Robert Surtees Movies

Margaret O'Brien, MGM's newest child sensation, was given her first starring vehicle with Lost Angel. O'Brien plays Alpha, who has been groomed to be a genius by a trio of well-meaning but misguided professors (Philip Merivale, Henry O'Neill and Donald Meek). Taking pity on the reluctant prodigy, police reporter Mike Regan (James Craig) takes it upon himself to "deprogram" Alpha and transform her into a normal, healthy child. In an effort to inflate this B picture into "A" proportions by increasing the running time, the scriptwriters contrive a silly subplot involving a gang of Runyonesque gangsters (headed by the ineluctable Keenan Wynn). Margaret O'Brien's appeal may be elusive to modern viewers, but she was a proven audience favorite back in 1944. ~ Hal Erickson, All Movie Guide

Two Girls and a Sailor is another of those all-star, no-plot wartime musicals turned out by the bushel basket in the 1940s. Its lack of nuance does not lessen its entertainment value in the least. Gloria DeHaven and June Allyson play a couple of well-meaning sisters who stage their own USO shows in their apartment for the benefit of visiting servicemen. They'd like to expand their show, so GI Van Johnson, who happens to be a millionaire, buys an empty factory and has it converted into a canteen. A trivial love triangle develops, but who cares? Bring on the stars! In the case of Two Girls and a Sailor, the celebrity lineup includes Jimmy Durante, Lena Horne, Jose Iturbi, Xavier Cugat, Grace Allen (performing her immortal "Concerto for Index Finger"), Harry James, Helen Forrest, and, in an amusing uncredited cameo, Buster Keaton (Also: keep a sharp eye out for Ava Gardner) ~ Hal Erickson, All Movie Guide

Billed third, Spencer Tracy plays Lt. Col. James P. Doolittle, who led the bombing raid over Tokyo. Most of the footage concerns pilot Ted Lawson (Van Johnson), who loses a leg while escaping from China after the attack; other subplots concern the meticulous preparations for the raid, and the individual exploits of those Doolittle flyers who crashed into the sea or were captured by the Japanese. ~ Hal Erickson, All Movie Guide

An earnest rural melodrama set among Norwegian immigrants in Wisconsin, Our Vines Have Tender Grapes is a slightly updated version of George Victor Martin's 1940 novel. Edward G. Robinson stars as Martinius Jacobson, a farmer devoted to his wife Bruna (Agnes Moorehead) and precocious seven-year-old daughter Selma (Margaret O'Brien), whom he lovingly calls "Jente Mi." Along with her freckle-faced five-year-old cousin, Arnold (Jackie "Butch" Jenkins), Selma lives a carefree, joyous life, which is only temporarily clouded by the sudden death of Ingeborg Jensen (Dorothy Morris), an emotionally disturbed young women whose stern father (Charles Middleton) had refused to let her attend school despite the pleas of newly arrived schoolmarm Viola Johnson (Frances Gifford). The latter is quietly falling in love with Nels Halvorson (James Craig), the town newspaper editor, but cannot envision herself as a rural wife. She changes her mind when, inspired by young Selma, the entire town of Fuller Junction come to the aid of Bjorn Bjornson (Morris Carnovsky), who has lost his livestock when lightning struck a newly erected barn. When Selma generously donates her pet calf to the impoverished farmer, the townspeople in general, and Martinius in particular, follow suit, prompting Viola to reconsider her harsh views of country life and retract her letter of resignation to the school board. ~ Hans J. Wollstein, All Movie Guide

In this WWII musical, a young hero and his buddy decide to celebrate his receiving the Medal of Honor by partying. He is terribly excited about seeing his fiancée again. Unfortunately, she has fallen for another in his absence. He is later consoled by a lovely radio singer. Songs include "All the Time" (Ralph Freed, Sammy Fain, sung by Pat Kirkwood), "Isn't It Wonderful" (Kay Thompson, sung by Kirkwood), "Love on a Greyhound Bus" (Thompson, Ralph Blane, George Stoll), "It'll Be Great to Be Back Home" (Charles Martin), "Old Sad Eyes" (Irving Kahal, Fain), "When It's Love" (Edgar De Lange, Nicholas Kharito), "Oye Negra" (performed by Xavier Cugat and His Orchestra). ~ Sandra Brennan, All Movie Guide

Filmed in 1946, Tenth Avenue Angel is yet another treacly vehicle for little Margaret O'Brien. The juvenile star is cast as Flavia Mills, an 8-year-old tenement dweller who insinuates herself into the lives of several down-and-outers, among them ex-convict Steve Abbott (George Murphy). Flavia's well-intentioned efforts to help Steve go straight, and to promote the blossoming romance between Steve and Susan Bratten (Angela Lansbury), are destined to hit several emotional roadblocks before the "End" title. Disillusioned by the contradictory behavior of her adult friends, Flavia eventually learns not to give up on the human race just because of a few setbacks. The Harry Ruskin/Eleanor Griffin screenplay was based on a story by Angna Enders, which in turn was based on a vaudeville sketch by veteran mystery writer Craig Rice. ~ Hal Erickson, All Movie Guide

In this lightweight musical comedy, Judy Foster (Jane Powell) and Carol Pringle (Elizabeth Taylor) are teenagers and best friends who find their loyalties tested when they both fall for the same good-looking older man, Stephen Andrews (Robert Stack). This situation is particularly troublesome for Judy, who already has a boyfriend, "Oogie" Pringle (Scotty Beckett), Carol's brother. Meanwhile, the girls join forces for a little sleuthing when Judy discovers that her father, Melvin Foster (Wallace Beery), has been spending time with Brazilian bombshell Rosita Conchellas (Carmen Miranda). Judy and Carol suspect hanky-panky, but actually Melvin is taking dancing lessons from Rosita as a surprise for his wife. A Date With Judy certainly offers your only opportunity to see Wallace Berry dance the mambo, and it also features a guest appearance by Xavier Cugat and his band. ~ Mark Deming, All Movie Guide

An unusually disturbing noir from a director better known for more mainstream fare like High Noon and From Here to Eternity, Act of Violence focuses on a WWII veteran haunted by his past. A film that was close to the director's heart, he said that it represented "the first time that I felt confident that I knew what I was doing and why I was doing it." Van Heflin stars as Frank Enley, a contractor living a peaceful life in a small California town, when Joe Parkson, a man who served in the army with him, arrives in the area, intent on killing him. He follows Frank to a lake where he's fishing but is unable to kill him. When a lakeside bartender tells Frank that a man with a limp is looking for him, Frank is frightened, realizing why he has come. He tells his wife, Edith (Janet Leigh), that Joe is a man who spent time with in a Nazi POW camp, who is now mentally ill, and that he intends to avoid him. When Frank goes to Los Angeles for a business convention, Joe arrives at his house and tells his wife that her husband is responsible for his injury and for the deaths of a number of men. Fearing for her husband's life, Edith heads for L.A. with Joe not far behind. ~ Michael Costello, All Movie Guide

Wallace Beery's final film was the curiously endearing "black comedy" Big Jack. Set in 1820, a time when "science was a crime and crime not yet a science," the film casts Beery and Marjorie Main as outlaws Big Jack Horner and Flapjack Kate. The two bandits rescue visionary young doctor Alexander Meade (Richard Conte), who is about to be hanged for body-snatching. Meade is a tireless campaigner for modern surgical methods, thus he is forced to steal cadavers for his experiments. Big Jack is only interested in having the doc operate on his injured leg, but pretty soon he too is captivated by Meade's idealism. The film's many subplots all come to a head when Meade must prove his surgical theories by performing a delicate operation. Throughout, the film displays a cheerful disregard for the "dignity" of the deceased. One lengthy sequence finds an unbilled Andy Clyde buried alive after being declared legally dead; he laughs uproariously about the misunderstanding, then promptly drinks himself to death! The punchline to this scene occurs when Clyde's widow finds his remains evenly distributed in several mason jars, whereupon she remarks, "Oh, paw, now they've gone and bottled ya!" Vanessa Brown provides the requisite love interest. ~ Hal Erickson, All Movie Guide

MGM's expensive remake of the 1937 British adventure film King Solomon's Mines stars Stewart Granger as fearless-explorer Alan Quartermaine, and Deborah Kerr as the spunky Irish lass who hires him on to locate her husband. Kerr's spouse has disappeared somewhere in Africa while attempting to unearth the long-lost diamond mines of King Solomon. Quartermaine wants no part of so risky an undertaking until Kerr waves 5000 pounds of sterling under his nose. Coming upon a Watusi tribe, the explorers discover that their taciturn native bearer (Siriaque) is actually a deposed Watusi king, who intends to wrest the throne back from his usurpers. Quartermaine uses his wits to quell the natives and keep his party from being killed on the spot. The group finally reaches King Solomon's Mines, where rests the bones of Kerr's late husband. The ending of this version of King Solomon's Mines doesn't pack the same ironic punch as the climax of the 1937 version, but this MGMization is more concerned with the blossoming romance between the leading man and leading lady than with full fidelity to the H. Rider Haggard novel on which it is based. King Solomon's Mines was filmed on location in Africa, which proved an excellent decision in the long run: for several years afterward, MGM adventure films like Watusi (1959) and Trader Horn (1973) were able to economically lift huge chunks of Technicolor stock footage from King Solomon's Mines. The property would be remade once more in 1985, this time as an Indiana Jones rip-off starring Richard Chamberlain and Sharon Stone. ~ Hal Erickson, All Movie Guide

Mickey Rooney returned to his "home" studio MGM, after a three-year absence, in the location-filmed melodrama The Strip. Rooney is cast as Stanley Maxton, an aspiring drummer who has the misfortune to fall within the orbit of bookie Sunny Johnson (James Craig). Out of the goodness of his heart, Stanley introduces aspiring actress June Tafford (Sally Forrest) to Johnson, hoping that the latter's Hollywood connections will help the girl find success. Stanley also quits the rackets to play drums at a nightclub owned by his pal Fluff (William Demarest). Things take a sorry turn when Johnson decides to make a play for June; Stanley interferes and gets beaten up by the bookie's goons. June's response to this outrage results in tragedy for everyone. The Strip is a surprisingly downbeat effort for producer Joe Pasternak, a man usually associated with happy, wholesome Technicolor musicals. The film is highlighted by jazz performances from Louis Armstrong, Jack Teagarden, Earl "Fatha" Hines and Barney Bigard. ~ Hal Erickson, All Movie Guide

Kirk Douglas plays the corrupt and amoral head of a major film studio in this Hollywood drama, often regarded as one of the film's industry's most interesting glimpses at itself. Actress Gloria Lorrison (Lana Turner), director Fred Amiel (Barry Sullivan), and screenwriter James Lee Bartlow (Dick Powell) are invited to a meeting at a Hollywood sound stage at the request of producer Harry Pebbel (Walter Pidgeon). Pebbel is working with studio chief Jonathan Shields (Kirk Douglas), whose studio is in financial trouble and needs a blockbuster hit. If these three names will sign to a new project, he's convinced that there's no way he can lose. But there's a rub -- all three of these Hollywood heavyweights hate Shields's guts. He dumped Gloria for another woman, he double-crossed Fred out of a plum directing assignment, and he was responsible for the death of James Lee's wife. All three are ready to tell Pebbel to forget it, until they hear the voice of Shields, calling from Europe to discuss the project by phone. The Bad and the Beautiful won five Academy Awards, including Best Screenplay and Best Supporting Actress for Gloria Grahame. ~ Mark Deming, All Movie Guide