Isabelle Carré

A young girl discovers the wonderful world of nature after taking her tentative first steps into the lush forest surrounding her family home in this cinematic fable that marks the first narrative feature film from the production team behind the Academy Award-winning documentary March of the Penguins. Produced by Yves Darondeau, Christophe Lioud, and Emmanuel Priou, director Luc Jacquet's film tells the tale of a young girl who follows some fox tracks to get her first true glimpse of nature. ~ Jason Buchanan, All Movie Guide

An innocent looking beauty uses her deceptively timid appearance to destroy the lives of strangers and friends alike in director Michel Spinosa's portrait of one woman's shocking descent into self-destruction. Despite the fact that Anna (Isabelle Carré) always appears calm and collected on the outside, beneath her skin boils a simmering cauldron of delusion and despair. When concerned but married Dr. Andre Zanevsky (Gilbert Melki) helps Anna to regain her mental footing following a near-fatal suicide attempt, the disturbed patient tragically misconstrues his professional kindness as passionate romantic advances. But Dr. Zanevsky has been nothing but professional ever since Anna began treatment, leaving him deeply disturbed to discover that she has interpreted every small friendly gesture as a declaration of undying love. Though Dr. Zanevsky does his best to convince Anna that he is happily married, she soon begins stalking him from around every corner, snooping through his mail, and trying to convince his wife that he no longer loves her. Later, after Anna lands a job as a nanny in the apartment just above Dr. Zanevsky and his wife, she manages to find a way into their apartment and leaves a clue that she's never far away. Realizing that her disturbed daughter is no longer in control of her own thoughts, Anna's mother (Genevieve Mnich) reluctantly has her committed. But Anna won't be dissuaded from her goal quite so easily, and soon sets out to convince him of her love once and for all. ~ Jason Buchanan, All Movie Guide

French helmer Christian Vincent's quirky labyrinthine comedy Quatre étoiles (AKA Stars, 2005) opens with a comely young girl named Franssou (nicknamed France) stumbling into a highly promising set of circumstances. Though France's great-great aunt feels less than completely enchanted with her, she wills the young girl an inheritance of 52,000 Euros ($62,000.00) on her deathbed. Upon receiving the money, France promptly ditches her dishwater-dull beau and high-tails it to a posh hotel in Cannes, where she falls into the lap of Stephane - a pushy flim-flam artist eager to pass himself off as Elton John's front man, then to hit France up for 30,000 of the Euros. Though France sees right through his ploy, she (surprisingly) agrees to the request - but nothing can compare Stephane for the conditions that France will impose - or for the genuine feelings that France begins to harbor for him. Or does she? Screen vet François Cluzet co-stars; Vincent co-authored the script with Olivier Dazat. ~ Nathan Southern, All Movie Guide

He Loves Me ... He Loves Me Not is a black comedy with a dramatic twist. Talented art student Angélique (Audrey Tautou) is wildly in love with Loïc (Samuel Le Bihan of Brotherhood of the Wolf), a married cardiologist whose wife, Rachel (Isabelle Carré) is expecting their first child. She sends him mash notes and gifts, and tells her friend, Héloïse (Sophie Guillemin of With a Friend Like Harry...) that, despite appearances, Loïc plans to leave his wife. Angélique also ignores the attentions of her lovesick friend, David (Clément Sibony), who begins to resent the way Loïc treats Angélique. As Angélique grows less discreet in her affections, Loïc's home life begins to fall apart. His wife grows suspicious, and then miscarries. His career is jeopardized when a patient accuses him of assault. All the while, Angélique is desperate to be by his side. About 40 minutes in, writer/director Laetitia Colombani's film reverses perspective, showing the preceding events from Loïc's (very different) point-of-view. ~ Josh Ralske, All Movie Guide

The foibles of a group of genial eccentrics scattered through the city of Nantes set the stage for this comedy-drama, taking place during one particular Wednesday. Martin Socoa (Vincent Lindon) is a well-meaning loser juggling more than his share of problems when, after a marathon card game, he remembers it's his day to look after Victoria (Victoria Lafaurie), his daughter from his first failed marriage. It's an especially bad day for Martin to play babysitter; he needs to close an important deal at work, he has a court date involving unpaid alimony, and his girlfriend (Catherine Frot) thinks its time she gave him the boot. Meanwhile, a group of kids discover a three-year-old who has managed to wander away from his parents, and they watch after him for the rest of the day, preferring not to get any grownups involved. Elsewhere, as Chief of Police Pelloutier (Olivier Gourmet) has to deal with unrepentant shoplifter Marie Therese (Armelle), his wife Marie (Anne Le Ny) prepares for a trip out of town related to her position in the Navy, even though she's in the last month of pregnancy. And two pairs of love-struck teenagers each figure out their own ways to slip away from their parents as they set out for a romantic trip on the Loire River. The film's French title, Mercredi, Folle Journee!, roughly translates into English as Wednesday -- Crazy Day!; one unstated plot point that may be lost on audiences outside Europe is that many French schools are traditionally closed on Wednesdays. ~ Mark Deming, All Movie Guide

A screwball comedy that covers one week in the lives of a group of Parisians, Ca Ira Mieux Demain relies on chance encounters between its characters to propel its plot. Included amongst the characters are two girls, Annie (Sophie Guillemin) and Marie (Isabelle Carre); Marie's mother Elisabeth (Jeanne Balibar); the bourgeois and anal-retentive Sophie (Nathalie Baye) and her husband Xavier (Jean-Pierre Darroussin); and the put-upon Franck (Didier Bezace), who is constantly being harangued by his wife, Celine (Nathalie Besancon), about his unhealthy eating habits. ~ Rebecca Flint Marx, All Movie Guide

While pioneering pre-feminist author George Sand has been the subject of several film biographies focusing on her ten year relationship with Frederick Chopin, Les enfants du siècle looks at an earlier period in Sand's life, in particular her stormy romance with poet Alfred de Musset. In the early 1830's, Baroness Dudevant (Juliette Binoche) has abandoned her husband and arrives in Paris with her children in tow as rioting divides the city. The Baroness decides to reinvent herself and pursue a career as a writer; she renames herself George Sand, begins wearing clothes modeled after men's suits, and smokes cigarettes while penning manifestos denouncing marriage and affirming a woman's right to sexual satisfaction. Alfred de Musset (Benoit Magimel), a noted author, finds her brash nature fascinating, and they become first friends, then lovers as he helps her craft her literary efforts. However, Sand is six years older than de Musset, which leads to a severe conflict with his family; the couple heads to Venice in search of escape and inspiration, but Alfred decides that he prefers the city's brothels to George's company and that they should keep separate rooms from now on. George makes the acquaintance of an Italian doctor, Pagello (Stefano Dionisi), with whom she has a passionate affair; the realization that he's driven her into the arms of another man proves too much for Alfred, who returns to France. Eventually, George leaves Pagello and gives Alfred another chance, a decision she comes to regret. Les Enfants du Siecle had its world premiere at the 1999 Toronto Film Festival. ~ Mark Deming, All Movie Guide

Can a gay man find happiness with the mother of Jesus Christ? Mario $Gregoire Colin) is a openly homosexual hairdresser who one day meets Marie-Helene (Isabelle Carre) when he sees her singing beside a tree in a park. They get to know each other and Mario discovers Marie-Helene believes she is the Virgin Mary; though obviously pregnant, she says no man had anything to do with her unborn child. Marie-Helene also needs a place to live, so Mario brings her home, which comes as a shock to his step-mother (Carmen Maura) and half-sister, who aren't used to seeing Mario socializing with women, let along pregnant virgins. However, Marie-Helene's kindness and grace soon wins everyone over, even if her story is less than convincing. This surreal fable was the directorial debut for filmmaker Jean-Claude Janer. ~ Mark Deming, All Movie Guide

This gently satirical French comedy centers on the resulting brouhaha that erupts when the preadolescent daughter of a very conservative bourgeoisie couple gets the chance to appear in a raucous music video starring a raunchy, aging female rocker. When pipe-puffing patriarch and solid citizen Brice learns that his daughter Clemence has been to selected for the music video with tacky has-been rocker Gloria, he nearly comes unglued. His prim wife, Benedicte, the organist for the local congregation, has a different perspective and understands her daughter's eagerness. She quietly agrees to secretly accompany Clemence during the shoot. Once there, the two are filmed dancing around and having fun. Neither realize that they will become special-effects victims by time production on the film ends and find themselves apparently dancing amongst men who but for the presence of small rubber sea creatures, would be buck naked. Poor Benedicte is appalled and so launches a campaign to save the family reputation. ~ Sandra Brennan, All Movie Guide

This sumptuous French drama offers episodes from the notorious life of 18th century socialite and playwright Pierre-Augustin Caron de Beaumarchais. The story begins in the 1770s with a rehearsal of his "The Barber of Seville." Young friend of Voltaire, Philipp Gudin introduces himself to the great playwright and offers to become his personal secretary. He then becomes the adventurous Beaumarchais' keeper as the author gets involved in a variety of situations including a duel with an angry husband, his battle with the corrupt French government and a serious long-term affair with Marie-Theres de Willer. It all comes to a climax when King Louis XV assigns the playwright a secret mission to London. There he must find and retrieve a damning document from transvestite aristocrat Chevalier D'Eon. Unfortunately, Beaumarchais gets tangled up with supporting American rebels and ends up tossed in jail. Louis XVI sees that he is finally released and then the writer becomes an arms smuggler for American revolutionaries. All of his activities bankrupt him and so Beaumarchais must return to writing plays. ~ Sandra Brennan, All Movie Guide