Laurence Olivier

Acclaimed Shakespearean thespian Claire Bloom takes viewers on a made-for-TV romp through the women's roles of William Shakespeare in script, stage, and screen, many of which Bloom herself played in the decades of her classical theatrical career. Not only does Bloom read some of her most prized excerpts from her favorite of the famous playwright's works, but she also gives commentary to short screenings from some of the most famous film adaptations of his work, including herself with Laurence Olivier in 1955's Richard III. Other plays cited in this presentation include Hamlet, The Merchant of Venice, and As You Like It. In addition to chronicling some of the great works of Shakespeare, this video also toasts the career of the actress made famous by his work, and chronicles her successes, interpretations, and lifetime achievements in the arts. ~ Karen Solomon, All Movie Guide

This made-for-cable documentary traces the filming of the imperishable classic Gone with the Wind, from its inception to its triumphant Atlanta premiere in December of 1939. Filmmaker David Hinton interviews as many survivors of the experience as he's able to round up, but the main attraction of this film is its precious "test" clips. We watch a montage of screen tests of the many actresses considered for the role of Scarlett O'Hara, ranging from such front-runners as Paulette Goddard to such not-a-chancers as Lana Turner. The Goddard footage is particularly enjoyable as we watch her eagerly reciting the lines of all the characters as she auditions for Scarlett. The documentary also turns up several tantalizing bits of trivia, notably the fact that the film was shown to a preview audience with an entirely different musical score (portions of which are played on the soundtrack). There is, of course, very little suspense involved in Making of a Legend, but even those who've heard all the Gone With the Wind factoids from other sources will watch in fascination as the saga unfolds. This documentary was produced by David Selznick's sons, and written by iconoclastic movie historian David Thomson. ~ Hal Erickson, All Movie Guide

In one of his last film appearances, Laurence Olivier portrays an elderly painter who has locked himself away from the world in a crumbling French chateau. Olivier is not quite a hermit; he enjoys the attentions of two nubile admirers, played by Greta Scacchi and Toyah Willcox. This situation is disturbed by the arrival of young transient Roger Rees. Ebony Tower was based on a novel by John Fowles, who has made a career of creating enigmatic characters trapped in prisons of their own making. The film was originally produced for British television. ~ Hal Erickson, All Movie Guide

Laurence Olivier trots out his late-career German accent once again, playing Rudolf Hess in this sequel to Wild Geese. Richard Burton was set to star in the film, but when he died, Edward Fox was brought in as a replacement, playing Burton's younger brother. (the film is dedicated to Burton). The story concerns John Haddad (Scott Glenn), who is hired by a television company to engineer the kidnapping of Rudolf Hess from Spandau prison. Helping him with his assignment are the brother and sister team of Kathy (Barbara Carrera) and Michael Lukas (John Terry). The mercenaries hopes to force Hess to divulge hidden Nazis secrets left unrevealed since World War II. ~ Paul Brenner, All Movie Guide

Shakespeare's tragedy, made for British television, is given a full-blooded rendition here with the great Laurence Olivier in the title role and a stellar cast to support him, in the tale of a king torn apart by the ambition and treachery within his family and by his own pride. ~ Mark Hockley, All Movie Guide

John Mortimer's autobiographical play Voyage 'Round My Father was given a class-A TV adaptation in 1984. Mortimer, best known for his Rumpole of the Bailey stories, has fashioned an unexpurgated but affectionate portrait of his highly eccentric lawyer father Clifford Mortimer, played by Sir Laurence Olivier. Alan Bates costars as the younger Mortimer, who must deal with his father's decreasing ability to take care of himself. This was Olivier's second major TV appearance of 1984: the first was King Lear. Filmed in Britain, Voyage 'Round My Father was syndicated to American TV outlets as part of the Mobil Showcase Network series. ~ Hal Erickson, All Movie Guide

Originally a nine-hour British miniseries, this film on the last four decades in the life of Richard Wagner may have taken its long-winded cue from the lengthy operas of the famous 19th-century German composer and musical theorist -- the Ring des Nibelungen is 14-15 hours in itself, divided into four separate operas. This biographical film begins when Wagner is first recognized for his work, yet in that same year, 1848, he was forced out of his homeland for his radical politics (he supported the unification of separate kingdoms under one Germany) and settled in Zurich for awhile. Focusing on character traits that are well-known and would not endear him to anyone, the film details his bigotry (a confirmed anti-Semitic), his insensitivity, and his obsession with money -- he went after the bottom line even if it meant losing friendships or ruining his marriage. Although Wagner is known for his music theory and the contribution he made to opera during his lifetime, very little attention is given to his actual works in this film. Venerable British thespians (Laurence Olivier, John Gielgud, Ralph Richardson, Vanessa Redgrave, Joan Plowright, and Richard Burton as Wagner) light up the cast but not always with the same brightness. In the final analysis, the slow-paced story is simply too long in the telling, and even the visually sumptuous costumes and production design cannot make up for a slow script, uneven acting, and problems in direction. The film version runs 300 minutes. ~ Eleanor Mannikka, All Movie Guide

The eschewing of modern optical effects techniques in favor of the classic stop-motion animation work of special effects legend Ray Harryhausen was a delightful highlight of this action adventure that attempted to give Greek mythology the Star Wars (1977) treatment. Harry Hamlin stars as Perseus, a mortal who, due to the interference of the mighty god Zeus (Laurence Olivier), finds himself in the city of Joppa, far away from his island home. There, he falls in love with Andromeda (Judi Bowker), an imprisoned princess. To free her, win her hand, and thus half of the kingdom, Perseus solves a riddle, but Joppa's enraged ruler orders Andromeda fed to the Kraken, a towering sea monster that's the last of the powerful Titans. In his quest to save Andromeda, Perseus must endure a series of trials with the help of the winged horse Pegasus and a friendly playwright, Ammon (Burgess Meredith). His ultimate goal is to secure the head of the grotesque Gorgon named Medusa and use it to turn the Kraken into stone, but dangers await, including the hideously deformed Calibos (Neil McCarthy). ~ Karl Williams, All Movie Guide

Pop singer Neil Diamond stars in this ill-begotten second remake of Al Jolson's seminal 1927 musical The Jazz Singer. The moth-eaten story concerns a cantor's son who desires success as a pop singer, despite the wishes of his imperious father. The film takes place in the present day with Yussel Rabinowitz (Neil Diamond) playing a young (though middle-aged looking) cantor performing at the synagogue of his father (Laurence Olivier). Yussel is married and has settled down to a life of religious devotion to the teaching of his fath. But on the side, he writes songs for a black singing group, and when a member of the quartet takes ill, Yussel covers for him at one of their gigs by wearing blackface! The nightclub engagement is such a success that Yussel abandons his family -- and his father's synagogue -- and leaves his New York home for Los Angeles, hoping to break into the music business. Almost immediately he is spotted by spunky agent Molly Bell (Lucie Arnaz), who books him as an opening act for a touring comic. Yussel hits it big, but his father resents Yussel's forsaking their traditional Jewish ways. His father disowns him, rending his garments and bellowing, "I hef no son!" ~ Paul Brenner, All Movie Guide

In the late '70s, Frank Langella starred in the hit Broadway play Dracula, written by Hamilton Deane and John L. Balderston. Langella's charisma and the surreal, black-and-white sets designed by cartoonist Edward Gorey were the chief outstanding features of the play, which was otherwise undistinguished. While this film production of the play boasts performances by stage veterans Lord Laurence Olivier and Donald Pleasance, as well as Frank Langella as the suavest of counts, it was neither a critical nor a box-office success, doubtlessly because expectations ran too high. One highlight of this production is its skillful use of special effects. The standard story of Bram Stoker's original novel is re-created here: the undead count arranges to move from his home in Transylvania to Whitby, and once there, a reign of terror begins. He is opposed by the canny Doctor Van Helsing (Laurence Olivier), who eventually triumphs. ~ Clarke Fountain, All Movie Guide

Based on the novel by Harold Robbins, this is the story of Loren Hardeman, Sr., a Midwestern automobile manufacturer (Lord Olivier) who pins his future on The Betsy, a "wonder car" named after his daughter (Kathleen Beller). The Betsy is designed to last practically forever, which doesn't rest well with the "planned obscolence" mindset of the auto industry. Flashbacks cover his career from his 40s to the present, when he is in his 90s. Hardeman, Sr. has a weak-willed son, Hardeman, Jr., (Robert Duvall) who is forced into taking charge of the family business. ~ Hal Erickson, All Movie Guide

Because director Franco Zeffirelli noted publicly that he intended to depict Jesus Christ as a human being rather than a religious icon, his expensive made-for-TV miniseries Jesus of Nazareth fell victim to protestors long before its April 3, 1977, debut. Despite the pullout of several sponsors, Jesus of Nazareth was aired as scheduled, sweeping the ratings in the process. In avoiding the usual overproduced Hollywood approach to the Gospels, Zeffirelli offers one of the most sensitive and reverent portrayals of Jesus ever seen on film. In the title role, Robert Powell heads a huge international cast, which includes Olivia Hussey as Mary, Peter Ustinov as Herod the Great, Christopher Plummer as Herod Antipas, Michael York as John the Baptist, James Farentino as Simon Peter, Donald Pleasence as Melchior, James Earl Jones as Balthazar, Ian McShane as Judas, Anne Bancroft as Mary Magdalene, Rod Steiger as Pontius Pilate, James Mason as Joseph of Arimathea, Anthony Quinn as Caiaphas, Laurence Olivier as Nicodemus, Ernest Borgnine as the Centurion, and Claudia Cardinale as the Adulteress. Filmed in England, Tunisia, and Morocco, Jesus of Nazareth was scripted by Zeffirelli, Anthony Burgess, and Suso Cecchi D'Amico. It originally aired in two three-hour segments, telecast Palm and Easter Sunday of 1977 as part of NBC's Big Event anthology. ~ Hal Erickson, All Movie Guide