David Susskind Movies

It could be said that without the incredible success of the ABC miniseries Holocaust in 1978, CBS might have thought twice before greenlighting the ambitious, three-hour TV docudrama The Wall four years later. Adapted by Millard Lampell from his own 1960 Broadway play, which in turn was inspired by John Hersey's 1950 novel, The Wall is the heartbreaking but inspiring story of the heroic Warsaw Ghetto Uprising of 1943. When it becomes obvious that every Jew in Poland is doomed to be shipped off to the Nazi work and death camps, some 650 members of the newly formed Jewish Fighting Organization mount a last, brave stand against nearly 3000 German soldiers. The story is told through the eyes of Warsaw Jew Dolek Benson (Tom Conti, in his first American TV appearance), who is a passive observer of the atrocities all around him until he learns the truth about the Nazi's "resettlement" program. Rachel Roberts, cast as a former schoolteacher, made her final appearance in this film; she passed away shortly after production ended. Filmed on location in Sosnowiec, Poland and first telecast February 16, 1982, The Wall earned a Peabody Award the following year. ~ Hal Erickson, Rovi

Based on Jane Adams' book of the same name, the made-for-TV Sex and the Single Parent stars Susan Saint James as Sally and Mike Farrell as George. Newly divorced from their respective spouses, both Sally and George intend to celebrate their independence by throwing sexual caution to the wind. But the couple's romance is complicated by their sense of obligation to their children. Accompanied by a raunchy ad campaign that promised much more than the film delivered, Sex and the Single Parent was first seen over CBS on September 19, 1979. ~ Hal Erickson, Rovi

This exhaustive (and exhausting) 3-hour TV movie dramatizes the last three months of Adolph Hitler's life, spent in his bunker in Berlin. Anthony Hopkins is repulsively riveting as Hitler, while Piper Laurie is even more frightening as fanatical Frau Goebbels. Joseph Goebbels (Cliff Gorman) feeds the Fuehrer's ego as the Nazi empire crumbles, while Albert Speer (Richard Jordan) defies him. The day before his suicide, Hitler legalizes his relationship with mistress Eva Braun (Susan Blakely). The film's plot extends beyond the suicide, with the triumphant allied forces arguing orver who has proprietary rights to Hitler's remains. First telecast January 27, 1981, The Bunker was based on Joseph O'Donnell's best seller, which in turn was based on first-hand accounts. ~ Hal Erickson, Rovi

Based on the book by Norman Klein, Mom, the Wolfman & Me stars Patty Duke, David Birney and Danielle Brisebois. Ms. Duke plays a free-lance photographer, the single mother of 11-year-old Brisebois. Both mother and daughter are "liberated" in the anything-goes-1980s sense. But Duke finds herself questioning her values (or lack of values) when she meets Brisebois' English teacher Birney, an uptight conservative save for his bushy beard (hence his nickname). Co-starring are Keenan Wynn and Viveca Lindfors as Patty's parents, and John Lithgow in a pivotal supporting role. Produced for TV's Operation Prime Time series, Mom, the Wolfman and Me was released for syndication starting October 20, 1980. ~ Hal Erickson, Rovi

Susan Sarandon gives a sprightly performance in this sex farce involving couples swapping mates. Shirley MacLaine is Evelyn, a doctor, who is spending some quality time horseback riding when she is spotted by Greg (Stephen Collins), who is driving his sports car. Greg looks at her a bit too long and crashes the car, and since Evelyn is a doctor, she feels free to ride up to the prone Greg and rip off his pants. Soon the two are having an affair behind the backs of Greg's TV weather-girl lover Stephanie (Susan Sarandon) and Evelyn's workaholic husband, Walter (James Coburn). When Walter finds out about the affair from Stephanie, the two decide to reciprocate and engage in an affair of their own. ~ Paul Brenner, Rovi

In this drama, an ambitious executive must decide whether or not to have a much needed heart transplant. ~ Sandra Brennan, Rovi

The 8-hour TV miniseries Blind Ambition was originally telecast May 20 through 23, 1979. This 105-minute feature-film version, prepared in 1982, seems a bit rushed at times, but overall does a credible and coherent job of storytelling. Based on John Dean's book Blind Ambition, with elements of Maureen Dean's Mo woven in by screenwriter Stanley R. Greenberg, this is the saga of the Watergate affair, as experienced by Dean (Martin Sheen) and hia wife Maureen (Theresa Russell). As the Nixon administration goes down in flames, the Deans' marriage is sorely tested-as is Dean's success-at-any-price credo. Rip Torn plays Nixon like something out of a Greek Tragedy; some viewers accepted his interpretation, others found it jarringly inaccurate. Others in the cast of "usual suspects" include Michael Callan as Charles Colson, Lonny Chapman as L. Patrick Gray, William Daniels as G. Gordon Liddy, Fred Grandy as Donald Segretti, Christopher Guest as Jeb Magruder, Lawrence Pressman as H. R. Haldeman, William Windom as Richard Kleindienst, James Greene as E. Howard Hunt, Logan Ramsey as J. Edgar Hoover, and Al Checco as judge John Sirica. Also known as The John Dean Story, Blind Ambition earned two Emmy nominations. ~ Hal Erickson, Rovi

Set in Illinois (and filmed in Canada), Home to Stay stars Henry Fonda as an aging farmer who resists the notion of moving into a nursing home. Fonda's son Michael McGuire would like to honor his father's wishes, but realizes that the old man is becoming increasingly unable to care for himself. Conversely, McGuire's teen-aged daughter Kristen Vigard feels that her grandpa is being unfairly shunted away. Together with her friend David Stambaugh, Vigard contrives to "kidnap" Grandpa and drive off to Chicago, there to get financial and emotional support from Kristen's aunt and uncle. Directed by television vet Delbert Mann, the made-for-TV Home to Stay was originally broadcast May 2, 1978. ~ Hal Erickson, Rovi

Made for television, Johnny We Hardly Knew Ye is based on the bestseller by Kenneth P. O'Donnell, David F. Powers and Joe McCarthy. The film is set in 1946: Paul Rudd plays 29-year-old John F. Kennedy, fresh out of the Navy and preparing for his first campaign for public office in Boston. He insists that he is running on the issues, but is hoping that his war record will do him some good as well. Kennedy's biggest hurdle is overcoming the perception that he's just another rich boy "slumming" with the Boston poor in order to win votes. Also appearing in Johnny We Hardly Knew Ye are William Prince as Papa Joe Kennedy, Burgess Meredith as "Honey Fitz" Fitzgerald, and Kevin Conway as Dave Powers. The film was first telecast January 27, 1977. ~ Hal Erickson, Rovi

Valerie Mahaffey plays a 19-year-old girl who nervously knocks at the door of middle-aged housewife Barbara Barrie. Barrie had given Valerie up for adoption at birth, and the girl wants to know why. By her mere presence, Mahffey threatens to tear apart Barrie's family, most of whom have no knowledge of her earlier indiscretion. Arthur Hill costars as Barrie's husband, while Barnard Hughes appears as her uncle, who is the only one who shares her secret. Tell Me My Name was originally telecast as a 90-minute GE Theater Special on December 20, 1977. ~ Hal Erickson, Rovi

James Herriot wrote several well-loved books about his experiences as a small-town veterinarian in the Yorkshire countryside of Britain in the 1930s. One of them gave its title to the film All Creatures Great and Small. That family movie was so successful that this movie It Shouldn't Happen to a Vet, or All Things Bright and Beautiful was made. All the stories told explore the richness of the interactions between humans and animals and the quirky wisdom which a young country veterinarian develops under the wise and eccentric tutelage of his senior in practice, Siegfried Farnon. These stories later inspired a popular BBC television series. ~ Clarke Fountain, Rovi

William Devane stars as John Henry Faulk, a popular radio and TV entertainer of the 1950s. In 1956, Faulk is blacklisted on the basis of an attack from the self-appointed anticommunist group AWARE. Fired by CBS, Faulk decides to sue AWARE for libel. His attorney Louis Nizer (George C. Scott) warns him that such a case will take several years to get to court, thus Faulk reluctantly takes a series of low-paying jobs to sustain himself during his "down period". In 1962, the case is finally brought before a judge, with several witnesses pointing out the idiotic iniquities of the Blacklist mentality (one child actor was prohibited from working because he had a name that sounded like that of an adult blacklistee). Appearing as themselves during the courtroom scenes are actress Kim Hunter, herself a blacklist victim, and producers David Susskind and Mark Goodson. Faulk wins his case, though his original award of $3.5 million in damages is later reduced to $550,000, and he is never able to completely return to his pre-blacklist prominence. Like several other filmic recreations of the "witch-hunt" era, Fear on Trial was first presented in the mid-1970s (October 2, 1975, to be exact), long after the most zealous of the 1950s anti-Red groups had fallen by the wayside. The film earned an Emmy award for screenwriter David Rintels. ~ Hal Erickson, Rovi

Martin Scorsese's first Hollywood studio production also marked his first (and only) foray into a woman-centered story. Alice Hyatt (Ellen Burstyn), a resigned Southwest housewife, takes advantage of her trucker husband's sudden death to hit the road with her bratty son Tommy (Alfred Lutter) and pursue her childhood dream of a singing career. She finds a job as a lounge singer, but after a horrific encounter with an abusive new beau (Harvey Keitel), she flees and winds up taking a waitress job at Mel's Diner, run by gruff cook Mel (Vic Tayback). With her career on hold, Alice soon finds strength and self-worth through her friendship with the other waitresses, saucy Flo (Diane Ladd) and spacy Vera (Valerie Curtin). When sensitive rancher David (Kris Kristofferson) starts courting her, Alice wonders if she wants to abandon her goals for domesticity again. To contrast Alice's dream life with her reality, Scorsese created a stylized opening sequence of Alice as a child reminiscent of The Wizard of Oz, Duel in the Sun and Gone With the Wind, before shifting into the present-day atmospheric immediacy of location shooting and scenes built out of improvisations. That opening sequence alone cost over twice as much as Scorsese's debut feature, Who's That Knocking At My Door?. ~ Lucia Bozzola, Rovi