David Susskind Movies

This presentation of The DuPont Show of the Month represented the first time that a novel by A.J. Cronin had been adapted for American television. In the early part of the 20th century, Canadian youth Paul Burgess (Farley Granger) discovers that his father, long believed dead, is languishing in a British prison, serving a life sentence for murder. Heading to England to get the full story, Paul is disheartened when everybody whom he meets assures him that his father was convicted fairly and squarely. On the verge of returning home, Paul comes into possession of an unexpected piece of evidence, sending him off to a new direction, with the hopeful end result of clearing his dad's name--much to the dismay of the other people involved in the case. "Beyond This Place" was originally telecast live. ~ Hal Erickson, All Movie Guide

This second presentation of the classic dramatic anthology Du Pont Show of the Month is a lavishly mounted adaptation of Mark Twain's historical novel The Prince and the Pauper. Although virtually every film version of this work has either cast twin boys in the roles of young Prince Edward and his ragamuffin lookalike Tom Canty, or has employed split-screen photography to convey the impression that one child actor is actually two different people, this production aired live and was unable to recruit twins at such short notice. Thus, Rex Thompson, best known for his portrayal of Prince Chulanlongkorn in The King and I, plays Edward, while the remarkably similar-looking Johnny Washbrook, previously the star of the TV series My Friend Flicka, plays Tom. Twain's familiar plot remains intact, with the royal Edward and the peasant Tom trading places, leading to all manner of complications for the high- and lowborn citizens of 16th century England. Heading what was advertised as "a cast of 60" is Christopher Plummer as Sir Miles Herndon, who while seeking revenge against the brother who betrayed him befriends the incognito Prince Edward; Hurd Hatfield as that evil sibling, Sir John; Rosemary Harris as the brothers' mutual sweetheart Lady Edith; and Sir Cedric Hardwycke as the scheming Earl of Hartford, who knows that the youngster claiming to be the Prince of England isn't anything of the kind. Also seen is a very young Patty Duke as Edward's sister Princess Elizabeth. "he Prince and the Pauper" was adapted for television by Leslie Slote, who spent much of the 1950s fronting for fellow writers who had been blacklisted. ~ Hal Erickson, All Movie Guide

While this original movie version of Lorraine Hansberry's award-winning play may have dated somewhat, it was groundbreaking when first released in 1961, and a wealth of future plays, films, and TV productions have taken their lead from this socially conscious drama about a struggling African-American family. Lena Younger (Claudia McNeil) is a strong, proud woman who has raised a family in a crowded apartment on the South Side of Chicago. Her son Walter Lee (Sidney Poitier) works as a chauffeur; intelligent and ambitious but impulsive and often angry, he desperately wants to get ahead in a world that offers him few opportunities. His wife Ruth (Ruby Dee) takes in laundry to help make ends meet and watches over their son. Younger daughter Beneatha (Diana Sands) is a college student who wants to become a doctor and often speaks of searching for her cultural identity. On the death of her husband, Lena becomes the beneficiary of a $10,000 life insurance payment, and suddenly the family is in conflict over how the money should be spent. Lena wants to use the money for a down payment on a house. Beneatha is hoping that Lena will help her pay for medical school. And Walter Lee wants to go into business with friends who plan to open a liquor store, which he's convinced will be a sure money maker. The cast, nearly all reprising their roles from the original Broadway production, offers a collection of superb performances; also keep an eye peeled for a young Louis Gossett Jr. as George Murchison. While Daniel Petrie's direction never takes A Raisin in the Sun very far from its roots as a stage play, it captures the power and tension of a strong ensemble cast working with an intelligent and moving script. ~ Mark Deming, All Movie Guide

A seven year old and his mother cope with his father's death in an auto accident. His grieving mother is in denial, and the rush of well-meaning relatives fails to help the situation. The boy observes the reaction of adults to the death of his father, taking refuge in the world and games of children to escape the sadness. Mary (Jean Simmons) slowly accepts her husband's death and begins to adjust to the devastating loss. The story is based on the Pulitzer Prize winning novel by James Agee. Robert Preston plays the friendly, ill-fated husband whose brother Ralph (Pat Hingle) is the local undertaker in this dramatic tear jerker. ~ Dan Pavlides, All Movie Guide

Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide

Martin Scorsese's first Hollywood studio production also marked his first (and only) foray into a woman-centered story. Alice Hyatt (Ellen Burstyn), a resigned Southwest housewife, takes advantage of her trucker husband's sudden death to hit the road with her bratty son Tommy (Alfred Lutter) and pursue her childhood dream of a singing career. She finds a job as a lounge singer, but after a horrific encounter with an abusive new beau (Harvey Keitel), she flees and winds up taking a waitress job at Mel's Diner, run by gruff cook Mel (Vic Tayback). With her career on hold, Alice soon finds strength and self-worth through her friendship with the other waitresses, saucy Flo (Diane Ladd) and spacy Vera (Valerie Curtin). When sensitive rancher David (Kris Kristofferson) starts courting her, Alice wonders if she wants to abandon her goals for domesticity again. To contrast Alice's dream life with her reality, Scorsese created a stylized opening sequence of Alice as a child reminiscent of The Wizard of Oz, Duel in the Sun and Gone With the Wind, before shifting into the present-day atmospheric immediacy of location shooting and scenes built out of improvisations. That opening sequence alone cost over twice as much as Scorsese's debut feature, Who's That Knocking At My Door?. ~ Lucia Bozzola, All Movie Guide

"Truth is whatever gets the loudest applause." Debunking western myths even more than he did in McCabe and Mrs. Miller (1971), Robert Altman's Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) sardonically explores the gap between western history and legend in show biz-obsessed America. Megalomaniac "Buffalo Bill" Cody (Paul Newman) assumes the legend created for him by writer Ned Buntline (Burt Lancaster), aided and abetted by his producer (Joel Grey) and his publicist (Kevin McCarthy), perpetuating myths of white triumph over savage "Injuns" in his Wild West show, as audiences cheer him on and buy his merchandise. But when Sitting Bull (Frank Kaquitts) joins the troupe with his interpreter (Will Sampson), his request for authenticity threatens to throw a wrench into the proceedings. Regardless of how Bill may feel about the facts, he must bow to the preferences of the paying public. ~ Lucia Bozzola, All Movie Guide

The winner of 11 Emmy awards, the made-for-TV Eleanor and Franklin stars Edward Herrmann as Franklin D. Roosevelt and Jane Alexander as Eleanor Roosevelt. The film traces the first four decades of the lives of cousins Franklin and Eleanor, beginning with their marriage in 1905. Conflicts loom in the form of FDR's domineering mother (Rosemary Murphy) and Eleanor's discovery of an affair between her husband and artist Lucy Mercer (Linda Kelsey). After Franklin is stricken by polio in 1921, Eleanor emerges as a formidable and influential public figure. James Costigan wrote the teleplay for Eleanor and Franklin, which first aired as a two-parter on January 11 and 12, 1976. The film was followed several months later by a multipart sequel, Eleanor and Franklin: The White House Years. ~ Hal Erickson, All Movie Guide

The superb made-for-TV drama Goldenrod invokes vivid memories of television's Golden Age of the 1950s. Tony LoBianco heads the cast as Jess Gifford, a former rodeo champion permanently sidelined by a crippling accident. Things get worse when Jess' wife Shirley (Gloria Carlin) walks out on him, leaving him to raise his two sons alone. Jess undergoes a great deal of soul-searching until, with the help of eldest son Ethan (Will MacMillan), he finally discerns a light at the end of the tunnel. Produced by David Susskind and filmed in Canada, Goldenrod debuted June 1, 1977. ~ Hal Erickson, All Movie Guide

Written by Loring Mandel, Breaking Up stars Gena Rowlands as a middle-aged housewife who, after 16 years of marriage, is asked for a divorce by husband Granville van Dusen. Once overcoming the shock and the bitterness, Rowlands must determine the future course for herself and her two children. Her efforts to set up her own fashion design business and to enter the dating pool are almost as traumatic as the initial separation. Adding to the dilemma is an increasingly large rift between Rowlands and her teen-age daughter, who holds her mom responsible for the marital discord. Breaking Up was telecast January 2, 1978 as an ABC Theatre presentation. ~ Hal Erickson, All Movie Guide

Lovey: A Circle of Children, Part Two is that TV movie rarity: a sequel that is every bit as terrific as the original. Jane Alexander repeats her role from 1977's A Circle of Children as a volunteer teacher specializing in autistic and emotionally disturbed children. Hannah (Kris McKeon) is an 11 year old child nicknamed "Lovey." The girl is given to loud, unexpected and quite violent tantrums, and for a long time it looks as though Ms. Alexander will never get through to her. The social worker's efforts to help Lovey put a severe strain on her off-hours love life. Despite the soap-opera trappings, Lovey: A Circle of Children shines with the light of truth from first frame to last, with Jane Alexander matching the brilliance of her earlier performance in the same role. Like A Circle of Children, this sequel was based on the autobiographical novel by Mary MacCracken. ~ Hal Erickson, All Movie Guide

A middle-aged husband must choose between his wife and family, and the younger woman he is having an affair with in the made-for-TV movie. ~ Sandra Brennan, All Movie Guide