Jule Styne Movies
A child prodigy, accompanist, and renowned composer for Broadway, films, television, and radio, Jule Styne has penned the music for some of America's best-loved and most enduring songs, including "Anchors Aweigh," "Let It Snow, Let it Snow, Let it Snow," and "People." One of the most prolific songwriter/composers in American theater, Styne specialized in creating songs especially suited for particular Broadway divas like Carol Channing and Barbara Streisand. Working closely with Frank Loesser and Sammy Cahn through the 1930s, 1940s, and 1950s, he also penned many movie songs. In 1954, he shared an Oscar for the title song "Three Coins in the Fountain." He later earned a Tony for Hallelujah Baby!, a New York Drama Critics Circle award, and two Grammys.Born Julius Kerwin Stein in London, he was still a child when he and his family emigrated to the U.S. A prodigy who had recieved classical training since early childhood, by age eight Styne was a gifted concert pianist and occasional soloist with the Chicago Symphony. After further studies at the Chicago College of Music, he played with various bands and accompanied such stars as Fanny Brice, Helen Morgan, and Al Jolson, for whom Styne wrote the song "Sunday" in 1926. In 1931, Styne formed his own band. By mid-decade he was a noted vocal arranger and was working in Hollywood as a songwriter and voice teacher to stars such as Shirley Temple and Alice Faye. During this period in Tinseltown, Styne made a name for himself with his upbeat, memorable tunes. In addition to working with Frank Loesser and Cahn, Styne frequently worked with such lyricists as Betty Comden, Adolph Green, Bob Merrill, Susan Birkenhead, and Stephen Sondheim. It was with the last that he created the memorable songs for the Broadway staple Gypsy. Originally starring Ethel Merman as the ultimate stage mother, Styne wrote the song "Rose's Turn" especially for her. For Carol Channing, who played Lorelei Lee in the 1949 production of Gentleman Prefer Blondes, he penned the sparkling "Diamonds Are a Girl's Best Friend," which later became one of Marilyn Monroe's most famous songs, as well as a hit for Barbara Streisand. For Streisand, he penned such energetic tunes as "Don't Rain on My Parade" (with lyricist Bob Merrill) in her breakout show Funny Girl. Shortly before his death of heart failure on September 20, 1994, Jule Styne was working on a revival of Gentlemen Prefer Blondes at the Goodspeed Opera House in Connecticut. ~ Sandra Brennan, All Movie Guide
Cathy Rigby stars as Peter Pan in this Broadway production of the beloved children's classic. Filmed at the Marquis Theater for a special A&E presentation, the performance features wonderful singing and dancing in such numbers as "I'm Flying," "I Won't Grow," and "Ugh-A-Wug." The shenanigans of Captain Hook, the delicate Tinkerbell, and the antics of the pirates and Indians will delight old fans of Peter Pan and new devotees alike. A&E will donate a portion of the proceeds from the sale of the video to the Peter Pan Children's Fund. ~ Sarah Block, All Movie Guide
- Starring:
- Cathy Rigby
Woody Allen's gentle and nostalgic tribute to the glory days of radio and coming-of-age during World War II plays like Fellini's Amarcord filtered through Neil Simon. The nominal star is Seth Green as Joe, a teenage Jewish boy, growing up with a house full of relatives in Brooklyn. Allen cuts between Joe's working class neighborhood of Rockaway Beach, Queens, and the glittery and glamorous world of radio in Manhattan. ~ Paul Brenner, All Movie Guide
- Starring:
- Mia Farrow, Seth Green, (more)
- 1977
- PG
In this comedy based on a play by Herb Gardner, a zany, disparate couple tries to beat the odds and stay together. The man runs a posh private school and cannot see why his lover prefers teaching in the Lower East Side where they were raised. The two temporarily split, and each of them has an affair. The experience teaches them that they are meant to be together. Unfortunately, when the humbled two return to their luxurious apartment, they again begin arguing. In the heat of anger, the man grabs the gun her father gave him and fires three shots into the ceiling. With the police sirens encroaching, the woman realizes that inside, he is still the wild and crazy guy she fell for years before, and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Marlo Thomas, Charles Grodin, (more)
"Hello, gorgeous!" was Barbra Streisand's first comment to the Oscar statuette which she won for her performance in this biopic of entertainer Fanny Brice. This is also her first line in the film itself, the catalyst for a movie-long flashback. Repeating her Broadway role, Streisand stars as legendary comedienne Brice (1891-1951), whose life until the mid-1920s is romanticized herein. A gawky New Yawker, Brice fast-talks her way into show business, certain that she's destined to be "The Greatest Star." Hired as a "dramatic" singer by impresario Flo Ziegfeld (Walter Pidgeon), Brice defies orders to play it straight, turning a "Beautiful Bride" tableau into a laugh riot by dressing herself up as an extremely pregnant newlywed. The stratagem turns Brice into an overnight star and the toast of Broadway. But all is not roses for Brice, especially in her turbulent private life as the wife of big-time gambler Nicky Arnstein (Omar Sharif). Nicky at first finds it amusing to be referred to as "Mr. Brice," but he begins to resent his wife's fame and fortune and starts taking foolish risks with other people's money. The film was nominated for 8 Oscars, including Best Picture and Kay Medford for her portrayal of Brice's mother, Rose. Funny Girl was produced by Ray Stark, Brice's real-life son-in-law, who had enough material left over for a sequel, 1975's Funny Lady. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbra Streisand, Omar Sharif, (more)
- 1965
Originally aired on the ABC Television Network on November 28, 1975, this leisurely musical comedy stars stage great Liza Minnelli in a modernized re-imagining of the Little Red Riding Hood fable. Everyone knows the tale of the little girl who was on her way to grandma's house when she encountered a vicious wolf, but what would the wolf have to say about the gruesome events that took place that fateful day in the forest? Scripted by Robert Emmett and featuring original music by Julie Stein and Bob Merrill, this playful take on the familiar story co-stars Cyril Ritchard as Lone T. Wolf, and Vic Damone as the heroic woodsman. Lead through the forest by prowling front man Eric Burdon, The Animals provide fitting musical accompaniment as the hard rocking Wolf Pack. ~ Jason Buchanan, All Movie Guide
- Starring:
- Liza Minnelli, Cyril Ritchard, (more)
- 1963
In this collection of clips from The Judy Garland Show, which ran for 26 episodes on CBS television in 1963 and 1964, the legendary singer and actress performs a number of songs, several of them collaborations with up-and-comer Barbra Streisand, grand dame Ethel Merman, and Garland's own daughter, the then-teenaged Liza Minnelli. Garland's solos include several of her signature numbers, from "I'm Nobody's Baby," which she performed as a fresh-faced MGM star in 1940's Andy Hardy Meets Debutante, to "The Man That Got Away," written especially for 1954's comeback vehicle A Star Is Born. Garland and Streisand alternate friendly banter about hating each other's talent with solo renditions and two extended medleys. The most famous of these pairings is their show-stopping combination of the standards "Get Happy" and "Happy Days Are Here Again"; Garland had performed the former in 1950's Summer Stock, while Streisand recorded the latter the same year the program aired. In another segment, Merman appears in the middle of the audience and joins Streisand and Garland for a leather-lunged rendition of "There's No Business Like Show Business." The Merman and Streisand footage was taped on October 4, 1963, for episode nine of Garland's eponymous program. A sequence featuring three duets and lots of clowning with Minnelli was taped a few months earlier, on July 16, for episode three. Several years after her program was cancelled, Garland was set to play Helen Lawson, a character based on Merman, for the film version of Jacqueline Susann's Valley of the Dolls; she was replaced, however, by Susan Hayward. Streisand would go on to star in her own remake of A Star Is Born, while Minnelli would mine her mother's legacy in her own repertoire. ~ Brian J. Dillard, All Movie Guide
Having made a bundle on their 130-episode package of Mr. Magoo TV cartoons, the folks at UPA studios decided to star Magoo in a 60-minute musical version of Charles Dickens' A Christmas Carol. First telecast over the NBC network on December 18, 1962, Mr. Magoo's Christmas Carol deftly uses the device of depicting Magoo as a famous Broadway star, returning to the stage to essay the role of Ebeneezer Scrooge. This "framing" device has, unfortunately, been eliminated from currently available TV and video versions of this hour-long animated special. Still, Magoo has plenty of time to shine as Scrooge, a role ideally suited for the character's crotchety demeanor and comic nearsightedness. The five original songs by Jules Styne and Bob Merrill are wonderful-far more so than the disposable score of the 1970 live-action Christmas Carol musical adaptation Scrooge. The principal voices are provided by Jim Backus as Magoo, Jack Cassidy as Bob Cratchit, Royal Dano as Marley's Ghost, and Joan Gardner, Morey Amsterdam and Paul Frees. Mr. Magoo's Christmas Carol served as the pilot for the 1964 animated anthology series The Famous Adventures of Mr. Magoo, wherein Magoo essayed such literary roles as Friar Tuck, Gunga Din, and all seven of Snow White's dwarves. ~ Hal Erickson, All Movie Guide
This Stephen Sondheim/Jules Styne/Arthur Laurents musical comedy Gypsy had been a Broadway smash with Ethel Merman in the lead. Based on the autobiography of striptease artist Gypsy Rose Lee, it centers on the antics of Mama Rose (here played by Rosalind Russell), the Stage Mother from Hell who prods and pushes her daughters June and Louise into a vaudeville career. Rose pins most of her hopes for fame on older daughter June (billed as "Dainty June"), while little Louise reluctantly goes along for the ride. Karl Malden plays the girls' agent, who falls in love with Rose but is ultimately turned off by her ruthless ambition. When June escapes the act to get married, Rose puts the unwilling Louise in the star spot, but vaudeville is dying and soon the only booking they can get is in a cheap burlesque house. The strippers take Louise under their wing and advise her that "You've gotta have a gimmick" to survive on the bump-and-grind circuit. The nervous Louise rises to stardom as stripper Gypsy Rose Lee, whose "gimmick" is to adopt a self-mocking attitude and to put on pseudo-sophisticated airs. Rose resents Gypsy's rise to the top, but a bravura eight-minute musical soliloquy reveals that Rose had forced her daughters on the stage because she wanted to live out her own dreams of stardom. Louise--aka Gypsy--is played by Diane Pace as a girl and by Natalie Wood as an adult; June (better known as June Havoc) is portrayal by Suzanne Cupito (later billed as Morgan Brittany) as a little girl and Ann Jillian as an adolescent. Most of the best songs, including "Let Me Entertain You," "Small World," and "Everything's Coming Up Roses," remain intact from the original Broadway production. Gypsy was remade for television in 1993, with Bette Midler as Rose. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Natalie Wood, (more)
Judy Holliday re-creates her Broadway role of flibbertigibbet telephone operator Ella Peterson in Bells are Ringing. Ella works for Susanswerphone, a hole-in-the-wall answering service run by her cousin Sue (Jean Stapleton). Our girl Ella can't help but become involved in the lives of her customers, which brings her to the attention of a dimwitted police detective, Barnes (Dort Clark), who suspects that Susanswerphone is a front for a house of ill repute. The cop is so obtuse that he never notices the story's genuine criminal, a flamboyant German bookie (Eddie Foy Jr.) who poses as a record executive and uses the names of composers as code for the various racetracks around the country. To avoid Barnes' wiretapping, Ella goes around New York in person to minister to the needs of her clients--most notably playwright Jeffrey Moss (Dean Martin), who is in danger of becoming an alcoholic if he can't come up with a good idea for a play. Assuming a false identity, Ella prattles on about some of her other clients, notably a dentist (Bernie West) who composes pop songs on his air hose. Moss is inspired by Ella, and eventually falls in love with her. Because she will not reveal who she really is to Jeffrey, Ella decides that her relationship is founded on lies, and walks out of his life. But Moss, together with the other Susanswerphone customers who have been "rescued" by Ella, show up at Ella's doorstep for a happy ending. Bells are Ringing is not an example of MGM's Arthur Freed unit at its best, but Judy Holliday is luminescent in this, her last screen role (incidentally, Holliday's "blind date" in one scene is played by her then boyfriend, jazz musician Gerry Mulligan). The film's songs, by Betty Comden, Adolph Green and Jule Styne, include the hit numbers "Just in Time" and "The Party's Over". ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Holliday, Dean Martin, (more)
- 1959
Joe De Rita makes his debut as the third Stooge in this rollicking slapstick comedy that has the three bunglers accidentally locking themselves into a rocket ship and blasting off to Venus. Once on the second planet they find fantastic life forms, including a verbose unicorn. They also find themselves called heroes and this of course leads to all kinds of comical chaos. Though made with a minimal budget, it revived the flagging career of the trio, who had just been re-discovered via television. Thanks to this film's success, the Stooges made five more feature films. ~ Sandra Brennan, All Movie Guide
- 1959
A European princess and her aunt come to New York to buy clothes for the royal coronation, Riff Manson (Jack Jones) is employed by unknown clothier and former junkman Brodine (Hans Conried) to sway the royals to purchase his designs. Broadway revue rehearsals and parties provide the backdrop for the musical selection. George Jessel plays himself and sings "Spring Is The Time For Remembering". The princess (Jo Morrow) sings "Let's Fall In Love". Jones sings the title tune. Other songs are performed by the Earl Grant Trio, The Treniers and The Nitwits, while Johnny Otis renders the classic rock & roll anthem "Willie And The Hand Jive". ~ Dan Pavlides, All Movie Guide
- Starring:
- Jo Morrow, Jack Jones, (more)
- 1956
Nanette Fabray and Joey Faye repeat their original Broadway roles in this live, 90-minute TV adaptation of the 1948 Jule Styne-Sammy Cahn musical comedy hit High Button Shoes. Based on a semi-autobiographical novel by Stephen Longstreet, the story is set in New Brunswick, New Jersey, in the year 1913. Returning to his home town after many years, glib con artist Harrison Floy (a part immortalized on stage by Phil Silvers, but played here by Hal March) hopes to find at least few people he hasn't already fleeced. Floy targets his former girlfriend Sara Longstreet (Fabray) and her husband Henry (Don Ameche), smooth-talking them into unwittingly participating in a land scam. As if that wasn't enough skullduggery, Harrison and his cohort Pontdue (Joey Faye) even try to fix the upcoming Princeton-Rutgers football game. The musical numbers include "I Still Get Jealous", "Papa Won't You Dance With Me?", "You're My Girl", "Nobody Ever Died for Dear Old Rutgers" and "The Cops and Robbers Ballet" (originally titled "The Mack Sennett Ballet until former comedy-movie producer Sennett sued for unauthorized use of his name). An abridged version of High Button Shoes was later staged as a 1966 episode of The Garry Moore Show. ~ Hal Erickson, All Movie Guide
My Sister Eileen is a Technicolor, musicalized remake of the 1942 comedy of the same name. It is not, however, the film version of the 1949 Broadway musical Wonderful Town, which was also based on the 1942 film. Adapted from the short stories of Ruth McKinney, the film stars Betty Garrett as aspiring writer Ruth Sherwood, and Janet Leigh as her gorgeous sister Eileen. Moving from Ohio to New York, the girls take up residence in a basement apartment, which seems to be a gathering place for every eccentric character in the Big Apple. Ruth tries to get her stories published, but handsome editor Bob Baker (Jack Lemmon) doesn't buy anything until Ruth stops trafficking in fiction and begins writing about her own experiences. Most of those experiences are predicated on the misadventures of would-be actress Eileen, who has an uncanny knack for attracting strange men--not to mention a whole heap of trouble. Dancer/choreographers Bob Fosse and Tommy Rall costar as a timid soda jerk and wise-guy reporter, respectively, but their "roles" are merely excuses for a steady stream of flashy musical numbers, penned by Jule Styne and Leo Robin. Even Jack Lemmon gets to sing in this sprightly film, which compares quite favorably to all the My Sister Eileen adaptations which went before and were still to come. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Leigh, Jack Lemmon, (more)
Adapted by playwright John Patrick from a novel by famed globetrotter/filmmaker John H. Secondari, Three Coins in the Fountain offers the splendors of Rome in Technicolor, CinemaScope and Stereophonic Sounds. For all its lovely picture-postcard images, the film is at base a reworking of 20th Century-Fox' favorite plotline: three pretty girls on the prowl for husbands. The three lovelies, who toss their coins in the Trevi fountain and wish for romance, include Dorothy McGuire, Jean Peters and Maggie McNamara. Before the film is over, secretary McGuire has wooed her boss, Clifton Webb, Peters has won the heart of a co-worker Italian translator Rossano Brazzi (despite being fired, in the process, for having an office romance); and McNamara finds happiness with prince Louis Jourdan. Three Coins in the Fountain won two Academy Awards: "Best Color Cinematography" (Milton Krasner), and "Best Song" (written by Sammy Cahn and Jimmy Van Heusen, and sung in the pre-credits sequence by an uncredited Frank Sinatra). The film was remade in 1965 as The Pleasure Seekers, and also served as the basis for a never-sold TV pilot starring Yvonne Craig, Cynthia Pepper and Joanna Moore. ~ Hal Erickson, All Movie Guide
- Starring:
- Clifton Webb, Dorothy McGuire, (more)
- 1954
The 1954 Martin-and-Lewis romp Living It Up is an amusing remake of the 1937 comedy classic Nothing Sacred. More specifically, it is the film version of the Broadway musical Hazel Flagg, which was based on Nothing Sacred. The heroine of the original undergoes a sex change to become feckless Homer Flagg (Jerry Lewis), who is led to believe that he's dying of radiation poisoning. Manhattan newspaperwoman Wally Cook (Janet Leigh), hoping to improve circulation of her paper, convinces her boss, Oliver Stone (Fred Clark), to fete Homer as a hero with an all-expenses-paid trip to the Big Apple. Meanwhile, Homer learns from local doctor Steve (Dean Martin) that he isn't dying at all. But Steve talks Homer into taking advantage of the celebrity treatment bestowed on him by Wally, and a good time is had by all -- until medical specialist Dr. Egelhofer (Sig Rumann) insists upon examining Homer. Highlights include a hilarious bit at Yankee Stadium, and an energetic jitterbug number featuring Jerry Lewis and Sheree North. The handful of songs retained from Hazel Flagg include "Every Street's a Boulevard in Old New York." ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is "diamonds are a girl's best friend." Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond's father (Taylor Holmes) to make certain that Lorelei isn't just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that's how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George "Foghorn" Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe's rendition of "Diamonds are a Girl's Best Friend," a production number later imitated by pop icon Madonna. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Marilyn Monroe, (more)
One man's good luck leaves a very bad impression in this comedy. Johnny Dalton (Frank Sinatra) and Mildred Goodhug (Jane Russell) are two tellers working at the same bank who have fallen in love and want to get married. However, neither is making much money, and Johnny doesn't want to set a date until he has some savings in the bank. Emil J. Keck (Groucho Marx), a pal of Johnny's who waits tables at a diner, suggests that it can't be that difficult to "find" some money in a bank, but Johnny prefers to stay on the straight and narrow. However, Johnny enjoys a sudden windfall after he happens upon "Hot Horse" Harris (Nestor Paiva), a racetrack tout being beaten up by ne'er-do-wells, and breaks up the fight. Grateful Harris places a bet on a "can't lose" horse in Johnny's name, and suddenly Johnny is $60,000 richer. But before Johnny and Mildred can enjoy their good fortune, word leaks out that someone has embezzled $70,000 from the bank, and the suddenly prosperous Johnny seems a likely suspect. Double Dynamite was produced under Howard Hughes' supervision at RKO, but bad blood between Hughes and Sinatra led to "Ol' Blue Eyes" receiving third billing for the film's leading role; the film also spent over a year on the shelf before finally hitting theaters. ~ Mark Deming, All Movie Guide
- Starring:
- Jane Russell, Groucho Marx, (more)
- 1951
Delilah and Jeff (Betty Grable and MacDonald Carey) are a successful show-business team, but less successful as husband and wife. Finding that her producer hubby is unfaithful, musical-comedy star Delilah walks out on him, heading for Miami, where she got her start. In the process, Delilah feigns amnesia, then inaugurates a romance with a Miami playboy (Rory Calhoun). His jealousy aroused, Jeff heads to Miami to reclaim his wife, but she leads him on quite a merry chase until she finally allows herself to get caught. One of several 20th Century-Fox musicals produced by comedian George Jessel, Meet Me After the Show is a standard-issue Betty Grable vehicle, highlighted by several sprightly musical numbers, including a captivating routine with Grable and an uncredited Jack Cole and Gwen Verdon. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, MacDonald Carey, (more)
- 1951
The Dakota Kid was the first of four Republic westerns built around the talents of preteen performers Michael Chapin and Eilene Jansen. In each of these films, Chapin played Red, the grandson of sheriff Tom White (James Bell), while Jansen co-starred as Judy, the boy's best friend and severest critic. Inevitably, the two kids would become involved in Big Trouble involving outlaws and such. In this film, Red and Judy reform the titular Dakota Kid (Dann Morton), who joins forces with them to rout the real villain, crooked saloonkeeper Ace Crandall (Robert Shayne). Featured in the cast as a schoolteacher is Margaret Field, the mother of Oscar-winning actress Sally Field. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Chapin, Eilene Janssen, (more)
- 1949
Part of the Roy Rogers series, this film focuses on Roy Roger's horse, Trigger, and his infatuation with a handsome palomino mare. When Trigger discovers the mare being beaten by her lowlife owner, he kills him, leaving Rogers to take the blame. However, it seems that Trigger's new girlfriend might be unwittingly involved in some underhanded activity. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Roy Rogers, Dale Evans, (more)
- 1949
Billy Wilder's future partner I.A.L. Diamond concocted the storyline for this Dennis Morgan/Jack Carson/Doris Day tunefest. Morgan and Carson, Warner Bros.' answer to Bing Crosby and Bob Hope, appear as themselves. Attempting to line up a director for their next picture, the boys find themselves unable to do so due to Carson's gigantic ego. Carson decides to direct their next vehicle himself; the next problem is locating a leading lady who'll be willing to put up with Carson. The boys discover Doris Day, a waitress in the Warner Bros. commissary. Carson and Morgan spend their entire shooting schedule vying over Day's affections; she gets fed up with this, and heads back to her home town in Wisconsin, there to marry her childhood sweetheart Jeffrey Bushdinkel--who is revealed in the final shot to be none other than Errol Flynn! Other guest stars popping in and out of It's a Great Feeling include Gary Cooper, Joan Crawford, Sidney Greenstreet, Danny Kaye, Patricia Neal, Eleanor Parker, Ronald Reagan, Edward G. Robinson and Jane Wyman. Also appearing as themselves are such Warner Bros. directors as David Butler (the real director of It's a Great Feeling), Michael Curtiz, King Vidor and Raoul Walsh. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis Morgan, Jack Carson, (more)
This cute film is Doris Day's film debut and in it she plays Georgia Garrett, a substitute traveller on an ocean cruise. Her friend Elvira Kent (Janis Paige) had scheduled the cruise but at the last minute cancels when she suspects that her husband is cheating on her and she decides to stay at home to check up on him. So she gets her friend Georgia to go on the cruise in her stead. Meanwhile the husband hires a detective to watch Elvira while on the cruise, because, he too, suspects cheating. Of course, the detective falls for the substitute Elvira (Doris Day), making a somewhat complicated scenario with many possibilities. This is a fun-filled spoof with lots of good tunes by Doris Day. ~ All Movie Guide
- Starring:
- Doris Day, Jack Carson, (more)
- 1947
No relation to the 1961 Jerry Lewis comedy of the same name, the 1947 musical Ladies' Man stars Eddie Bracken as the title character. It all begins when rural rube Henry Haskell (Bracken) inherits an oil fortune in Oklahoma. Enjoying his newfound wealth, Henry goes on a sightseeing tour of New York City, where he is quickly bamboozled into playing "Prince Charming" on a radio giveaway show (this plot device is a takeoff of the "Miss Hush" contest on radio's Truth or Consequences). The architect of this chicanery is ad agency exec Gladys Hayden (Virginia Field), who convinces Henry that she'll lose her job if he doesn't go along with the gag. Somewhere along the line, the plot is put on the back burner in favor of a steady stream of specialty numbers, performed by the likes of Cass Daley and Spike Jones & His City Slickers, the latter aggregation performing their classic Cocktails for Two." Eddie Bracken himself does a nice singing job with a pair of Jule Styne-Sammy Cahn numbers. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Bracken, Cass Daley, (more)
- 1946
Though Republic had decided to forego plans for an annual film edition of Earl Carroll's Vanities, their reciprocal deal with the Broadway impresario was still very much in effect in 1946: Hence the creation of the musical extravaganza Earl Carroll Sketchbook. The highly forgettable plot involves a serious composer named Tyler Brice (William Marshall) who "sells out" to write radio commercials. Artistically redeemed by heroine Pamela Thayer (Constance Moore), Brice decides to lend his talents-both as composer and singer-to producer Earl Carroll's newest nightclub revue (Richard Lane plays the Carroll character, here named Richard Starling). The Jule Styne-Sammy Cahn tunes are hardly classics, though "I've Never Forgotten" has possibilities. The film also revives Harold Arlen and Ted Koehler's "I've Got a Right to Sing the Blues", first introduced in the 1932 edition of Vanities. TV prints of Earl Carroll's Sketchbook have been retitled Hats Off to Rhythm ~ Hal Erickson, All Movie Guide
- Starring:
- Constance Moore, William Marshall, (more)
