Edward R. Pressman Movies

One man's role in the long battle to outlaw slavery in the United Kingdom sets the stage for this historical drama from director Michael Apted. In 1784, 21-year-old William Wilberforce (Ioan Gruffudd) was elected to the British House of Commons, and soon established himself as a politician with a conscience. Several years later, his close friend William Pitt (Benedict Cumberbatch) became prime minister, and together they made a bold plan to introduce a bill banning slavery before the English legislature. Wilberforce was aided by anti-slavery activists Olaudah Equiano (Youssou N'Dour) and Thomas Clarkson (Rufus Sewell); however, pro-slavery hard-liners Lord Tarleton (Ciarán Hinds) and the Duke of Clarence (Toby Jones) spearheaded a hard-fought opposition to the legislation, and despite Wilberforce's best efforts, his bill went down in defeat. In 1797, Wilberforce left politics due to poor health and a battered spirit; staying at the country home of his friends Henry and Marianne Thornton (Nicholas Farrell and Sylvestra Le Touzel), he became acquainted with Barbara Spooner (Romola Garai), a beautiful woman with progressive views. Spooner became deeply infatuated with Wilberforce, and she encouraged him not to give up on his noble goals; with her help, Wilberforce launched a second campaign to persuade England's lawmakers to end the slave trade. Amazing Grace made its North American premiere as the closing-night gala attraction at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

If police lieutenant Harvey Keitel's life could get any more sordid, he could probably sell tickets. The least of his vices is gambling, which has gotten him in Dutch with the mob. He abuses his body with drugs and his soul with hookers, and now he's turned to exploiting teenage girls for sex. Keitel is forced to reassess his life while investigating the rape of a nun. Director Abel Ferrara co-wrote the screenplay with Zoe Lund, who as Zoe Tamerlis starred in Ferrara's cult classic Ms. 45. A soundtrack tune by rapper Schoolly D, which was included in the initial release of Bad Lieutenant, featured a sample from Led Zeppelin which was used without permission; the song has since been excised from the soundtrack. ~ Hal Erickson, All Movie Guide

"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. Inaugurating the use of voice-over narration that he would continue in Days of Heaven (1978) and The Thin Red Line (1998), Malick juxtaposes Holly's flat readings of her flowery romance-novel diary prose with the banal and surreal details of their journey. Singularly inarticulate with each other, Kit and Holly are more intrigued by mythic celebrity gestures, as Holly peruses her fan magazines and Kit commemorates key moments before orchestrating a properly dramatic capture for himself (complete with the right hat). The sublime visuals lend a dreamlike beauty to the couple's trip even as their actions are treated casually; Malick neither glamorizes Kit and Holly nor consigns them to the bloody end of their fame-fixated predecessors in Bonnie and Clyde (1967). With the couple's opaque dialogue and Holly's fanzine dream narration, Malick further denies an easy explanation for their crimes. Made for under 500,000 dollars, Badlands debuted at the 1973 New York Film Festival, along with Martin Scorsese's Mean Streets, and was released within months of two other outlaw-couple road movies, Steven Spielberg's The Sugarland Express and Robert Altman's Thieves Like Us. Although Badlands did not make an impression at the box office, its pictorial splendor and cool yet disquieting narrative established Malick as one of the most compelling artists to come out of early-'70s Hollywood. ~ Lucia Bozzola, All Movie Guide

Megan Turner (Jamie Lee Curtis) is a rookie cop who witnesses a robbery in progress on her first night on the job. With her more experienced partner using the men's room, Megan decides to take action on her own. She creeps into the supermarket where a man (Tom Sizemore in a small role) is holding the clerk at gunpoint. Megan gets close enough to shoot the gunman, and calls out for him to drop his weapon. He spins the gun toward her, and she unloads her service revolver into his chest. His gun goes flying, and a bystander, Eugene Hunt (Ron Silver), surreptitiously picks it up and takes it home. Megan's superiors, unable to confirm that the man she shot was armed, suspend her. Eugene, a wealthy commodities broker, becomes obsessed with Megan. He sets up an "accidental" meeting between them and begins dating her, romancing her with fancy restaurants and helicopter rides over Manhattan. He also carves her name into the bullets he uses to gun down strangers in the street. A tough homicide detective, Nick Mann (Clancy Brown of The Shawshank Redemption), gets Megan's gun and badge back so she can help him track down the psycho killer. Eventually, Megan realizes that Eugene is the killer, but he uses his money and influence to elude the law, and he starts coming after Megan's friends and family. Megan's determination to bring Eugene to justice quickly becomes a very personal obsession. This intense cop drama, Blue Steel, was director Kathryn Bigelow's major studio follow-up to her well-received indie vampire flick, Near Dark. Bigelow co-wrote both films with Eric Red (The Hitcher). ~ Josh Ralske, All Movie Guide

In this arch sci-fi sex comedy-cum-action extravaganza, a hard-nosed female mercenary helps a hapless yuppie find a new body for his robot girlfriend in the post-industrial wasteland of the American Southwest. In the year 2017, what little remains of civilization feeds off the scrap heap of 20th century waste, while even casual sex has become a matter of regulations and contracts. Like many other members of the L.A. white-collar elite, Sam Treatwell (David Andrews) takes refuge in a quasi-marriage with his beloved sex robot, Cherry (Pamela Gidley). After a soft-focus, bubbly sexcapade short circuits Cherry's body, Sam considers replacing her, but the shoddy production values of modern robots make it obvious that the vintage appliance is irreplaceable. To put it simply, the guy's in love. The wistful romantic therefore heads out to The Zone, a forbidding no man's land, where he hopes to find a new "chassis" in which to insert Cherry's unique personality chip. To do so, he needs the help of a "tracker," and E. Johnson (Melanie Griffith) is just the woman for the job. The gun-toting, red-headed road warrior leads Sam through a dystopian desert landscape full of psychopaths and opportunists toward their final destination: an abandoned warehouse full of antique androids. Along the way, Sam learns what it's like to interact with a woman who has brains and a heart instead of a microchip. Filmed in 1986, Cherry 2000 didn't receive its limited theatrical release until 1988, the same year star Griffith received an Oscar nomination for her role in Working Girl. Griffith and director Steven de Jarnatt previously worked together on the pilot for the 1980s revival of Alfred Hitchcock Presents. Ben Johnson, veteran of many a Hollywood Western, appears as E. Johnson's mentor, Six Finger Jake. ~ Brian J. Dillard, All Movie Guide

John Milius's jingoistic direction and pulpy screenplay fit perfectly into this film version of the Robert E. Howard fantasy story of the sword and sorcery hero, Conan the Barbarian. Complementing Mulius's heavy metal production is Arnold Schwarzenegger's leaden acting, which in any other context would be deadly, but here (as in The Terminator) corresponds nicely with the whole sonorous project. The story begins when a horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. The Wheel of Pain seems to have as its only purpose the building up of Conan's muscles, so it's no surprise that one day Conan grows up to become Arnold Schwarzenegger. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom (James Earl Jones), the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria (Sandahl Bergman) and Subota (Gerry Lopez). The trio comes upon a weird snake cult, linked to Doom, and Conan wants to trek off to Doom's mountain retreat to kill him. But he is prevented from doing that by King Osrik (Max Von Sydow), who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills. ~ Paul Brenner, All Movie Guide

In a slapstick spoof of hitmen and crime stories, the head of a security systems company (Hamid Dana) is bumped off by two gonzo exterminators (Brion James and Paul L. Smith) who have gone from stomping out pesky varmints to stomping out human targets, and one of them does so with gusto. Now the exterminators go after the partner who hired them and his blatantly obnoxious wife (Louise Lasser) and in the meantime frame a poor security guard (Reed Birney) for the murder of the company boss. The tale is told in flashbacks, as the security guard has been tried and convicted and is shown at the beginning, about to be executed. ~ Eleanor Mannikka, All Movie Guide

Years before Coma, Jurassic Park, and Twister made him a household name, Michael Crichton co-wrote this amiable drug-oriented comedy, based on a novel Crichton co-authored with his brother Douglas under the pen name Michael Douglas. Peter (Robert F. Lyons) is a shaggy but straightlaced Harvard law student who feels the need for some rebellion in his life (and could use some extra money), so he takes up the offer of mid-level drug dealer John (John Lithgow) to ferry a load of marijuana from California back to Boston. En route, Peter meets Susan (Barbara Hershey), a comely hippie with whom he falls in love. Peter helps Susan avoid a drug bust and she decides to head back to Boston with him, but she finances the trip by arranging to bring back a stash of her own. At the airport, Susan runs afoul of Murphy (Charles Durning), a crooked narcotics cop who steals half the pot and attempts to blackmail her. Dealing featured the screen debut of John Lithgow; Demond Wilson (who later starred in Sanford and Son) and musician Buzzy Linhart also
appear. ~ Mark Deming, All Movie Guide

A man discovers that what he doesn't know can hurt him, especially when it comes to his wife, in this suspense drama. Ray Reardon (James Spader) is an architect who has just gone through a messy divorce; while his friends sing the praises of the single life, Ray would prefer to settle into a life of middle-class domesticity with a home, wife, and family. Ray meets a beautiful but mysterious woman named Lena (Madchen Amick) at a party, and for him it's love at first sight; while she remains elusive, Ray pursues her avidly, and before long he proposes, even though he doesn't know her especially well. A few years later, they're seemingly happily married with children. But Lena's behavior starts to become erratic and depressive, and she is no longer willing to account for where she's been or what she's been doing. Ray is convinced that Lena has been having an affair and begins doing some research into her past; he soon discovers her previous life bears little resemblance to what she told him and that she's been lying to him about nearly every part of her history and their relationship. Lena contends that she's just "a regular screwed-up person," but in time, Ray realizes that there's a purpose behind her duplicity: she's trying to convince people that he is insane. Dream Lover was the directorial debut of screenwriter Nicholas Kazan. ~ Mark Deming, All Movie Guide

While a number of American and European films have examined the horrible legacy of the Third Reich and the Holocaust, Du Sollst Nicht Toeten is one of the first dramatic films from Germany to examine the crimes of the Nazi era and their impact on the German psyche. Peter Rohm (Kai Wiesinger) is a successful lawyer living in Berlin with his wife Rebekka (Karoline Eichhorn). One day, Peter receives an unusual package in the mail -- a Nazi officer's uniform. Puzzled, Peter does some research which suggests that the uniform once belonged to fugitive war criminal Josef Mengele. Peter is soon visited by a mysterious stranger named Mueller (Heinz Trixner), who slips him a powerful drug. When he awakes, Peter is in Argentina, where he's introduced to an elderly man who has lived for years under the name Heinz Baumgarten, but announces that he is in fact Joseph Mengele (Goetz George). Mengele has decided to return to Germany to stand trial for war crimes, and he wants Peter to represent him; Peter reluctantly agrees. As the German media goes into a frenzy and angry demonstrations crowd the streets, Mengele calmly argues that he was merely a research scientist whose work ultimately aided humanity, and that no firm evidence links him to any murders. While a handful of eyewitnesses offer support to the accusations against Mengele, no one seems able to present hard evidence that contradicts Mengele's claims. Adapted from a screenplay by American writers Christopher Riley and Kathleen Riley (which no U.S. producers were willing to film), Du Sollst Nicht Toeten so impressed Goetz George that he helped finance the film to the tune of one million marks; Kai Wiesinger was also enthusiastic about the material and waived his usual fee in order to aid production of the picture. ~ Mark Deming, All Movie Guide

Never released in the theaters, this film consists of a series of short skits and parodies of television and the movies, and stars Richard Belzer, Martin Mull, and Harry Shearer. The film's 1981 production date explains the presence of Joan Hackett, who died in 1983. ~ Iotis Erlewine, All Movie Guide

The always innovative Taviani Brothers pay homage to another unique filmmaker, D. W. Griffith, in Good Morning, Babylon. Vincent Spano and Joaquim de Almeida star as Nicola and Andrea Bonnano, the latest in a long line of Tuscany-born cathedral builders. Emigrating to America, the brothers settle in Los Angeles in 1915, even as director Griffith (Charles Dance) is preparing his epic production Intolerance. The boys are hired to help construct the massive sets for the film's Babylonian sequence (hence the title), for no other reason than the fact that Griffith is impressed by Italian craftsmanship. As the film progresses, Nicola and Andrea assimilate to their new surroundings, even launching a romance with a pair of pretty movie extras. On the verge of continuing the family tradition, the boys' ambitions are cut short by events well beyond their control. Still, their past artistic accomplishments, like those of their forebears, survive the ages -- but only on the ethereal silver screen. ~ Hal Erickson, All Movie Guide