in the independently-produced effort A Night in Casablanca. Originally conceived as a parody of Casablanca (with character names like "Humphrey Bogus" and "Lowen Behold"), the film emerged as a spoof of wartime melodramas in general. Someone has been methodically murdering the managers of the Hotel Casablanca, and that someone is escaped Nazi war criminal Heinrich Stubel (Sig Ruman). Disguised as a Count Pfefferman, Stubel intends to reclaim the stolen art treasures that he's hidden in a secret room somewhere in the hotel, and the only way he can do this undetected is by bumping off the managers and taking over the hotel himself. The newest manager of Hotel Casablanca is former motel proprietor Ronald Kornblow (Groucho Marx), who, blissfully unaware that he's been hired only because no one else will take the job, immediately takes charge in his own inimitably inept fashion. Corbacchio (Chico Marx), owner of the Yellow Camel company, appoints himself as Kornblow's bodyguard, aided and abetted by Stubel's mute valet Rusty (Harpo Marx). In his efforts to kill Kornblow, Stubel dispatches femme fatale Beatrice Reiner (Lisette Verea) to romance the lecherous manager, leading to a hilarious recreation of a key comedy sequence in the Marxes' earlier A Day at the Races. Arrested on a trumped-up charge, Kornblow, Corbacchio and Rusty escape in time to foil Stubel and his stooges. As in most Marx Brothers epics, A Night in Casablanca includes a tiresome romantic subplot, this time involving disgraced French flyer (Pierre) and his faithful sweetheart Annette (Lois Collier). Though hampered by listless direction and witless one-liners, A Night in Casablanca contains enough hilarity to compensate for its many flaws; some of the best visual gags were conceived by an uncredited Frank Tashlin, including Harpo's legendary "holding up the building" bit. ~ Hal Erickson, All Movie Guide

The Southerner was Jean Renoir's favorite of his American films. Shot on location, the film stars Zachary Scott as a sharecropper who yearns for a place of his own. On a tiny, scraggly patch of land, Scott tries to make a go of things, along with his wife Betty Field, his grandmother Beulah Bondi, and his children Jean Vanderwilt (aka Bunny Sunshine) and Jay Gilpin. Though a proud, independent man, Scott is forced by circumstance to seek help from neighboring farmer J. Carroll Naish, whose life experience have left him bitter and vituperative. The two men become enemies, but are reunited by their mutual love of fishing. Scott suffers a setback when a rainstorm destroys his cotton crop. He is about to go wearily back to working for others (specifically, factory owner Charles Kemper, who also narrates the film) when he is convinced by his never-say-die family to persevere on his own. Director Jean Renoir also wrote the script for The Southerner--in fluent English rather than French, as mental exercise. Told at a leisurely, unhurried pace, the film is the one American Renoir effort that comes closest to his "slice of life" dramas of the 1930s. The Southerner was not a box office hit, but did win the effusive praise of critics, not to mention the Venice Film Festival "best picture" award. ~ Hal Erickson, All Movie Guide

Another of a wartime cycle of Hollywood films lauding the praises of America's Soviet allies, Three Russian Girls is a remake of Russia's The Girl From Stalingrad. Set just after the Nazi invasion of the Soviet Union in 1941, the film stars Anna Sten as Natasha, a Red Cross volunteer who is dispatched to a field hospital located in an old pre-revolution mansion. American test pilot John Hill (Kent Smith), who'd been in Russia on a goodwill mission, is wounded in battle and brought to the hospital. As he slowly recovers from his wounds, Hill falls in love with Natasha. A last-act crisis develops when the hospital personnel are forced to move immediately to Leningrad as the Nazis advance. Most of the "counter attack" scenes that follow were obviously lifted from the original Girl from Stalingrad. For the record, the other two "Russian girls" are played by Mimi Forsaythe and Cathy Frye. ~ Hal Erickson, All Movie Guide