István Szabó Movies
One of the most prominent directors to emerge from the Hungarian New Cinema of the '60s, István Szabó has earned acclaim for films whose emotion, tenderness, and rage evoke stirring portraits of contemporary Hungarian history, particularly the effects of World War II on Hungarian society.Born February 18, 1938, in Budapest, Szabó studied film at the city's prestigious Academy of Film Art. The acclaim he earned for a film he made while a student, Koncert (1961), won Szabó a place at the Béla Bálazs film studio, where he netted further acclaim for two shorts he made in 1963, Variáciòk egy témára and Te. Szabó then moved on to his first feature-length venture, Almodozasok Kora (1964). The warmth and lyricism of the drama, which focused on the hopes and dreams of four recently graduated engineers, was particularly evident in Szabó's next effort, Apa (1967). The story of a young man struggling with the heroic imagery that he has built around his father, who was killed in World War II, it received wide critical acclaim. Along with its predecessor, Apa put Szabó at the forefront of a new generation of Hungarian filmmakers.
Szabó inaugurated the '70s with Szerelmesfilm, a love story that, along with the director's previous two films, comprised the last installment of a semi-autobiographical trilogy. He subsequently returned to an exploration of immediate post-war society with Budapesti Masek (1976), which focused on a group of displaced persons who take up residence in an abandoned streetcar while journeying to Budapest. It was Bizalom (1979), an improbable love story also set in the wartime milieu, that put Szabó on the international map, netting him a Silver Berlin Bear for direction and a Special Jury Prize for Best Film at the Berlin Film Festival.
The acclaim Szabó earned for Bizalom was amplified with his next feature, Mephisto (1981). The story of an ambitious actor who becomes caught up in a moral dilemma when he is befriended by a high-ranking Nazi official, it won a number of honors at Cannes and a Best Foreign Film Oscar. A complex exploration of the relationship between art and politics, it established Szabó as one of the most important directors of his era. He followed the film up with another celebrated work, Oberst Redl (1984). The story of the rise and fall of a colonel who faces blackmail because of his homosexuality, Redl received a Best Foreign Film BAFTA and an Oscar nomination in the same category.
Another Oscar nomination followed for Szabó's Hanussen (1988), a political drama set against the backdrop of the two world wars. Starring Klaus Maria Brandauer as an Austrian soldier who becomes clairvoyant after being shot in the head during World War I, the film marked Szabó's third collaboration with the actor, who had also starred in Mephisto and Oberst Redl.
Szabó's fairly sporadic work throughout the '90s was marked by two English language features, the first being Meeting Venus (1991). A romance set against a turbulent production of the opera Tannhaeuser, it starred Glenn Close as a celebrated Swedish opera singer. In 1999, Szabó helmed another English language film, Sunshine. An epic historical drama tracing the shifting fortunes of a family of Hungarian Jews over the course of almost 150 years, it featured Ralph Fiennes in three different roles and a strong supporting cast that included Rosemary Harris, James Frain, Miriam Margolyes, and William Hurt. ~ Rebecca Flint Marx, Rovi
Hungarian filmmaker István Szabó's moving drama concerns the occupants of an old house who gather on the eve of its demolition to reflect on their lives from World War II to the present. Among the residents are Mrs. Gaskoy (Rita Bekes), a baker's wife who hid people from the Nazis in the house's attic, and Maria (Lucyna Winnicka), who remembers her wartime arrest. The house's occupants recall the events of the previous 40 years in fragments, dealing as much with their personal lives as with the sweeping changes brought by the war and the 1956 revolt. The result is a stirring, memorable portrait of human will and perseverance in the face of incredible obstacles. ~ Robert Firsching, Rovi
Glenn Close co-wrote and stars in this period drama based on the short story The Singular Life of Albert Nobbs by author George Moore, centering on the experiences of a 19th century Irish woman who poses as a man in order to work as a butler at an opulent Dublin hotel for the upper class. Maintaining her elaborate ruse over the course of two decades, Albert (Close) suddenly finds her dedication to the role challenged by the unexpected arrival of a painter who turns out to understand Albert better than anyone she could have imagined. Meanwhile, Albert finds her attempts to help pretty hotel maid Helen (Mia Wasikowska) thwarted when Helen becomes enamored with a charming but callous handyman (Aaron Johnson). Albert Nobbs played at the 2011 Toronto International Film Festival. ~ Jason Buchanan, Rovi
- Starring:
- Glenn Close, Mia Wasikowska, (more)
A woman scorned unleashes her fury in this droll comedy based on a story by W. Somerset Maugham. Julia Lambert (Annette Bening) is a famous and well-respected actress, but though her life in the limelight seems glamorous, things are not going well for her off-stage. Julia's husband (Jeremy Irons) is unfaithful to her (and not especially discreet about it), her son is angry with her, and she's afraid she's losing her looks and allure as she advances further into middle age. In the midst of this, Julia meets a handsome and dashing young American named Tom (Shaun Evans). Tom makes no secret of his attraction to Julia, and the feeling is mutual, leading the two into a torrid affair. But, while Julia at first dives into this adulterous romance with little care for how it could affect her reputation, she becomes livid with rage when she learns that Tom is also involved with a younger actress (Lucy Punch), and is only using Julia to advance himself. Julia then plots an elaborate revenge against Tom in a scheme that will help her win back the pride and confidence life has recently stripped from her. Being Julia also stars Michael Gambon and Bruce Greenwood. ~ Mark Deming, Rovi
- Starring:
- Annette Bening, Jeremy Irons, (more)
- 1979
Confidence is set in wartime Hungary. Fugitives Peter Andorai and Ildiko Bansagi are married, though not to each other. In order to escape the Nazis, the pair must reluctantly pose as husband and wife. Their ever-growing mutual trust and respect eventually blossoms into love. Released in Hungary in 1979 and internationally the following year, Confidence was the recipient of the Berlin Festival Silver Bear award. ~ Hal Erickson, Rovi
- Starring:
- Ildikó Bánsági, Peter Andorai, (more)
- 1976
- R
Hungarian director Istvan Szabó's 1976 feature Budapest Tales (AKA Budapesti mesék) unfolds in a purely allegorical, dreamlike realm, rich with indigenous symbolism. Following some great catastrophic onslaught - its exact nature unknown - a number of individuals emerge from hiding and discover a dilapidated old trolley car awash on a river bank. They instinctively begin loading all of their worldly goods onto the vehicle and pushing it along its tracks, destination unknown. In time, even the concept of a destination becomes secondary to the trek itself, and a number of key events befall the passenger/participants: a few lose all energy and fall by the wayside; the travelers run headfirst into a river that runs across a section of track, and must break the trolley down and move the pieces across, one at a time; occasional accidents and calamities arise, including the arrival of brigands. The life cycle, however, continues unabated: while one of the passengers dies, sacrificing his own life to ensure the continuation of the journey, a woman on board gives birth to twins. In time, the passengers (who have painted the trolley yellow and designated it with the number '1') enter the vicinity of a massive city, and discover that theirs is only one of a large number of indistinguishable trolleys approaching the metropolis. Many critics read Budapest Tales as a metaphor for the post-WWII history of Hungary; its overall reception was somewhat poor. ~ Nathan Southern, Rovi
The second film in the trilogy made by director Istvan Szabo and actor Klaus Maria Brandauer -- hammocked between Mephisto and Hanussen -- Colonel Redl continues Mephisto's fascination with a man overwhelmed by history. In that film, Brandauer played an actor who tried to ignore the rise of the Third Reich, and here he's an ambitious military officer in pre-World War I Austria whose career path is set early on. In military school, he's forced to inform on a student who's the source of a practical joke; though he beats himself up for being a Judas, he soon realizes that to rise in the ranks he must overcome his peasant background and hide his homosexuality by ingratiating himself with his superiors. In time, he becomes Chief of Military Intelligence for the Austro-Hungarian empire.
Though he professes to hate politics and politicians, Redl also can't avoid them. When the leader for whom Redl is supposedly spying among the officer corps, draws up a list of who can't be exposed for traitorous activities (including Austrian nobles, Hungarians, Czechs, Serbs, Croatians, and even the usual scapegoats, Jews -- the aftershocks of the Dreyfuss affair are still rumbling), he tells Redl that he must find a double of himself, a Ukrainian. Now certain that he will be exposed, Redl surrenders to fate, quoting to his wife from Montaigne: "It's no sin to be involved. It's a sin to remain involved." Brandauer is a wonder as the self-loathing Redl, and Szabo's camera picks up every nuance on his expressive face. The film eschews music except for several party scenes, and the absence of a score is most effective in the final shots of Redl's fellow officers awaiting his fate. ~ Tom Wiener, Rovi
Though he professes to hate politics and politicians, Redl also can't avoid them. When the leader for whom Redl is supposedly spying among the officer corps, draws up a list of who can't be exposed for traitorous activities (including Austrian nobles, Hungarians, Czechs, Serbs, Croatians, and even the usual scapegoats, Jews -- the aftershocks of the Dreyfuss affair are still rumbling), he tells Redl that he must find a double of himself, a Ukrainian. Now certain that he will be exposed, Redl surrenders to fate, quoting to his wife from Montaigne: "It's no sin to be involved. It's a sin to remain involved." Brandauer is a wonder as the self-loathing Redl, and Szabo's camera picks up every nuance on his expressive face. The film eschews music except for several party scenes, and the absence of a score is most effective in the final shots of Redl's fellow officers awaiting his fate. ~ Tom Wiener, Rovi
- Starring:
- Klaus Maria Brandauer, Hans-Christian Blech, (more)
- 1992
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Emma has moved to Budapest from the countryside with her good friend Böbe, and both of them have taken jobs as schoolteachers. However, their wages are pitifully small, and all they can afford in the way of housing is a shared room in a boarding house near the airport. The two women have settled into their lives, but it isn't easy: Emma's sexual affair with the school's married principal is not emotionally satisfying, and Böbe's penchant for picking up foreigners and bringing them back to their room for sex creates unpleasant situations, to say the least. At school, it used to be clear what the quickest route to success was, but now that the communists are no longer in power, a lot of the senior people are floundering in uncertainty. Eventually, Emma gains the courage to strike out on her own. ~ Clarke Fountain, Rovi
- Starring:
- Johanna ter Steege, Peter Andorai, (more)
- 1997
Though Hungarian politics play a key role in providing the backdrop for this account of a young woman's life, the real focus is on the long-term romance between the woman and her married lover. The tale begins just before the outbreak of WW II. Franciska is a country girl working in a mansion. One day she is hiding out in a bomb shelter when she meets Lajos, her married neighbor. Something clicks between them and soon they spend every Sunday tooling about on his Harley Davidson. It doesn't take many such Sundays for the two to fall in love. But then the war erupts and Lajos, who is Jewish, suddenly disappears. Franciska doesn't see him again until she establishes herself in Budapest and gets a job as a servant in an apartment block. She is happy when Lajos suddenly shows up at her door and they are able to resume their weekly trysts. The relationship deepens, but she refrains from accepting his proposal because Lajos' wife is terribly ill. Later Franciska joins the newly established social police force and eventually rises through the ranks. She proves to be an excellent cop, and is adept at blithely ignoring the injustice she inadvertently supports until a sudden mysterious event changes everything. ~ Sandra Brennan, Rovi
- 1988
- R
Based on a true story, Istvan Szabo's Hanussen centers on an Austrian soldier (Klaus Maria Brandauer) who becomes clairvoyant after he is shot in the head during World War I. He is able to read minds and predict the future. Before long, he has foreseen Hitler and the Nazis' rise to power, and he soon finds himself in danger. Hanussen is the third of Szabo and Brandauer's collaborations, following Mephisto and Colonel Redl. ~ Stephen Thomas Erlewine, Rovi
- Starring:
- Erland Josephson, Ildikó Bánsági, (more)
Childhood sweethearts are reunited in France after they are separated during the 1956 Russian invasion of Hungary. Jansci (Andras Balint) boards a train bound for Paris to see Kata (Judit Halasz), who fled during the conflict. He recalls his past during the trip as he remembers the dead and the people like Kata who were forced to leave. The two engage in a passionate love affair that joins them after many years and allows them to reckon with their past. They attend a party where more Hungarian expatriates discuss their recollections of the invasion. The two lovers are content to be reunited and heal the wounds of the past. They both end up married to other people but often visit each other in the years to follow in this triumphant story of survival and emotional healing. ~ Dan Pavlides, Rovi
- Starring:
- Andras Balint, Judit Halasz, (more)
- 1991
- PG13
Meeting Venus is based on a play cowritten by the film's director, Istvan Szabo. Glenn Close plays a celebrated Swedish opera star Karin Anderson who is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Admidst all this chaos, the mismatched Anderson and Szanto fall in love. Filmed in Budapest, Meeting Venus was far from a box-office hit thanks in great part to an inadequate advertising campaign; hopefully it will gain the wide audience it deserves on videocassette. (PS: Glenn Close's singing is dubbed by real-life opera luminary Kiri Te Kanawa. We tell you this because the lyp-synching is done so well that you might actually believe that Close is performing those arias herself). ~ Hal Erickson, Rovi
- Starring:
- Glenn Close, Niels Arestrup, (more)
Based on Klaus Mann's novel, Mephisto details the rise of a Faustian character who figuratively sells his soul in exchange for greatness. Hendrik Hofgen (Klaus Maria Brandauer, offering an electric performance) is the star of a state-funded theater department who tires of his job. Like his friends, he pays lip service to socialist ideals fashionable for artists of his time -- that is, until the Nazis rise to power. He then sees an opportunity to achieve his objective of fame: he will perform propaganda plays and thereby use the Nazis as a vehicle to spread his name across the country -- only too late does he realize his mistake. This well-adapted version of the book featured the first teaming of Brandauer with director Istvan Szabo; they would later reunite to make Colonel Redl and Hanussen. Brandauer first gained attention in the U.S. after the film's release and would be cast as the villain in Never Say Never Again as a result. ~ Jeremy Beday, Rovi
- Starring:
- Klaus Maria Brandauer, Krystyna Janda, (more)
- 2006
A virtuous man discovers just how deep corruption can run, and how easy one can succumb to it, in this satiric comedy-drama from Hungarian filmmaker Istvan Szabo. When a scandal brings down the attorney general of a small but prosperous community near Budapest, Istvan Kopjass (Sandor Csanyi), a man with a clear record and impeccable ethics, is invited to take over the position. While his wife Lina (Ildiko Toth) is wary of the appointment and wants to avoid uprooting their children, Istvan is convinced he can make positive change and he accepts. However, only a few days after taking his new position, Istvan becomes aware of how challenging his job can be when the town's mayor (Oleg Tabakov) persuades him to abandon plans for a new tax schedule that would lower assessments for the poor. Istvan also discovers nearly everyone he meets claims to be some sort of distant relative, and as a consequence wants some sort of special consideration that he often finds difficult to refuse. Istvan's downfall begins when a less than honest banker (Karoly Eperjes) arranges for him to get a special deal on a large house in exchange for some favors, and things get much worse when the banker's attractive wife (Erika Marozsan) uses her charms to lure Istvan into some serious white collar crime. Rokonok (aka Relatives) was adapted from the novel of the same name by Zsigmond Moricz. ~ Mark Deming, Rovi
- Starring:
- Sándor Csányi, Ildiko Toth, (more)
A young man gains a new perspective on himself and his people during an unexpectedly complicated sojourn in Europe in this independent drama. Daniel (Ash Newman) is a teenager growing up in London; good looking and personable, Daniel enjoys a life of carefree hedonism, but deep inside he feels that something is missing. Daniel has a close relationship with his Jewish grandmother (Hadassah Unger Diamant), who serves as his confidante and conscience. Grandmother persuades Daniel to go to Europe in search of the grave of her late husband, who vanished during the pogroms of World War II. Daniel sets out for Paris, where his grandfather was last seen, but he soon finds himself on a journey that takes him through several nations as he is thrown into a number of unusual adventures. While searching for his grandfather, Daniel learns a great deal about himself and his heritage along the way. Ash Newman's performance in Shem earned him the Best Actor prize at the 2004 New York Independent Film Festival. ~ Mark Deming, Rovi
- Starring:
- Ash Newman, Hadassah Unger Diamant, (more)
- 1996
Made by Hungarian filmmaker Istvan Szabo as an entry in the Scottish BBC television series Director's Place -- a program devoted to offering insightful self-portraits of the world's great filmmakers -- this highly symbolic venture is more subtle than other entries in that it focuses not on Szabo directly but rather upon the historical events that shaped his life and viewpoint. The film begins in 1938 the of Szabo's birth and is largely comprised of documentary footage shot in Budapest's Hero Square from that point to the present. Many of the images, ie film reels being hacked apart with an axe to symbolize censorship, are quite metaphorical. ~ Sandra Brennan, Rovi
The fortunes of a family of Hungarian Jews are followed over the course of nearly 150 years in this epic historical drama, with leading man Ralph Fiennes playing three different roles. The story begins in the late 18th century, as Aaron and Josefa Sonnenschein (the name means "Sunshine" in German) die in an explosion while making an herb tonic for sale in their village. Their son Emmanuel (David de Keyser), the only survivor of the tragedy, travels to Budapest, carrying the recipe for the medicine with him. He's able to parlay the formula into a successful business, and Emmanuel and his wife Rose (Miriam Margolyes) raise two sons, Ignatz (Ralph Fiennes), who becomes a successful lawyer, and hot-tempered Gustave (James Frain). The Sonnenscheins also make room in their home for Valerie (Jennifer Ehle), but Emmanuel and Rose become furious when Valerie becomes romantically involved with Ignatz. Eventually, Valerie and Ignatz raise two children, Istvan (Mark Strong) and Adam (Ralph Fiennes), and the family changes its name to Sors in hopes of avoiding the anti-Semitism sweeping Europe. In time, Adam goes so far as to convert to Catholicism, and he marries another Catholic, Hannah (Molly Parker). He soon begins an affair with his brother's wife, Greta (Rachel Weisz), who is unable to persuade Adam to leave as the Nazis rise to power. Adam and Hannah have only one son, Ivan, who is fated to watch his father die in a concentration camp; as Ivan grows to adulthood (now played by Ralph Fiennes), he swears revenge on the forces of fascism and embraces Communism. Ivan throws in his lot with Communist leader Andor Knorr (William Hurt), but a liaison with the wife of a party official (Deborah Kara Unger) leads Ivan to tragic consequences and a jail term. In time, Valarie and Gustave are reunited at the family's estate as the only two members of the Sonnenschein clan who survive to witness the Hungarian Revolution in 1956. Hungarian director Istvan Szabo co-wrote Sunshine's original screenplay in collaboration with American playwright Israel Horovitz. ~ Mark Deming, Rovi
- Starring:
- Ralph Fiennes, Rosemary Harris, (more)
Set in Germany in 1946, Taking Sides tells the story of the investigation of Wilhelm Furtwängler (Stellan Skarsgård), the renowned conductor of the Berlin Philharmonic and Vienna Philharmonic orchestras, by the American occupying army. Major Steve Arnold (Harvey Keitel) has been told by his superiors that they want Furtwängler convicted of being a willing participant in the crimes of the Hitler regime, by virtue of his supposed support for and support from the Hitler government. They haven't got the time or resources to go after every ex-Nazi, so they want Furtwängler, as the biggest cultural target they can hit. Arnold does his loud, boorish best to first humiliate and then attack the conductor over the supposed favoritism that he was shown by Hitler, Goering, Himmler, et al. and his conducting of a concert at the 1934 Nuremberg rally and at Hitler's 53rd birthday. Arnold finds, to his eventual distress but not dissuasion, that nothing is as simple as he would like to make it. His civilian secretary, Emmi Straube (Birgit Minichmayr), a concentration camp survivor whose father was part of the German Army plot to kill Hitler, and Lt. David Wills (Moritz Bleibtreu), a German-born Jew representing the War Crimes Tribunal, keep trying to remind Arnold that life and politics in Germany only deteriorated gradually after 1933, and in ways that couldn't always be anticipated by those who were there. Germans who chose not to leave weren't necessarily casting their lot with Hitler, but with protecting what was decent or even great about Germany, including her orchestras and music. Arnold knows nothing about music and even less about Germany and her people, and won't be deterred from his goal. Wills and Straube wish to resign from working with him, until they realize that they're facing the same choice that Furtwängler faced -- to leave a horrendous situation and have no way of affecting its conduct or outcome, or remain and do their best to stand up for decency and truth. In the process of doing that, they find out that Furtwängler is not only a great artist -- which they knew already -- but a great and brave man, who also has his flaws. The latter include an outsized ego that may have caused him to participate a little too willingly at times in the dangerous game he played of maintaining the excellence of Germany's musical institutions while protecting them (and also many musicians) from the worst ravages of the Nazi regime, at the same time also keeping lesser, more compliant figures from usurping his control. ~ Bruce Eder, Rovi
- Starring:
- Harvey Keitel, Stellan Skarsgård, (more)
- 2002
Eight master directors of world cinema combine forces for this omnibus film that focuses cumulatively on the subject of time. Bookended by cello interludes, Ten Minutes Older: The Cello presents just one parameter to each of its filmmakers: no final entry can be more or less than ten minutes long. The resulting films run the gamut of styles and moods, beginning with Bernardo Bertolucci's Histoire d'Eaux, which presents an Indian fable about a mentor's impatience. In Mike Figgis' entry About Time 2, the director continues with the experimental structure he pioneered in Timecode; similarly, Jean-Luc Godard uses his time allotment to present a fractured series of clips on youth, death, and love. Another non-narrative entry, Volker Schlöndorff's The Enlightenment presents a series of images on racism. Claire Denis' effort Vers Nancy chronicles a philosophical discussion on time between a teacher and student on a train ride; in Jirí Menzel's Ten Minutes After, the effects of time on aging Czech actor Rudolf Hrusinsky are documented. In perhaps the film's most narrative-oriented segment, director Michael Radford offers up a sci-fi vision of an astronaut returning to earth to find that his son has aged faster than he has. Ten Minutes Older: The Cello is a companion piece to 2002's Ten Minutes Older: The Trumpet, which aired in the U.S. on the Showtime cable network. ~ Michael Hastings, Rovi
- Starring:
- Amit Arroz, Valeria Bruni-Tedeschi, (more)
In The Father (Apa), Hungarian filmmaker Istvan Szabo invests a great deal of poetry and warmth in a story that, in lesser hands, might have become a wallow in bathos. After his father is killed in World War II, a young Hungarian boy named Tako concocts a fantasy image of the parent he never really knew. Convincing himself of his father's unstinting bravery, the boy grows into a man (Andras Balint) who hopes to emulate his dad's heroism. During the 1956 uprising, our hero falls in love with Jewish refugee Anni (Kati Solyom). Apprised of the horrors experienced by Anni's people during the Holocaust, Tako decides to find out whether or not his father was truly the noble warrior he's imagined him to be. It turns out that the father was neither wholly good nor wholly evil, just an average Hungarian hoping to make the best of a difficult world. At long last, Tako is able to divest himself of his father's shadow and become a man on his own terms. ~ Hal Erickson, Rovi
- Starring:
- Andras Balint, Miklos Gabor, (more)
- 1989
In this Hungarian drama, a pair of thugs hold a dormitory full of girls hostage. ~ Sandra Brennan, Rovi
- Starring:
- Ary Beri, Gabor Svidrony, (more)
- 1994
Irony abounds in this Hungarian drama that chronicles the situation in the Balkans. The story begins in 1914 as Pal Utrius, an adolescent, is drafted into the military. Just before he leaves, he makes love to his sister. His letters to her provide the framework for his tumultuous inner thoughts. He can hardly bear the rough, rigorous military training. He gets out after an appendix operation. Unfortunately the medics used unsterilized instruments and he dies from infection. At the end of the film, the beginning of World War II is depicted. ~ Sandra Brennan, Rovi
- Starring:
- Mihaly Szabados, Ildiko Szucs, (more)
- 1972
This documentary covers the Democratic National Convention of 1972. ~ Rovi
- 1964
The Hungarian Age of Illusions was the first feature-film effort by writer/director Istvan Szabo. Andras Balint plays an electrical engineer who hops from bed to bed, never making any lasting commitment with any one woman. All this changes when he falls in love with a local celebrity whom he sees on television (Ilona Beres). Trouble is, he's never met her; like her other fans, he can assess her only by what he witnesses on the small screen. When he finally does touch base with the girl, he's in for a few surprises-some pleasant, many others not so. Completed in 1965, Age of Illusions was not given widespread distribution until 1967. ~ Hal Erickson, Rovi
- Starring:
- Andras Balint, Ilona Beres, (more)
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