Claudie Ossard

Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. Paris, Je T'Aime features 18 short stories, each set in a different part of Paris and each featuring a different cast and director (two segments were produced by two filmmakers in collaboration). In "Faubourg Saint-Denis," Tom Tykwer directs Natalie Portman as an American actress who is the object of affection for a blind student (Melchior Belson). Christopher Doyle's "Porte de Choisy" follows a salesman (Barbet Schroeder) as he tries to pitch beauty aids in Chinatown. Nick Nolte and Ludivine Sagnier are father and daughter in "Parc Monceau" from Alfonso Cuarón. Animator Sylvain Chomet turns his eye to a pair of living, breathing mimes in "Tour Eiffel." An interracial romance in France is offered by Gurinder Chadha in "Quais de Seine." In "Le Marais" from Gus Van Sant, a man (Gaspard Ulliel) finds himself falling for a handsome gent (Elias McConnell) who works in a print shop. Isabel Coixet tells the tale of a man (Sergio Castellitto) who is making his final choice between his wife (Miranda Richardson) and his lover (Leonor Watling) in "Bastille." Juliette Binoche plays a grieving mother in Nobuhiro Suwa's "Place des Victoires," in which she's greeted by a spectral cowboy (Willem Dafoe). Richard LaGravanese's "Pigalle" finds a long-married man (Bob Hoskins) turning to a prostitute for advice on pleasing his wife (Fanny Ardant). Gérard Depardieu and Frédéric Auburtin direct Gena Rowlands and Ben Gazzara as longtime marrieds meeting for one final pre-divorce encounter in "Quartier Latin." Steve Buscemi learns a lesson about local etiquette in the Paris Metro in "Tuileries" from Joel and Ethan Coen. In "Loin du 16ème" by Walter Salles, a housekeeper (Catalina Sandino Moreno) longs for her own child as she tends to the infant of her wealthy employer. Elijah Wood stars in "Quartier de la Madeleine," a vampire tale from Vincenzo Natali. Wes Craven presents another fantasy in "Père-Lachaise," in which an engaged young man (Rufus Sewell) receives romantic advice from the spirit of Oscar Wilde (Alex Payne). A postal worker from Colorado (Margo Martindale) shares her thoughts on her visit to Paris in mangled French in Alexander Payne's witty "14th Arrondissement." Other segments include "Place des Fêtes" from Oliver Schmitz, Bruno Podalydès' "Montmartre," and "Quartier des Enfants Rouges" by Olivier Assayas, which stars Maggie Gyllenhaal. Paris, Je T'Aime received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

One woman decides to change the world by changing the lives of the people she knows in this charming and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie (Audrey Tautou) is a young woman who had a decidedly unusual childhood; misdiagnosed with an unusual heart condition, Amelie didn't attend school with other children, but spent most of her time in her room, where she developed a keen imagination and an active fantasy life. Her mother Amandine (Lorella Cravotta) died in a freak accident when Amelie was eight, and her father Raphael (Rufus) had limited contact with her, since his presence seemed to throw her heart into high gear. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature. When Princess Diana dies in a car wreck in the summer of 1997, Amelie is reminded that life can be fleeting and she decides it's time for her to intervene in the lives of those around her, hoping to bring a bit of happiness to her neighbors and the regulars at the cafe. Amelie starts by bringing together two lonely people -- Georgette (Isabelle Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique Pinon), an especially ill-tempered customer. When Amelie finds a box of old toys in her apartment, she returns them to their former owner, Mr. Bretodeau (Maurice Benichou), sending him on a reverie of childhood. Amelie befriends Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. And Amelie decides someone has to step into the life of Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time carnival spook-show ghost who collects pictures left behind at photo booths around Paris. Le Fabuleux Destin D'Amelie Poulain received unusually enthusiastic advance reviews prior to its French premiere in the spring of 2001, and was well received at a special free screening at that year's Cannes Film Festival. ~ Mark Deming, All Movie Guide

This visually inventive French sci-fi/fantasy tale began winning a cult following practically from the moment it was released. Krank (Daniel Emilfork) is a foul, monstrous creature who lords over the inhabitants of a small island; Krank's emotional being is every bit as ugly as his physical personage, largely because he does not have the ability to dream. However, he has developed a machine that can drain the dreams of others from their heads, and he devotes himself to kidnapping children from a nearby harbor town so that he can steal their pleasant dreams. Denree (Joseph Lucien) is one of the children who has been spirited off to the island; Krank discovers that he's an even bigger problem than he imagined when his big brother One (Ron Perlman), a harpoon-wielding mountain of a man, sets out on a rescue mission. Once he arrives on Krank's island, One encounters a brain in a fish tank that has learned to talk, a group of clones who can't decide who is the original, a pair of Siamese twins, an octopus that guides a group of orphaned thieves, and a girl named Miette (Judith Vittet) who says she can guide One to Denree. ~ Mark Deming, All Movie Guide

In 1950, Jozef watched the communists assume control over his native Hungary. He was too young to have an opinion about it, but he was mightily impressed all the same. Now it is 1968, and he is a young man. When the Russian tanks come rolling through his village on their way to suppress the stirrings of freedom in Prague, he does what he can to ensure that he's in good odor with those who will inevitably come out on top. This meandering political drama is apparently an exploration of opportunism, but reviewers gave it low marks for clarity of exposition. ~ Clarke Fountain, All Movie Guide

Jean-Jacques Beineix's Betty Blue stars Béatrice Dalle as the title character, a mentally unbalanced woman who becomes involved with Zorg (Jean-Hugues Anglade), a repairman who is working on a novel. Betty is a free-spirited, sexually aggressive woman who loosens up the lonely Zorg. The two engage in a variety of sexual encounters, and grow more passionate toward each other. Betty finds Zorg's book and is aggressively supportive. Her instability starts to catch up with the couple after she murders Zurg's boss, and burns down the house they were sharing. They try one last fresh start, but Betty may be too far gone. ~ Perry Seibert, All Movie Guide

This run-of-the-mill, musical documentary covers two concert performances of the French rock group Telephone. In addition to the songs at the concert, there are interviews with the four members of the group (three men and one woman) to fill out background information. Director (Jean-Marie Perier) uses split screens in both the musical and interview footage, sometimes to advantage and sometimes just distracting. The most appreciative audiences for this rockumentary will likely be the group's fans. ~ Eleanor Mannikka, All Movie Guide